SHAWGUST: Eyes Behind the Wall (1977)

Eyes Behind the Wall tells the story of Ivano (Fernado Rey, The French Connection), a wheelchair-bound man who has an apartment filled with audio-visual equipment that allows him to spy on Arturo (John Phillip Law, Danger: Diabolik) and his various sexual conquests. He also gets off making his wife Olga (Olga Bisera, The Spy Who Loved Me and obviously a confident woman, as she was the partner of Luciano Martino — who had been married to Edwige Fenech and Wandisa Guida — from 2004 until his death in 2013) watch these shenanigans. But now, he wants her to seduce him and be part of the action. And that’s where things get…giallo.

There’s also an astounding disco sequence with Bava-esque lighting, public nudity and a song called “Disco Boogie” that made me lose my mind. There’s nothing quite like a disco scene butting its way in to a movie that has nothing to do with dancing and these scenes are always quite welcome. I mean, everyone in this scene is going for it in a way that I never could on the dance floor.

Giuliano Petrelli was usually an actor — he’s in Massacre in Rome and The Italian Connection — and this was his one and done as a writer and director. It’s a shame, because this definitely has some great moments and was way better than I thought that it was going to be. It’s an adjacent giallo, I guess, as it’s more Rear Window than The Bird With the Crystal Plumage. And I did not expect that post-disco scene coming where  Arturo’s black friend (Jho Jhenkins, The Perfume of the Lady In Black) takes him from behind on the floor while Ivano gleefully watches and Olivia runs screaming to her bedroom.

Seeing as how the movie starts with Arturo assaulting and murdering a young girl on a train, these things certainly can’t end well for anyone. And what’s with the butler, who seemingly worships Olga, picking up her body hair and underwear in an almost state of religious ecstasy?

This is an adjacent giallo that could fit into the sex thrillers of the late 80’s and 90’s, except that it doesn’t have any negative attitude toward sexual behaviors, from normal to, well by the end of the movie you learn more, totally aberrant. Nor does it shy away from male nudity, so it’s totally the least closed minded pervy 1977 Italian movie you’re ever going to see. And hey — that Pippo Caruso (Primitive LoveEscape from Women’s Prison) soundtrack is all over the place, from that aforementioned disco number to the strange ambient music that Arturo listens to and the score that drives this film.

The end of this movie will either make total sense to you, gross you out or all of the above. Here’s to 70’s movies that end on the flaming wreckage of their main characters.

Some fun facts:

The Last House On the Beach takes the disco scene from this movie. That one is pretty brutal, as it has a murder occur in full view of a Scrooge McDuck poster, which I have never seen in any other movie.

Known in Italy as L’occhio dietro la parete, this film was produced by Cinemondial, who also made A Whisper In the Dark. Strangely, despite never playing China or Hong Kong, many sites list Shaw Brothers as the producers of this movie. I have no idea why they’d get involved!

You can watch this on YouTube.

The Sizzlin’ Something Weird Summer Challenge 2024: Changes (1970)

Softcore Smorgasbord (August 4 – 10) All of the movies on this list have at one time or another been available through Something Weird Video. I’m sure I’ve missed some but many of them are still available on their website (until the end of 2024). These are their vintage softcore movies listed under categories with ridiculous names like: Nudie Cuties, Sexy Shockers, Sexo a-go-go, Twisted Sex, and Bucky Beaver’s Double Softies.

Gerard Damiano is probably best known for making Deep Throat, the movie that created porno chic, even if the trend of adult films being accepted was happening for some time. It just so happened that his film had a great title and came along at the right time. Before he made it, he made this, a mondo movie that explains how the world is changing and accepting more sexually oriented entertainment.

While the film mainly concentrates on the titillation of meeting sex workers and female adult performers, it does have Damiano interviewing Mary Philips of N.O.W., gay magazine publisher and activist Arthur Irving, and Jack Nichols and Lige Clark from Gay Magazine. That’s pretty much as far as it goes for showing homosexual material. It does, however, spend more time with Screw publishers Al Goldstein and Jim Buckley, as well as Patrick and Tally Wright having hardcore sex for several seconds along with several female models masturbating.

Somehow, this movie uses Marmalade’s “Reflections of My Life,” which went gold in 1971. I have no idea how they got the rights, which is me saying that Damiano just used it.

Adult stars that appear in this include Tallie Cochrane (Can I Do It ‘Till I Need Glasses?Wam Bam Thank You Spaceman), Rita Vance (The Kiss of Her Flesh), Kim Pope (The Amazing Transplant), Suzzan Landau (Keyholes Are for Peeping), Alex Mann (I Drink Your Blood), Linda Southern (The Headless Eyes), Patrick Wright (the truck driver at the beginning of Graduation Day), Linda Lovelace, who would soon become a big star in Damiano’s next film.

There’s also an appearance by Damiano’s son, in case you’re wondering if this is still exploitation, and early plaster caster Nancy (who is also in Pornography In New York), who is absolutely stunning as she appears as a normal sexual being in a world of idealized bodies.

So much has, pardon the silly pun, changed since Changes was made. Times Square is now all cleaned up and you can find incest porn in the privacy of your home online. Yet the right still pushes to censor whatever they determine as pornography, as that’s a major part of Plan 2025. Who determines what is art and what is porn? Surely the sex shows in this are filth, but they’re also made for consenting adults. Could the films I love that aren’t pornography be considered porn under these rules? Will owning Jess Franco movies be a crime, the video nasties all over again? This movie makes me consider how far we’ve come but how often we slide back, as even young people today are frighteningly puritanical.

The Sizzlin’ Something Weird Summer Challenge 2024: Four Dimensions of Greta (1972)

Softcore Smorgasbord (August 4 – 10) All of the movies on this list have at one time or another been available through Something Weird Video. I’m sure I’ve missed some but many of them are still available on their website (until the end of 2024). These are their vintage softcore movies listed under categories with ridiculous names like: Nudie Cuties, Sexy Shockers, Sexo a-go-go, Twisted Sex, and Bucky Beaver’s Double Softies.

Hans Weimar (Tristan Rogers, Robert Scorpio from General Hospital) is a journalist in London writing about au pair girls who starts to investigate Greta (Leena Skoog), a teenage girl who has gone missing. Everyone he meets knows a different version of her, which the movie shows with 3D sequences that the poster promises will put a girl in your lap.

England’s first 3D movie and it’s a Pete Walker sex film. How amazing is culture? Interestingly, the alternate version Three Dimensions of Greta is Four Dimensions of Greta with most of the naughty bits removed, so the fourth dimension is nudity.

Robin Askwith (Confessions of a Pop Performer) is a soccer player, Greta is trapped by gangster Carl Roberts (Alan Curtis), Richard O’Brien shows up years before The Rocky Horror Picture Show and this is totally Akira Kurosawa in that it goes Rashomon and asks us to attempt to determine who Greta really is.

I prefer Pete Walker movies that mix sex and violence. Then again, I do love 3D, even if it’s just a gimmick.  Then again, if the gimmick gets you into the theater — or makes you buy the blu ray — then it’s a good one. I kind of wish that everyone had more, well, dimension to them, which sounds like the kind of thing that someone who watches porn for the plot would say.

SHAWGUST: Human Lanterns (1982)

Master Lung Shu Ai (Tony Liu, The Way of the Dragon as well as two other Bruce Lee movies: The Big BossFist of Fury) and Master Tan (Kuan Tai Chen, Crippled Avengers) are battling one another in every way possible, including Tan introducing Lung’s wife Jin (Ni Tien, who was in several other Hong Kong horror hybrids like Corpse Mania, Black Magic and Hex) to Yen-chu (Linda Chu, Return of the Sentimental Swordsman), the prostitute that Long has just been with. Obviously, the only way they can settle their problems is by winning the village’s lantern-making contest.

Lung needs help creating a lantern, so he turns to Chao Chun-fang (Lo Lieh, The 36th Chamber of Shaolin) for help, the man whose face he once scarred and turned into a pariah. Lung promises great fame and money to Chao Chun-fang for his help and in return, the artist asks one thing: Never inquire as to when the lantern will be finished.

Lung and Tan continue sparring with one another as a series of murders begins in the village. Soon, the two men realize that they must join forces to stop the killer whose spree they have set in motion.

Beyond what you expect from Shaw Brothers — although this film has the sumptuous sets, high-flying martial arts and gorgeous visual look that they are known for — this film possesses scenes of great horror, like the stalk and slash scene at the beginning, with its visuals of skin being graphically removed with a hatchet in a slow, grueling moment of gore. Chao Chun-fang’s dungeon studio is filled with even more frightening imagery, such as piles of bloody organs and body parts, as well as more stretched out and drying skin that he will soon place onto those aesthetically above-average artistic lanterns.

It’s also amazing that this movie takes inspiration from slashers — perhaps in a collective unconsciousness way than outright theft — by having a near-invulnerable giggling killer with an incredibly awesome skull face. There’s also a hint of Mario Bava amongst the martial arts and it’s a cocktail of mixed influence that tastes absolutely refreshing.

Director and co-writer (with Kuang Ni) Sun Chung also made The Master Strikes BackNotorious Eight and Old Man and the Kid. I loved this movie and am now hunting down his other films.

SHAWGUST: Bewitched (1981)

Detective Wong King Sun is investigating the horrific and violent death of a little girl at the hands of her father, who claims that he was under the influence of a wizard. This takes the detective all the way to Thailand to learn more and, as happens in films such as this, to be cursed by a powerful magician named Magusu, who was supposedly played by an infamous Malay sorcerer. That’s what the credits say and who are we to deny the words of Shaw Brothers or any exploitation studio when you get right down to it?

Wong King Sun decides to fight black magic, he needs a white magic monk. What follows is an entire movie of one-upmanship battles over whose magic is strongest, including a gut-churning moment when the evil magician grabs that pause that refreshes. Except that we’re not talking about Coca-Cola. This dude likes to sip from a big urn filled with unborn children and blood.

If that last sentence made you wince, turn back now. Bewitched is a ride through absolute chaos. It’s gorgeous, it’s frenetic and it’s also unafraid to try and make you throw up throughout its running time. And if this one seems like it’s going to be too much, its sequel, The Boxer’s Omen, goes even further. Director Chih-Hung also made the equally blood and madness-filled Corpse Mania.

We all know that old Chinese chestnut of advice, right? Don’t take the virginity of village women, ghost them and then just move on or you’ll be covered in body hair, unable to get it up and eventually hammering a spike into your daughter’s head so that she stops being possessed and attempting to kill you.

“The moral of the story is to admonish people against casual sex and to be on guard against witchcraft.” That’s what the end says. As for me, I’m all about movies with neon colors, glittery bats that come to animated life and actual black magic rituals being used to entertain audiences.

The Sizzlin’ Something Weird Summer Challenge 2024: The Girl from S.I.N. (1966)

Softcore Smorgasbord (August 4 – 10) All of the movies on this list have at one time or another been available through Something Weird Video. I’m sure I’ve missed some but many of them are still available on their website (until the end of 2024). These are their vintage softcore movies listed under categories with ridiculous names like: Nudie Cuties, Sexy Shockers, Sexo a-go-go, Twisted Sex, and Bucky Beaver’s Double Softies.

Two spy groups, M.A.F.I.A. and S.I.N. — they never tell what those mean — are at war. On the side of good, or M.A.F.I.A., we have Agent Silk Suit (Sal Rogge). The evil, or S.I.N., is led by Dr. Sexus (Bob Oran) and his henchmen Poontang Plenty (Joyana Frederics, The Brick Dollhouse), Bigjob (Rick Wright) and several women wearing the finest lingerie of 1966. Everyone seems like they get along well enough and are all after and his assistant Karen (Lisa Ryan), who uses their invisibility formula to disappear and show up naked. And before long, the good guys and bad guys are on the same side and trying to find that invisibility pill.

This is a world where women suck toes with champagne on them before killing people. 1966 spying was way different, I guess. This was directed by C. Davis Smith, Doris Wishman’s cinematographer, and is like a radio play about Fu Manchu played over softcore action that never really gets all that sexy, except for the aside where a naked woman (June Robert, The Beast Who Killed Women) poses while drinking all that pasteurized liquid.

Knowing that Wishman actually had a cinematographer may short out your central nervous system. This also has some roughie action with a steam torture that doesn’t get all that upsetting. You know how old wrestling magazines used to tell you about the secret world of apartment wrestling? This is like that, shot in New York City places where rent was cheap.

Smith also directed the sex scenes in Wishman’s Satan Was a Lady and Come With Me My Love. Beyond this movie, he also directed File X for Sex: The Story of the PervertedGraffiti and All My Men under his name and In Flight Service and To Turn a Trick as Charles Andrew. He also edited the video for Run-DMC’s “KIng of Rock.”

I love The Rialto Report, which interviewed Smith, who said of this movie, “People loved spy films at that time. … James Bond movies, I Spy, Get Smart. I figured a sex version would be a good money-maker. And it did ok. I stole all the ideas. The title came from TV series, The Man From U.N.C.L.E. and I stole the name of our heroine from the Bond movie, Goldfinger. Except our heroine wasn’t called Pussy Galore but Poontang Plenty! Special Agent 0069, of course.”

He added, “The budget for S.I.N. was $5,000 and I got that from these two stunt men – Sam Stewart and Bob Oran. In fact we shot most of it at Bob’s apartment, which he used as a basic film studio. Sam and Bob were part of the same repertory company that existed making sex films in the 1960s. Sam had an acting part in S.I.N. too. He married one of the regular actresses, Sheila Britt, and they’ve been married ever since.”

Joyana Frederics is like an East Coast Tura Satana, doing karate movies and appearing vaguely Asian. Other than the two adult films she acted in, she appeared in two episodes of Adam-12 and an episode of Ironside.

The Sizzlin’ Something Weird Summer Challenge 2024: Sinthia: The Devil’s Doll (1970)

Softcore Smorgasbord (August 4 – 10) All of the movies on this list have at one time or another been available through Something Weird Video. I’m sure I’ve missed some but many of them are still available on their website (until the end of 2024). These are their vintage softcore movies listed under categories with ridiculous names like: Nudie Cuties, Sexy Shockers, Sexo a-go-go, Twisted Sex, and Bucky Beaver’s Double Softies.

Ray Dennis Steckler directed this — oh, I mean Sven Christian — and co-wrote it with Herb Robins, the director of The Worm Eaters and The Brainsucker. The two had worked together on The Thrill Killers and The Lemon Grove Kids Meet the Monsters. He also plays Lucifer.

Steckler was having a hard time casting the lead, but when Ted Roter, who plays Sinthia’s father, had car trouble, he was picked up by a Sunday school teacher who got the part.

There’s not really any other movie like this.

Look at this description: “Cynthia Kyle enters puberty with a vengeance, murdering her parents as they make love: she’s wanted her father to love only her. Eight years later, she’s free and wants to marry, but nightmares plague her so she seeks psychiatric help. The doctor asks her to describe a dream: it’s long and elaborate with dreams within dreams of Lucifer, Hell, and her parents in various guises. To shed her guilt, the shrink recommends that she commit suicide in her next dream. In it, she falls in love with an artist who reminds her of her father, responds to a woman who finds her attractive, and celebrates her first school-yard kiss. The dream takes her back to her parents’ bedside. Is any cure possible?”

Anyways…

Cynthia, or Sinthia, is played by Shula Roan, AKA Bunny Allister. The only other movie she’s in is The Curious Female. That night, when she goes to sleep, she dreams that she’s in an orgy where everyone starts yelling “Sinthia loves her father!” like she’s Jamie Lloyd trying to get through lunch at Haddonfield High School. That’s because she’s in a special underworld, the hell of people who killed their parents.

She meets Carol (Brett Zeller, The Doll Squad) on a lonely road and follows her home to a mansion in the middle of nowhere that is filled with art painted by Lennie (Ted Royer, using the name Boris Balachoff). She gets a tarot card reading, has a sapphic encounter with Carol and then marries Lennie, who she thinks is her father. Then, she wakes up at her therapist’s office and he tells her to kill herself in the next dream — remember that chestnut? — and Carol and Lennie refuse to allow that to happen.

Somehow, this is not the goofball Steckler but some kind of Kenneth Anger on the cheap and I mean that in the best way I can possibly mean it. It has a heroine that wanted her father so much that she stabbed her parents and burned their house down and now is somehow cured. Except that, well, her new fiancee looks just like her dad once we get to see him.

How do you get out of Hell? You learn to love yourself. One handed.

If you can make it through the wild camera angles and Sinthia yelling, “Daddy!” every few moments, there is something here. Something Weird released it with Satanis: The Devil’s Mass and that’s beyond wonderful. Steckler shows some knowledge of cinematography here and the colors are psychedelic. This is the kind of movie that I love but I also know that when I recommend it to people, they don’t ask me to tell them what I’m watching any longer.

SHAWGUST: The Bod Squad (1972)

Co-directed by Ernst Hofbauer (two of the Schoolgirl Report movies, as well as Teenage Playmates and Secrets of Sweet Sixteen) and Chih-Hung Kuei (The Boxer’s Omen, Corpse Mania) and written by Yi Hsun Cheng, The Bod Squad  — also known as Enter the Seven VirginsVirgins of the Seven Seas and Karate, Küsse, blonde Katzen in Germany (Karate, Kisses, Blonde Cats) — this is the kind of movie that just couldn’t get enough of wild taglines, like “They could do two things with their bodies…LOVE and KILL!” and “Virgin on the Ridiculous! Fantastic Chop Chop! Plenty Hanky Panky! Very Very Sexy!”

This is the kind of film that reminds you that as often that Shaw Brothers movies look classy, they have no probably being exploitation.

Five Western women — Donna (Sonja Jeannine, Mannaja), Anna (Diane Drube), Brenda (Gillian Bray, Death Occurred Last Night), Karen (Tamara Elliot, who showed up as a belly dancer on TV shows like The Incredible Hulk and Fantasy Island) and Celia (Deborah Ralls) — were just trying to sail to Australia when they’re kidnapped and forced into white slavery. I mean, no one willingly goes into white slavery, right? Then again, as I write this, I can only imagine that there’s going to be one angry reader that sends me a diatribe about how this has happened and what a moron I am.

The girls have the good fortune of meeting Ko Mei Mei (Hui-Ling Liu, Black Lizard), who has infiltrated the brothel they are sold to and who also has a heroic brother named Ko Pao (Hua Yueh, Come Drink With Me). This, of course, leads to training scenes where the girls learn how to weaponize olives and punch needles into wood, not to mention chop concrete blocks.

The great B Movie Heroes site describes this film as one that “mysteriously manages to be both misogynistic and feminist at the same time,” which is a strange feat.

Pirate leader Hsao (Hsieh Wang) probably thought that this was going to be easy but he wasn’t ready for the fighting fury of five women. Yes, the title promises seven, but…maybe that’s why The Bod Squad is better, if not a bit anachronistic.

Constantin Film and The Shaw Brothers joined up and made this, so who are we to think that the nations of our world can’t all work together? This played U.S. drive-ins — thanks to Film Ventures International — from 1976 onward, even being reissued in 1980 as Shogun Warlord (thanks, Temple of Schlock!).

This even made it on Siskel and Ebert, back when it was Sneak Previews, with Roger saying, “I have just seen my first nudey karate film. I guess you’d call that genre chop sexy.”

I love that this movie exists. It’s just so perfect in how it replaces the traditional Shaw Brothers heroes with German exploitation actresses and then puts them into fight scenes. How can you miss that? The best part is that the ladies decimate their captors, which is how it should be.

SHAWGUST: Black Magic (1975)

In 1974, Shaw Brothers worked with Hammer to make The Legend of the 7 Golden Vampires. That ignited a desire to not only make martial arts films, but supernatural ones. And man, as the studio goes on, these movies grow more deranged in the very best of ways.

Ho Meng-Hua (The Mighty Peking ManOily Maniac) directed this and it only hints at how far Hong Kong horror would go. Lang Chia Chieh (Lo Lieh) wants to be with Mrs. Zhou (Tanny Tien Ni), but she’s in love with Xu Nuo (Ti Lung) who only wants to be with the love of his life, Wang Chu Ying (Lili Li Li-li). In order to win her, Lang Chia Chieh goes to magician Shan Chen Mi (Ku Feng) and has him cast a spell on Mrs. Zhou. It works, if just for a night, and she soon learns that she too can turn to the spirit world to win over the lover that she wants.

These magic spells are incredibly organic and gross. Like, you need to cut off someone’s finger and leave it under your intended person’s bed until it turns into a pile of maggots. Or to kill someone, you put worms directly under their skin.

There’s a lot of soap opera in this but every time you think it’s getting slow, someone gets half naked or makes a possessed rice ball with blood and breast milk, so you can never say it’s bad. It’s just the first course for how completely out there these movies will get.

The Sizzlin’ Something Weird Summer Challenge 2024: The Adventures of Lucky Pierre (1961)

Softcore Smorgasbord (August 4 – 10) All of the movies on this list have at one time or another been available through Something Weird Video. I’m sure I’ve missed some but many of them are still available on their website (until the end of 2024). These are their vintage softcore movies listed under categories with ridiculous names like: Nudie Cuties, Sexy Shockers, Sexo a-go-go, Twisted Sex, and Bucky Beaver’s Double Softies.

Before Herschell Gordon Lewis and David F. Friedman made this movie, adult films were black and white smokers played in the back rooms of men’s clubs and social clubs. They were hired by film distributor Alfred N. Sack to make a “color 35mm film of cute girls carousing around with beach balls, or whatever.” Sack made most of his money working with his brother distributing black cinema at a time that it barely existed. He paid the two $7,000.

Comedian Billy Falbo plays Lucky Pierre, who mainly walks into situations where he sees women naked. Unlike many of the nudist films — in which people may have been nude but were engaged in volleyball or other games — this was the first of the nudie cuties, a film where pretty girls got naked in a comedy. In his book A Youth in Babylon: Confessions of a Trash-Film King, Friedman estimated that there were six hundred ripoffs over the next decade.

You can see a pre-gore film William Kerwin as a man hiring a plumber and Lewis regular Lawrence J. Aberwood’s voice as the announcer as well as pretty ladies including Kay Montie, Pat O’Farrell, Linda Cotton, Dorothy Holbrook, Toni Carroll (her last role; she also appeared on some television and was the first wife of producer David L. Wolper), Gail Jordan and Ginger Hale, who would appear in two other movies for the team,  Goldilocks and the Three Bares and Boin-n-g, as well as Peter Perry Jr.’s The Notorious Daughter of Fanny Hill.

Filmed in Cutie Color and Skinamascope, this feels like Benny Hill but somehow slow, as if naked women can be boring. In 1961, this was obviously volcanic in its intensity, but today it is a reminder of the wars of the sexual revolution. However, so much of adult moves on from here, so we should look at it as a monument.