PURE TERROR MONTH: My Mom’s A Werewolf (1989)

ABOUT THE AUTHOR: I first read Melody Vena’s writing in last year’s Horror and Sons Halloween Horrors 2018 event and learned that she won the 2017 and 2018 Monster Movie Maniac “Monster Movie Marathon” contest by watching the most movies in one month. She also wrote about Man In the Attic for us last year.

My moms a werewolf hit the screen in May of 1989, a comedy/horror film much like Teen Wolf. With a cast starring John Saxon, John Schuck,Susan Blakely and Ruth Buzzi, and being directed by Michael Fischa the film has that classic 1980s cheesy vibe that we all know and somewhat love.

The movie focuses on an average kind of ditzy housewife (Susan Blakely) who is fed up with her boring doing the same thing every day kind of life, and the situation gets worse by the fact that she is being continually ignored by her husband, Howard (John Schuck). She often finds herself watching TV with the family dog instead of being included in things with the family. Meanwhile her daughter, Jennifer is being dragged to a horror convention by her horror obsessed friend, Stacey. Jennifer finds the whole convention boring. Very disinterested and skeptical by the whole scene, she agrees to have her fortune told by a palm reader at the convention. The fortune teller seems pretty phony at first, but then tells Jennifer that she sees the sign of the pentagram on her face, and warns her that she will “struggle with an unholy evil over the next few days.” Jennifer jokes that she must mean the Halloween party she’s been planning.

Meanwhile, Leslie leaves the house in a huff to go shopping, after being ignored by her husband once again. She goes to a local pet store to buy a flea-collar for her dog but is surprised by the mysterious owner, Harry Thropen (John Saxon), who offers to give her the collar for free. Taken back by the generous offer, she leaves the store and the camera focuses on Thropen as he sneakily eats one of the white mice he has for sale. As the she enters the street a thief grabs her bag, flipping her off before running away. Thropen, sees what happens and is able to catch the purse snatcher by appearing suddenly in front of him and throwing him onto a pickup truck full of eggs. Leslie is befuddled at how he was able to do this but offers to buy Thropen lunch in for his troubles. Worried about her parents’ marriage (all of a sudden), Jennifer goes with Stacey to the restaurant her mother frequents with a bunch of flowers, she has made a plan to tell her mother that the flowers are from her father.

Unfortunately she sees Leslie eating with a strange man and assumes that she is having an affair (I mean she is ignored A LOT). Although Leslie asserts to Thropen that she is a married woman, he goes right ahead and  kisses her anyway. 


The kiss ends abruptly when dessert arrives en flambe, and the flames scare him away.  Leslie chases him back to his shop ( all of a sudden full of courage) with Jennifer and Stacey following close behind. While in the shop Leslie continues to avoid his advances until Thropen removes the sunglasses he has been wearing, revealing disturbing orange irises which hold the ability to hypnotize her. Meanwhile outside Jennifer and Stacey are shooed away from the pet shop door by a policeman who catches them snooping outside, then he proceeds to look in the cracks himself. 

After a few cocktails (some with goldfish swimming in them) Leslie and Thropen start fooling around on a bed covered in animal skins. Leslie seems to be enjoying herself with the strange pet shop owner until he bites her big toe, which causes her to jump up and leave hurry (not the fact that she was about to go full blown affair with a stranger) Thropen allows her to go, saying that she would be back because he would “be in her thoughts.” (cause that’s not weird)

When she arrives back home the family dog, and her only friend, growls at Leslie. Then Jennifer attempts to confront her about the affair, a matter of which Leslie is genuinely ignorant, thanks to the glowing eyes of hypnotism. Howard also notices a change in Leslie, both in the way she cooks meat for dinner despite being vegetarian and more importantly the way she acts in the bedroom (because now all of a sudden he wants to have sex with the wife he has constantly been ignoring…must have been the meat). The next morning Leslie is horrified to learn her teeth have become fangs. She attempts to hide her deformity from her daughter who assumes she is nervous because of the presumed affair. Leslie goes to see the suggestively named dentist, Dr. Rod (and yes, the name fits the persona and behavior of doctor and nurses), to have her fangs filed down, which only results in a broken file and some lewd sounds of frustration from Dr. Rod. (think a lot of moaning and groaning)

Driven by cravings for meat, she stops at a butchery and gets a snack, Leslie drives back home eating raw meat, milk bones, and singing loudly to rock music (apparent werewolf behavior). When an elderly couple pull up next to her at a stoplight and the old man remarks: “Look Edna, a singing werewolf. We don’t see many of those nowadays, do we?”

My Mom’s A Werewolf is such a good time to watch, with its underlying sexual tones, and quick one liners, it’s surprising that it does not have much of a cult following. I will not give away any spoilers, I enjoy leaving you all wanting more, so I highly suggest giving this one a good watch. I mean is a horror comedy with a moral at heart – Men, don’t ignore your ladies because you never know where a furry beast may be waiting to pounce.

Hell High (1989)

I had no expectations of what this movie would be like when I discovered it on YouTube. I figured that it would be about a high school class menaced by some sort of slasher villain, but I had no way to prepare for the gritty and just plain weird film that I would be confronted with. This is an incredible feeling and why I keep writing this site, as I want to discover these experiences and share them with others.

Unlike the typical slasher, this film finds itself spending time with the victim — high-school science teacher Miss Brook Storm (Maureen Mooney), who is barely keeping it together after some repressed childhoos trauma. It’s also about a former quarterback named Jon-Jon who grows sick of the game and his sinister teammates, so he falls in with the delinquents like Dickens, Queenie and Smiler.

Speaking of that childhood trauma, it starts the film. In a swamp, a man and a woman are making love when he decides to start beating her with a doll that belongs to a little girl. The little girl watches and grabs some mud, waiting for the two to leave the swamp. As they do, she throws it in the man’s eyes and he wrecks, sending the man and woman into poles which impale them as the little girl stares at the accident she’s caused. Yes — that’s Ms. Storm and this murder has now become an urban legend as some believe a swamp monster is the real cause of these two killings.

As Jon-Jon becomes part of this new gang, they decide to ruin the football game by driving on the field in the middle of a play and stealing the game ball. It might seem like this movie has become a teen sex comedy at this point, but don’t worry. Soon, it will stop meandering and get even stranger.

The gang now puts on Halloween masks and belts Ms. Storm’s home with swamp mud before the shenanigans turninto full blown sexual assault on her. You’d think that Queenie, the lone girl in the gang, would be against this, but even she joins in, subverting the very slasher nature that you expect from this film.

Hey, but don’t take it from me how weird this movie is. Joe Bob Briggs himself did the intro to the DVD release of this film. And he featured it on his old Drive-In Theater show, too.

I agree with Joe Bobs’ commentary here. This is an amazingly original slasher that more people need to see. Please watch it and let’s talk about it.

2019 Scarecrow Psychotronic Challenge Day 28: The Case of the Hillside Stranglers (1989)

DAY 28. A LORELESS YARN: One based on a true story.

Based on Two of a Kind: The Hillside Stranglers by Darcy O’Brien, this was the first Hillside Strangler movie to ever be made. It stars Dennis Fraina, acting against type as Angelo Buono and Billy Zane in an ill-looking hairstyle that one suspects is a wig as Kenneth Bianchi.

It was written and directed by Steve Gethers, who pretty much made message movies throughout the 70’s and 80’s, like Billy: Portrait of a Street Kid and A Circle of Children.

Opposing the duo are the heroic men and women of the LAPD, foremost amongst the Sgt. Bob Grogan, played by Richard Crenna. I must confess that every time Grogan did something smooth within this movie or, well, really anything, I’d yell, “Crenna!” Watching movies with me would probably drive you insane.

It originally aired April 2, 1989 on NBC and probably upset a fair share of people. The principals are pretty wonderful, plus seeing James Tolkan from Masters of the Universe and Back to the Future is always a welcome thing.

Matthew Faison, one of the rare actors that was in both of the major slasher franchises of the 1980’s (Friday the 13th Part VI: Jason Lives and Freddy’s Dead: The Final Nightmare) shows up as a judge.

This isn’t the best made for TV movie ever, but man. I miss the days when these things just randomly aired.

You can watch this for free on Amazon Prime.

Hitcher In the Dark (1989)

I can hear you out there. You’re saying, I wish Umberto Lenzi made another movie in Florida right after Nightmare Beach. And I hope its a ripoff of The Hitcher but about a rich kid in an RV and that it’s so scummy that I feel like a Silkwood shower still wouldn’t make me feel clean.

Good news, friend. There’s Hitcher In the Dark, a film that crosses off every horrible thing on your deranged bucket list.

Mark Glazer wants to have sex with his dead mother.

If that upsets you, seriously, move on to another review.

He’s driving around in his rich daddy’s RV and picking up female hitchhikers to assault, murder and take Polaroids of. That’s when he runs into Daniela (Josie Bissett, who somehow moved on to the tamer — if that’s possible — Melrose Place), who he turns into a living version of his mother. And thanks to a cocktail of Stockholm Syndrome and Italian movie making magic, she starts to fall for our killer.

Originally, this movie ended with Mark getting away with it. But hey — they added on a little end where Daniela finally gets her revenge.

Amazingly, someone released this on a three pack with Hell High and The Majorettes. I can only imagine how people felt being confronted by this movie.

2019 Scarecrow Psychotronic Challenge Day 23: Nightmare Beach (1989)

DAY 23. A DAY AT THE BEACH: Be sure to bring your trunks and your tanning butter.

You can say that Umberto Lenzi’s films are trashy, sleazy paens to mayhem and gore. I won’t disagree with you. There’s Cannibal Ferox, a movie that tries to take that genre further and deeper than even I thought it could go. It worked, as its advertising proclaims that it’s “the most violent film ever made” and “banned in 31 countries.” Then there’s Ironmaster, where George Eastman wears a lionpelt on his head and murders his way through a ripoff of Clan of the Cave Bear that’s a million times better than the movie that inspired it. And then there’s Ghosthouse, a slasher haunted house film that’s baffling in its ridiculousness and willingness to get weirder and weirder as time goes on, as just as much time is given to discussing chili and the question “Who is more popular in Denver, Kim Basinger or Kelly LeBrock?” than exploring the House by the Cemetery and watching teens get colorfully pulped into oblivion.

In short, Lenzi is the kind of filmmaker that makes me tear up and yell things at my TV like, “Genius!” and “I love you, Umberto!” Nightmare Beach — also known as Welcome to Spring Break — is his take on the slasher in Miami, halfway around the world from home, celebrating sin, sex and stabbings.

That said, Lenzi for years denied that this was his film.

Supposedly, he had a falling out with the producers and wanted to be taken off the film as he found it too similar to his film Seven Blood-Stained Orchids. Screenwriter James Justice, working under the screenname Harry Kirkpatrick, took over but convinced Lenzi to remain on set as an advisor. Now, knowing what we know of Italian horror, a name like Harry Killpatrick sounds like a fake Americanized name for the director. Lenzi would continually say, “My contribution consisted solely of providing technical assistance. Welcome to Spring Break should be considered the work of Harry Kirkpatrick.”

However, in his book Italian Crime Filmographyfilm historian Roberto Curti would claim that Lenzi really did direct the film and refused the credit when the film was done. After all, Lenzi and Justice would work with the same producers to make Primal Rage (with this movie’s writer Vittirio Rambaldi directing and heroine Sarah Buxton showing up, too).

No matter — I love this movie. Yes, the kind of love that I’ve only reserved for Lenzi’s films, where I ignore how patently insane the dialogue is. Actually, I love these films because of that. This movie is everything that you want from a slasher and so much more.

Diablo, the leader of the Demons motorcycle club, is about to be executed for killing a young woman. He confronts his accusers, like her sister Gail (Sarah G. Buxton, Don’t Tell Mom the Babysitter’s Dead) and Strycher (John Saxon!), the cop who put him away for good. He tells that he’ll see them all in Hell because he’s innocent and plans on coming back to kill all of them.

A year later, it’s Spring Break time in Miami, which brings football players Skip Banachek (Nicholas De Toth, who left acting for editing, working on movies like Terminator 3: Rise of the Machines and X-Men Origins: Wolverine. He’s also the son of Andrew De Toth, who was behind the camera for House of Wax and Crime Wave. He also had an amazing eyepatch, which he needed after he was attacked by a group of young men as he scouted locations in Egypt. They thought he was military leader Moyshe Dayan. He was also married to Veronica Lake, who was just the first of his seven wives) and Ronny Rivera (Rawley Valverde, who has gone on to a career in real estate) to the beach. Ronny is a pip, saying amazing things like “How would you like her to do squats on your tool?” and “You wanna bump short hairs?”

While all the sex and drinking of Spring Break is happening — this movie becomes a teen comedy like Porky’s for a bit — a masked biker has been offing people left and right. This slasher isn’t content to just use simple weapons. No, he’s custom-built his bike to include an electric chair that fries people just like Diablo. So he’s totally the killer come back from the dead, right?

Of course, Ronny is fated to get in a fight with the Demons and get killed by the biker, just as Skip is due to hook up with Gail. Why does she find him so attractive? Because while everyone else is out and about pouring water all over t-shirts and throwing up all over themselves, he’s refusing beer and being sullen. Seems like perfect mating material, right ladies?

That’s when Nightmare Beachi takes a page out of Jaws, with the town council covering up the murders and pinning the blame on Diablo while the real killer has been running free. This point is hammered home when a jokester puts a fin on his back and swims directly at some partying teens, leading a cop to just open fire without warning.

So it is Doc Willet (Michael Parks)? Strycher? Or Reverend Bates (Lance LeGault, Col. Decker from TV’s The A-Team and Elvis Presley’s stunt double in plenty of movies), whose daughter Rachel is out of control? Or Mayor Loomis (Fred Buch, who shows up in CaddyshackShock WavesPorky’s II and The New Kids)?

Nobody is safe, because the killer even takes out Diablo’s girlfriend Trina by blasting her headphones with electricity, sending her eyeball straight out of her head. So is it Diablo? After all…his body is missing from its grave.

I’m not going to tell you who the killer is, other than to tell you that if you watch enough giallo, it all makes sense. After all, that’s kind of what this movie is, along with the added slashtastic gore that this era demanded.

While shot in Miami, this film boasts plenty of Italian connections. Claudio Simonetti did the score, the aforementioned Vittirio Rambaldi wrote it and his dad Carlo did the special effects. Supplementing the fine score are appearances and soundtrack songs by the bands Kirsten, Animal (whose song “Rock Like an Animal” lives up to the idea that every metal band needs a tune that references their own name), Derek St. Holmes (who played on Ted Nugent’s first solo albums and in the band MSG) and Ron Bloom, Rondinelli, Juanita and the band Rough Cutt, whose members included Jake E. Lee (Ozzy’s guitarist after Randy Rhodes, Badlands), Amir Derakh (Orgy), Paul Shortino (Quiet Riot) and Craig Goldy and Claude Schnell, who both played in Dio. If you liked how Demons mixed metal into the film, then you’re going to bang your head throughout this movie.

No moment in this movie that is boring. It’s like doing drugs with the band backstage and then getting to sit in, then go backstage and they offer you your pick of groupie. It has no morals, it knows no laws and all it wants is to ensure that you have the best time possible.

Hider In the House (1989)

When this movie was being filmed, a psychologist was hired as an adviser to ensure that Gary Busey’s character of Tom Sykes was realistic. Busey was excited, as he felt that he already was the character.

Fives after filming, he crashed his motorcycle with no helmet and nearly died.

Busey, who campaigned against mandatory helmet laws for motorcyclists, flew off his bike headfirst directly into a curb. Neurosurgeons at Cedars-Sinai Medical Center needed to remove blood clots from his brain to save his life.

He told Oprah Winfrey in 2014 that “My bike hit sand and fishtailed. I hit the front brake and flipped over and hit my head on the curb.” The accident split my skull wide open. At one time they had me under 12 layers of drugs and strapped down to a metal table, naked, in the mental health alert ward — cause they were going to ‘Cuckoo Nest’ me.” 

Then, after saying a prayer, Busey said, “And I felt a white cloak cover around me, and I called that cloak faith. And that’s what got me out of the hospital two and a half months early. My brain got altered in a way that’s not normal and I have a different way of looking at things and feeling things. And I know how special life is.”

Recently released psychiatric patient Tom Sykes (Busey) has gone full-on Bad Ronald, hiding within the attic of the Dreyer family — Phil (Michael McKean, yes, from Spinal Tap), Julie (Mimi Rogers) and their kids Neil and Holly — and uses a baby monitor to listen in on their every waking moment.

His goal? To become the new father of the family, inventing an affair for Phil and slyly spying on Julie as she skinny dips in the pool. He even murders their dog Rudolph when he gets too close. And then when young Neal gets beat up at school, he teaches him how to fight back.

Phil and Julie get into a huge fight and he moves out, which gives Tom the opening he needs. Only one person distrusts him — their neighbor Gene. Do you know how creepy Gene is and why no one listens to him? Because he’s such a weirdo that he helped give birth to the ultimate weirdo — he’s Crispin Glover’s dad Bruce.

Of course, it all ends like Fatal Attraction, complete with Tom shrugging off bullets to keep coming after the family. But that’s not how it originally ended.

In the original script by Lem Dobbs (Romancing the Stone, The Hard Way with Michael J. Fox, Kafka for Steven Soderbergh, Dark City, The Limey, The Score with Robert De Niro, and the ill-fated Travolta vehicle, 2018’s Gotti), Sykes was an abused child and much more sympathetic. After trying to burn down the house with the family still inside, he realizes that he’s just recreating the way he murdered his own abusive family when he was young. He now realizes that he has become as evil as them and despite the rejection of the Dreyers and the fact that he can never be a part of their family, he saves them and allows the house to burn down all around himself. This ending is completely out there, which I love and wish had been filmed. 

Is there anything as Gary Busey making his own home within the walls of the place you feel most safe? No. There is not.

If you want to see this for yourself, you can grab it from VHSPS or watch it on Amazon Prime or You Tube Movies. Director Matthew Patrick also directed Raquel Welch in 1993’s Tainted Blood (free; You Tube) and Jennifer Beals in the radio-ghost story, Night Owl.

Witch Story (1989)

Witch Story may have been sold as a sequel to Superstition in many parts of the world. In Germany, it was retitled Tanz der Hexen Teil 2 and claimed to be the sequel to Larry Cohen’s Wicked Stepmother, if you can believe that.

It’s also the directorial debut of Alessandro Capone, who wrote the 1987 slasher Body Count for Ruggero Deodato. It was shot between Rome and Florida, which probably lends it the strange disassociated feel that it enjoys.

If you enjoyed Ghosthouse, good news. This movie could equally be a sequel to that film.

If you can hang on until the last part — getting past the product placement that isn’t product placement but is there to let you know that this was shot in America, as well as the farting and burping guy who lends an unnecessary air of frat humor — Witch Story will reward you with people getting possessed and killing one another with all manner of implements, as well as a small girl being killed by a tractor. And isn’t that what we all showed up for?

I posted the whole movie below, so go ahead. Enjoy.

2019 Scarecrow Psychotronic Challenge Day 12 Option 5: Psycho Cop (1989)

DAY 12. THE FRACAS AND THE FUZZ: Something revolving around cops and criminals.

How have I ended up here, watching Psycho Cop in the middle of the night? I blame the annual Scarecrow Psychotronic Challenge. What started with just Maniac Cop ended with all three of those films, then I was like, well, let’s see if there were any other cop-based slashers. Bad news for me — there totally was.

Wallace Potts would not be the filmmaker I’d think would make this film. The lover and documenter of international ballet star Rudolf Nureyev, he’s probably most famous for assembling, on behalf of the Rudolf Nureyev Foundation and the Fondation Rudolf Noureev, every single bit of footage possible of the dance star. Besides that, he directed the films Demi-Gods, Tales of the Unliving and the Undead and a French adult film entitled Dude.

I hate stereotypes, but again, not who you think of when you’re looking for someone to direct a slasher about a Satanic serial killing peace officer.

The film begins with Barbra and Greg, two newlyweds that you shouldn’t bother getting to know, as they soon come across a ritualistic murder ground. Joe Vickers (Robert R. Shafer, Bob Vance from TV’s The Office) finds them and easily snuffs out both of their lives. He’s a cop who was promised a good life by God that decided to go with Satan instead. He may also  be one of the undead.

The very next day, three couples travel to a secluded mansion that comes complete with a hunky caretaker who is soon killed by Vickers. Probably the only one of these people who you may know would be Cindy Guyer, who was a romance novel cover model and once engaged to Corey Haim for eight days before he threw her from a movie vehicle. She survived. As the character Julie in this movie, she does not.

Your capacity to enjoy this movie depends on just how desperate you were for new horror movies back at the end of the 1980’s. If you were like me, you rented anything with that little green horror sticker, so a movie like this may be grating in parts, but easily flies by. If you wasted your time watching actual pieces of cinema, you are probably going to despise every single moment.

Vickers is really Gary Henley, a discharged psychiatric patient who Satan has helped to infiltrate the California Police. He’s able to shrug off point blank bullets, but not a log that impales him. However, we never get a full disclosure of his powers and also learn that he could also be Ted Warnicky, an escaped psychopathic serial killer. This is what they call a non sequitur. Don’t say that slasher movies never taught us anything — you just learned about a conversational literary device that is derived from the Latin phrase “it does not follow.”

The Psycho Cop — of course — survives. There must be more psycho patrols to perform. He’s not really all that special or memorable. To paraphrase Lloyd Bentsen, “Psycho Cop, I watched the first Maniac Cop with Matt Cordell. I watched the second and the third. Matt Cordell was a friend of mine. Psycho Cop, you’re no Matt Cordell.”

This isn’t available on DVD as of yet. Trust me, you’re not missing anything. But hey — here’s a link to watch it on YouTube.

Sleepaway Camp 3: Teenage Wasteland (1989)

A year after the second Sleepaway Camp, Angela is back to terrorize another camp full of teenagers. Now, after running over a young camp counselor named Maria with a truck, she’s assumed that identity and ready for even more murderous mayhem and flashbacks set to sing-a-long campfire songs.

Before things even get started, Angela (the returning Pamela Springsteen) kills news reporter Tawny Richards by giving her Ajax cleanser instead of cocaine. Then, she starts wipining out the troubled kids and counselors at camp.

There are some pretty inventive murders in this, like burying a woman up to her neck and then running her over with a lawnmower, dropping another teen off a flagpole, burning someone alive, blowing a firecracker in yet another camper’s nose and even some paramedics that get attacked with syringes. It’s pretty much open season on campers.

There is some star power — in my universe at least — as Michael J. Pollard (Four of the Apocalypse) plays camp counselor Herman Miranda and Sandra Dorsey, who was in Grizzly, plays his wife Lily.

There are plenty of easter eggs in this, like all of the characters being named for Brady Bunch, The Munsters and West Side Story characters. There were also originally going to be even more elaborate deaths, like Angela stabbing Herman in the crotch with a flaming hot poker and yelling, “A weenie roast!” But that’s probably just as well, as when this was screened for the MPAA, one of the screeners for physically ill during the flagpole scene.

You have plenty of options if you want to watch this. We’d advise getting the Shout! Factory blu ray, because physical media never gets taken away from you and streaming is unreliable. But if you want to see this immediately,  it’s free on Tubi, Vudu and Amazon Prime.

Intruder (1989)

Scott Spiegel is the great uniter of the 90’s film scene. When he first moved to Los Angeles, he shared a house with film directors Sam Raimi, the Coen Brothers and actresses Holly Hunter, Kathy Bates and Frances McDormand. Not content with that star-packed household, he later shared a house with Bob Murawski, the Grindhouse Releasing co-founder. This may be part of the explanation for how Sam Raimi came to use a shot from The Beyond, a film that Murawski helped bring to the US, in his first Spider-Man movie.

To top all of that off, in the early 90’s, Spiegel introduced Lawrence Bender to Quentin Tarantino. Together, they got Reservoir Dogs off the ground.

But before all that, Spiegel worked at the local grocery market across from Walnut Lake Elementary School back in Birmingham, Michigan. His teenage best friends? Oh, only Raimi and Bruce Campbell.

Drawing on that grocery experience — and based on an old Super-8 film he created called Night Crew — Spiegel and Bender would make this film. Paramount Home Video hyped up that Bruce Campbell, Sam Raimi and Ted Raimi were the major stars, along with Renee Estevez. They’re all barely in it and Renee is the first — SPOILER WARNING — to die. Hell, the DVD art gives away the killer!

As a supermarket closes, the crew begins restocking the shelves. Craig and Jennifer are broken up, but they get in a fight. This upsets Linda (Estevez, who yes, is Charlie’s sister and was in Sleepaway Camp II: Unhappy Campers), who hits the panic button. Craig is chased away, the cops are called and then the bomb gets dropped — the store is getting sold and they need to do an inventory before the store changes hands.

As the night goes on, person after person is killed. Is it Craig? Or can it really all be that simple?

This movie is packed with gore, courtesy of KNB. In fact, five minutes of it was cut for its eventual VHS release. And look out — the police officers are Alvy Moore and Tom Lester, who played Hank Kimball and Eb Dawson on Green AcresIntruder then raises the bar even higher on cameos that only I would care about by having Emil Sitka, the fourth Stooge and the only man other than Harold Brauer to work with all six Stooges. He even says his famous line, “Hold hands, you lovebirds.” That same phrase appears on his tombstone.

Spiegel wanted the final shot go all the way down Jennifer’s throat and inside her body to her heart, where the film would stop on a freeze-frame of her heart as it stopped beating. I would have loved that!

The director has gone on to create films like Hostel: Part IIIThe TempleFrom Dusk Till Dawn 2: Texas Blood MoneyMy Name Is Modesty and the completed yet never released Spring Break ’83.

You can watch this for free on Tubi. Or grab the uncut version from Synapse!