Mill Creek Drive-In Classics: Don’t Look in the Basement (1973)
ABOUT THE AUTHOR: Nick Vaught has worked in the entertainment industry for several years. Nick currently serves as an Associate Producer on the upcoming horror documentary In Search of Darkness: Part III. Nick also worked on the long-running CW series Supernatural. In 2019 he co-wrote the well-received episode “Don’t Go in the Woods.” In addition, Nick […]
The Spirits of Jupiter, aka Planet Gone Mad (1984)
Editor’s Note, July 2022 Update: Thanks to our readers for quickly making this one of our most-visited reviews, with Denverites contacting us to discuss their memories of this mostly-never seen theatrically, hard-to-find film on grey-VHS. Even the director himself, Russel Kern, discovered our review — and his July 2022 memories of the production now end […]
Frankenstein 90 (1984)
When you consider Frankenstein 90 against Frankenstein 70, Joe D’Amato’s Frankenstein 2000 and the deranged Frankenstein 80, it comes up very, very short. Directed, written and produced by Alain Jessua, this film stars French singer and actor Eddy Mitchell as the monster. I’m struggling to say something nice about this movie and then I read that the effects […]
MILL CREEK DRIVE-IN MOVIE CLASSICS: Don’t Look in the Basement (1973)
EDITOR’S NOTE: We first wrote about this movie on March 16, 2021. As a bonus, we even have a mixed drink recipe that we shared when this aired on our weekly Saturday night show. We often refer to movies as “Brownriggian” when we watch films on Saturday nights all night with the Drive-In Asylum Double […]
MILL CREEK DRIVE-IN MOVIE CLASSICS: Craze (1974)
EDITOR’S NOTE: We originally posted this on October 19, 2018. Now it’s come back for the grave for our Mill Creek month. Thanks to his work on Amicus films, Freddie Francis will always get a pass. And Jack Palance has made some of the worst movies I’ve ever seen so much better. Therefore, I wanted […]
The House That Vanished (1973)
“When you finish watching this, R.D., please let me know if the house ‘vanished,’ and if so, where did it go?” *— Bill Van Ryn, Drive-In Asylum To start off this review, I’ve opted to use the Italian theatrical one-sheet — the title translates as the effective and logical, The Shadow of the Murderer — […]
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