GENREBLAST FILM FESTIVAL 2023: Shorts round 2

Here’s the next set of shorts that I watched at GenreBlast Film Festival.

Biters and BleedersTad (Christopher Malcolm) and Penelope (Raven Angeline Whisnant) have fallen on hard times. At once he acts like a child and yet dominates her. When his mother (Joyce Wood) dies, he inherits the family home and thinks that it will solve all of their problems.

The problem becomes the house, filled with bedbugs that constantly bite and eat at her skin in the same way that her husband eats away at her psyche. The constant heat of the house beats her down, just as her husband’s abuse and odd behaviors make her start to unravel.

Director Charlie Carson Monroe, who co-wrote the script with Whisnant, this is an uncomfortable watch and I mean that in a good way. The film gets across just how trapped Penelope feels and just how strange her life has become. It felt oppressively hot, sticky and itchy; I felt like I had to check my skin repeatedly for bugs. This might be too much for some, but for those willing to take the ride, it’s a rewarding film.

The Wyrm of Bwlch Pen Barras: In this folk horror film shot in Rhuthun by debut director, writer and Rhuthun native Craig Williams, three men are called upon once again to carry out a terrible assignment in the quiet town of Rhuthun, North Wales.

Gwyn (Bryn Fôn), Emlyn (Morgan Hopkins) and Dai (Sean Carlsen) meet up and drive to the farm of Dafydd (Morgan Llewelyn-Jones), who they abduct against his will and throw in the trunk for the drive and hike up the hills of Bwlch Pen Barras. This has the feel of 70s British horror and while short, it delivers plenty of promise for what Williams and his crew, which includes cinematographer Sean Price Williams, have to offer in the future. There are some small moments in this that make it so deep and rich. And I loved the title card at the end, which places this even more in the look and feel of another decade.

You can learn more at the official site.

NosepickerDirected and written by Ian Mantgani, Nosepicker achieved the impossible and had moments that made me physically sick, even after all these years of watching the absolute roughest and grossest cinema possible. Well done!

Georgie Freeman (Leo Adoyeye) is a school kid who is different than everyone else and therefore shunned and bullied. His biology teacher Miss Poppy Barun (Abi Corbett). and mother (Bridgette Amofah) are both worried about him. As for Georgie, all he seems to care about is picking his nose and leaving the messy slime under his desk, a habit that gets him screamed at by all the little boys and girls.

You could see this as Georgie being neither black nor white and lost in a world that wants him to conform to whiteness. Or perhaps he’s compelled by the creature that he has created, a sickening mass of boogers and snot that comes to life while he sleeps and gets the horrible revenge that he can never achieve while awake. Either way, this is an uncomfortable yet great short.

Ride Baby RideDirector and writer Sofie Somoroff has created a strange one here, as Celina Bernstein plays a mechanic who purchases the Camaro of her dreams from two creeps played by Anthony Richard Pagliaro and Sam H. Clauder II.

The problem? The car itself is a death trap and not because it’s a lemon. No, I mean that literally the car is out to kill her and in ways that are very painful and upsetting, even for the viewer. There are some moments of hand and fingertip violence that upset me as a writer greatly. The camera work, effects and sound design are all quite creative here, setting up just how trapped the mechanic is by a car that seemingly is alive.

I do love killer car movies, so I really loved that this one was horrifying without even leaving the garage.

PicMe: Alice (Arielle Beth Klein) is pressured into downloading a new social media app by a friend and she promises to herself that she won’t leave for lunch tomorrow unless she gets 5,000 likes. Soon, the app controls her every thought, causing her to start lying — it starts small with posed images, then has her ordering food and pretending she cooked it before every single thing she does is livestreamed — and then her body itself begins to warp and change based on people liking or trolling her. Will she ever catch up to Marie (Briana Sky Riley) who effortlessly looks gorgeous no matter what she’s doing? Or will it all be too much for her?

Director and writer Molly Tomecek has created a cute film here, filled with some fun effects and even some moments of animation as characters, emojis and chat windows interact with Alice. Klein does a great job of carrying nearly the entire short and has a gift for physical comedy.

High StakesWriter and director Zac Eglinton’s film is a quick and quirky tale of what happens when you don’t wait for the doctor to call you back and end up telling your friend that you have no interest in life as a vampire.

Eglinton must have a fear of allergy, as he already made 2019’s Allergic Overreaction, a movie in which cookies served at an annual Freddy vs. Jason fest cause the horror of, yes, an allergic reaction. His 2021 film Gastral Projection is about a supernatural stomach ache caused by a bad pizza. I’d be worried at this point if we ever went to dinner together.

Moonlight Sonata, With Scissors: Zee (Hailey Swartwout) is awoken by a loud bang and Corey (Troy Halverson) panicking outside her house. He has a dead body in the back of his truck, which ends up being her old parole officer Charles Grandy (Jeff Strand). He’s killed the man and now has no idea what to do with the body, but Zee wonders if this is all a dream. And when it is, she easily deals with it and then reads up on how to get even more out of lucid dreaming.

The next night, however, things are not what they seem when the dream comes back a second time.

Directed by Chris Ethridge (Haven’s End and a segment sponsor of Fat Fleshy Fingers), who co-wrote this with Darrell Z. Grizzle, this is a quick trip through dream logic. The script is quick and to the point but works so well that you won’t even notice how quick the time flies by.

The HeritagePart of Hulu’s Bite-Sized HorrorsThe Heritage shows what happens when Dylan (Matt McClure) meets his father (Bruce Jones) for the first time. Directed by Andrew Rutter, who co-wrote the script with Chris Butler, this has some of the grossest effects that I’ve seen in some time, as Dylan’s father is a gigantic creature that quite literally looks like a human-sized piece of feces.

Pimples will pop, bodies will sweat, vomit may rise up in your mouth as you watch this, but just as horrifying as the visage of the father is, the way that he has conducted himself throughout his life may be even worse. Dylan tries to stand up for himself and make an account of his life, but all father and his wife, servant, trall or all of the above wants is for son to gift dear old dad with just one little kiss.

By all means, do not eat while watching.

Shelter Half: I had no idea what a shelter half was. It’s A shelter-half is a partial tent designed to provide temporary shelter and concealment. It’s also the title of this short, in which a naturalist investigates the disappearance of a mother black bear while camping in a remote valley. Well, he sure does find something.

Directed by the Barber Brothers, written by and starring Nathaniel Barber and shot by Matthew Barber, this short film has a lot to say about the way man has treated nature and what they’ll deal with when a reckoning comes. Plus, it has some really great practical effects. This feels like the kind of idea that would lend itself quite well to a longer movie and I hope to see that happen.

Jeong-Dong (Affects): Directed by Choi Woo-gene, this is the tale of Yoo-bin, who is having a nervous breakdown after seeing something strange in his new home which is, for some reason, filled with objects from a cult religion that its last owner believed in. He tries to get his childhood friends So-dam and Ha-seung to help, but whatever is inside has unlocked the traumas and emotional wounds that they have all buried and no one is safe.

Each of these fears — an abusive smiling uncle in only his underwear, an overindulgent mother who seeks to feed her child until they are sick, a blood-spattered schoolgirl — must be faced but only one of the three will be able to emerge. I really loved the scene with the ghost mother hanging herself, as the rope appears literally out of nowhere and it’s quite shocking. Even with me telling you, you won’t be ready for it.

The Warmest Color Is BlueDirected and written by Kevin Ralston, this is about two people coming together under adverse circumstances, seemingly a home invasion where a TV has been stolen. It has nothing to do with the Léa Seydoux and Adèle Exarchopoulos-starring romantic film La Vie d’Adèle – Chapitres 1 & 2, which is also known as Blue Is the Warmest Color.

Shan Fahey plays Rebecca and Ian Faria as Detective J.W. Bond, the man who tries to find the missing TV and perhaps finds her heart.

Sempre Avanti: Two U.S. soldiers — known as tunnel rats — plunge into a suspected enemy combatant tunnel system during the Vietnam War only to awaken unparalleled horrors. Like Shelter Half, this was directed by the Barber Brothers, written by Nathaniel Barber and shot by Matthew Barber. Both brothers appear in the story, unlike the above mentioned short.

This is appropriately claustrophobic and has a monster in it that looks like it was a lot like the one in Shelter Half, which if that’s true, props to these guys for extending their budget. It’s less a story than a framework to get said monster up against some soldiers, but it looks great and would probably make a great extended film.

The Watcher: Danielle is the last member (Sandrine Morin) of The Children of Enoch and awaits the resurrection of her recently departed sisters and their leader Father Enoch on the next day, the day that she believes that he will bring forth the Day of Judgment in his divinely resurrected body.

Directed by Nathan Sellers, this has a gorgeous look and a really ominous tone. According to the film’s Indiegogo, it was shot in 36 hours in Bakersfield, VT and was made by a skilled skeleton crew of six artists. The tone of Enoch’s voice (Rohit Dave) as he commands Danielle is so unsettling and this film sticks with you down to the last gorgeous post-credits shot. What a beautiful work of art.

That’s Our TimeWow. Just wow. This movie floored me and I don’t want to give away the ending because it’s that great. It starts with Danny (Marque Richardson) finding that he’s unable to make a true connection with the people in his life. His therapist Dr. Miller (Debra Wilson, who is great in this and I didn’t even recognize her from Mad TV) attempts to show him that you must focus on the time you have left than the time you’ve already spent. But is it too late?

Directed by Alex Backes, who co-wrote it with Josh Callahan, this is a true surprise and perhaps the best short I’ve seen all year. I can’t wait to see what Backes does next.

These shorts were watched as part of The GenreBlast Film Festival which is from August 31 to September 3. All screenings for GenreBlast are held at the Alamo Drafthouse Cinema in Winchester, Virginia. Passes are on sale through The Alamo Drafthouse Winchester. Learn more at the official site.

GENREBLAST FILM FESTIVAL 2023: Project Eerie (2023)

On Halloween, 2020, Jesse and Jacob Warner (Braydan Wade and Jacob) disappeared while they were in the middle of a social media live stream. Project Eerie is the found footage film that purports to be that live stream.

Directed and written by Ricky Umberger (The Fear FootageThe Fear Footage 2: Curse of the Tape and The Fear Footage: 3AM), this film is debuting at The GenreBlast Film Festival. Unlike so many found footage films that are either about the supernatural or just slasher with a different POV, Project Eerie is the story of a top secret project of the same name and the United States government’s PEI division.

On the tape, there’s a tied-up Kevin Wickers (Austin Greene), the most wanted man in America who killed his wife Alice and daughter on a camping trip or so the media would like the world to believe. Instead, they were buzzed by a UFO and in a lost 90-seconds, an ultrasonic weapon caused his Alice to kill their daughter and attack him before she fell off a cliff. Two men, Wes (Jacob Waeyaert) and Jesse (Braydan Wade) are interrogating him when the Emergency Broadcast System warns all of America that a space station has lost power and fallen and an astronaut is on the loose. The entire country is told to shelter in place during this emergency.

I’ve seen a lot of found footage but I’ve never seen one where an astronaut shows up just walking through the woods. That’s absolutely incredible, you know?

There’s also an Amish farm and…you knew it was coming…a Ouija board. Throw in the normal screaming of someone’s name as the camera gets shaky and close with some Men In Black and you get a big mystery in Dundalk, Maryland.

As always, I’m not the biggest fan of shakycam found footage, but if you are, I think you’ll probably enjoy this. The astronaut is, again, an inspired touch.

Project Eerie was watched as part of The GenreBlast Film Festival which is from August 31 to September 3. All screenings for GenreBlast are held at the Alamo Drafthouse Cinema in Winchester, Virginia. Passes are on sale through The Alamo Drafthouse Winchester. Learn more at the official site.

GENREBLAST FILM FESTIVAL 2023: Guerrilla Dogs (2023)

Directed by, written by and starring Blake O’Donnell (who also co-directed, co-wrote and co-starred in Bergeron Brothers: Wedding Videographers with Benjamin Dietels, who is also in this movie), Guerilla Dogs is the story of three soldiers — Runway (O’Donnell), Hedgetrim (Dietels) and Wax (Ryan Lintner) who are struggling to not only keep it together but to keep a hostage named Mr. Money (Seth Gontkovic) in a time of war.

Denied nearly everything and forced to survive in the midst of a thick forest — never have the woods of my beloved Western Pennsylvania felt more like Apocalypse Now — these three feel like more of a danger to themselves than to any other military.

Everything is for the cause, which is never truly defined, yet that seems to be the way war works in the real world, even if you don’t spend it chasing a ball made of torn-apart underpants. Each night, they force Mr. Money to speak highly of the Cause and tell the world that he is being well taken care of.

And then they meet the Effect, who they have to escape being political prisoners of. There’s also some moonshine that very well could be poisonous in a bonding time gone wrong and then things seem to go on a downward trajectory for our boys. Yet if they find themselves adaptable, they’ll survive this war.

Guerrilla Dogs is weird and I mean that with the best of intentions. It’s earned weird. There’s no real description of why or where or how this war is happening, just that we’re in the middle of it and for these guys, it’s Hell. Yet they’re finding some way to survive or at least find the kind of routines that will make them delirious. Honestly, I have a lot of questions and luckily, I can pester Ben the next time I see him at the drive-in.

Also — I love the way this way filmed. The initial chase between the guys has some incredible overhead shots and is really well edited, too. It set up that this was a next level from the already great Bergeron Brothers.

Guerilla Dogs was watched as part of The GenreBlast Film Festival which is from August 31 to September 3. All screenings for GenreBlast are held at the Alamo Drafthouse Cinema in Winchester, Virginia. Passes are on sale through The Alamo Drafthouse Winchester. Learn more at the official site.

GENREBLAST FILM FESTIVAL 2023: Fat Fleshy Fingers (2023)

Fat Fleshy Fingers is an anthology film that draws its inspiration from the lyrics of Neutral Milk Hotel’s seminal psychedelic folk album In the Aeroplane Over the Sea. It’s made up of all-new segments directed by alumni filmmakers of the Sick ’n’ Wrong Film Festival. The thread that ties it all together is the appearance of “a nasty little sexually transmitted parasite that bestows otherworldly effects on its host.”

Starting with “The King of Carrot Flowers,” directed and written by Sophia Cacciola, interprets the song in quite a strange little way. I mean, it is a song that has the lyrics, “And this is the room / One afternoon I knew I could love you / And from above you, how I sank into your soul / Into that secret place where no one dares to go.” Somehow that involves Michael St. Michaels from The Greasy Strangler telling his dying granddaughter to tell people to go fuck themselves and a mummy.

Other segments include “Oh Comely” directed by Rebecca Daugherty and Anthony Cousins (who also made the quite good Every Time We Meet for Ice Cream Your Whole Fucking Face Explodes), Heather Cunningham’s “The Point When You Let Go,” Some Stranger’s Stomach” by Michael Elliot Dennis, Lauren Flinner’s “We Move to Feel,” Sara Nieminen and Artturi Rostén’s “The Fool,” “Blow Dee Sky Jesus Christ” by director Zach Strum and writer Michah Vassau and Iris Sucres’ “All the Different Ways to Die.”

“So make all your fat fleshy fingers to moving / And pluck all your silly strings and bend all your notes for me,” are the words of one of the many songs that inspired this film. I’d compare it to the latest of the late night Adult Swim with no filter or anything holding anyone back. If you love the album that it comes from or experimental animation or just need your mind exploded, this is ready for you.

Fat Fleshy Fingers was watched as part of The GenreBlast Film Festival which is from August 31 to September 3. All screenings for GenreBlast are held at the Alamo Drafthouse Cinema in Winchester, Virginia. Passes are on sale through The Alamo Drafthouse Winchester. Learn more at the official site.

TUBI ORIGINAL: Midnight Hustle (2023)

The first time Nadia Georges (Kyle Kankonde) meets Juliet Gold (Savoy Bailey), they’re both trying out for a ballet role. Nadia tries to be kind to her but Juliet gets in her face and says, “Break a leg. Literally.” And that’s pretty much what happens when Nadia’s mother Salina (April Hernandez Castillo) distracts her and she slips and breaks a metatarsal bone in her foot.

Their next meeting is a bit friendlier. Nadia is struggling to teach dance and suffering through the pain of a bone that wasn’t set properly. Juliet has left dance behind, tired of having to listen to her mother live through her. She’s forced to live on her own with no monetary help, but she has an idea, thanks to her friend Paris (Raquel Antonia). She still dances. It’s a different kind of dance. But still…it’s dance.

Mickey Valle (Rob Figueroa) is their boss at Pandora’s Palace and at first, they seem to be protected. But then he tells her that Paris has left with a man she met in the champagne room. So what seems like a fun way to keep on dancing while earning enough money to pay to live and keep their families taken care of soon spirals out of control — it’s a Tubi movie about exotic dancing, what did you expect? — and soon they’re set up and dancing in the home of organized crime figure “Handsome” Johnny Palermo (Anthony Robert Grasso) and killing made men when they feel like they’re in danger, which puts them in danger that they may not escape. And now, Mickey wants to kill them too.

Directed by Elaine del Valle and written by Cate Holahan (Deadly Estate), Midnight Hustle remembers to empower its leads without descending into the expected exotic dancing downfall for both. Instead, they both gain from the experience, despite the danger they find themselves in.

You can watch this on Tubi.

TUBI ORIGINAL: Phoenix (2023)

Tubi is the mom and pop video store of streaming — even if it’s owned by Fox, a fact I don’t like to dwell on all that much — and the movies that it promotes as its originals really prove that. A starring vehicle for former WWE Diva Natalie Eva Marie Nelson — she was already in the movies InconceivableAction #1 and Hard Kill, as well as appearing on Celebrity Big Brother — this is the kind of action vehicle that often was created for star athletes in the 80s and 90s like Brian Bosworth (Stone Cold), Howie Long (Firestorm) and, yes, Hulk Hogan (Suburban Commando, No Holds Barred).

Nelson plays Fiona “Phoenix” Grant, an army hand-to-hand combat instructor who leaves the military behind after the death of her mercenary father, Everett (Randy Couture, the former U.S. Army sergeant who became a six-time UFC Champion and the first to hold titles in two different weight divisions). The cops say that he killed himself, but thanks to intel from her former commanding officer General Shackleton (Neal McDonough), she learns that his suicide was set up by a Russian crime family led by Maxim Vasiliiv (Oleg Prudius, who would be better known to WWE fans as Vladimir Kozlov). Maxim and Everett had been battling for years and their final face-off was to be hand-to-hand until a henchman shot the hero in the back of the head.

Now, Phoenix is working her way through the Vasiliiv’s family’s goons, one-by-one. She even goes to lunch with Maxim in a restaurant surrounded by his thugs. There’s also a flashback to when Phoenix lost her mother due to the lifestyle her father lived and a shopping trip with her Aunt Grace (Jessie Camacho, a former police officer and Survivor contestant who played Chupi Chupi on Reno 911!).

Phoenix is packed with tough guys, including Joseph Aviel (who once was Arnold Schwarzenegger’s stunt double), Jonathan Camp, Arnold Chon (a stuntman and MMA fighter), Frank Mir (former two-time UFC Heavyweight Champion, he also has the record for the most finishes and submission victories in UFC Heavyweight history), Rashad Evans (heavyweight winner of The Ultimate Fighter 2, former UFC Light Heavyweight Champion and a 2019 inductee of the UFC Hall of Fame), Phillip Tan (stuntman and trainer for stars like Christopher Lambert) and former Scores bouncer and former New York Hell’s Angels president Chuck Zito, who was also a bodyguard for Lorna Luft, Liza Minelli, Muhammad Ali, Charles Bronson, Michael Jackson, Sean Penn, Chita Rivera, Eric Roberts, Mickey Rourke, Charlie Sheen, Sylvester Stallone and Elizabeth Taylor. He also famously knocked out Jean-Claude Van Damme, standing over him and yelling, “This ain’t the movies! This is the street, and I own the street!” He’s been acting since the 80s, showing up all the way back in 1990: The Bronx Warriors as one of the real bikers that Enzo G. Castellari hired for his post-apocalyptic masterwork.

And hey — Bai Ling is in this as a character named Scavenger, complete with neon makeup that makes her lips look enormous. Man, I love Bai Ling. Keep being in weird parts and showing up unexpectantly!

Director and writer Daniel Zirilli is best known for his action films like Renegades and Invincible, as well as directing videos for Montell Jordan and Scarface, as well as the clip for the song “Short Dick Man” by 20 Fingers featuring Gillette.

Eva Marie has some weird line deliveries in this, but I assume that a lot of the takes were one and done. In truth, this movie isn’t about her talking — or screaming in a shrill blast of a voice as she decimates a room in anger — as it is about her kicking ass. I can report that she does absolutely fine with that.

You can watch this on Tubi.

WELL GO USA BLU RAY RELEASE: Kill Shot (2023)

Directed by Ari Novak (Cowboys vs. DinosaursPawParazziAssassin’s Vow), who co-wrote the script with Rib Hillis (Extreme Makeover: Home Edition; he also appears in this movie as Jackson Hardison), Kill Shot starts with a suitcase full of cash being stolen by Dina Diablo (Mara Ohara) and Maximus (Bobby Maximus) before the plane carrying it crashes in the Canadian wilderness. Oh yeah — Novak is also in this movie as Alpha ONE.

Kate (Rachel Cook) is just trying to scatter her dad’s ashes and shoot an elk with her hunting guide Jackson, a former Navy SEAL. They find the briefcase — and the $100 million inside — and become the target of Diablo, Maximus and their henchmen.

This was filmed as Hunted back in 2020. Shot in Montana, it has plenty of great locations. What’s really wild about it is for a movie shot today how much it objectifies its lead actress. Beyond scenes where she appears runway-ready despite being deluged in a river, she starts the credits topless with a gun and later runs through the woods in a torn-up flannel and black panties, which doesn’t really seem like the tactical gear one needs to battle a crew of deadly mercenaries. I was stunned a few times, thinking that this had to be a parody and no, not at all, they really filmed this.

Other than that, Kill Shot offers guns ablaze in Big Sky country. I always worry that the action movie industry has gone away — and by that, I mean the direct-to-video one of my teenage years. As long as movies like Kill Shot keep getting made, I know that the guns and fist stories of my youth live on.

You can get KIll Shot from Well Go USA.

TUBI ORIGINAL: The Siege (2023)

After being compromised during a mission gone wrong, an international assassin named Walker (Daniel Stisen) is sent to Reassignment Center 42. There, he’ll get a new identity and be able to erase any trace of his last job and even his past.

However, a ruthless team of operatives led by Keates (Samantha Schnitzler) storms the secure compound forcing Walker to team up with an elite hitwoman named Elda (Lauren Okadigbo) and her mysterious charge Juliet (Yennis Cheung).

Who will survive The Siege?

Directed by Brad Watson and written by Nicole Bartlett, this is a movie mostly cast with stunt performers, which means that it’s all action from literally the first few minutes. You’re not coming to a movie like this for emotional resonance. You want to see people fire guns, do ill-advised stunts and beat the stuffing out of one another. I’m happy to report that this movie delivers more of that than you’ll find in probably ten other movies.

If video stores still existed on the scale of the past, this is the kind of movie that people would rent and be really surprised how much they liked it. They’d say, “I watched this movie with this super muscular dude getting in all these fights, two women had a brutal brawl and man, some dude used pliers to take the teeth from all the people he killed. It was pretty awesome.”

It is pretty awesome.

You can watch The Siege on Tubi.

WELL GO USA BLU RAY RELEASE: Sakra (2023)

Based on the wuxia book Demi-Gods and Semi-Devils by Jin Yong, Sakra has action icon Donnie Yen returning to the director’s chair along with Kam Ka-wai and Cheng Wai-man for the first time in nearly two decades while also playing the lead role. Yen is Qiao Feng, the respected leader of a roving band of martial artists called the Beggars’ Sect. After he is framed for the murder of deputy chief Ma Dayuan, his parents and Xuanku, one of the sect’s elders, he is exiled, Qiao Feng decides to seek out where he came from and who the enemies are that have been trying to destroy him.

He escapes along with a servant named Azhu who is nearly killed. Qiao Feng takes her to be healed by doctor Xue Muhua and offers his life to save hers. He jumps into battle against his old sect and is nearly killed before someone destroys all of his attackers.

This leads to Qiao Feng learning who he is, his connection to Azhu, the quest to find the Leading Big Brother and so many more adventures. I liked how Qiao Feng is a man of honor, one willing to drink tea with his enemies before they battle and a man always seeking answers.

You can get this from Well Go USA.

TUBI ORIGINAL: Hostile Forces (2023)

Mickey (George Bashra, who also directed and wrote this film) and his wife Sophie (Maya Stange) have taken their kids Janelle (Ria Maric) and Jake (Finnian James) on a nice quiet holiday break. The kind that has no phone service or internet, the kind that kids hate. Of course, Mickey is an old soldier and when the family finds some mysterious packages, he must save his wife and kids from an army of trained killers.

This Australian action film has made its way to America on Tubi and if you can get past some of the thicker accents, you’ll find an enjoyable film. I mean, how often do you try and fix a big screen TV and find the kind of contraband that someone sends an entire army of mercenaries to retrieve?

“What are you going to do?” asks Sophie.

“What I’m trained to do,” answers Mickey.

These are the kind of guys who threaten a man’s entire family, as you expect for 80s action movie villains, and you know that Mickey’s one weakness is his love for them. You know they’ll be in danger but you also trust that he has a rage inside him that he was keeping inside for years.

Of course, these guys fought Mickey in Afghanistan and killed his brother Noah. Now they want revenge, people who once used to be his friends and now have become men who fight war to make money. Mickey trained most of them and now he has to kill them all.

The film also has a flashback to Afghanistan and shows what happened: Mickey wouldn’t allow them to kill civilians. I’m shocked there aren’t scenes of these guys pie facing children and kicking grandmothers to make them even more sinister.

That said, the fights are pretty great and I liked how each of the henchmen — and woman — have their own personality, kind of like Dreadnoks from G.I. Joe. I mean, they’re Australian, too. Despite all these odds, you never really count Mickey and his family out. That said, isn’t that what these movies are all about?

You can watch this on Tubi.