Get ready for USA UP ALL NIGHT month!

All September long, this site will be looking back at part of our teens and twenties. USA Up All Night was a major part of our lives from 1989 to 1998, airing on Friday and Saturday nighst from 11 p.m. to 5 a.m. Whether you were stuck at home or just getting back from the bar, there were so many movies that you could watch. In fact, so many of the films that are part of my genre education were watching on this show.

Check out this Letterboxd list to see what I mean. You can also challenge yourself and see how many of them you’ve seen — I’m 288 out of 729 movies — with this quiz.

USA Up All Night started on January 7, 1989, with Gilbert Gottfried hosting on Saturdays from New York City. The first two movies? Cheerleaders Beach Party and Stuck On You! After a few months, the Friday night show was filmed in Los Angeles and hosted by actress/comedian Caroline Schlitt from another USA Network show, Camp Midnite. Both of these shows replaced the beloved Night Flight but only USA Up All Night was worthy of continuing the weirdness that late night USA was known for.

When Schlitt left the program in December of 1990, she was replaced by the iconic Rhonda Shear on Friday nights. She also hosted a Spanish version in 1993 for Latin American audiences!

Sadly, in 1998, USA came under the new management of Barry Diller. He wanted a less strange and more upscale viewership for USA. Many of the long-running series were soon gone, but the USA Up All Night name and imagery continued without Gilbert or Rhonda until 2002. Sadly, the movies shown were mainstream films that you could see anywhere.

From December 1988 to February 1998, there were nine hundred episodes of this program. While many don’t consider this show in the same category of other horror host programs, in truth it had a longer lifespan than many of them and it was on a larger network.

Get ready. I have an entire month planned. And if you have a memory of the show, write to me. I’d love to feature it on the site.

GENREBLAST FILM FESTIVAL 2023: Fat Fleshy Fingers (2023)

Fat Fleshy Fingers is an anthology film that draws its inspiration from the lyrics of Neutral Milk Hotel’s seminal psychedelic folk album In the Aeroplane Over the Sea. It’s made up of all-new segments directed by alumni filmmakers of the Sick ’n’ Wrong Film Festival. The thread that ties it all together is the appearance of “a nasty little sexually transmitted parasite that bestows otherworldly effects on its host.”

Starting with “The King of Carrot Flowers,” directed and written by Sophia Cacciola, interprets the song in quite a strange little way. I mean, it is a song that has the lyrics, “And this is the room / One afternoon I knew I could love you / And from above you, how I sank into your soul / Into that secret place where no one dares to go.” Somehow that involves Michael St. Michaels from The Greasy Strangler telling his dying granddaughter to tell people to go fuck themselves and a mummy.

Other segments include “Oh Comely” directed by Rebecca Daugherty and Anthony Cousins (who also made the quite good Every Time We Meet for Ice Cream Your Whole Fucking Face Explodes), Heather Cunningham’s “The Point When You Let Go,” Some Stranger’s Stomach” by Michael Elliot Dennis, Lauren Flinner’s “We Move to Feel,” Sara Nieminen and Artturi Rostén’s “The Fool,” “Blow Dee Sky Jesus Christ” by director Zach Strum and writer Michah Vassau and Iris Sucres’ “All the Different Ways to Die.”

“So make all your fat fleshy fingers to moving / And pluck all your silly strings and bend all your notes for me,” are the words of one of the many songs that inspired this film. I’d compare it to the latest of the late night Adult Swim with no filter or anything holding anyone back. If you love the album that it comes from or experimental animation or just need your mind exploded, this is ready for you.

Fat Fleshy Fingers was watched as part of The GenreBlast Film Festival which is from August 31 to September 3. All screenings for GenreBlast are held at the Alamo Drafthouse Cinema in Winchester, Virginia. Passes are on sale through The Alamo Drafthouse Winchester. Learn more at the official site.

GENREBLAST FILM FESTIVAL coverage starts tonight!

The GenreBlast Film Festival is entering its’ sixth year of genre film goodness. It’s a one-of-a-kind film experience created for both filmmakers and film lovers to celebrate genre filmmaking in an approachable environment. Described by Movie Maker Magazine as “summer camp for filmmakers, ” this festival screens the latest in independent, cult, niche and underground films that aren’t easily accessible. Other events include filmmaker Q&A’s, special guests, giveaways, after parties and an awards ceremony.

The GenreBlast team is hard at work creating a destination event that will have the independent film industry talking about it all year long. GenreBlast is a festival for filmmakers, by filmmakers that strives to become one of the best independent film festivals around. They celebrate the finest in true genre cinema and look for the best features, shorts, animation, music videos, and screenplays you have to offer.

This year’s full-length films include:

  • Cryptids
  • Murdercise
  • Livescreamers
  • Poundcake
  • Forever Home
  • The Once and Future Smash
  • End Zone 2
  • Love Will Tear Us Apart
  • Project Eerie
  • Guerilla Dogs
  • Crypto Shadows
  • Fat Fleshy Fingers
  • Seventy-plus short films

You can see all of the movies on our Letterboxd list. Look for coverage all weekend and into next week!

The GenreBlast Film Festival runs from August 31 to September 3. All screenings for GenreBlast are held at the Alamo Drafthouse Cinema in Winchester, Virginia. Passes are on sale through The Alamo Drafthouse Winchester. Learn more at the official site.

TUBI ORIGINAL: Midnight Hustle (2023)

The first time Nadia Georges (Kyle Kankonde) meets Juliet Gold (Savoy Bailey), they’re both trying out for a ballet role. Nadia tries to be kind to her but Juliet gets in her face and says, “Break a leg. Literally.” And that’s pretty much what happens when Nadia’s mother Salina (April Hernandez Castillo) distracts her and she slips and breaks a metatarsal bone in her foot.

Their next meeting is a bit friendlier. Nadia is struggling to teach dance and suffering through the pain of a bone that wasn’t set properly. Juliet has left dance behind, tired of having to listen to her mother live through her. She’s forced to live on her own with no monetary help, but she has an idea, thanks to her friend Paris (Raquel Antonia). She still dances. It’s a different kind of dance. But still…it’s dance.

Mickey Valle (Rob Figueroa) is their boss at Pandora’s Palace and at first, they seem to be protected. But then he tells her that Paris has left with a man she met in the champagne room. So what seems like a fun way to keep on dancing while earning enough money to pay to live and keep their families taken care of soon spirals out of control — it’s a Tubi movie about exotic dancing, what did you expect? — and soon they’re set up and dancing in the home of organized crime figure “Handsome” Johnny Palermo (Anthony Robert Grasso) and killing made men when they feel like they’re in danger, which puts them in danger that they may not escape. And now, Mickey wants to kill them too.

Directed by Elaine del Valle and written by Cate Holahan (Deadly Estate), Midnight Hustle remembers to empower its leads without descending into the expected exotic dancing downfall for both. Instead, they both gain from the experience, despite the danger they find themselves in.

You can watch this on Tubi.

CANNON CANON CATCH-UP: Action Jackson (1988)

EDITOR’S NOTE: Nothing gives me greater joy than when our site gets mentioned on my favorite podcast, The Cannon Canon. There are a few movies they’ve covered that I haven’t, so it’s time to fix that.

I am happy to admit that I rented Action Jackson more than a few times. Carl Weathers deserved to be the star of more movies and, well, Vanity was in it. After watching this movie, I realize that I am only two movies away from seeing every film that she was ever in.

It starts unlike any normal action movie you’d expect, as almost supernatural killers, the Invisible Men, come out of nowhere and kill some auto union guys. That’s how you know we’re in Detroit, you know?

Detroit Police Department Detective Sergeant Jericho “Action” Jackson (Weathers) was a star athlete who went to law school and became a hometown hero, but that was before he arrested the son of important businessman Peter Anthony Dellaplane (Craig T. Nelson). He was quickly demoted, divorced and demoralized. He’s at odds with the public and his boss, Captain Earl Armbruster (Bill Duke, always an angry ranked cop) because he won’t stop chasing down Dellaplane, who really is dirty and is too smart to get caught.

Yet there’s hope. Dellaplace’s wife Patrice (Sharon Stone, fated to be the dead bad girl in every movie at this point) gives him info before she’s killed and Dellaplace’s mistress Sydney Ash (Vanity) is set up. Yes, Craig T. Nelson is at near Michael Douglas level here, sleeping with both Sharon Stone and Vanity. Action Jackson also has help from Kid Sable, a local hotel owner and retired professional boxer — this movie is like James Bond with its strange helper characters — played by Chino ‘Fats’ Williams, hairdresser and connected gossip queen Dee (Armelia McQueen), his old partner Detective Kotterwell (Jack Thibeau), bad kid gone good Albert (Stan Foster) and Sydney’s bodyguard Big Edd (Prince A. Hughes).

This is the kind of movie where the bad guys plan on barbecuing our hero and instead he sets them on fire and shoots them with a grenade launcher. It’s beyond over the top but in a way that completely works within its universe.

I love how matter of fact Weathers was about how this movie got made: “A creation that came about when I was doing Predator and talking to Joel Silver, who loved blaxploitation movies. Joel said, “Well, you know, why don’t you put something together?” So during that time of shooting down in Puerto Vallarta, I created this story and came up with this guy – or at least this title – Action Jackson. And Joel found a writer who wrote the screenplay, and that was it. We got it made.” There’s a TV movie Weathers did after, Dangerous Passion, which was called Action Jackson 2 in Germany, but unfortunately there was no sequel. Weathers said that it was because, “Lorimar sold the lot to Sony and sold the library to Warner Bros., and that was that. It never resurfaced again, unfortunately.”

If you love 80s action, this has so many people you know in it. Dennis Hayden, De’voreaux White, Robert Davi, Mary Ellen Trainor and Al Leong were all in Die Hard together, while Weathers, Duke and Sonny Landham were in Predator. In a better world, we got a whole bunch of these movies.

This was the first movie — after episodes of The A-Team — of former stunt coordinator Craig R. Baxley, a beyond dependable name because he also directed Stone ColdStorm of the CenturyRose Red and Kingdom Hospital. It was written by Robert Reneau, one of the writers of Demolition Man.

You can listen to The Cannon Canon episode of Action Jackson here.

GET B AND W ON THE DIA DOUBLE FEATURE!

This Saturday at 8 PM EST on the Groovy Doom Facebook and YouTube channels, Dustin Fallon from Horror and Sons will join us to show two awesome movies!

Up first, Cameron Mitchell going bizarro in Nightmare In Wax. You can watch it on Plex and Daily Motion.

Every week, we watch two movies, look at the ads for the film and share two drinks. Here’s the first recipe.

Nightmare Bikini Wax

  • 1 oz. white rum
  • 2 oz. vodka
  • .25 oz. lemon juice
  • 1 tsp. sugar
  • .5 oz. milk
  1. Shake all the ingredients with ice in a shaker.
  2. Strain into a glass and beware Renard.

Our second movie is a film that played double features along with our first movie for years, Blood of Dracula’s Castle. You can watch it on Plex and YouTube.

Here’s the second recipe.

Blood of Dracula’s Cocktail

  • 2 oz. vodka
  • 1 oz. peach schnapps
  • .25 oz. lime juice
  • 4 oz. cranberry juice
  1. I want to shake your blood, I mean, ingredients with ice in a shaker.
  2. Pour in a glass and drink up.

See you Saturday!

DRIVE-IN MOVIE CLASSICS MONTH: Mama Dracula (1980)

EDITOR’S NOTE: Thanks to Matthew Hale on Letterboxd, I’ve learned that there are alternate versions of this Mill Creek box set. For the sake of completeness and my obsessive compulsive disorder, here’s this missing movie.

Director Boris Szulzinger is best-known for the Tony Hedra-written science fiction cartoon for adults The Big Bang and Tarzan, Shame of the Jungle, the first foreign animated movie to be rated X in the United States.

A comedic retelling of the myth of Elizabeth Bathory, here known as Mama Dracula and played by Louise Fletcher. This is also written by Hedra, along with Szulzinger, Marc-Henri Wajnberg and Pierre Sterckx. Hedra was probably best known for his work with the National Lampoon, a series of parody magazines (Not the New York Times, Playboy: the Parody, The Irrational Inquirer and Not the Bible), being the editor-in-chief of Spy Magazine and co-creating, co-writing and co-producing Spitting Image. He was also Spinal Tap’s manager Ian Faith. The sad part of his legacy is that he was accused of molestation by his daughter Jessica. That said, the article about it that was published by The New York Times had no proof and was disputed by several people (and supported perhaps by just as many). It’s a stain on his career and life.

Back to the movie.

Professor Van Bloed (Jimmy Schuman) is brought to Transylvania as part of a special conference on blood research hosted by Countess Dracula. She also has twins who run a fashion boutique called Vamp. But the problem that Mama Dracula is having is that there aren’t enough virgin women to keep on bathing in their blood. She wants the scientist to create something to help her. He also falls for a local, Nancy Hawaii, who is played by Maria Schneider, who had survived the PTSD of making Last Tango In Paris, drug abuse and a suicide attempt to finally find some level of happiness by the early 80s, if being in movies with Klaus Kinski can be considered joy.

This movie has a bad reputation, one of it being barely watchable. I can confirm this yet I am amazed that somehow both Fletcher — an Oscar winner! —  and Schneider — a sex symbol on the comeback after walking out of her last big role in Caligula and probably that was the right call — are in it.

You can watch this on Tubi.

TUBI ORIGINAL: Phoenix (2023)

Tubi is the mom and pop video store of streaming — even if it’s owned by Fox, a fact I don’t like to dwell on all that much — and the movies that it promotes as its originals really prove that. A starring vehicle for former WWE Diva Natalie Eva Marie Nelson — she was already in the movies InconceivableAction #1 and Hard Kill, as well as appearing on Celebrity Big Brother — this is the kind of action vehicle that often was created for star athletes in the 80s and 90s like Brian Bosworth (Stone Cold), Howie Long (Firestorm) and, yes, Hulk Hogan (Suburban Commando, No Holds Barred).

Nelson plays Fiona “Phoenix” Grant, an army hand-to-hand combat instructor who leaves the military behind after the death of her mercenary father, Everett (Randy Couture, the former U.S. Army sergeant who became a six-time UFC Champion and the first to hold titles in two different weight divisions). The cops say that he killed himself, but thanks to intel from her former commanding officer General Shackleton (Neal McDonough), she learns that his suicide was set up by a Russian crime family led by Maxim Vasiliiv (Oleg Prudius, who would be better known to WWE fans as Vladimir Kozlov). Maxim and Everett had been battling for years and their final face-off was to be hand-to-hand until a henchman shot the hero in the back of the head.

Now, Phoenix is working her way through the Vasiliiv’s family’s goons, one-by-one. She even goes to lunch with Maxim in a restaurant surrounded by his thugs. There’s also a flashback to when Phoenix lost her mother due to the lifestyle her father lived and a shopping trip with her Aunt Grace (Jessie Camacho, a former police officer and Survivor contestant who played Chupi Chupi on Reno 911!).

Phoenix is packed with tough guys, including Joseph Aviel (who once was Arnold Schwarzenegger’s stunt double), Jonathan Camp, Arnold Chon (a stuntman and MMA fighter), Frank Mir (former two-time UFC Heavyweight Champion, he also has the record for the most finishes and submission victories in UFC Heavyweight history), Rashad Evans (heavyweight winner of The Ultimate Fighter 2, former UFC Light Heavyweight Champion and a 2019 inductee of the UFC Hall of Fame), Phillip Tan (stuntman and trainer for stars like Christopher Lambert) and former Scores bouncer and former New York Hell’s Angels president Chuck Zito, who was also a bodyguard for Lorna Luft, Liza Minelli, Muhammad Ali, Charles Bronson, Michael Jackson, Sean Penn, Chita Rivera, Eric Roberts, Mickey Rourke, Charlie Sheen, Sylvester Stallone and Elizabeth Taylor. He also famously knocked out Jean-Claude Van Damme, standing over him and yelling, “This ain’t the movies! This is the street, and I own the street!” He’s been acting since the 80s, showing up all the way back in 1990: The Bronx Warriors as one of the real bikers that Enzo G. Castellari hired for his post-apocalyptic masterwork.

And hey — Bai Ling is in this as a character named Scavenger, complete with neon makeup that makes her lips look enormous. Man, I love Bai Ling. Keep being in weird parts and showing up unexpectantly!

Director and writer Daniel Zirilli is best known for his action films like Renegades and Invincible, as well as directing videos for Montell Jordan and Scarface, as well as the clip for the song “Short Dick Man” by 20 Fingers featuring Gillette.

Eva Marie has some weird line deliveries in this, but I assume that a lot of the takes were one and done. In truth, this movie isn’t about her talking — or screaming in a shrill blast of a voice as she decimates a room in anger — as it is about her kicking ass. I can report that she does absolutely fine with that.

You can watch this on Tubi.

DRIVE-IN MOVIE CLASSICS MONTH: The Werewolf vs. the Vampire Woman (1971)

EDITOR’S NOTE: Thanks to Matthew Hale on Letterboxd, I’ve learned that there are alternate versions of this Mill Creek box set. For the sake of completeness and my obsessive compulsive disorder, here’s this missing movie.

La Noche de Walpurgis (released in the United States as The Werewolf vs. The Vampire Woman and in the UK as both Shadow of the Werewolf and Werewolf Shadow) was the fifth time that Paul Naschy played the doomed lycanthrope Waldemar Daninsky.

Written by Naschy and directed by Leon Klimovsky (The People Who Own the DarkThe Dracula Saga), this film seems like it came from another planet, perhaps because so much of it is in slow motion. It also kicked off a horror craze in Spain that maniacs like me are still enjoying to this day.

After the last film — The Fury of the Wolf Man — Waldemar Daninsky is brought back to life during his autopsy. After all, you don’t remove silver bullets from a werewolf’s heart and expect him to treat you nicely. He kills both for their trouble and runs into the night.

Meanwhile, Elvira and her friend Genevieve are looking for the tomb of Countess Wandessa de Nadasdy. Coincidentally, as these things happen, her grave is near Daninsky’s castle, so our dashing werewolf friend invites them to stay. Within hours, Elvira has bled all over the corpse of the Countess (Patty Shepard, Hannah, Queen of the Vampires), who soon rises and turns both girls into her slaves.

But what of the werewolf, you ask. Don’t worry — he shows up too, after we get our fill of the ladies slow-motion murdering people in the forest. Also, as these things happen, Waldemar must fight the Countess before the only woman who ever loved him, Elvira (Yelena Samarina, The House of 1,000 Dolls) finally kills him again.

There’s also a scene where our furry friend battles a skeleton wearing the robes of a monk in the graveyard. Some claim that this scene inspired Spanish director Amando de Ossorio to write Tombs of the Blind Dead just a few months later.

Daninsky’s lycanthropy is not explained in this one. Was it the bite of a yeti that made him howl at the moon? Is he a college professor or a count? Who cares!

WELL GO USA BLU RAY RELEASE: Kill Shot (2023)

Directed by Ari Novak (Cowboys vs. DinosaursPawParazziAssassin’s Vow), who co-wrote the script with Rib Hillis (Extreme Makeover: Home Edition; he also appears in this movie as Jackson Hardison), Kill Shot starts with a suitcase full of cash being stolen by Dina Diablo (Mara Ohara) and Maximus (Bobby Maximus) before the plane carrying it crashes in the Canadian wilderness. Oh yeah — Novak is also in this movie as Alpha ONE.

Kate (Rachel Cook) is just trying to scatter her dad’s ashes and shoot an elk with her hunting guide Jackson, a former Navy SEAL. They find the briefcase — and the $100 million inside — and become the target of Diablo, Maximus and their henchmen.

This was filmed as Hunted back in 2020. Shot in Montana, it has plenty of great locations. What’s really wild about it is for a movie shot today how much it objectifies its lead actress. Beyond scenes where she appears runway-ready despite being deluged in a river, she starts the credits topless with a gun and later runs through the woods in a torn-up flannel and black panties, which doesn’t really seem like the tactical gear one needs to battle a crew of deadly mercenaries. I was stunned a few times, thinking that this had to be a parody and no, not at all, they really filmed this.

Other than that, Kill Shot offers guns ablaze in Big Sky country. I always worry that the action movie industry has gone away — and by that, I mean the direct-to-video one of my teenage years. As long as movies like Kill Shot keep getting made, I know that the guns and fist stories of my youth live on.

You can get KIll Shot from Well Go USA.