As a large ship drifts into New York City, you may wonder, “Am I watching Zombi?” No, you’re watching Contamination or Alien Contamination, but the similarities may be international. Both films shared the same production offices and director Luigi Cozzi (Starcrash)was so impressed that he wanted to hire the same cast, but only ended up with Ian McCulloch.
The ship is packed with large containers of coffee, which really hide green eggs that pulsate and make droning sounds. The crew of the ship are more than just dead. They’re in peaces and the rescue team soon discovers why. The eggs tend to explode, spraying acid all over the place that’s toxic to anything human. As soon as it touches them, they explode in glorious slow motion bursts of red food color and Karo syrup.
The military soon links the green eggs with a recent mission to Mars that caused one astronaut to disappear and the other, Commander Hubbard (there’s Ian McCulloch!) to become a drink. He joins Colonel Stella Holmes and New York cop Tony Aris (Marino Masé, The Red Queen Kills Seven Times) on the case, which takes them all the way to a Columbian coffee plantation (well, the movie was funded by Columbia cocaine dealers) and Hubbard’s old partner, who is now in the thrall of a gigantic alien cyclops (!).
Originally intended as a straight sequel to Alien, this movie ends James Bond territory at times and is not afraid — at all — to wipe out characters left and right. It also has a scene where a green egg menaces a girl in the shower, which should be frightening yet comes off as hilarious. That said, this has a loud Goblin soundtrack that makes this seem like a much better movie than it is.
But hey — who can hate a movie with dialogue like this?
NYPD Lt. Tony Aris: Jesus Christ, the whole world is going to be wiped out and all this broad’s worried about is getting changed!
Colonel Stella Holmes: Listen, Aris, if I have to die with the rest of the world then I want to have a proper dress on and clean underwear.
That’s better than the first few minutes of the film, where almost the entire dialogue is muffled. But hey — you can either choose great dialogue or awesome gore. Guess which one you get here?