Softcore Smorgasbord (August 4 – 10) All of the movies on this list have at one time or another been available through Something Weird Video. I’m sure I’ve missed some but many of them are still available on their website (until the end of 2024). These are their vintage softcore movies listed under categories with ridiculous names like: Nudie Cuties, Sexy Shockers, Sexo a-go-go, Twisted Sex, and Bucky Beaver’s Double Softies.

Gerard Damiano is probably best known for making Deep Throat, the movie that created porno chic, even if the trend of adult films being accepted was happening for some time. It just so happened that his film had a great title and came along at the right time. Before he made it, he made this, a mondo movie that explains how the world is changing and accepting more sexually oriented entertainment.

While the film mainly concentrates on the titillation of meeting sex workers and female adult performers, it does have Damiano interviewing Mary Philips of N.O.W., gay magazine publisher and activist Arthur Irving, and Jack Nichols and Lige Clark from Gay Magazine. That’s pretty much as far as it goes for showing homosexual material. It does, however, spend more time with Screw publishers Al Goldstein and Jim Buckley, as well as Patrick and Tally Wright having hardcore sex for several seconds along with several female models masturbating.

Somehow, this movie uses Marmalade’s “Reflections of My Life,” which went gold in 1971. I have no idea how they got the rights, which is me saying that Damiano just used it.

Adult stars that appear in this include Tallie Cochrane (Can I Do It ‘Till I Need Glasses?, Wam Bam Thank You Spaceman), Rita Vance (The Kiss of Her Flesh), Kim Pope (The Amazing Transplant), Suzzan Landau (Keyholes Are for Peeping), Alex Mann (I Drink Your Blood), Linda Southern (The Headless Eyes), Patrick Wright (the truck driver at the beginning of Graduation Day), Linda Lovelace, who would soon become a big star in Damiano’s next film.

There’s also an appearance by Damiano’s son, in case you’re wondering if this is still exploitation, and early plaster caster Nancy (who is also in Pornography In New York), who is absolutely stunning as she appears as a normal sexual being in a world of idealized bodies.

So much has, pardon the silly pun, changed since Changes was made. Times Square is now all cleaned up and you can find incest porn in the privacy of your home online. Yet the right still pushes to censor whatever they determine as pornography, as that’s a major part of Plan 2025. Who determines what is art and what is porn? Surely the sex shows in this are filth, but they’re also made for consenting adults. Could the films I love that aren’t pornography be considered porn under these rules? Will owning Jess Franco movies be a crime, the video nasties all over again? This movie makes me consider how far we’ve come but how often we slide back, as even young people today are frighteningly puritanical.