APRIL MOVIE THON 3: Zack and Miri Make a Porno (2008)

April 12: 412 Day — A movie about Pittsburgh (if you’re not from here that’s our area code). Or maybe one made here. Heck, just write about Striking Distance if you want. Here’s a list.

Kevin Smith made two movies in Pittsburgh, this and Dogma. Well, this is Monroeville, but yeah, Pittsburgh. The director and writer had the idea wince the 90s and wanted it to be a follow up to Chasing Amy. It was almost a series called Hiatus that would have starred Jason Lee as a porn star who came back home. Also: That isn’t the Civic Arena, it’s the Rostraver Ice Garden but is now the cfsbank Event Center but everyone in town is still going to call it by its old name long after it changes its name all over again.

Zack Brown (Seth Rogan) and Miriam “Miri” Linky (Elizabeth Banks) are best friends since first grade, roommates and both work in Monroeville (she’s at the mall, yes, that mall and he’s at a coffee shop which is really a Dairy Queen in real Monroeville life). They have no money and the power gets shut off at their house before their high school reunion, where Miri learns that her crush Bobby Long (Brandon Routh) is dating adult star Brandon St. Randy (Justin Long). When they get home, they also discover that two teenagers shot a video of Miri changing that went viral because she wears bloomers. This gives Zack the idea that they should make an adult movie.

Working with a producer named Delaney (Craig Robinson), they start making a parody, Star Whores, before they get all their equipment stolen. That means that they have to use the surveillance camera at Zack’s work to make their next idea, Swallow My Cockuccino. All of the adult actors have porn sex; Zack and Miri make love, which weirds them out. She also gets upset when he sleeps with another actress, Stacey (Katie Morgan). When it comes time for Miri to do a scene with Lester (Jason Mewes), he tells her he loves her. She says nothing and he disappears.

Of course, Zack never slept with that girl and she never slept with that boy and they get together. But you knew that.

Smith said of the movie, “I was depressed, man. I wanted that movie to do so much better. I’m sitting there thinking, that’s it, that’s it, I’m gone, I’m out. The movie didn’t do well and I killed Seth Rogen’s career! This dude was on a roll until he got in with the likes of me. I’m a career killer! Judd’s going to be pissed, the whole Internet’s going to be pissed because they all like Seth, and the only reason they like me anymore is because I was involved with Seth! And now I fuckin’ ruined that. It was like high school. I was like, “I’m a dead man. I’ll be the laughing stock.”” Supposedly, the Weinstein Company’s lack of selling the movie caused their relationship to end. Smith saw himself as a failure and din’t work for some time after this.

Well, at least it’s very Pittsburgh. Zack plays hockey for the Monroeville Zombies, Tom Savini is in it and one of the adult stars, Bubbles, is played by Traci Lords who is from Steubenville, which is close. Smith has seen a lot of porn, because her scene at the end references one of her last films before it was discovered that Lords was underage, New Wave Hookers.

IT’S BIRTHDAY WEEK ON THE DIA DOUBLE FEATURE!

This week, we’re celebrating both Becca and Bill’s birthday! Join us at 8 PM EST on the Groovy Doom Facebook and YouTube pages.

Our first movie is Waxwork II which you can find on Tubi.

Every week, we watch movies, talk about them, look at the ad campaigns and then have a cocktail that goes with each film. Here’s the first recipe.

Solomon’s Locket

  • 1 oz. vodka
  • .5 oz. peach schnapps
  • .5 oz. blue curacao
  • .25 oz. lemon juice
  • .25 oz. lime juice
  • .25 oz. simple syrup
  • 2 oz. lemon lime soda
  • 2 oz. cranberry juice
  1. Add all ingredients other than soda to a shaker filled with ice and shake.
  2. Pour into a glass and top with soda.

Our second movie is the 1985 TV movie Blackout which you can watch on YouTube.

Here’s the second cocktail.

Crash Course In Plastic Surgery

  • 2 oz. rum
  • 2 oz. cranberry juice
  • 1 oz. orange juice
  • .5 oz. lime juice
  • .5 oz. simple syrup
  • 4 red raspberries
  1. Muddle raspberries in a shaker, then add all ingredients and shake with ice.
  2. Pour in a glass and enjoy.

We can’t wait until Saturday!

GET ISSUE 26 of DRIVE-IN ASYLUM!

Drive-In Asylum #26 contains a great assortment of reviews and features, including another DIA milestone. Bill was finally able to track down Zooey Hall – now going by his real name, David Hall – and talked to him about his acting career, which included such gems as cutting edge prison drama Fortune and Men’s Eyes and Poor Albert & Little Annie. If you don’t recognize that second title, that’s OK, it’s probably because you saw it under its more sensational reissue title I Dismember Mama. Bill does love a good sleazy retitle, but in this case it tends to eclipse the actual nature of the film, a slow burn creeper with a distinctly 70s feel, and with great performances by David, Geri Reischl, and Marlene Tracy.

But there’s a lot more! We’ve also got great interviews with director Gary Sherman (Dead & Buried, Deathline, Vice Squad) and author Paul Talbot (Bronson’s Loose: The Making of the Death Wish Films). A.C. Nicholas discusses the legacy of cult TV variety show Night Flight, J.H. Rood answers the question that so many genre fans are condescendingly asked, “Why do you like bad movies?”, and our crew of film fanatics review Tammy and the T-Rex, The Single Girls and The Slayer.

There are also the usual pages and pages of vintage newsprint ads – oh, and for those of you who were asking for it, DIAZODIAC is back, with more strange vibrations from astrologer Magus Calavera.

Plus! I added an article about a movie I had to hunt for — Miss Leslie’s Dolls.

This is a 72 page fanzine, 8.5″ x 5.5″ black and white with some pages printed on colored paper.

Get it now on Etsy.

The First Omen (2024)

ABOUT THE AUTHOR: Jennifer Upton is an American (non-werewolf) writer/editor in London. She currently works as a freelance ghostwriter of personal memoirs and writes for several blogs on topics as diverse as film history, punk rock, women’s issues, and international politics. For links to her work, please visit https://www.jennuptonwriter.com or send her a Tweet @Jennxldn

*This Review Contains Spoilers

What it is: 

A competently written and directed, well-acted, but overly long derivative prequel to the original Omen trilogy. An American girl, raised in a Catholic orphanage, travels to Rome to become a full nun. She works in an all-girls orphanage/home for unwed mothers. There, she uncovers the conspiracy to birth Damian from the original 1976 film. Along the way, she discovers that she is one of many chosen mothers. 

The film slides quite nicely into the events of the original film while setting up a parallel storyline we never knew existed. One in which Damian’s twin sister has been hidden away on Alderaan to keep her safe from the Empire. Um, I mean the evil Catholics trying to assassinate her. 

Director Arkasha Stevenson certainly did her homework, which I appreciated. The little musical cues evoking Morricone’s giallo work made me smile. But at times the film feels like an academic essay littered with extended passages from other, better source material. 

It’s a movie meal that plucked all its ingredients from a list of high-quality horror and sci-fi films including The Omen, Deep Red, The Devils, Rosemary’s Baby, Possession, Flavia the Heretic, Return of the Jedi, To the Devil A Daughter, Inseminoid, Suspiria, and yes…even The Texas Chainsaw Massacre

With a meal like this, you know exactly what you’re getting. The consequences of eating a meal like this are twofold: 

  1. You’re not hungry anymore. The food fills you up. Job done. 
  2. You drive home thinking about that really great meal you had at that awesome restaurant on your birthday 10 years earlier. 

The key ingredient missing is the “extraordinary events happening in an ordinary world” approach taken in the original film. There was almost no supernatural hoo-ha in the original Omen. To an outsider in that world, everything that happens could be viewed as simple coincidence or tragedy. This film is loaded with overt supernatural stuff going down and for the most part, it works. 

What it isn’t: 

  • A nunsploitation film. There are no gratuitous repressed nun sexy shenanigans. The first act teases that it might go there, but it never does.  
  • Alucarda

What I liked: 

  • The performances are top-notch. Kudos to Nell Tiger Free for carrying the picture admirably. 
  • The camera work and music are excellent. 
  • The concept of organized religion deliberately doing evil things to pump up their membership numbers was accurate. This was the most disturbing idea in the film.
  • The birthing scenes.
  • The files containing the photos of the failed, deformed antichrist babies. 
  • ‘60s-style music needle drops

What I disliked: 

  • Too many jump scares in the first half. 
  • Too much time spent settling Margaret into her new job at the orphanage. 
  • An all-too predictable plot twist for Margaret. 
  • Entire sequences lifted from other films. 
  • An all-too predictable set-up for a trilogy that will likely end with a teenage Satanic Leia blowing up a bunch of stuff with her newly discovered powers. 

Who is this movie for? 

  • Younger horror fans who dug The Nun and other recent jump-scare heavy films will like this a lot more than older viewers who have likely seen all its influences more than once on multiple formats with and without commentary. 
  • Disney, who appear hell-bent on resurrecting every good 20th Century Fox franchise from the 1970s.  
  • Younger film critics who don’t know that women have dominated the horror genre for 50+ years. 

Summary: 

It’s a worthy effort considering that most franchise reboots aren’t stellar. It wouldn’t be very fair if I said I love a movie like Paul Naschy’s Exorcismo, which is a blatant rip-off of The Exorcist and then slate this film for doing something similar with a bigger budget. It’s a good film when viewed from that perspective. I liked it better than Omen III: The Final Conflict, but not as much as the 1976 original or Damian: Omen II.  It’s a well-made, entertaining film with nothing new to say. A meal that fills you up on a Friday night with your fellow horror fiends. 

TUBI ORIGINAL: Festival of the Living Dead (2024)

Remember Jen and Sylvia Soska? Well, they just made a sequel — kinda, sorta — to Night of the Living Dead and its on Tubi. Yes, the very same Soska sisters who made the remake of Rabid and American Mary.

Now, is that a good thing? Was the remake of Rabid a good idea? Have we gotten so many sequels to Romero’s work both from him — good (Dawn, Day) and bad (everything not Dawn and Day) — and from the other creators of the original, good (Return of the Living Dead) and, well, weird (Flesheater) and just plain abysmal (Children of the Living Dead). Then again, isn’t everything after Romero influenced or outright stolen (Zombi) from his work?

Ash (Ashley Moore) and her brother Luke (Shiloh O’Reilly) are the grandchildren of Ben from Night of the Living Dead and even have the gun he used to kill zombies. Their parents have gone away on Ash’s birthday and her friend Iris (Camren Bicondova) offers to watch her brother so that she can go to the Festival of the Living Dead, a concert that is on the same ground where the walking dead first appeared in 1968, with her boyfriend Kevin (Gage Marsh), his brother Ty (Andre Anthony) and sisters Destini (Keana Lyn Bastidas) and Lindsey (Maia Jae Bastidas).

Yes, kind of like Return of the Living Dead: Rave to the Grave. The less said of that, the better.

Written by Miriam Lyapin and Helen Marsh (who also wrote the Tubi Original Deadly Midwife), this kicks up a notch when the concert goers all get in a car accident hitting a zombie and go to the concert to get help. Iris hears that her friend is in danger, so she gets her friend Blaze (Christian Rose) to drive her and Luke to save everyone. Yes, she takes a diabetic child into the heart of the undead.

For some reason, the festival has a giant man to be burned, like Burning Man. Or The Wicker Man. Or Midsommar. None of this has anything to do with the movie you are going to watch and maybe twenty people came to this concert, which feels more like the Gathering of the Juggalos than a concert that is a tribute to people who died. The bands all feel like Warped Tour instead of anything, as if this movie was made in the 2000s for SyFy and was filmed in Eastern Europe just like, yes there it is again, Return of the Living Dead: Rave to the Grave.

I grew up minutes from Evans City and this weird field is not the weird fields in Evans City. Instead, it’s all cash in cheap quick artifice and yeah, I should know better, but I never do. Moore and Bicondova are good actors and do what they can, but they there isn’t much to save.

Also: How did they get Ben’s gun and know he was a hero when he died in a basement and got burned as a zombie? Did we forget, you know, the shocking ending of the movie that started modern horror?

If this movie was just a zombies at a concert film, I’d be fine with it. But by associating itself — literally inserting itself — into the trinity of zombie movies, it commits an unforgivable sin. It’s boring. There’s a great idea in here of a world where the undead have become commonplace and celebrated as tragedies like how 9/11 is a few years away from being another sale day like President’s Day. Instead, it’s content to be a movie with some decent fight scenes, alright gore and nothing else to add to a genre that’s overflowing with movies that added less than nothing.

You can watch this on Tubi.

TUBI ORIGINAL: Lowlifes (2024)

Keith (Matthew MacCaull) and Kathleen (Elyse Levesque) are taking their kids Jeffrey (Josh Zaharia) and Amy (Amanda Fix) on an RV vacation across the country. While the family eats breakfast, Amy goes off to smoke and two backwoods types appear and are vaguely threatening. You’ve seen it before in, well, nearly every RV horror and rednecks against normal folks movies.

Except this one has a twist.

And I don’t want to reveal it because even though I assumed it was coming, the way it plays out was pretty great.

Directed by Tesh Guttikonda (the writer of Influencer) and Mitch Oliver and written by Al Kaplan (Zombeavers), this places the RV family into the home of Vern (Richard Harmon), Billy (Ben Sullivan), Big Mac (Dayleigh Nelson), Savannah (Brenna Llewellyn) and Juli Ann (Cassandra Sawtell). Their home is isolated far from the closest down and the law, which is Deputy White (Alexander Calvert).

Again, without giving much away, this does a great job of pitting the civilized — a family that barely gets along and use drugs to get by — against who they perceive as the hopeless uncivilized country folk who carry guns everywhere they go. The film also places your sympathy with some characters and then pulls your feet out from under you when the reveals — there are more than one — happen. Toss in some solid comedy that doesn’t diffuse the tension and some grisly gore — look out for that eyeball scene — and you have a slasher that’s way better than what we’ve come to expect from the genre lately.

You can watch this on Tubi.

TUBI ORIGINAL: Deadly Military Love Triangle (2024)

When a young Army sergeant is murdered, the police can’t find any answers until they learn that the killer could be as close as the dead man’s backyard. By the end of it all, Jeremy Cuellar admitted to working with Kemia Hassel to kill her husband Sgt. Tyrone Hassel III on New Year’s Eve 2018. Cuellar and Kemia were lovers and all three were soldiers stationed at Fort Stewart in Georgia. The killers had planned to collect Army death benefits and life insurance money.

They had started their affair when they were stationed at Camp Casey Korea as part of the 3rd Infantry Division, 1st Combat Brigade. They communicated on Snapchat as they thought that their messages couldn’t be found or traced. The case was broken when an anonymous tip was given to Officer Eric Wolff that revealed “investigators need to look at the victim’s wife … and a boyfriend who serves in her platoon.”

Cuellar told another soldier that he and Kemia wanted to be together and were planning to murder Tyrone while the married couple was on leave. That soldier went to Criminal Investigation Division and told them that he believed Cuellar was the murderer. He killed Tyrone in the driveway of his father’s house while his year-old-son slept inside. He thought he was bringing home a plate of food for his wife and was walking into a trap that she set up.

This Tubi Original tells you the entire story and has family members share their loss. It’s a hard watch, seeing their pain, but does a good job of sharing out this tragedy.

You can watch this on Tubi.

APRIL MOVIE THON 3: Slime City (1988)

April 11: Get Slimed! — A movie that has slime in it.

Alex (Robert Sabin) and Lori (Mary Huner) have moved into a scummy New York City apartment where horrible people are all around them, like the neighbors who give Alex food and drink that transforms him into a yellow slime creature who goes by Zachary and Nicole (also Mary Humer) who he cheats on when Lori is away. If he wants to be normal, now Alex must start killing people.

Directed and written by Greg Lamberson, this is Street Trash and Brain Damage by way of The Abomination. Zachary is the cult leader who once ran this building and he is still the master of neighbors like Roman (Dennis Embry). Also, Alex works in a video store right down the street and he can’t get there on time, but man, if I worked at a video store near my house, I’d stop all the murder and just watch everything the store has.

If someone offers you cooked Himalayan yogurt, you know not to eat it.

By the end, Greg’s chest has opened up to eat someone, blood and yellow fluid has sprayed all over the screen and a kitchen battle between our once in love couple goes completely out of control with even more yellow scummy ooze spraying everything, everyone and even the camera. Oh yes — this goes for it, with someone’s head slammed repeatedly into pulp and the reveal of Alex’s dripping yellow face costing a sex worker her life as he messily slices into her throat. Seriously, the end battle is almost ten minutes long and it ends with just pieces being left in large puddles.

This is a down and dirty NYC movie shot in the muck and grime where it belongs. Sabin goes from a complete geek to being a beyond insane Satanist who lives to kill. What a transformation and what a revelation this movie is.

You can watch this on Tubi.

APRIL MOVIE THON 3: Hyperspace (1984)

April 10: In 3D! — Write about a movie in 3D.

Also known as GremloidsHyperspace was the sixth and final 3-D film produced by the Owensby Studios in the 1980s (the others are Rottweiler: Dogs of Hell, Hot HeirChain Gang, Hit the Road Running and Tales of the Third Dimension in 3-D).

Just like Star Wars, Lord Buckethead (Robert Bloodworth) has come to Earth looking for Princess Serina and the stolen plans for his Galactic Alliance. He thinks that a woman that he’s seen, Karen (Paula Poundstone) is her and that a baker named Chester (R.C. Nanney) is Captain Starfighter. A man named Max (Alan Marx) falls for her and tries to rescue her from Buckethead and his Jawa-esque soldiers. The government is also trying to figure things out and brings in William Hopper, who is Hooper from Jaws played by Chris Elliot and if that makes you happy, this movie will make you beyond excited.

I love that a regional movie made in North Carolina has had such far reaching future impact on politics.

No, really.

Lord Buckethead — it was a man named Mike Lee — ran for Parliament in both the 1987 and 1992 general elections representing the Gremloid party and got 131 votes against Margaret Thatcher and 107 against John Major. Comedian Jonathan Harvey was the next Lord Buckethead in the 2017 general election. and by standing next to Prime Minister Theresa May, he went viral. He got the most votes, 249, but also drew the attention of this movie’s director and writer Todd Durham, who sued because Harvey was using his character,. Harvey became Lord Binface and David Hughes was now Lord Buckethead, running as part of the Monster Raving Looney Party, which was founded by musician Screaming Lord Sutch.

As for Durham, he created Hotel Transylvania and directed Tales of the Third Dimension in 3-D.

You can watch this on YouTube.

APRIL MOVIE THON 3: Domino (2005)

April 9: You’re With the Band — A movie that has a band cameo. Here’s an article to inspire you.

In 1994, director Tony Scott was sent an article by his business manager Neville Shulman. “My Gun for Hire: Why a Movie Star’s Rebel Daughter Turned Into a Bounty Hunter” by Sacha Gervasi was about Domino Harvey, a bounty hunter working for the Celes King Bail Bond agency in South Central Los Angeles and the daughter of actor Laurence Harvey, who was in Room at the TopThe Manchurian Candidate and Life at the Top, and British fashion model Paulene Stone, who refused to have her name be used for the movie, so she’s called Sophie Wynn and played by Jacqueline Bisset.

After completing a bail recovery agent training course, Harvey began working with her teacher Ed Martinez as one of female bounty hunters in the United States. She didn’t make much money, but did the job for the excitement. Living above her mother’s garage in Beverly Hills, she became friends with Scott, who started to observe her as she tracking her marks.

Scott taped hours of conversations with Harvey over twelve years and she spent three weeks on set, appearing in a featurette that’s on the DVD, as well as contributing to the soundtrack and appearing at the wrap party. There were rumors she was unhappy with how she appeared in the film, but sadly, she didn’t live to see it. While she appears as the end of the cast credits, she would not live to see its release, overdosing on fentanyl after years of drug addiction. The movie is dedicated to her.

The first two scripts for this movie were written by Steve Barancik and Roger Avary, but Scott felt they were too normal. He went to Richard Kelly (Donnie DarkoSouthland Tales), who used transcripts of the interviews and wrote what he said was “one of the most subversive films released by a major studio since Fight Club.” As for Scott, he said,  “I didn’t let the movie breathe enough. The script was great — Richard Kelly wrote a great script — and I got overcome by the insanity of the world I was touching. I think I fucked up on that one.” He did say it was one of his favorites.

Domino (Keira Knightley) has been arrested by the FBI after the theft of ten million dollars from an armored truck. As criminal psychologist Taryn Mills (Lucy Liu) interviews her, she tells how she went from being a model and society girl to working with Ed Moseby (Mickey Rourke), Choco (Edgar Ramirez) and their driver Alf (Riz Abbasi), an Afghan whose unpronounceable name leads them to name him after the TV character because it’s said he eats cats.

Their boss, Claremont Williams III (Delroy Lindo) is having an affair with a DMV employee named Lateesha Rodriguez (Mo’Nique) who has a daughter suffering from a blood disease. The operation costs $300,000 so Claremont sets up a deal where some criminals will rob an armored truck from his other business and take the money of Drake Bishop (Dabney Coleman), the owner of the Stratosphere Hotel and Casino, the bounty hunters will track down the robbers, get back the money and get a $300,000 finder’s fee which will go to Rodriguez. Yes, it’s complicated. Yes, it gets much more complicated.

That’s because Lateesha has been running a counterfeit driver’s license scheme that the FBI learns all about. They want info on one of the licenses she made for Frances (Kel O’Neill), the son of the Cigliutti crime family. She throws the operation off by blaming them for the upcoming robbery, which she plans on doing with Claremont after she’s on Jerry Springer’s show talking about how she’s a grandmother at 28.

The bounty hunters apprehend Frances, his brother and his two friends and delivers them to Bishop, who learns that they had nothing to do with the crime. Thinking that his sons are dead, their father heads for the casino while Domino takes $300,000 of Bishop’s money and gives it to Lateesha for her granddaughter’s operation.

Meanwhile, there’s a TV show in the works called Bounty Squad — produced by Mark Heiss (Christopher Walken), which brings her into the orbit of Brian Austin Green and Ian Ziering, who speak to the actual bounty hunters and are terrified.

Of course, everything ends up in a Mexican standoff — and blow up — inside the Stratosphere. The money goes to the little girl — and Afghanistan — as Domino is told to retire.

This movie feels very early 2000s — well, of course — but also like you’re on coke when you watch it. That’s no accident. Scott claimed that there was a high usage of cocaine by the actual bounty hunters he consulted while researching the film and he wanted to get that across. As for that goldfish named Sammy that dies, the symbolism of that is pretty simple. Dakota Fanning told Scott during the making of Man on Fire all about her goldfish who had died.

One of the odder things — I mean, other than the constant snap zooms and the camera feeling its closer than its ever been to actors — is The Wanderer, a character who saves the bounty hunters in the desert and shows up to offer spiritual advice. Keep in mind these are the kind of people who would cut the arm off a man and show it to their mother to get her to open a safe. Waits’ songs “Cold Cold Ground” and “Jesus Gonna Be Here” are also on the soundtrack. Beyond his amazing music, Waits was also in the movies Paradise AlleyWolfenOne From the HeartThe OutsidersRumbles FishThe Stone BoyThe Cotton ClubDown By LawIron LakeGreasy LakeCandy MountainBig TimeBearskin: An Urban Fairy TaleCold FeetMystery TrainThe Two JakesQueens LogicNight On EarthBram Stoker’s DraculaShort CutsMystery MenThe Last CastleCoffee and CigarettesThe Tiger and the SnowWristcutters: A Love StoryThe Imaginarium of Doctor ParnassusThe Book of Eli, The Monster of NixTwixt, Seven PsychopathsThe Ballad of Buster ScruggsThe Old Man & the GunThe Dead Don’t Die, Licorice Pizza, The Absence of Eden and Wildwood.

Speaking of rock star cameos, Macy Gray also shows up as Lashandra.

On August 19, 2012, Scott jumped off Los Angeles’ Vincent Thomas Bridge. He had been fighting cancer but was supposedly in remission. His brother Ridley said that the suicide was inexplicable. One witness said he had no hesitation while another said he looked nervous and held off for two seconds before leaping near a tour boat. He and his brother both came from commercials. After this film, he made Déjà Vu, The Taking of Pelham 123 and Unstoppable, but is best known for Top Gun. He also directed the music video “One More Try” for George Michael and the love scene in his video “Father Figure.”

Domino seems like a parody of an action movie by being the kind of action movie that gets parodied. But I kind of love it for how ridiculous it is. Yet it also feels like a movie steeped in tragedy and pain. Kelly said, “The film opens with a title card that states: “This film is based on a true story… sort of.” The film is very tongue in cheek in its intentional distortion of the truth. This is part of its design… and this design is something that Domino loved about the project. I made it clear to her when I met her that we would capture her fiercely unapologetic, dystopian and ultimately tragic worldview. She saw America through a very subversive punk rock lens (Steve Jones of the Sex Pistols was a friend of hers), and Tony has captured this worldview in a way that she approved. This is a satirical interpretation of a biopic… one that shifts from fact to fantasy as a way of expressing her rebellious spirit and rejection of traditional values, restrictions and archaic traditions forced upon women.”