EDITOR’S NOTE: The Daughter of Dr. Jekyll was first on Chiller Theater on Saturday, November 22, 1963 at 3:00 p.m. It also aired on July 11, 1964 and February 20, 1965.

Janet Smith (Gloria Talbott) and her fiancee George Hastings (John Agar) arrive at the English manor house that she will inherit the next day. They’re met by her guardian Dr. Lomas (Arthur Shields), housekeeper Mrs. Merchant (Martha Wentworth), groundskeeper Jacob (John Dierkes) and Maggie (Molly McCard), who is Janet’s personal maid. They’re worried that she’s getting married so quickly, as she’s inheriting a sizeable sum of money, as well as another inheritance: she’s the daughter of Dr. Jekyll who was a werewolf, which is something new on me.

That night, Lomas hypnotizes Janet. Before bed, Maggie warns her that this is the night that her father rises from the tomb. When she sleeps, she dreams that she’s killed a woman. She wakes up to blood all over herself and a werewolf in her mirror. Ah, but is she just seeing things because of Lomas? Or has she really become a lycanthrope?

Shot in a house on 6th Street in Los Angeles, near Hancock Park, you can occasionally see late 50s cars through the windows, despite this being set in the past. After playing double features with The Cyclops, this was sold to TV by Allied Artists as part of their 22-film Sci-Fi for the 60s package which includes Terror In the Haunted House, House On Haunted Hill, Not of This Earth, The Hypnotic Eye, The Brain from Planet Arous, The Atomic Submarine, Attack of the Crab Monsters, Attack of the 50 Foot Woman, The Bat, Caltiki the Immortal Monster, The Cyclops, The Cosmic Man, The Disembodied, Frankenstein 1970, World Without End, War of the Satellites, From Hell It Came, The Giant Behemoth, The Indestructable Man, Spy In the Sky and Queen of Outer Space. Obviously, Pittsburgh’s Chiller Theater purchased this package of films.

You can watch this on Tubi.

EDITOR’S NOTE: Trog was first on Chiller Theater on Saturday, November 18, 1978 at 11:30 p.m. It also aired on April 10, 1982.

Trog makes me sad. Beyond the fact that it feels a lot like King Kong or Son of Kong—a doomed monster from our past that just can’t survive in today’s horrible modern world—it’s also depressing at times to watch Joan Crawford act her heart out in a film where no one else can come close to her power.

That’s not to say this is a bad film. It’s delightful and well-directed by genre vet Freddie Francis (Tales from the Crypt and plenty of other wonderful Amicus portmanteau films). It’s also quick-moving and enjoyable.

But it’s still sad.

A troglodyte (TROG!) is found alive in the caves of England. Dr. Brockton (Crawford) has had some success communicating with him and sees him as the missing link. However, her neighbors do not like her having a monster in her house, mainly after it kills a dog when it steals his ball.

Local businessman Sam Murdock (Michael Gough, who appeared in many Hammer films and as Alfred in the 1980s and 1990s Batman films) worries that the creature will negatively impact local businesses. But he really has an issue with a woman being in charge.

Meanwhile, Trog undergoes multiple surgeries, which enable him to learn to communicate. In a trippy sequence, we see into his mind, which is filled with memories of the Ice Age and dinosaurs.

The court upholds Dr. Brockton’s goal of teaching Trog, so Murdock sneaks in and lets him loose. He kills several people, including the businessman, before taking a little girl and retreating to his cave. Dr. Brockton can communicate with Trog, and the girl goes free. Meanwhile, soldiers open fire on our titular caveperson, and he falls to his death, impaled on a stalagmite.

As Dr. Brockton leaves in tears, a reporter tries to interview her. She has no comment as she wanders away.

See? Depressing.

Due to the film’s low budget, Crawford used her own clothes. And it shows. She’s a beacon of fashion in a grimy town. She stands out like no one else. And speaking of suits, the one for Trog was left over from 2001: A Space Odyssey!

This was Crawford’s final film, but I don’t believe the TV show Feud: Bette and Joan. She’d continue to act afterward, appearing in an episode of TV’s The Sixth Sense called Dear Joan: We’re Going to Scare You to Death. If you’ve ever listened to My Life with the Thrill Kill Kult, that’s where the sample on the song “A Daisy Chain for Satan Comes From.”

PS: I would know none of this were it not for Bill from Groovy Doom.

I’m glad I watched Trog. But the sad ending — and thinking of Joan changing in her car during the breaks in filming — make me a little misty-eyed. That said, it’s one of John Waters’ favorite films, so there’s that.

EDITOR’S NOTE: The Cosmic Man was first on Chiller Theater on Saturday, October 26, 1963 at 3:00 p.m. It also aired on August 7, 1965.

USAF Col. Matthews (Paul Langton) and Dr. Karl Sorenson (Bruce Bennett), an astrophysist at the nearby Pacific Institute of Technology (PIT), are called as a UAP flies over Oak Ridge, CA at 180,000 miles an hour and coming to rest in Stone Canyon, floating off the ground. That night, a creature from inside the ship goes to the lab of Sorenson and Dr. Richie (Walter Maslow) to solve some problems that have puzzled them for months. They see whatever it is as friendly, but Matthews sees it as an enemy.

Kathy Grant (Angela Greene) is a widow whose fighter pilot husband died in the Korean War. She runs a lodge near the canyon while caring for her wheelchair-bound terminally ill son Ken (Scotty Morrow). A stranger (John Carradine) arrives and she thinks he’s a scientist. He’s the alien, of course, and begins to learn how play chess from the young boy.

Known as the Cosmic Man, the alien appears to the scientist and military. He tells them that as mankind is about to go into space, they must learn to stop being prejudiced or they will never be able to live with other races. He says that he will leave in the morning, so the military guys start shooting him. He walks away like it’s no big deal. The humans in this movie are the worst, trying to kill the Cosmic Man even when he heals Ken and helps him walk again.

At the end, the UAP flies away and Sorenson says, “He’ll be back.” I hope not. We treated him like a jerk. I also hope Sorenson realizes that Kathy is an attractive woman in her late thirties, in the full bloom of sexual power, and stops spending all night in the lab and more in the lodge. Both she and Ken need a daddy, after all.

Director Herbert S. Greene only made one other movie, Outlaw Queen, which has Andrea King from The Beast with Five Fingers as a Greek immigrant who starts her own casino in the Wild West. If you think to yourself, “Who could write a movie like that?” the answer is Edward D. Wood Jr.

EDITOR’S NOTE: The Magic Serpent was on Chiller Theater on Saturday, November 28, 1970 at 11:30 p.m.

The Oumi Kingdom is in shambles after General Daijo Yuki (Bin Amatsu) and his ninja Orochimaru (Ryūtarō Ōtomo) kill Lord Ogata (Shinichiro Hayashi) and his wife. Soldiers loyal to Ogata have succeeded in helping his son Ikazuchi-Maru to escape but Orochimaru transforms into a serpent and tries to kill him. Luckily, a giant eagle flies in and saves Ikazuchi-Maru.

Trained by Dojin Hiki (Nobuo Kaneko), Ikazuchi-Maru grows to become a ninja who specializes in toad magic. One evening, Hiki is attacked by Orochimaru and it’s revealed that the old man once taught the evil ninja and was also the eagle that saved our hero, who arrives too late — along with Tsunade (Tomoko Ogawa) — to save him. Now out for revenge, he goes after the ninja while Tsunade follows, given a spider pin by the spider woman who saved her.

Ikazuchi-Maru renames himself Jiraiya and becomes friends with Saki (Yumi Suzumura) and her little brother Shirota (Takao Iwamura), saving them from Daijo Yuki’s men. But oh, the twists and turns, as it turns out that while she loves our hero, Tsunade is also the daughter of Orochimaru! And there’s still a battle between the ninjas in their toad and serpent forms to follow.

Man, I absolutely loved this movie. It combines the martial arts movie with kaiju and has so many strange things about it. People hopefully loved it too, but I bet so many people who watched the American-International TV versions just thought it was dumb. Not me!

AIP also redubbed the monsters, so the Orochi-Maru Dragon sounds like Godzilla and Gaira from War of the Gargantuas, the Ikazuchi-Maru/Jiraiya Toad roars like Rodan, the giant eagle is Mothra and Sunate’s giant spider now sounds like a metallic monster and also has the voice of Kiyla from Ultraman. They also removed the opening and closing songs and replaced them with basic instrumentals. The toad also was used on the Toei series Kamen no ninja Aka-Kage.

You could almost see a lot of Star Wars in this movie. An evil magic fighter orphans a young boy who is destined to have great power who is saved by an old man and raised in the ways of the very same magic. He becomes friends with the daughter of that enemy — Leia is, after all, Darth Vader’s daughter — and he finally becomes strong enough in magic that he can fight back and the evil magic fighter becomes briefly good before his heroic sacrifice. Sure, we can all get behind that Joseph Campbell Hero’s Journey, but sometimes, things get a little ripped off.

Speaking of that Hero’s Journey, this is based on a Japanese folktale, The Tale of the Gallant Jiraiya, and was directed by Tetsuya Yamanouchi (Akakage, The Ninja Hunt) and written by Masaru Igami (Prince of Space, the main writer of Kamen Rider, Johnny Sokko and His Flying Robot) and Mokuami Kawatake.

The title in Japan was Great Mystic Dragon Battle, which is super metal, and it has even better ones over the entire world, like Grand Duel in Magic, Ninja Apocalypse and Monsters of the Apocalypse. If you’ve ever seen the Taiwanese movie Young Flying Hero, that feels like a remake of this movie.

EDITOR’S NOTE: Gamera was on Chiller Theater on Saturday, May 4, 1968 at 11:20 p.m. 

I’ll come clean. As a kid, I liked Gamera more than Godzilla. Sure, Daiei Film Studios was just following the success of Toho’s kaiju superstar, but I always felt a kinship to a monster who could just withdraw into his shell. Gamera was, after all, a friend to all children. And man, I wanted to be his best pal.

Originally released on November 27, 1965 in Japan, a re-edited version with new footage was released the following year in the U.S. as Gammera the Invincible. It was the only movie in the series to get a theatrical release in this country.

Over the Arctic, a nuke blows up and awakens a prehistoric giant turtle that just so happens to have big tusks. That’s Gamera, but he’s no friend to anyone at this point.  He can also breathe fire, which he does to blow up an American jet real good.

These scientists that he battles are pretty much morons. They’re smart enough to come up with freeze bombs, but they think that if they get him on his back, he’ll die of starvation. So Gamera just pulls all his arms and legs inside his shell and starts spinning around like a UFO.

This movie will also teach you that turtles are not even. They’re just turtles.

Back to those scientists. A whole bunch of Russian, Japanese and American ones invent this thing called Z Plan. You know what it is? They put Gamera in the nose cone of a missile and send him to Mars, all excited about how their scientific ways have triumphed over idealogy.

It’s a crock of turtle shit.

You know what’s really awesome? This movie was originally going to be called Dai Gunju Nezura (The Great Rat Swarm), but all of the real rats that were going to run over the miniature city got fleas.

This is the only Gamera movie where he doesn’t fight another monster and also the singular black and white film in the series. He’s also a good guy in every movie after this.

You can watch this at the Internet Archive and imagine a young Sam losing his mind screaming, jumping all over the TV room, so happy to see a turtle fly.