Suzi Q (2020)

If you’re a fan of Detroit rock ‘n’ roll of the late ’60s—amid all the crazy fandom for all things Alice Cooper, Grand Funk Railroad, Iggy Pop, Bob Seger, and Ted Nugent—you might have heard of Suzi Quatro with her bands The Pleasure Seekers (You Tube) and Cradle (You Tube).

Then she hooked up with British music impresario Micky Most and RAK Records to become one of the U.K.’s biggest glam stars. And that success grew when she began working with Mike Chapman and Nicky Chinn, best known for their work behind the scenes in making Sweet (“Fox on the Run,” “Love Is Like Oxygen”) into international glam stars.

Achieving only minor Top 200 chart placings in the U.S with her Top 10 Euro-hits “Can the Can,” “48 Crash,” and “Devil Gate Drive,” Suzi eventually found notice in America courtesy of her recurring appearances as Leather Tuscadero during the 1977 to 1978 season of the ABC-TV U.S sitcom, Happy Days (you can watch a compilation of all her music appearances on the show in the video below).

Unfortunately, the show failed to consolidate her success on U.S radio, but she did score her lone Top 10 hit, “Stumblin’ In,” a 1978 duet with British singer Chris Norman. Eventually, with the Knack-inspired new wave in full swing, she scored her final two, U.S Top 100 hits with “Lipstick” and “Rock Hard” from her 1980 album, Rock Hard.

Then along came an artist that Suzi inspired: one who achieved that number one single and album in America that eluded her: Joan Jett.

However, while the Detroit-born bassist never found mainstream success in her homeland, she kept on rocking, scoring an international hit with “Strict Machine” from her 2011 album, In the Spotlight, co-produced with Andy Scott of Sweet.

What elevates this Australian made documentary heads and shoulders above other pedestrian “talking head” rock documentaries is that director Liam Firmager chose not to travel the “feel good” promo route and create a puff piece on his subject; he eliminated all of the usual docu-candy coating. Suzi Q isn’t a cookie cutter journal that inserts a talking head here, an old photo there, and a rare film clip here; Firmager chose to tell a story—through over 400 rare archival film clips—that gives Suzi Q the feel of a musical biographical drama. However, unlike other rock bioflicks (The Doors, Ray, Walk the Line) this chronicle on the life of Suzi Quatro has no filtering; there’s no compression or compositing of characters and fabrication of pseudo events for “dramatic effect.”

Firmager not only researched his subject, he spoke to his subject; he got inside his subject. So, while Suzi Q is for the fans of an artist who sold 55 million records around the world, it’s also a film for Suzi Quatro. This is a film that shows rock ‘n’ roll fans that, at the end of the day, a rock star is just a musician. And a musician is just a job. And behind that job is a person. And that person has hopes and dreams, success and regrets, joys and pain. Firmager makes us, the fans, realize that those people behind those records on our turntables and posters on the walls sacrifice life’s normalcies that we take for granted. Through this film, Firmager provided Suzi Quatro a catharsis; a spiritual cleansing and life resolution that most of us will never be blessed; a realization that our lives were worth the journey. And that, maybe, we didn’t end up where we wanted to be or expected to be, but we ended up exactly where we need to be. And Suzi needed to rock ‘n’ roll and be the trailblazer and harbinger for the lives of others.

Suzi Q will launch on DVD, Blu-ray and VOD on July 3, while the film had a planned theatrical release at select U.S cinemas on July 1. However, with the COVID-19 pandemic closing theatres, Utopia Distribution will host a “SUZI Q” virtual event on July 1st featuring the film and an exclusive Q&A featuring Suzi Quatro and a Special Guest (available for 24 hours only) in advance of the film’s traditional release on VOD and DVD on July 3rd. The Q&A will be conducted by Cherie Currie of the Runaways and Kathy Valentine of the Go-Go’s. A portion of the proceeds from the event will support MusiCares, the Recording Academy’s™ charity, to raise funds in support of the organization’s COVID relief fund for music artists in need.

Suzi Q had its U.S. premiere at the Sonoma International Film Festival on March 29, where Quatro made an appearance; it made its theatrical debut last fall in the UK and Australia, where Quatro had her biggest chart successes. You can learn more about the film at its official website. There’s more Suzi tunes to be had at her official You Tube page.

Oh, and since B&S About Movies is a movie review site . . . there’s a “video fringe” connection to Suzi: her sister Arlene, also an ex-The Pleasure Seekers/Cradle member, is the mother of actress Sherilyn Fenn (Crime Zone, The Wraith, Outside Ozona). And here’s a tune from her uber-talented, underrated brother, Mike Quatro: a man who needs his own documentary flick. Speaking of which . . .

There’s more tales from Detroit to discover in the life and career of Sugar Man Rodriguez and the life and times of The Grande Ballroom in the frames of Searching for Sugar Man and Louder Than Love.

About the Author: You can read the music and film reviews of R.D Francis on Medium and learn more about his work on Facebook. He also writes for B&S About Movies.

Disclaimer: This was sent to us by the film’s PA firm and has no bearing on our review.

Ouija Shark (2020)

The tagline for this movie is “We’re gonna need a bigger board.” No matter how bad this was going to be, I knew that I had to see it. A title like this certainly takes some balls.

Brett Kelly also directed Raiders of the Lost Shark and Jurassic Shark, so it seems as if this is some kind of fetish or something for him. It takes all kinds, you know.

A group of teenage girls find a spirit board on the beach and decide to use it to, well, who knows why they decide to use it. But before you can say “blood in the water,” an ancient shark has washed up and begun to kill everyone. Hopefully, that occult specialist can get rid of this spirit shark before it’s too late.

I thought Shark Exorcist and Amityville Island were the best shark themed movie ideas of the last few years. I was wrong. That said, the idea is, as nearly always when discussing movies like this, way better than the execution. Great poster. Great title. Better tagline. Worse actual follow through.

Ouija Shark is now available on demand and on DVD from Wild Eye Releasing. We also recently reviewed Kelly’s previous outing, Countrycide, also available through Wild Eye.

DISCLAIMER: This was sent to us by Wild Eye Releasing.

Coven (2020)

Five college witches have come together in order to perform a ritual to invoke the ancient powers of the witch Ashura, but their leader takes things too far and kills one of the younger witches in a fit of bloodlust. Now, she’s gone over the edge while the rest of the coven needs one more witch to remain in power.

Margaret Malandruccolo has directed several shorts, but this is her first full-length film, working from a script by Lizze Gordon. Gordon also stars in this film as Sophie, one of the witches. (Lizzie Gordon’s latest film, as a writer and director, Escape: Puzzle of Fear, is out now.)

I was struck by just how good the effects are in this. They really go next level from the majority of on demand movies, with the witches’ powers treated with real care. It really gives this movie way more of a blockbuster look than you’d expect.

Coven is available on demand and on DVD and July 14 from Uncork’d Entertainment, who were kind enough to send us a review copy.

Desolation Center (2020)

“We played in the middle of the Mojave Desert at a festival called the Gila Monster Jamboree . . . It was a magical night, one of my favorite (Sonic Youth) shows ever.”
— Kim Gordon, bassist of Sonic Youth, from her book Girl In A Band: A Memoir

Before the corporate alt-rock explosion of the ’90s birthed the likes of the Burning Man, Lollapalooza, and Coachella rock festivals, there was the Desolation Center: a punk rock version of Woodstock held in the Mojave Desert that hosted the performances of Sonic Youth (1994: The Year Punk Broke), Minutemen (morphed into Firehose; music featured in A Matter of Degrees), Meat Puppets (soundtracks to Lovedolls Superstar, Love and a .45, SubUrbia, Losers Take All), Perry Farrell (of Jane’s Addiction), Redd Kross (Desperate Teenage Lovedolls, Spirit of ’76), Einstürzende Neubauten, Survival Research Laboratories, Savage Republic, and the Swans.

Image of Uncut Magazine article courtesy of MU Productions and CWPR; they also provided the theatrical one-sheet as part of the film’s promotional press kit/materials

It all began in 1983 in the mind of a then 23-year-old Stewart Swezey, and Bruce Licher of Savage Republic, so as to provide a venue for bands, such as Black Flag, forced out of Los Angeles by a police department and local government that saw fit to raid clubs and instigate riots at punk rock shows. So the duo chose a site just outside of Mecca, California, three hours south of Los Angeles, to provide a safe, creative outlet for bands and their fans.

This is great stuff and the leaf-logos on the one-sheet are warranted. Watch it.

Desolation Center became available on Tuesday, June 23 for streaming via Apple TV (iTunes), Google Play, and the Amazon Instant Video platforms. Pair this one up with Social Distortion and Minor Threat in the Another State of Mind and Penelope Spheeris’s The Decline of Western Civilization for a night of retro-punk viewing.

Disclaimer: We were provided a screener by the film’s P.R firm. That has no bearing on our review.

About the Author: You can learn more about the writings of R.D Francis on Facebook. He also writes for B&S About Movies.

Drive Me to the End (2020)

Ryan (Richard Summers-Calvert, who also wrote and directed this film) and Sunny (Kate Lister) are estranged family members who find themselves car-sharing to a funeral for an unnamed person in Scotland.

They both have issues. Ryan’s mother is about to die and Sunny is dealing with autism and coming to terms with a recent suicide attempt. Can these two get along together for three days? Or is this trip doomed?

I liked how natural this movie felt and how well the leads played off one another. They both explore and experience so much in just a few days, but you come away rooting for them to win.

This movie will be available on demand soon. You can learn more at the filmmaker’s official site.

DISCLAIMER: This was sent to us by its PR company.

The Candy Witch (2020)

Two ghost hunters have been summoned to protect a family against something known as The Candy Witch. This might be their hardest case yet, filled with so many twists and turns, as this evil curse begins to kill nearly everyone connected to it.

Writer-director Rebecca J.Matthews also made the amazingly titled Pet Graveyard and has movies named Witches of Amityville Academy (my OCD for watching every movie with Amityville in its title is my curse, much worse than any Candy Witch), Jurassic IslandBats: The Awakening and Cam Girls in the works. Great names. Hopefully they are all better films than this.

That said, someone gets killed with boiling chocolate and another with cotton candy. I’ve never seen that, so it has that going for it.

The Candy Witch is available June 9 on DVD and Digital from Uncork’d Entertainment.

DISCLAIMER: We were sent this movie by its PR department.

The Wrong Missy (2020)

David Spade’s character Tim Morris has a problem. He thinks he’s going to his company’s retreat with Missy (Molly Sims), but he’s really going with an insane woman he had a blind date gone wrong with (Laura Lapkus) who is also named Missy. I mean, the date was so bad that he got beat up by Roman Reigns and broke his leg trying to escape from her. Things get way crazier from there.

This is a Happy Madison movie starring so many of Adam Sandler’s friends like Spade, Rob Schneider, Nick Swardson and even his wife, Jackie Sandler and nephew Jared Sandler. Your enjoyment of the film will depend on your ability to turn off your mind and laugh, as well as enjoy that special Sandler brand of humor.

It’s directed by Tyler Spindel, who also was behind Father of the Year. This movie managed to hit me at the right time and space, so I got several big guffaws out of the film. Your mileage, as the kids say, may vary.

Lapkus is wonderful in this and deserves so much more. Here’s hoping she gets a chance to be a star.

You can watch this on Netflix.

The Brink, aka Edge of Extinction (2020)

During a You Tube movie excursion, as I spiraled down a digital rabbit hole, I discovered this British-produced apocalypse entry currently in post-production.

Fifteen years after the Third World War, man struggles on the verge of extinction after the passing of a ruthless nuclear winter. What’s left of civilization has no choice but to kill and pillage for survival.

Away from the urban devastation, in the desolate countryside of southern Britain, a lone, young boy survives in isolation away from humans. His self-imposed peace soon unravels at the hands of a group of survivors that must battle against a new, savage enemy that emerges from the aftermath.

As you can see, the trailer doesn’t tell us much about the film in terms of plot or characters, but the images speak volumes: the cinematography is stellar and the film’s inventive, tightly-budgeted staging effectively utilizes its remote British countryside locations; you can feel the foreboding nature of the film. And the acting from the unknown, mostly new-to-the-biz cast of actors (Chris Kaye, Luke Hobson, and Georgie Smibert) looks like it’s of the “A Game” variety.

My celluoid memory cores kept accessing the apoc-classics of Cornel Wilde’s No Blade of Grass from 1970 and 1979’s Ravagers starring Richard Harris — in terms of The Brink foregoing set builds and effectively utilizing pre-existing structures with a dilapidated “apoc” feel to them. As result: The Brink doesn’t look like your standard, low-budget direct-to-DVD release that’ll see an early birth on the Syfy Channel. This is a movie to keep your eye on. This isn’t some Dolph Lundgren zombie hunt with AfterEffects exploding heads and gun flashfire.

You can learn more about The Brink, along with the in-production horror films Flytrap and The Dead Inside, on the web at HGM Productions.

You can catch up with more apocalypse films courtesy of our recent month-long rally of apoc film reviews with our two-part “Atomic Dustbin” round up. You can also visit the latest installment of our weekly “Drive-In Friday” feature where we had an “A-List Apoc Night” with the films Z.P.G, The Ultimate Warrior, Zardoz, and Quintet.


Update: After the writing of this review (and a few post reschedulings), The Brink has since been retitled for international distribution as Edge of Extinction — with a digital release on May 18th and a DVD release following sometime in July. You can stream it on Amazon Prime, courtesy of Indie Rights Movies, which now — as of November 2020 — offers it as free-with-ads-stream on Tubi Tv.

About the Author: You can read the music and film reviews of R.D Francis on Medium and B&S Movies, and learn more about his work on Facebook.

Revenge (2020)

Fans of Liam Neeson’s series of “aged action star” flicks will enjoy Revenge, a gritty, graphic world where Death Wish collides with The Equalizer that serves as the tour de force industry calling card for working man French actor Stéphane Roquet in his debut as a screenwriter, director, producer, and cinematographer.

Jean-Yves Bourgeois mesmerizes in his acting debut (reminding us of that first time we saw Jason Statham in his leading man debut in The Transporter) as Detective Franck Beriat. Released after serving a six-year prison term for arresting—then killing—a pimp, he becomes an unlicensed private detective, talking only the cases he feels where he believes justice wasn’t served.

When a femme fatale hires Franck to track down her missing sister—a case that reminds him of the murder of his prostitute-cum-C.I girlfriend that landed him in prison—the assignment turns into a one-man war against a crime syndicate run by an arrogant lawyer.

Bottom line: you’ll be seeing more from Stéphane Roquet behind the lens and Jean-Yves Bourgeois in front of it. They’re the next Luc Besson and Jason Statham. In case you haven’t guessed: I love this movie; it’s a French version of a Takashi Miike yakuza-revenge flick.

In the international marketplace since 2016, Revenge is now available in the U.S. for the first time as a free-with-ads stream on TubiTv. If you prefer an ad-free experience, you can stream the film through Vudu or You Tube Movies. To learn more about the film and the Industry Works Studios roster, you can visit their website and You Tube page.

Disclaimer: We weren’t sent a screener or review request for this film. We discovered it on our own via social media and truly enjoyed the film.

About the Author: You can read the music and film reviews of R.D Francis on Medium and learn more about his work on Facebook. He also writes for B&S About Movies.

Crip Camp (2020)

Executive produced by President Barack Obama and Michelle Obama, this documentary is all about Camp Jened, a camp for the handicapped in the Catskills that offered young kids the opportunity to move beyond their confined lives and feel as if they were like anyone else. The things they learned there would stay with them their entire lives.

Many of the campers would find themselves in Berkeley, California, where they learned that disruption and unity would change not only their lives, but the lives of disabled individuals throughout the nation.

I knew nothing of the battle that these brave people went through or how hard they worked and how well they came together to make changes. This one really got to me, hitting every emotion and causing big tears.

This is definitely recommended, as there are many lesson here for all of us to learn.

You can watch this on Netflix.