20 Minutes to Go (1990)

Aurora Productions, which made this, is really The Family International, an American new religious movement founded in 1968 by David Brandt Berg. They also went under the names The Children of God, Teens for Christ, The Family of Love and The Family. It’s the cult that Rose McGowan, River, and Joaquin Phoenix were born into. Berg mainly communicated by letter until he died in 1984. That’s when his wife, Karen Zerby, became the Queen and Prophetess.

According to Wikipedia, she “… married Steve Kelly (also known as Peter Amsterdam), an assistant of Berg’s whom Berg had handpicked as her “consort”. Kelly took the title of “King Peter” and became the face of TFI, speaking in public more often than either Berg or Zerby. There have been multiple allegations of child sexual abuse made by past members, including against Zerby.”

The music, however…

Take it from the copy on the box: “A startling new music video! It will send you racing one footstep ahead of danger and death! One heartbeat away from your wildest dream of love! A music video that will take your imagination by storm! It will plunge you into the dwelling place of the damned, then thrust you into a dimension beautiful beyond description!”

There’s a song about a green door in this that goes from fun to fear so quickly, as well as “Watch Out for 666.” This is the kind of insanity that the Catholic Church could never provide me as a child, and if they did make stuff like this, I would have never lapsed. a

You can download this from the Internet Archive.

The Job (2025)

Todd (LeJohn, President Skullgore on NPRmageddon) has a job interview that starts with a handwritten sign that says, “Take a seat, we’ll be right back,” and continues with an AI, Athena 2.0 (Dawna Lee Heising), conducting the interview. She’s a human resources interface designed to make him more comfortable and to maximize his interview experience. 

That means a series of tarot cards that help her to evaluate his mental fitness for employment. We don’t even know what the job is, while Athena 42.0 knows so much about Todd.

Directed by Craig Railsback, who co-wrote it with Dr. Heather Joseph-Witham, this is about how the work for Todd will help him find purpose. He yells back that he’s not an algorithm that needs to be optimized. His answer? Pick three cards.

Instead of learning about the job, Todd is confronted by the pain of his life, the things that he’s lived through, flashbacks that are so intense that they bring him to tears. “The tower burns because its foundation is false,” states the AI.

“The cards are not answers. They are mirrors,” she says, before asking for another card to be revealed. He must learn if he can be redeemed, as long as he dares to reach it. At the end, Todd says, “I know what I want now,” before unplugging the room. 

The Job has great lighting that really makes such a small space work for this quick film. The original score and AI special effects are composed by Dr. Renah Wolzinger, and they both contribute to the story, making this a swift and efficient short that both looks and feels good. Even the credits are unique in this, I love how they were animated!

ATTACK OF THE KAIJU DAY: Monster Planet of Godzilla (1994)

 

At one time, in the Tokyo theme park Sanrio Puroland, this Godzilla movie appeared as part of a ride. It was made with costumes and props from the Heisei Godzilla movies (WikiZilla says they’re the “RadoGoji Godzilla suit and Rodan puppet from Godzilla vs. Mechagodzilla II, and the Mothra imago puppet from Godzilla vs. Mothra” and the launching area for the space ship comes from Bye-Bye Jupiter), with Megumi Odaka (Princess from the Moon, Miki in Godzilla vs. Biolante) appearing in the beginning as Miki, Koichi Kawakita doing the special effects and Akira Ifukube music.

This footage comes from the Japan-only Godzilla Final Box release. During the original ride, as Godzilla battles Rodan and Mothra, General Hello Kitty saves the day. For copyright reasons, this was edited out.

But what riders got was a 4D 70mm face-to-face showdown with Godzilla. And you could even smell the kaiju. What was their scent? I wonder. According to this article, the team that made it initially made Godzilla smell like alligators. 

This site explains it all: “You can enter a Virtual Reality world with Godzilla, at the amusement park Sanrio Puroland in Tokyo. Battle with Godzilla, Rodan and Mothra as you try to help defend Japan.

Your adventure begins in the prep room, where you wait while the group ahead of you enjoys the film. In the prep room, several video monitors display a lengthy Godzilla trivia quiz. Then your hostess, played by Megumi Odaka, and her sidekick friend, Hello Kitty, explain your mission. Your UNGCC fighter craft is demonstrated by your pilot. With your 3D glasses in your hand, you are asked to enter the theater. Once safe and secure in your seats, the show begins.”

Directed by Kôichi Kawakita and written by Marie Terunuma, this is a rare modern Godzilla film featuring all the classic monsters. A spaceship called Earth has been sent to a monster planet where all the kaiju now live. It spots the other ship, Planet, and saves it by shooting at Godzilla. However, a dimensional portal opens, sending everyone to Japan, where the kaiju rampage through the streets (even destroying Tokyo Station, where Sanrio’s competition has their offices) before being sent back home in bubbles. 

Those kaiju and their bubbles. Gets them every single time.

You can watch this on YouTube (and fast-forward to 10:30 for the Godzilla live action).

ATTACK OF THE KAIJU DAY: Fest Godzilla II: Shinjuku in Flames (2025)

First shown at Godzilla Fest 2025 on November 3, 2025, Fest Godzilla II: Shinjuku Burning is a short directed and written by Kazuhiro Nakagawa, funded by Toho and produced by Episcope. It’s a reboot of the annual Fest Godzilla series and the sixth entry overall. Unlike those movies, which use the FinalGoji design, this uses the MireGoji design for Godzilla (according to WikiZilla, it’s a “2015 promotional suit based on the Godzilla from Godzilla 2000: Millennium“).

It starts with two JSDF soldiers in a Tokyo subway talking about how Godzilla’s temperature is rising, but soon the foot of the kaiju crashes down as the kaiju battles defense forces with its atomic breath. As he destroys helicopters, his skin begins to turn orange, a sign of Burning Godzilla. A soldier stares at him just as another monster appears.

Made in a single continuous shot, it’s exciting to see a new Godzilla, even if this is short.

You can watch this on YouTube.

THE IMPORTANT CINEMA CLUB’S SUPER SCARY MOVIE CHALLENGE DAY 23: Grim (1985)

23. An Experimental Horror Film That’s Not In English

Takashi Ito’s father wouldn’t allow him to seer kaiju films like all his friends. But he finally allowed him to see Daimajin and Gamera vs. Barugon; his elation “worried his parents.” He began to draw manga and went on to Kyushu Institute of Design; he almost quit before experimental filmmaker Toshio Matsumoto came to the school.

Grim was made after he graduated and uses long exposure photography and empty spaces to create a sense of fear. Ito said, “With this work, I developed/fleshed out the idea I had when making Ghost of peeling only the skin from various objects in the room, floating the skins in midair and then sticking them on different objects. This film was also shot entirely frame-by-frame with long-exposures. Along with Grim, its meaning is “as if to do forever.””

How frightening is just a hand? How scary is a change in music or color? Ito takes the most basic moments and gets the most horrifying energy from them, making you nearly afraid to watch.

You can watch this on YouTube.

THE IMPORTANT CINEMA CLUB’S SUPER SCARY MOVIE CHALLENGE DAY 6: Joe Meredith

October 6. A Horror Film Directed by Joe Meredith (Not for the Faint of Heart)

Across several films, director Joe Meredith has documented the alien virus Havoc, which has been experimented on by EonCorp, and the consequences for those who have been mutated by it.

South Mill District (2018): Ten years have passed since the alien war and what was once human or alien is closer than before. Two vagrants are followed, as they are part of an experiment involving the assimilation of alien and human DNA.

As Meredith himself wrote, “Their bodies were hollowed out by oversized spiders, bio-engineered by EonCorp, a corporation with evil intentions. The spiders used their bodies as dwelling places until the assimilation process was complete, and their bodies regenerated. Now they wander around the South Mill District, waiting for the spider’s mutagenic virus to do what it was meant to do.”

Stop-motion monsters, brain spiders, so much vomit…it’s like a drone SOV beamed from the past to now, an ambient drone that lulls you into not being ready for the next disgusting moment that is about to burn into your soul. Meredith did about everything in this movie, along with his wife Cidney and Toby Johansen.

Imagine if a smoked up stoner in the Satanic Panic made a low-fi version of District 9 but was more concerned with watching things rot than the politics of it all.

You can watch this on YouTube.

Atraxia (2025): The world is a video game and also the sketchbook of that kid in the back of your science class that barely pays attention but knows every answer. Maybe knows more than the teacher. And when you sneak a look inside his drawings, they look like someone’s been watching Cannibal Holocaust every day when they get back from school, all to analyze and memorize the crucified people.

Joe Meredith is making his own Monster Manual through these movies, as this is footage of creatures that have emerged after a major storm. I don’t even know or care what genre this is, but probably the people who came up with elevated horror as a name have an erection wondering what to call Meredith’s work. Religious video game drone horror? That’s not anywhere near succinct enough.

This goes beyond splatter, so maybe the folks that come up with those titles won’t be watching this wandering through nature and finding gory vistas just displayed in front of you, while keeping the aesthetics of a first person shooter.

You can watch this on YouTube.

You can also find Meredith’s films on the Internet Archive.

GENREBLAST FILM FESTIVAL: SHORTS BLAST #6 // THE GB ALL-STAR GAME – 2025 EDITION

A killer assortment of short films created by returning filmmakers.

The Blue-Eyed Boy & Mister Death (2024): The description for this says, “Losing a loved one is never easy. Losing a parent can be even harder. Will Cummings had a hole in his heart shaped like his Dad that he tried to fill after the Cancer took him, yet nothing seemed to work. But what if every great once in a cosmic while, on the rarest of occasions, Death felt bad for being a jerk, and gave you one last chance to say those words that you thought no one would ever get to hear? What if you could hear that familiar voice just one more time? What would you say?” A thought-provoking subject, and hey! Vernon Wells is in it!

Wow. This is one emotional movie. It made me tear up a few times as I saw so much of my own life in it. Adam Hampton, the lead, does a really great job emotionally in this, and what could have been a very one-note film has so many levels to it. Well done!

Still (2024): A miraculous discovery in the woods fulfills a despondent woman’s deepest desire, but triggers a nightmarish new reality in Rakefet Abergel’s film Still. Obviously, this comes from a very personal place of losing a child, and this does more to show me what that feels like than several large-scale, big-budget films. Just a raw and unyielding look at how it feels to have a future torn away from you. Great acting, outstanding production values and in no way does this feel preachy. It feels real.

Bart & Bobbi Kill Each Other (2025): Bart (Michael P. King) and Bobbi (London Garcia) have lived together for about thirty years. Now, they have had enough. One of them must leave. Or maybe die. Maybe both of them, if we go by the name of this short, are going to die. Regardless, director, writer and producer Aaron Barrocas has done an incredible job with this short, one that combines sharp dialogue with fun effects and plenty of inventive ways to keep things moving.

The Rewind (2025): Josh is desperate to get back his wife, Nina. He turns to a new technology that allows users to re-live a difficult moment in the hope of learning important lessons. Impatient for results, he soon discovers that Rewind therapy is not the magic fix he hoped for, and some would put this tech to a more sinister use.” That’s the hype copy for this, but wow, what it ends up being is so dark, and the ending is so brutal that I couldn’t believe it. Such a well-made short that feels like it could easily become a full-length film!

Efflorescence (2025): In this film by Sofia Gaza-Barba, LaLa (Susana Elena Boyce) has turned vegan as an act of love to Johnny (Aaron Fernando Deitz), the latest love of her life. But after binging rare greenery at a flower shop to stop her everlasting hunger, she finds herself turning into a flesh-eating human plant, the exact same night she’s expected to meet her lover’s vegan friends. As her mother reminds her, she’s Mexican and eats meat. She’s changed for all of her boyfriends — including a gamer, as her mama reminds her — and now, she’s turned her back on everything, not eating carne asada. Well, not for long. A lot of fun!

Wreckless (2024): At her first Alcoholics Anonymous meeting, Lucy (Jennifer A. Goodman) begins to freak out. Filled with worry, she starts to drift and even loses control of her reality. Directed by Timothy Troy and written by Goodman, this doesn’t make Lucy the hero or keep her from blame. It also doesn’t condemn her. It’s a very even-handed depiction of what people going through addiction must go through.

Tepache (2025): Directed and written by Carlos Garcia Jr., this is the saga of Gael (Alejandro Galindo), a legendary medieval dinner theater knight who decides that tonight is the night to win back his true love, the exotic dancer Noel (Stephanie Oustalet). This movie was terrific, not allowing its hero to get away with his stupidity while making what could have been a one-note character, Noel, work so well.

GENREBLAST FILM FESTIVAL: SHORTS BLAST #5 // WAKE UP & BLAST!

An insane and eclectic collection of animation, comedy, music, and whatever else to wake your ass up.

Pile – Born at Night (2025): Directed and written by Joshua Echavarria, this is a video for the song by the Boston band Pile. Stereobar describes their music as a “philosophical exploration of existential nihilism, wrestling with the idea that perhaps there is no ultimate enlightenment or end to human suffering.” This black and white video matches the song so well — nearly a mix of light and dark, softness and noise. I’d never heard this before and came away really liking it.

Froggy Style (2025): This was directed and written by Jonathan Riles and is basically non-stop animation and images of frogs, well, having sex. The frogs are also gay. Such is life. If you’re upset about the frogs being gay, you’re probably Alex Jones.

Purple Patrol (2025): In Jessica Q. Moore’s film, “a vigilante trio summons an otherworldly being to help protect the queer community.” Pinkle (Oliver Herfact), Winkle (Charlie Wo), Dot (Dick (Richard)) and The Dyke (Sapphrodite) are ready to keep people safe from the straights. Great music, great message, and it looks really good along the way.

The Litterbug (2025): Park Ranger Charlie (Lillian Alexander) and her recruit, Casey (Lillian Alexander), track down a serial litterer known as “The Litterbug” (Travers Britt), who turns out to be not a man, but something else. Something horrifying. If anything, this has made me not want to throw any trash out the window of my car ever again. 

Christ Dance (2025): Directed by and starring Taylor Nice, this takes the music of Life Appreciation Renewal and creates a black and white canvas for this noise and sound. I’m sure that someone, somewhere, will be offended.

The Fly Squatter (2025): This movie by Vincent Vinãs claims that the original soundtrack was deleted during the 1980s Sergio Mendes disco craze. Through a mix of low-budget filming, costumes, dubbed dialogue and use of stock footage, this tells the story of a war between humans and flies, a battle that I feel like I’ve been in forever.

Burned Cans for Aluminum Children (2025): “The distant sound of church bells signals the beginning of an apocalypse.” With that description, I’m excited for Robert Kleinschmidt’s film. Good news. If you like to see cute claymational characters blow up real good and suffer in many other ways, this is for you.

Pizza Time Pizza (2024): This movie by Nicholas Thurkettle has pizza that comes to you based on your thoughts and what you want. They know your name. They know what they must know to fulfill their purpose. I was wondering why destiny and quantum theory were coming in with pizza — “the truth can be unsettling, but pizza brings comfort” — but then again, I realize that when I’m high, I want pizza. Actually, I’m not high now, and I still want pizza. This movie gets it; in a world of infinite diversity and complexity, pizza is perfect. I loved this. So much. Seriously, what an ideal short.

The Time Capsule (2025): Four childhood friends reunite to dig up a time capsule after 30 years… and encounter some unexpected visitors. Made by Michael Charron, this made me consider what I would have put in a time capsule in 1995. I would not have placed a Wendy’s Value Meal into it, hoping that it would last that long, but I have seen that fast food hamburgers do take forever to go away. I just had a Double Baconator the other night, and it may be inside me forever, if this movie has given me any insight. Well done.

Tortured Artist (2025): “An aspiring artist struggles with negative self-talk and unfair comparisons with his peers. Can his only fan save him from himself? It’s Art Attack gone very wrong in this crude comedy short.” Hey kids — would you like to see a clown shit all over a canvas for two minutes? Good news! You got it! Sometimes, art can be painful, and this shows us that. It has some great animation, and wow, the sound effects!

VHX (2024): Directed and written by Scott Ampleford and Alisa Stern, this film features a collection of VHS tapes gathering dust on a shelf, wondering why some are picked over others, only for one of them to come back as a zombie. This made me miss the times when all I had were tapes with handwritten labels, bootlegs of movies that were nowhere near 4K, fuzzy blasts of weirdness, mix tapes, utter strangeness that could fall apart at any moment because VHS was so fragile. I loved this!

Alpaca (2024): Filmmaker Sylvia Caminer has taught me that there’s a whole social media just for alpacas. Additionally, you should not feed them chocolate, as it will cause them harm and potentially lead to your own demise. Who knew that I could be terrified now of alpacas? Thanks, Syvia, and your co-writer, Matthew Wilkins! I really loved Fernando Martinez in this, who gets to say things like “Tap in, alpaca fam!” Just a hilarious — if frightening, I mean, there’s an alpaca down the street from me and now I’m eyeing him — movie. 

GENREBLAST FILM FESTIVAL: SHORTS BLAST #4 / BINGE & CRINGE: RETURN OF THE FRIDAY NIGHT FREAK SHOW

There are no trigger warnings and there are no safe spaces within this collection of WTF shorts.

Sugar Tits (2025): Director Heath Benfield has created something, well, crazy. A teeth-obsessed killer kidnaps a new victim to complete his deranged masterpiece, Sugar Tits, a doll with real human parts and teeth. This movie has seen some reviewers calling out unpleasant, but it’s a slasher movie, you know? So if it’s beyond over the top, who cares? This feels like it could be a whole film packed with this level of insanity.

Wanker (2025): Directed and written by Lorenzo Mazza, this is the story of a boy who just wants to sit in his bedroom and well, jerk off. But soon, he must leave all that behind and make his way into the outside world. I don’t want to say I get it, but you guys know me. I get it. We all have to wash our hands and get out there into a very scary place sometime. 

Take It to the Grave (2024): Director and writer Jamal Hodge, holy shit! This was incredible. I honestly don’t want to spoil much of it, but the story of how a couple met, hooked up and fell in love is quite different from the way that Carmello (Jahlil T Hall) and Dawn (Adwoa Duncan Williams) remember. He’s confessing to Father Clemens (Tony D. Head). She’s telling her friends (Anna Mayo and Brenda Raquel) the big news. Somewhere, there’s true love. I had so much fun with this and was so stunned with each twist and turn in it. It has to be a trust story, right? 

GENREBLAST FILM FEST: SHORTS BLAST #3 // THE KOLESNIK METHOD

This series of shorts is curated by acclaimed author and filmmaker Samantha Kolesnik, featuring LGBTQ+ and documentary genre shorts.

The Shaver Mystery (2024): This is an examination of the strangest and most controversial episode of sci-fi history: The allegedly “true stories” of writer Richard Shaver’s encounters with evil underground aliens; stories that are collectively known as “The Shaver Mystery.”

Richard Shaver first encountered Lemuria when the tools at a factory where he worked allowed him to hear other people’s thoughts, as well as torture sessions going on beneath the Earth. He quit his job and became homeless for some time, but on the other hand, he may have also had paranoid schizophrenia, and this was all the result of electroshock treatments.

Shaver disappeared for some time, then began writing to the pulp magazine Amazing Stories, claiming to have discovered an ancient language he called Mantong. Editor Ray Palmer (the namesake of DC Comics’ Silver Age version of The Atom) thought that Shaver was onto something.

Shaver then wrote “A Warning to Future Man,” in which he discussed cities within the Earth, populated by the benevolent Teros and the malevolent Deros. Palmer rewrote Shaver’s allegedly accurate account and created the fictional story “I Remember Lemuria!” which appeared in the March 1945 issue of Amazing Stories. That issue instantly sold out, and then something peculiar happened: thousands of letters began appearing saying that they’d had the same experiences as Shaver.

The Shaver Mystery also boasts Fred Crisman amongst its believers. The real-life inspiration for TV’s The Invaders, Crisman is a conspiracy nexus: he was supposedly one of the three hoboes in Dallas during Kennedy’s assassination, one of the first people in the U.S. to report a UFO and he battled the Demos in a cave during World War 2.

Amazing Stories‘ readership either loved or hated the Shaver stories. According to Wikipedia, “Palmer would later claim the magazine was pressured by sinister outside forces to make the change: science fiction fans would credit their boycott and letter-writing campaigns for the change. The magazine’s owners said later that the Shaver Mystery had simply run its course and sales were decreasing.” One of the most prominent critics of the Shaver stories was a young Harlan Ellison!

That didn’t end the Shaver stories. Palmer credits these tales with the public fascination with UFOs. John Keel’s 1983 Fortean Times piece “The Man Who Invented Flying Saucers” claims that “a considerable number of people — millions — were exposed to the flying saucer concept before the national news media were even aware of it. Anyone who glanced at the magazines on a newsstand and caught a glimpse of the saucer-emblazoned Amazing Stories cover had the image implanted in his subconscious.” Indeed, Palmer was quick to defend the Shaver stories and claim that “flying saucers” were their validation.

Directed by Dean Bertram, this interviews Joshua Cutchin, Maxim W. Furek, Nathan Paul Issac, Gabriel McKee, Bryan Shickley, Tim R. Swartz and Steve Ward, as well as showing interview footage from Richard S. Shaver and Ray Palmer, the editor of Amazing Stories that published all of the Shaver stories. This is an early look at the entire movie, The Man Who Invented Flying Saucers, and I’m excited to see it. You can learn more at the official Facebook page.

Fisitor (2024): Directed and written by Llyr Titus, this is about Ioan, who is stalked by grief for his husband and a nightmarish creature from Welsh folklore, trying to survive Christmas Eve. Made entirely in the Welsh dialect, this is a folk horror that is — here’s that word again — completely of the Welsh tradition. It’s also gorgeous, a black-and-white, stark film that keeps you watching in terror.

Shadow Dancer (2025): A proof-of-concept film by Nikki Groton, an underestimated tap choreographer (Kelsey Susino), battles against surreal and violent hallucinations while trying to come back to her life before she loses the most significant opportunity of her career. Obviously, the nightmares that she sees coming to life — and hears, the sound design in this is fantastic — she isn’t just battling the supernatural. She’s fighting a sexist world that she’s trying to break through. I’m eager to see how this develops into a full-length movie. You can watch it here.

It Burns (2024): Directed by Kate Maveau, this is a short suicide prevention film about a woman dealing with her grief and trauma after her partner’s suicide. I loved the touch of this being dedicated to those who have lost the fight. This brings you into the story straightforwardly and directly, trying to fill in the emotions within something that we all face, as the latest data from the Centers for Disease Control and Prevention (CDC) and the National Institute of Mental Health (NIMH) claims that over 49,000 people died by suicide in the U.S. in 2023, which is a death every 11 minutes. Can one life matter? I think that it can.

Drainomania (2025): Directed by Christopher Greenslate, this finds Katie (Sally Maersk) at a crossroads she never realized with her girlfriend L (Gabrielle Maiden). She’s been asked to do something simple: clean the bathroom. Instead, she’s spiraled into a dream sequence that could trap her and destroy their love story. I think this movie is a good reminder to anyone in any type of relationship to respect your partner and always volunteer to clean the bathroom. Maybe it helps that I was once a janitor, because I don’t mind getting things nice and clean. Handsies and kneesies is the only way to clean.

Bath Bomb (2025): Directed by Colin G. Cooper, this starts with Dr. Jordan preparing a bath for his lover, Grant. Grant’s been cheating on the doctor and thinks he doesn’t know. Oh, he knows. This is totally a Giallo, and cinematographer Jeremy Benning gets the most out of the short running time and pushes the colors, the action and the dread with each moment. I learned that you can’t talk your way out of things when you’re naked, in the tub, and a sizzling bath bomb is about to be dropped on you (amongst other things). Totally amazing and one of the highlights of GenreBlast!

The Night Kills Lovers (2025): Jonathan Brito puts together a quick and fun slasher here, as The Caretaker (Daniel-Paul Sampson) introduces the story of lovers the injured — and sick — Wesley (Adam Wesley) and Francis (Matt Gallagher), who is taking care of him but also driving him crazy by putting on a mask and refusing to listen to him explain how dangerous the city is. Even worse, Francis left the door to their apartment open all day, which already had Wesley freaked out. Things aren’t going to get any better! This was a ton of fun!