SALEM HORROR FEST: Hall (2020)

When a hotel hallway is ravaged by a mysterious virus — yes, if you’re looking for COVID-19 escapism, perhaps this is not your movie — pregnant tourist Naomi (Yumiko Shaku, Lt. Akane Yashiro from 2002’s Godzilla Against Mechagodzilla and Godzilla: Tokyo S.O.S.) and Val (Carolina Bartczak) bond over more than just their bad marriages. They’re also stuck in a hallway filled with victims, all to find Val’s daughter Kelly and perhaps get through the horror.

Made as an ode to 70s and 80s horror — obviously, this Canadian project that tells of an isolated building dealing with a disease within is going to get a Cronenberg association — the guiding question behind this film was “What would happen if vaccines were created intentionally for purposes of government control and for the profit of the pharmaceutical industry, not necessarily to cure viruses?”

Director/co-writer Francesco Giannini first full-length feature shows a confidence many won’t have five movies in. This is a claustrophobic and dark movie that just plain works.

Hall is now playing Salem Horror Fest where you can watch several shorts and features with their virtual pass now until the end of October. You can learn more about Hall at the official site.

The Night House (2020)

The Night House may not be perfect, but it takes some chances and has a nice puzzle at its heart that makes sense the further you go into the movie. It fits nearly into that sub-genre of a genre, the giallo where a woman is either gaslighting herself, being gaslit or going slowly insane (for more, see Footprints on the MoonThe Perfume of the Lady in BlackThe Psychic and Lizard In a Woman’s Skin).

It also would work well within the seventies style of film — Let’s Scare Jessica to Death is a high mark, but it shoots for it — where things happen slowly and then the end races you through the conclusion. Once the puzzle box is opened, things get wild in a hurry.

I first took notice of Rebecca Hall in Christine, a movie I didn’t like but loved her in it. She anchors this movie and makes it work, often through the sheer determination of her commitment to the activities around her. Sure, she’s dealing with the suicide death of her husband, but she’s also pushing against the ridiculousness of it all, such as students pushing for better grades and fellow teachers wanting to know details but too ashamed to ask. Some of it becomes humor to her. And yet, so much more of it is horror, as a mirror house seems to exist in the woods by her home.

Her husband’s phone keeps texting and calling her. Music randomly blares. Dreams are filled with his image and voice. And when she finds his phone, she finds pictures of women who are not her, but look exactly like she does.

The sound design is incredible. The editing is perfect. The effects and the way they work hand-in-hand with the cinematography is what others films should aspire to. And the plotting and the maze it leads you down can be forgiven when it loses its way sometimes, because unlike the glut of Blumhouse dreck, this movie will not overly explain itself to you. And that ending, as the two houses come together and time gets played backward? Wow.

The more I think about this movie, the more I like it. I’m used to being let down by endings and modern horror falling apart by the end. This one hits the landing and effortlessly brings in a very human story of grief without hammering home its point and remembering that at heart, this is a horror movie, and horror movies are supposed to scare us, not just preach at us.

Director David Bruckner is going to be making the new Hellraiser and if this is any indication, that movie is going to be interesting.

SALEM HORROR FEST: Iskioma (2020)

Kostas Gerampinis hasn’t made a full-length feature as of yet, but this short proves that he has strong storytelling skills, an eye for powerful visuals and confidence beyond his experience.

When a veterinarian is called in to treat a mysterious disease in a remote farm in Greece, he determines that all of the animals on the farm must be put to death to keep any chance of an infectious disease outbreak to a minimum. The farmer argues that no one will compensate him for his troubles, but then a storm breaks out, leaving the animal doctor no choice but to spend the night.

Between the visuals and the score, this seems like it’s ready to be a full-length film. It kept my attention the entire way and I kept looking at the clock. Usually, that happens when a movie bores me. With this, I was hoping that it would play longer.

Iskioma is now playing Salem Horror Fest and you can watch this short and all of the features with their virtual pass now until the end of October. You can learn more at the film’s official site.

SALEM HORROR FEST: Dystopia (2020)

A young girl’s fantasy becomes the playground for a gang of women who set to create the perfect man, one limb at a time. One very, very gory limb at a time. Dystopia is a neon-hued cotton candy dreamland where body parts can be plastic, where beauty is all and where director Laura Ugolini and her co-writers Maria Galliani Dyrvik and Anja Skovly Freberg can make a camp yet solid statement on how  today’s generation views beauty.

Set in an imaginary pop-glam world of dolls, young social influencer Linnea and the four women inside her mind transform not only the bodies of others, but their own as well, pushing parts well past the typical standards of today’s beauty.

The film’s distribution site says, “Dystopia invites us to revisit, rethink figures, stereotypes and social mandates; both those that involved the same creators, who grew up in the 90s, and what the exposure, pressure and anxiety imposed by social networks implies for Gen-Z.”

It looks great. I’m not the first to mention that the subtitles need some color tweaks, but otherwise, I had fun watching this.

Dystopia is now playing Salem Horror Fest and you can watch this short and all of the features with their virtual pass now until the end of October.

Kratt (2020)

Mia (Nora Merivoo) and Kevin (Harri Merivoo) — yes, the children of the director Rasmus Merivoo, but they do quite well — are staying with Grandma (Mari Lili) at her home in the country as their parents attend a retreat. Stuck without access to the web, the kids are entertained by their grandmother’s story of the kratt, a demonic creature that will do anything asked. And hey, if they find the instructions and decide to make their own, nothing will go wrong, right?

Rasmus Merivoo, the director and writer, said that “Kratt is a bloody story with no bad characters. A comedy that encourages you to worry less. A lesson on fear and what happens if you listen to it. A film for grownups and kids. A film not for the
faint-hearted, but part of a full-fledged life for the brave.”

Yep, pretty much.

I haven’t seen many — if any — films from Estonia, but hey this is pretty wild.

So what is a kratt? A part of Estonian folklore, the kratt is a creature made from hay or old household implements and then given life by giving three drops of blood to the devil. The flying demon must constantly be kept working, stealing and doing or it will turn on its master. The only way to stop a kratt is to give it an impossible task which will frustrate it to the point that it will burn itself up.

There are moments of sheer whimsy and fun here, as well as some moments that may not translate to American audiences all that well, but who cares? Don’t we watch foreign films to delight in the alien, the different and the strange?

SALEM HORROR FEST: Fire on the Mountain (2020)

Filmed in one of America’s oldest deep coal mines and featuring practical FX from Emmy award-winning makeup artist Santino Ferrese (Star Trek Discovery), Fire on the Mountain is all about the battle that a young woman must take on to stop a centuries old demon from unleashing hell on Earth.

Director Patrick Corcoran has recently made a full-length called Schimbarea that I want to track down after seeing this. I mean, how can you not love a movie where “a ragtag group of chainsmoking teenagers must join together to keep it from terrorizing their small Pennsylvania town.” Reading, PA represent!

It looks great and shows plenty of promsie. Exactly what you hope from when you check out a short film!

Fire on the Mountain is now playing Salem Horror Fest and you can watch this short and all of the features with their virtual pass now until the end of October. To learn more, check out this movie’s official Facebook page.

SALEM HORROR FEST: Logan Lee & The Rise of the Purple Dawn (2020)

Within the structure of an album that teaches you how to scratch — and sounds like something out of The Avalanches — Chinese-American DJ Logan Lee is poised to make his live debut at his best friend Beatrice Pan’s house party. He’s a nervous wreck, she has a potentially evil — and cybernetic alien — boyfriend and his mom has given him perhaps the strongest strain of marijuana ever made.

Director and writer Raymond C. Lai has taken a small budget and short running time and infused it with plenty of big energy and bigger ideas. I had a blast with this and really hope that this becomes a full-length feature at some point. Great ending, too!

Logan Lee and the Rise of the Purple Dawn is now playing Salem Horror Fest and you can watch this short and all of the features with their virtual pass now until the end of October.

The Old Ways (2020)

Talk about going pretty far for a story. Cristina Lopez, a Mexican-American reporter, has come back to her hometown near Veracruz — do I needlessly need to remind horror movie characters to never go home again — to write about witchcraft when she became the story itself as the bruja believes that Cristina is possessed. Well, you know, when your mother was possessed and that demon left you all scratched up too, you kind of become a suspect.

That demon could also be her heroin addiction. Just maybe.

Or maybe it is the demon Postehki, who makes her throw up hair and black ooze.

Or maybe it’s both?

Regardless, Cristina must live up to the title — the old ways — to become the bruja of her village and successfully repel the demon — and others like it — once and for all.

I really liked how this film blended Mexican folk horror with the traditional possession film moments. Director Christopher Alender and writer Marcos Gabriel worked together on Memorial Day way back in 1999 before returning to their horror roots. With the success of this film, I can say that some people can go home again.

There’s an amazing moment when teeth and snakes get pulled out of Cristina. It only gets wilder from there.

You can watch this on Netflix.

SALEM HORROR FEST: You Missed a Spot (2020)

You have to admire the kind of audacity that it takes to make a near-perfect slasher pastiche and then set it in a world where every single person is a clown except for the mime hero.

It shouldn’t work but it does. It wonderfully and absolutely does.

Liam Wals has only made four short films, but you can see that this movie would stand alone as a full-length movie. It just works on every level, from the exciting energy of a slasher to the comedic play at the genre’s conventions to, well, the fact that yes, everyone is a clown. And the closing battle — in which the mime uses his pantomine skills to battle the killer — must be experienced.

Here’s how I know a short works: when I feel like I needed more at the close. I want so much more of the world of this picture and I want more films by Wals and the writer of this short, Micah Fusco.

By all rights, this should be a silly Troma or Full Moon affair. And yet it transcends.

You Missed a Spot is now playing Salem Horror Fest. When we have streaming info, we’ll share it in this post. For now, you can follow that link to buy a festival badge and check out several other films during October. You can learn more on the official site for the movie.

SALEM HORROR FEST 2021: Seeds (2020)

Seeds is the second feature by filmmaker Skip Shea. An avid fan of folk horror films, Shea decided to follow up his first feature Trinity with a story about a pagan cult that is about to go to war with the Catholic Church. It’s also a very personal story Macha and Andrew both process the death of their daughter in very different ways. She’s lost and adrift, seeing images of her daughter, while he is driven to make a statement by writing a book about New England cults. And when one of them informs him that his uncle has passed on and left him a legacy, the opportunity to live his dream is closer than ever.

The cult’s religion is based around the metaphysical properties of the apple, the fruit of the Tree of Knowledge from Genesis and the symbol of man committing original sin while gaining knowledge. As Macha discovers that she has a gift for seeing more than most people, her husband is being ensnared by the machinations of this secret church.

Meanwhile, the Catholic Church, worried about the growing power of this secret cult, has sent a priest into its midst to learn all it can.

Shot on location in the Blackstone Valley, Seeds also uses the same locations that were used in another American folk horror film, Let’s Scare Jessica to Death. It’s shot in black and white, which works for the darkness of the story, and features Suspiria actress Barbara Magnolfi.

Seeds is unafraid to take things slow, to build tension and to have conversations that feel improvised and fresh along the way. This movie is why independent horror exists; this isn’t a quick cash-in horror to get on the shelves of WalMart and content on Amazon Prime. This is a work of art and a labor of love.

Seeds is now playing Salem Horror Fest as part of the Showcase of Massachusetts Filmmakers series. When we have streaming info, we’ll share it in this post. For now, you can follow that link to buy a festival badge and check out several other films during October. You can learn more at the Facebook page and official site for the movie.