ARROW 4K UHD RELEASE: Wild Style (1982)

As one of the first hip hop movies, this groundbreaking film, directed and produced by Charlie Ahearn, features a legendary cast of scene figures, including Adam “Ad-Rock” Horowitz, Fab Five Freddy, Lee Quiñones, Lady Pink, The Rock Steady Crew, The Cold Crush Brothers, Rammellzee with Shockdell, Queen Lisa Lee of Zulu Nation, Grandmaster Flash, and ZEPHYR.

Raymond Zoro (Lee Quiñones) doesn’t want to sell out like other graffiti artists who are taking hip hop culture to the masses and becoming part of New York City’s trendy art scene. But that’s pretty much just the basics that the story revolves around, as it is a ramshackle narrative that gets into dance, art and music, all elements of the scene. It’s a hangout more than a story.

Debbie Harry was going to play Virginia, which would have made the scenes of her driving around to Blondie’s “Pretty Baby” and the use of “Rapture” mean something more than they did. Chris Stein from Blondie also helped create the soundtrack, collaborating with Fab Five Freddy to produce the actual breakbeats used in the film, “an inspired decision that would provide a source of obsession among crate diggers for decades to come.”

The Arrow Video 4K UHD of this film has a perfect bound collector’s book featuring new and archival essays and articles, alongside an extensive collection of stills and artwork from the film, a reversible sleeve featuring two original artwork options, a double-sided foldout poster featuring two original artwork options, an exclusive mini-version of the Wild Style issue of Hip-Hop Family Tree comic book by Ed Piskor and three Wild Style logo stickers. There’s a new 4K restoration from the original 16mm negative by Arrow Films, new audio commentary with Jeff “Chairman” Mao and Andrew “Monk One” Mason, legacy commentary featuring director Charlie Ahearn and Fred “Fab 5 Freddy” Brathwaite, a feature on the soundtrack, a trailer and an image gallery, as well as interviews with most of the cast, panel discussions and exhibits from the anniversary event and videos, as well as a CD that has a Wild Style Megamix by Jorun Bombay, original radio commercials by Fab 5 Freddy and Queen Lisa Lee, rare alternate mixes of Subway Rap and Wild Style Theme, audio outtakes from the film and soundtrack and a 1983 radio interview with Charlie Ahearn. You can get it from MVD.

ARROW VIDEO SHAW SCOPE VOLUME 4 BOX SET: Portrait In Crystal (1982)

I think I’ve seen all the Shaw Brothers non-supernatural films, and the HK Database says that this is a drama, so…let’s just agree that it may have demons and magic, but it’s kind of its own thing.

Long Fei (Jason Piao Pai) left behind the world of martial arts fisticuffs and now lives in a secluded mountain studio, where he and his assistant, Fatty (Wong Chun), have spent five years carving a woman out of crystal. Long Fei wishes that his woman had a soul, so he adds some blood because, you know, nothing bad would happen, and of course, everything bad in this movie happens as the crystal woman (Yu-Po Liu) starts killing people.

Masked Poison Yama (Wei Hao Ting) and his son (Yu Hsiao) want to kill Long Fei, so they spend much of the movie inside a treehouse lab where they mix plants, snake venom — yes, the film shows us it being extracted, it’s a Shaw Brothers movie — and animals to make a poison that blows people up from inside their stomach. Yes, they show it. You know you want it.

Yet the son is soon killed by the crystal female, and Yama declares revenge on everyone, first using poison gas to kill everyone in the family of former fighter Prince Tian Di (Jung Wang). As this is all going on, he sends his men, White Judge and Black Judge, after Long Fei and Fatty, who are hiding out in an inn where the owner decapitates people and serves their flesh.

This movie is, well, absolutely wild. There are battles in a graveyard, a school of masked female assassins, wire-assisted swordplay and every character coming together for one final battle. I just realized that Hus Shan also directed Inframan, Kung Fu Zombie and Dynamo. Yeah, that makes sense even if this movie doesn’t — like, how is the crystal woman related to the assassin academy? — but who cares? It looks good, it moves fast, and it’s super weird.

The Arrow Video release of this film, part of the Shaw Scope Volume 4 set, has a high definition (1080p) Blu-ray presentation, newly restored in 2K from the original negatives by Arrow Films. You can get this set from MVD.

ARROW VIDEO SHAW SCOPE VOLUME 4 BOX SET: The Fake Ghost Catchers (1982)

Made two years before Ghostbusters, this early Lau Kar-Wing supernatural comedy (one of two he did for Shaw Brothers) has Bao Tuo (Hsiao Ho) and his cousin Zhou Peng (Cheung Chin-Pang) scamming people as fake ghostbusters. As you can imagine, they end up fighting real apparitions. A screwed up exorcism leads to the death of a client and her haunting them…and that’s just the beginning.

This may be wackier than some like, and the script is totally all over the place, but hiding ghosts inside umbrellas, possessed gamblers using that supernatural event to cheat and win money, and supernatural spectral battles should keep you on board. Sure, Golden Harvest did these sorts of movies better — Mr. Vampire, Encounter of the Spooky Kind — but this should at the very least keep you interested.

The Arrow Video release of this film, part of the Shaw Scope Volume 4 set, features a high-definition (1080p) Blu-ray presentation, newly restored in 2K from the original negatives by Arrow Films. You can get this set from MVD.

ARROW VIDEO SHAW SCOPE VOLUME 4 BOX SET: Hex After Hex (1982)

There are three Hex movies, but they aren’t all that connected, other than the fact that the protagonist of this film, Ma Su (Lo Meng), is the neighbor of the main character in Hex vs. Witchcraft. He finds the same bag of gold that was behind all of the supernatural moments of that film, including the tablet of Liu Ah Cui, whose spirit possesses Yeung Suk Yi (Nancy Lau Nam-Kai) and has her seduce Ma Su.

Kuei Chi-Hung has created a movie in which Yoda randomly shows up, and then Darth Vader appears with a lightsaber that removes clothing. There’s also a real estate developer who hires Ma Su and plans to complete his development by June 30, 1997, which is when Hong Kong became part of China again. In fact, this evil landowner even gets branded with what was supposed to say ‘1997,’ but Shaw Brothers replaced it with their logo.

Eventually, Ma Su fades into the background, and Yeung Suk Yi goes on the offensive to get back at the developer for kicking everyone out of their apartment. By the end, Ma Su has fallen for the ghost and invokes a monkey god to battle an animated statue of Thomas Jefferson because, well, why not at this point? What if it also turns into a slot machine and makes everyone rich with the gold it spews out? Let’s do that too.

They could have made twenty of these movies, and I would watch every one.

The Arrow Video release of this film, part of the Shaw Scope Volume 4 set, has a high definition (1080p) Blu-ray presentation, newly restored in 2K from the original negatives by Arrow Films. You can get this set from MVD.

Coming Soon (1982)

Directed by John Landis, who wrote it with Mick Garris, this takes trailers of old Universal horror movies to explain why the horror genre is so amazing. While this played theaters for a limited run, I first saw it on video, back in the pre-internet days when finding movie trailers wasn’t as easy as it is now.

Jamie Lee Curtis’s scenes were filmed at Universal Studios locations like Dracula’s Castle, European Street and the Psycho House.

With clips from The Hunchback of Notre Dame, The Phantom of the Opera, Frankenstein, Dracula, The Mummy, The Bride of Frankenstein, The Mummy’s Hand, The Wolf Man, Dr. Jekyll and Mr. Hyde, Invisible Agent, The Mummy’s Tomb, Captive Wild Woman, Son of Dracula, Weird Woman, The Mummy’s Ghost, The Mummy’s Curse, House of Frankenstein, House of Dracula, Abbott and Costello Meet Frankenstein, Abbott and Costello Meet Dr. Jekyll and Mr. Hyde, Creature from the Black Lagoon, Revenge of the Creature, Tarantula, This Island Earth, Curucu, Beast of the Amazon, The Mole People, The Creature Walks Among Us, The Deadly Mantis, The Incredible Shrinking Man, Psycho, Brides of Dracula, King Kong vs. Godzilla, The Birds and The Night Walker, this also shows a lot of E.T. and trailers for Jaws 3D, Halloween 3 and Videodrome, as well as See You Next Tuesday, an ongoing Landis joke.

While you can find any of these trailers easily today, this is a great time capsule.

You can download this from the Internet Archive.

UNSUNG HORRORS HORROR GIVES BACK 2025: Cute Devil (1982)

Each October, the Unsung Horrors podcast does a month of themed movies. This year, they will once again be setting up a fundraiser to benefit Best Friends, which works to save the lives of cats and dogs across America, giving pets second chances and providing them with happy homes.

ABOUT THE AUTHOR: Adam Hursey is a pharmacist specializing in health informatics by day, but his true passion is cinema. His current favorite films are Back to the FutureStop Making Sense, and In the Mood for Love. He has written articles for Film East and The Physical Media Advocate, primarily examining older films through the lens of contemporary perspectives. He is usually found on Letterboxd, where he mainly writes about horror and exploitation films. You can follow him on Letterboxd or Instagram at ashursey.

Today’s theme: The Sweetest Taboo!

Hold onto your penmanship medals! Nobuhiko Obayashi (Hausu) brings us a version of The Bad Seed, with a child perhaps even more devious than Rhoda Penmark.

I would say that The Bad Seed was a gateway horror film for me, but I was born in the 1970s. The idea of gateway horror had not been invented. Or even considered. One of my earliest memories is watching Carrie on our little television in the trailer we were living in. The pig’s blood dropped and I ran out of the room. Carrie was aired on CBS in 1978. Sure, they made a few edits, but a 3-year-old me would not have been able to notice. The real question is why would my parents let me watch it in the first place?

Sort of the blessing and the curse of being Generation X. I wouldn’t trade it for anything. My mom loved Alfred Hitchcock and she would often tape his films or television show any chance she got, and we would watch it on the weekends (along with a week’s worth of All My Children). But the film I most fondly remember is The Bad Seed. Taped off of WGN, complete with commercials for K-Tel records and Empire carpet (588-23 hundred Empiiiiire), we would watch it all of the time. Oh, how I wish I still had that old VHS tape! The Bad Seed had so many aspects that fascinated me. I was too young to understand the concept of translating a stage play to film. We do not see the evil Rhoda commits. We just hear about it. It might have made the idea of such an evil child more effective. Also, I’m still not sure what excelsior is exactly. But apparently, it is highly flammable.

As much as I love The Bad Seed, it is possible that Obayashi’s version is superior in many ways. He totally cuts out the psychological mumbo jumbo that drags down a significant portion of the original film. Our child killer here, Alice, is just a sociopath from the beginning. Is it possible that the suicide of her father is the root cause? Who cares? It doesn’t matter. We are just here to watch Alice bludgeon her teacher to death in order to get a prized doll. 

Obayashi also deviates from the original story by bringing in an aunt as the main protagonist. Ryoko ends up in a mental institution after believing she has caused her boyfriend’s death. I mean, she did wish death upon him as he was walking out the door, only to be struck down by a car. On that same day, Ryoko’s sister Fuyoko is getting married (why Ryoko isn’t there is not explained, other than she is studying music in Vienna). After Alice asks Fuyoko if she can have her veil when she dies, Fuyoko says yes, not expecting to be violently tossed out of a window minutes later. Years pass, and eventually Ryoko is convinced she was not responsible for the death of her boyfriend. Her brother-in-law (I guess—he was only legally married to her sister for mere minutes—talk about early release) asks Ryoko if she would come and be governess to Alice, sweet Alice. She does, but quickly begins to believe that Alice is responsible for the mysterious deaths happening around the family.

We do not approach the insanity that is Hausu of course, but Obayashi does have plenty of tricks up his sleeve. He foreshadows this glass vase so hard that you know something is going to happen with it. But I could have never expected what actually does happen. I thought “there it is”, immediately thinking that it is something that would have easily happened to one of the girls in Hausu.

The Leroy character, the guy who knows the truth but would have difficulty proving it, is even scummier than the guy in The Bad Seed. And Alice does not need to rely on him sleeping on a bed of excelsior to ignite those flames. 

All around, a great companion piece to both Hausu and The Bad Seed. I could watch both of those films back-to-back right now. Similar to other remakes of The Bad Seed in the United States, Cute Devil was made for television. I seem to be stacking up MFTV movies this month. A seemingly endless fount of goodness that unfortunately does not seem to exist anymore. 

UNSUNG HORRORS HORROR GIVES BACK 2025: Girls Nite Out (1982)

Each October, the Unsung Horrors podcast does a month of themed movies. This year, they will once again be setting up a fundraiser to benefit Best Friends, which works to save the lives of cats and dogs across America, giving pets second chances and providing them with happy homes.

Today’s theme: Slasher!

About the Author: Parker Simpson is a writer and podcaster focusing on cult films and their social impacts. They currently cohost Where Is My Mind, a podcast focusing on underappreciated films from a variety of genres and countries. They have also held panels, chartered local organizations, and written articles to their blog. When not writing or studying, they like to spend time with their pets and go outside. Check out the podcast Linktree and blog.

Dang, this thing is slo- wait, is that a Confederate flag on the wall? Where does this movie take place? Ohio? That was a union state!

Girls Nite Out lives in the same vein of small town slashers, its brethren being My Bloody Valentine, The Prowler, and Sleepaway Camp. You could also safely say elements of Halloween and Friday the 13th are spliced in for good measure. The basic plot is simple: young people put in a precarious situation involving an unknown killer taking them down, one by one. Girls Nite Out’s spin on this is putting them in a scavenger hunt in this small town, and having the killer be a dude in a mascot suit (to any of my friends who are Five Nights at Freddy’s fans: DOWN BOY, DOWN! SIT. STAY. HEEL!). As someone who has lived in a small college town, how poorly attended is this university to have the student body participate in a scavenger hunt?

Nothing. Happens. For. A. Very. Long. Time. I think that’s how it normally is in Ohio anyhow, unless Joe Burrow is playing football. It’s not a terribly eventful film, relying on the small-town hijinks of several college kids. I know a lot of people get annoyed when a movie just relies on its coziness, but I never really mind it. Jess Franco does the same thing in several of his films, only the cozy is broken up by sex instead of brutal murders. I have no issue either way. The bear mascot is creepy as fuck, constantly calling his female victims “whores” and killing people via knives on his paws (proto-Freddy Krueger?), filling the requirement that there be some gore (however minimal). He’s really the most noticeable character, along with Hal Holbrook’s policeman and the radio DJ. Everyone else blurs together, being treated like meatbags (particularly the women).

Listen, I feel bad not having much to talk about with this. It’s pretty straight to the point, with little attraction outside of the slasher gimmick. Everyone clearly has a good time despite the cookie-cutter plot, setting, and character archetypes. It’s a good “background” movie, if you want to be cruel, and a good comfort movie if you’re tired and just want to watch an old-school slasher. I know my local drive-in double-billed this with Madman, in what I imagine was a very fun, old-timey screening perfect for the beginning of fall. I wonder how many people came to that after the mass exodus that Society produced the previous weekend (more on that later this month!). As for this film (and this review), just like the one meme from several years ago said, “It isn’t much, but it’s honest work.”

THE IMPORTANT CINEMA CLUB’S SUPER SCARY MOVIE CHALLENGE DAY 5: The Witch with Flying Head (1982)

October 5. A Horror Film Featuring a Killer Flying Head

Which came first, this or Mystics in Bali? Could they have been made right around the same time? Was this made years before? Who can say? All we know is that they both feature women with flying heads.

Yu Chun has a problem. A sorcerer put a curse on her, which results in her head, once a month, removing itself and flying around to hurt people. Is it at the same time as her time of the month? I would hope so, so two birds, one rock. Anyways. Not even an exorcism can help, so she has to live with it for years.

This flying head is dangling a spine and guts, flying about while most of the Star Trek II, The Black Hole and Conan the Barbarian soundtracks play. That’s kind of perfect. I mean, as perfect as a movie where a snake that becomes a sorcerer who poops a snake out of his eye that crawls into a praying woman’s lady business can be. And by that, I mean absolutely perfect.

Are you afraid of snakes? What if a movie had people puking snakes for most of the film? Would you be frightened then? You should be. The head also breathes fire, has fangs and can shoot lasers out of its mouth.

I wish the head and the hand from Demonoid would get together and have a shoulder for a child.

You can watch this on YouTube.

UNSUNG HORRORS HORROR GIVES BACK 2025: Apocalipsis sexual (1982)

Each October, the Unsung Horrors podcast does a month of themed movies. This year, they will once again be setting up a fundraiser to benefit Best Friends, which works to save the lives of cats and dogs across America, giving pets second chances and providing them with happy homes.

Today’s theme: Lina Romay

According to Letterboxd, Lina is the most-watched actor in my history, having appeared in more than one hundred movies, trailed only by Christopher Lee, John Carradine and Dick Miller. Well, Carla Mancini is gaining, even if you never see her in the movies she’s in.

Directed by Carlos Aured (House of Psychotic Women, The Mummy’s Revenge) and Sergio Bergonzelli (Blood Delirium) — maybe or maybe not… — and written by Aured, this has a gang that is either pulling off crimes or having sex with one another. Then they decide to kidnap a millionaire’s daughter, Patty Hearst-style. They are Liza (Ajita Wilson, an American-born transgender actress who is also in Macumba Sexual and Sadomania, amongst other films), Ruth (Romay), Tania (Hemy Basalo, also known as Eva Palmer; she’s in Night of Open Sex), Antonio (José Ferro, Macumba Sexual) and Clark (Ricardo Díaz, El fontanero, su mujer, y otras cosas de meterCut-Throats 9), their leader. The virginal rich girl is Muriel (Kati Ballari, who appears in only one other movie,  La vendedora de ropa), and she could be more perverted than all of them.

Speaking of crime…

Two versions were released: an R-rated and an uncensored hardcore version with explicit sex scenes. At one point, the hardcore version wasn’t legal in Spain, where it was made, so it was distributed in countries where it was allowed. Some of the actors who participated in the hardcore sex scenes signed contracts assuring them that the version would never make it to Spain, where it might harm their careers. Obviously, Lina didn’t care.

Aured claimed that he filmed the sex scenes with the help of a professional hardcore actor, as not many men could stay hard when the cameras rolled.

After the law was liberalized, there was an explosion of Clasificada S films, which the softcore version was released as. The Italians got the hardcore. Strange, somewhat, that Aured, who did four movies with Paul Naschy, was making adult films.

The Italian version has a more ironic tone to the voiceover, while the Spanish one claims this is a true story and tries to tie it to Charles Manson. There’s also a square-up at the end, trying to ask how society can make such horrible people, said just minutes after we’ve watched all of them make love, sometimes for real, depending on the cut.

The end is kind of an apocalypse, but not as sleazy or end-of-the-world as you would hope. Then again, a chance to see Lina not being directed by Jess and, as always, her smile makes me happy.

You can get this from Mondo Macabro.

USA UP ALL NIGHT: Five Elements Ninjas (1982)

EDITOR’S NOTE: Five Elements Ninjas was on USA Up All Night on June 5, 1992 as Super Ninjas.

Chang Cheh directed ninety movies from 1965 to 1993* as well as wrote all the lyrics to the songs featured in his films. The majority of his most well-known movies in the West feature the Venom Mob of Kuo Chui, Lu Feng, Chiang Sheng, Sun Chien, Lo Mang (along with Wei Pai), a group of martial arts masters who appeared together and separately across numerous Shaw Brothers films.

Also known as Super Ninjas, Chinese Super Ninjas and Chinese Super Ninja, this movie seems as if the weirdest and most violence-obsessed kid in your grade school class was suddenly given enough money to stop scribbling in his notebooks and instead allowed to make a movie that is pretty much non-stop ninjas horribly murdering one another.

This is, quite frankly, the highest praise that I can give to a movie.

I mean, let me sum up the first five minutes: Chief Hong (Chan Shen) has challenged his rival Yuan Zeng (Kwan Fung) for the title of martial arts master, which mainly entails sending each other’s students after one another in battles to the death. Hong has cheapened these wars of honor by inviting a foreign samurai to the contest. He kills one of Zeng’s students before being stopped by Liang Zhi Sheng (Lo Mang). Before he commits seppuku, he throws a spiked ring to Zeng, which poisons the master and keeps him from doing kung fu until he heals.

There’s no time to heal, as a new challenge arises from the Five-Element Ninjas. Zeng asks Sheng and Tian Hao (Cheng Tien Chi) to fortify the school while ten of his best men answer the challenge. What follows is a series of increasingly brighter colored ninjas, basically showing you every Mortal Kombat fatality nearly a decade before the game came out. The ninjas also send Senji (Chen Pei-Hsi) to infiltrate the school. Yes, Hong and Mudou (Michael Chan, who didn’t just play triad gangster roles, but left the police to become one), the leader of the ninjas, are pretty much the winners before the fight even gets started.

Within a few weeks, she has mapped out the entire school and Mudou’s ninjas attack as she offers herself to Sheng. He refuses her, but allows her to play the flute for him. As she entertains him, everyone in the school except for Ha escapes and visits his old ninja master. Joined by four other fighters, he challenges the Five-Elements Ninjas and Mudou, who has killed Hong and taken the title of master.

This movie is quite frankly fantastic. It blew my mind throughout and never lets up, like a children’s show that has wall-to-wall gore. As the first movie in our week of Hong Kong films, it has set a high bar that other films will really have to battle to scale and exceed.

You can watch this on Tubi.

*The Legend of the 7 Golden VampiresFive Deadly Venoms and Crippled Avengers, to name a few.