We’ve already taken a look at Double D’s best-promoted and best-known film — via the back of pulpy, ’80s monster mags — Dead Girls, and his latest, 30th film, Camp Blood 8 — each part of our respective “Rock ‘n’ Roll Week II” and October “All Slasher Month” tributes. And, the best part: Dennis is a D-Town brother: he was born and raised in Detroit and graduated from Eastern Michigan University before heading to Los Angeles, graduating from Loyola Marymount University’s film school, and forming DJD Productions.
So, for this Drive-In Friday, lets load the projector with four more of Dennis Devine films. And not all of them are the horror films you expect them to be.
Movie 1: Fatal Images (1989)
Next to Dear Girls, this debut feature — produced for $10,000 and shot-on-Beta with Dead Girls’ Steve Jarvis — is my favorite of the Devine canons and the Cinematrix imprint.
Starring Kay Schaber, Angela Eads, and Brian Chin from the later Dead Girls, they’re three of several people victimized by a Satanist-worshipping photographer-cum-serial killer who — instead of sealing his body in a doll, ala Chucky in Child’s Play (1988; 2019), Devine’s writing cohort, Mike Bowler (Hell Spa, Things, Things II, Club Dead, Amazon Warrior, Chain of Souls, Haunted), who spins an inventive change-up to the spiritual hocus pocus — commits suicide before the police can catch him, and seals his body inside a camera.
Years later, Amy Stuart (Lane Coyle who, in typical Devine fashion, never appeared in another film), an aspiring photographer who works for the town’s newspaper, purchases the vintage camera from a pawn shop staffed with a creepy, ulterior motive shopkeep — and everyone she photographs is tracked down and murdered by the killer’s spirit.
What helps this along is the effects that come courtesy of the iconic Gabe Bartalos, who worked on Dead Girls, as well as Frankenhooker, Spookies, Brain Damage, and the Fright Night, Basket Case, Leprechaun, and Texas Chainsaw Massacre, Gremlins and Watchers series. And don’t forget: Gabe’s in the directing business with Skinned Deep (2004) and Saint Bernard (2013).
Movie 2: Things (1993)
“A horrific and sexy romp in the dark.”
— Joe Bob Briggs
Now, if that tag from the guru of Drive-In fodder on the VHS “big-box” doesn’t make you want to mail order this third effort from Dennis Devine, then nothing will. And yes . . . multiple titles alert . . . here are two movies carrying the “Things” title: the first is the infamous Canuxploitation-North of the Border Horror, Things (1989). And the three sequels from 1998 and 2017 to Devine’s film have nothing to do with the Canux one — or with each other — for that matter.
This “Things” is an anthology-portmanteau film in three parts: “The Box” directed and written by Devine,” “Thing in a Jar” written by Steve Jarvis and directed by Jay Woelfel, and the wrap-around/linking segment written by Mike Bowler and directed by Eugene James. All are film school friends and DJD cohorts, natch.
The segments come together as a woman kidnaps her husband’s mistress and tells the mistress two horror stories involving “evil things” — that’s all converged in a related, twist ending. And unlike the classic Amicus and Hammer omnibus flicks it homages, Things dispenses with the atmospheric-gothic angle of its Brit forefathers and goes straight for — the bountiful — guts n’ gore. The first tale concerns hookers who meet their fate to a cursed creature kept in a box; the second is about a woman haunted by is-it-real-or-nightmares “things” concerning her abusive husband.
You can watch Things on TubiTV. There’s no online copies of 2 or 3 (aka Deadly Tales, aka, Old Things) currently streaming online, but you can watch Things 4 on TubiTV. And again, DO NOT confuse this with the “North of the Border Horror” Things from 1989 . . . as that is a whole other “thing” to watch.
INTERMISSION: Short Film Time!
The Things about Things Sidebar: Battlestar Galactica fans know Jay Woelfel as the director of Richard Hatch’s failed 1999 BSG theatrical reboot with the short “pitch film” Battlestar Galactica: The Second Coming that Universal rejected in lieu of the eventual SyFy Channel series. You can watch Hatch and Woelfel’s vision on You Tube. As you’ll see the, concept of “evolved Cylons” and the new Raiders design for the series was pinched from this version — and the most popular characters and actors returned. Woelfel is still at it: he recently edited Art of the Dead (2019). We also reviewed his debut effort, Beyond Death’s Door, as part of our “Regional Horror Week.”
And back to the show . . .
Movie 3: Curse of Pirate Death (2006)
It’s more goofy, ne’er-do-well college kids of the Scooby Doo variety heading off — not into the Norwegian Slasher Wood (as in Camp Blood 8) — but the ocean, Pirate’s Point in particular, as they research the myth of a centuries old killer, Abraham LeVoy, aka Pirate Death. And if they find his legendary treasure along the way, all the better for Shaggy and the Mystery Machine gang.
You’ve got — even though some are cut-a-ways or off-camera (ugh, damn budget) — a high kill count and lots of zombie-ghost pirate fighting that reminds of the great Amando de Ossorio’s third entry in his “Blind Dead” series, The Ghost Galleon (1974; the one with the living corpses of the Satan-worshiping Knights Templar hunting for human victims trapped on a 16th century galleon), but it’s definitely not as good as a de Ossorio flick (and what film is). Yeah, this one’s suffering from its ultra-low-budget that lends to sketchy cinematography and strained acting in places, but this has the usual Devine heart n’ soul with a mix of dark humor and horror that lends to its fun, snappy pace. Bottom line: If you want to see porn-provocateur Ron Jeremy (Boondock Saints/Overnight; also of Devine’s Night of the Dead from 2012) get a (cut-a-way) sword in the gut, this is your movie. If you want to see girls dressed as a sexy cop and German Beer Wench (Get that Bud Light chick outta ‘ere, I want a St. Pauli Girl!) stranded on an island dispatched by a dead pirate with guacamole smeared on his face, this is you movie.
One of the few Devine movies available through the service, you can rental-stream Curse of Pirate Death for a $1.99 on Amazon Prime. The DVD has a director-actor commentary track, along with a making of, gag reel, and meet the cast vignettes. The Amazon Prime stream offers a clip sample and You Tube offers a trailer via the film’s distributor, Brain Damage Films.
Movie 4: Get the Girl (2009)
Dennis Devine makes the jump from the pulpy lands of back-of-a-monster magazine-mail order SOVs to the streaming world of Netflix in this pretty obvious Judd Apatow-influencer. It concerns a geek (Adam Salandra of Devine’s Don’t Look in the Cellar) who masters Guitar Master (aka a chintzy Guitar Hero knock-off) to impress a sexy-brainless co-worker, much to the chagrin of his dowdy, co-worker gal pal. Guess which girl he gets. (Yeah, I’d want to “get the girl” with the ponytail and eye glasses, too.)
You can watch Get the Girl as a free-with-ads stream on TubiTV. Other films in the Devine comedy canons include Kid Racer (2010; yep, go-carts), Dewitt & Maria (2010; a rom-com), Fat Planet (2013; aliens into food), and Baker & Dunn (2017; that also works as mystery thriller).
For you Devineites (Or is that Devineheads?) check out his TubiTV page to watch the horrors Don’t Look in the Cellar (2008), The Haunting of La Llorona (2019), and the comedy Fat Planet (2013).
We wanted to do Devine’s Vampires of Sorority Row (1999), Vampires on Sorority Row II (2000), and his campy-vamp comedy Vamps in the City (2010) for our recent “Vampire Week,” but were unable to locate online streaming copies for you to enjoy — free or otherwise. The same goes for the Reggie “Phantasm” Bannister-starring Sawblade (2010) for our “Rock ‘n’ Roll Week II,” about an extreme-metal band a trapped-in-a-haunted house-for-a-video shoot tale (i.e., Blood Tracks and Monster Dog).
You need more Dennis Devine? Check out this Spotify podcast (that streams on all apps, and browser PCs and Laps) courtesy of Inside Movies Galore in promotion of Devine’s latest film, Camp Blood 8. You can also catch the podcast on streaming provider, Anchor.