2024 Scarecrow Psychotronic Challenge Day 25: G.I. Joe: The Rise of Cobra (2009)

25. ICONOCLADS: Features a character that you have dressed up as for Halloween.

It’s been 15 years and I am still angry about this movie.

Beyond my obsession with film, I am a lifelong G.I. Joe collector. Yes, the first night my later wife stayed at my house, she had to walk through a hallway of HISS tanks and I was unashamed to show her my collection of Cobra troops.

To answer the challenge for this film, yes, I have dressed as Cobra Commander.

There are two worlds of G.I. Joe. There’s the cartoon series, which nearly everyone knows, in which lasers never kill anyone. And then there’s the Marvel comic, written by Larry Hama, in which death is a very real fact that these soldiers face every day. It’s also how my brother learned how to read, as he has dyslexia and my mother would read the comic with him almost every night.

G.I. Joe is more important than just a toy line or a room in my basement where I have an aircraft carrier. It was a big deal to me that my pacifist parents allowed me to have military toys, but once there were ninjas and my mother realized the subversive nature of the file cards and comics that Hama wrote, I went all in on this toyline. It was a way of me meeting people from places I’d never seen and embracing a team that had all races, creeds and genders. Before diversity was a buzzword, G.I. Joe had already done it.

For years, a movie had been discussed. Sure, there’s the animated film in which Cobra Commander becomes a snake — “Once a man!” — but a live action movie. Directed by Stephen Sommers from a screenplay by Stuart Beattie, David Elliot and Paul Lovett, the 2009 movie would explain how Duke (Channing Tatum) became part of the Joe team and how Military Armaments Research Syndicate would give way to Cobra.

Immediately, as a total geek, I didn’t like this. MARS is Destro’s company and in the classic continuity, he sells weapons to both sides. That’s why his family wears the silver masks, as it symbolizes the fact that one of the earliest members of the McCullen family was caught selling weapons to both sides of the Wars of the Three Kingdoms by Cromwell’s men. That’s way cooler than the cartoon, which in the episode “Skeletons in the Closet,” the legend is told that one of Destro’s ancestors was accused of witchcraft and forced to wear a silver mask. Ever since, the family has defiantly worn similar masks.

I was trying to keep an open mind, though.

Duke — Conrad Hauser — and Ripcord (Marlon Wayans) — Wallace Weems — are guarding four nanotech enabled warheads sold by MARS and Destro (Christopher Eccleston) when they’re attacked by Anastascia “The Baroness” DeCobray  (Sienna Miller).

A sidebar: As a yinzer, I am duty ordered to remind you fuck Sienna Miller for saying, “Can you believe this is my life? Will you pity me when you’re back in your funky New York apartment and I’m still in Pittsburgh? I need to get more glamorous films and stop with my indie year,” and calling the Steel City Shitsburgh in a Rolling Stone interview. And now she’s playing the reason why I have always dated women with glasses?

They meet General Clayton “Hawk” Abernathy (Dennis Quaid), Shana “Scarlett” M. O’Hara (Rachel Nichols), Abel “Breaker” Shaz (Saïd Taghmaoui), Snake Eyes (Ray Park) and Hershel “Heavy Duty” Dalton (Adewale Akinnuoye-Agbaje) and go to The Pit, the Joe’s center of operations.

This is all well and good until the movie decides to give the Joes cyborg suits that let them run faster and jump high. It’s like they’re making a movie from a whole different property. And then, despite a Storm Shadow (Lee Byung-hun) and Zartan (Arnold Vosloo) that aren’t all that bad, we learn that Cobra Commander is Rexford G. Lewis, also known as The Doctor, also the Baroness’ brother, also Joseph Gordon-Levitt. Also: Duke and the Baroness almost got married a long time ago when she was just Ana Lewis.

Instead of the comic hood that the creators of this movie found too reminiscent of the Ku Klux Klan, Cobra Commander would have prosthetic makeup under a mask.

I knew all of this going in, but I could not be prepared for what I received.

And look, I know this should be a kid’s movie, but you know how people flip out over religious-themed movies that get it wrong? This is that for me.

At least it wasn’t the early script that had Scarlet married to Action Man and no Cobra. Or the idea that they were based in Brussels and the name meant Global Integrated Joint Operating Entity.

If you think I hated this, the cast disliked it even more. Eccleston stated, “Working on something like G.I. Joe was horrendous. I just wanted to cut my throat every day.” Tatum only made the movie to fulfill a contract. And Miller said, “The whole thing was a bit of a disaster from start to finish.”

When the sequel, G.I. Joe: Retaliation, was released, Duke died in the first few minutes. I saw that in a room full of wild Joe fans and nervous Hasbro execs and man, you’ve never seen a group of people run from an audience instead of doing a Q and A after a movie.

And yes, that is Brendan Fraser as Sgt. Stone, not the G.I. Joe Extreme or Sigma Six character, but a descendant of Rick O’Connell, the hero from The Mummy that was played by Fraser.

This movie reminds me of the pre-MCU comic movies, where executives and filmmakers did whatever they wanted instead of using the source material in the comics. At least Hama got a paycheck as a story consultant.

Both of those movies and the delay to add 3D for the second, led to multiple years of no G.I. Joe product on the shelves. I always said about these movies, “At least I get new toys.” These were so bad that I didn’t get anything new for five years.

At least this wasn’t G.I. Joe Origins: Snake Eyes.

I HOPE YOU SUFFER OCTOBER FILM CHALLENGE: Amityville Frankenstein (2023)

EDITOR’S NOTE: The I Hope You Suffer podcast said that “Since everybody is doing these movie challenges now, we made the only one worth doing.” Bring the pain.

This is based on the game Fiendish Thieves, which is described as Home Alone meets Frankenstein. They say it’s “filled with lots of laughs and slapstick humor. You choose the actions of the bungling burglars who search an abandoned warehouse for a rare vintage pocket watch, and the obsessed film fan munching on snacks watching the events unfold.”

From what I can see from this video that was posted on Steam, the game is pretty much the same as the movie.

It’s directed and written by Nick Box, who also has Amityville Tea BagAmityville Elevator and Amityville Job Interview coming out next year. I don’t know how much longer I can keep up this pact with a demon to watch every Amityville movie, because this one is as painful as they get. It may also be the tenth Amityville movie where Shawn C. Phillips sits on a couch in front of his DVD collection and just yells about nothing while watching a Frankenstein movie that mainly consists of the monster getting shocked for what seems like five minutes non-stop to the point that I thought that my internet was screwed up.

Until I can escape this curse, check out my list of Amityville movies and Letterboxd list.

You can watch this on Tubi.

CHILLER THEATER MONTH: The Spider (1931)

EDITOR’S NOTE: The Spider was on Chiller Theater on Saturday, October 3, 1964 at 1:00 a.m.

Chatrand the Great (Edmund Loew) asks his fans on a radio show — how do you do magic on a radio show? — that he is looking for the true identity of his assistant Alexander (Howard Phillips), who lost his memory two years ago after an accident. Beverly Lane (Lois Moran) believes that he’s her brother and answers this question. But then there’s a murder — of Alexander’s abusive uncle John Carrington (Earl Foxe) — during their act and Chatrand has to get him out of trouble.

The sets and the magic are pretty great, as they were created by William Cameron Menzies, who co-directed with Kenneth MacKenna. This has mesmerism, mind reading and a seance and hey — it’s only 59 minutes. If it all feels like it’s happening in real time, this was based on a stage play.

It was remade in 1945 as a very different movie yet still based on the same play.

You can watch this on YouTube.

B&S About Movies podcast episode 53: Striking Distance

If you live in Pittsburgh, this is going to be the best episode ever. If you don’t, you won’t even know this movie. Get ready for Bruce Willis, cops and murder. This is Striking Distance.

Want to know more? Check out my interview with director and writer Rowdy Harrington.

You can listen to the show on Spotify.

The show is also available on Apple Podcasts, I Heart Radio, Amazon Podcasts and Google Podcasts.

Tales from the Crypt S5 E4: Food for Thought (1993)

Directed by Rodman Flender (The UnbornIdle Hands) and written by Larry Wilson, who wrote five episodes of this show, “Food for Thought” has that most basic of all EC Comics sins, jealousy. Zambini (Ernie Hudson), a carnival psychic, thinks that his wife and assistant Connie (Joan Chen) is sleeping with the fire eater, Johnny (John Laughlin).

“Hmm, frankly your hacks-rays look terrible. You’ve got to pay closer attention to your oral die-giene or you’ll end up looking like me. I want you to brush after every meal, floss and gargoyle twice a day. Hmm, yes, looks like I’ll have to drill. This won’t hurt me a bit! In the meantime, to take your mind off the pain, I’ve got a little dose of fright-rous oxide for you. It’s about a sideshow mind-reader who’s lost his head over a pretty girl. I call it “Food for Thought.””

After abusing his wife and keeping her with his mental powers before killing Johnny before he can steal her away. Johnny’s best friend, the ape Nabunga, reaches into the mind of the psychic and makes him think that it’s Connie coming back to him. Oh, how wrong he is.

This episode also has Doug Jones as a contortionist, Debbie Lee Carrington as a circus member, Kathryn and Margaret Howell as twins and Phil Fondacaro as Emmet, the ring master.

There are three “Food for Thought” stories in EC Comics. One is in Incredible Science-Fiction #32, written by Jack Oleck and drawn by Al Williamson. The other is in Crime SuspenStories #24 and is written by Al Feldstein and William Gaines and drawn by Jack Orlando. It’s about a mine robbery and collapse. The story that inspired this one was in Tales from the Crypt #40 and was written by Feldstein and Gaines and also drawn by Davis. The end of this story is even more gruesome, as the wife loses her lion tamer lover and when her psychic husband is paralyzed, she has him buried alive and then he’s consumed by a ghoul who robs his grave!

CHILLER THEATER MONTH: Cyborg 2087 (1966)

EDITOR’S NOTE: Cyborg 2087 was on Chiller Theater on Saturday, March 1, 1975 at 11:30 p.m., Saturday, October 18, 1975 at 1:00 a.m. and Saturday, January 14, 1978 at 11:30 p.m.

2087: Free thought is illegal. The population is docile. Only a secret group of free thinkers exist and they are able to send Garth A7 (Michael Rennie) back in time to either stop Professor Sigmund Marx (Eduard Franz) from showing his new invention to the government or, if that fails, to murder him. Yes, what Marx makes today will create the mind control of the future. As Garth A7 escapes back in time, he is followed by two other cyborgs called Tracers (Dale Van Sickel and Troy Melton).

To succeed in his mission, he takes over the mind of Marx’s assistant Dr. Sharon Mason (Karen Steele), using her to find Dr. Zeller (Warren Stevens), who removes the tracking device that allows the Tracers to find him.

A member of the Marines in World War II, director Franklin Aderon got into Hollywood as a technical advisor on the serial The Fighting Marines. He wrote screenplays and produced at Republic Pictures before directing his own movies, including Canadian Mounties vs. Atomic Invaders and Dimension 5. He also directed several Western TV shows.

This was written by Arthur C. Pierce, who went from being in the Navy during the war to shooting industrial films and creating special effects. He eventually became a writer, making Beyond the Time Barrier and The Cosmic Man. He also directed The Astral FactorThe Navy vs. the Night MonstersWomen of the Prehistoric PlanetLas Vegas HillbilliesMutiny In Outer Space and The Human Duplicators.

For as similar as some of Pierce’s stories are to other films — Beyond the Time Barrier cashed in on The Time Machine and The Cosmic Man is like The Day the Earth Stood Still — this film predates Terminator 2 with the idea of a machine coming back in time to murder the inventor that led to its creation.

Speaking of The Day the Earth Stood Still, this film has its star, Michael Rennie, who is playing a very similar role to Klaatu. He would do the same in a three episode story in the TV series The Invaders, in which he played one of the alien leaders, Alquist.

The strangest part of this is that Dr. Mason falls in love with Garth A7, even when he tells her that he had to get her to do things against her will. It doesn’t matter, as she has found something much like love with him. She asks him to bring her back to his future and he tells her that when he goes back, if he was successful, he will no longer exist. He is willing to cease being to make tomorrow free; she forgets him as he walks back into time and by the end, is making a date with another man instead of looking at this cyborg with a blinking metal chest as a project to fix, a blank slate to project her love upon.

You can watch this on YouTube.

GET NUTS ON THE DIA DOUBLE FEATURE!

It’s our first double feature in some time as Bill and I go online at 8 PM EDT on the Groovy Doom Facebook or YouTube channels.

Want to see a list of all the movies we’ve shown? Here it is. There’s also a list of all the mixed drinks we’ve made for each film.

Up first, regional freakout Help Me I’m Possessed! You can watch it on YouTube.

Every week, we watch movies, discuss their ad campaigns, talk with our incredible chat room and have a drink for each movie. Here’s the first cocktail.

Spaghetti Monster (based on the drink from Strawbs Bar in Leeds, England)

  • 1 oz. vodka
  • 1 oz. gin
  • 1 oz. rum
  • 1 oz. tequila
  • 4 oz. orange juice
  • .5 oz. grenadine
  1. Shake up everything with ice in a cocktail shaker other than the grenadine.
  2. Pour in a glass and top with grenadine.

The second movie is the Italian bondage masterpiece Bloody Pit of Horror which is on Tubi.

Here’s the second drink.

Crimson Executioner (based on the Medieval Times drink)

  • 1.5 oz. whiskey
  • 1.5 oz. amaretto
  • 6 oz. cranberry juice
  1. Pour all the alcohol over ice.
  2. Top with cranberry juice and stir while screaming “The Crimson Executioner invented the torture of icy water for creatures like you!”

See you on Saturday.

2024 Scarecrow Psychotronic Challenge Day 24: Rat Pfink a Boo Boo (1966)

24. SHLOCK & AWE: Can you believe how “good” this is?

The Incredibly Strange Film Show aired on Discovery in the 1990s and it was such a part of my early psychotronic obsession. In just two seasons, I learned who Ray Dennis Steckler, Ted V. Mikels and Doris Wishman were and got so much more info on the movies of El Santo, Russ Meyer, John Waters, Ed Wood, Herschell Gordon Lewis and more.

Ray Dennis Steckler was a filmmaker who I’m fascinated by. Who else could make The Incredibly Strange Creatures Who Stopped Living and Became Mixed-Up Zombies and have László Kovács and Vilmos Zsigmond operating the cameras? Who else could be Cash Flagg, Harry Nixon, Sven Christian, Henri-Pierre Duval, Pierre Duvall, Michael J. Rogers, Michel J. Rogers, Wolfgang Schmidt, Sven Hellstrom, Ricardo Malatoté, Cindy Lou Steckler and Cindy Lou Sutters? And who could direct films like Wild Guitar and Sinthia: The Devil’s Doll, not to mention the music video for “White Rabbit?”

This starts as a very real and horrifying story of The Chain Gang killing people and abducting Cee Bee Beaumont (Carolyn Brandt), the girlfriend of rock star Lonnie Lord (Ron Haydock using the name Vin Saxon) after terrorizing her with phone calls. That’s because this was originally a crime drama called Depraved that was inspired by real-life crank calls Brandt kept getting.

And 40 minutes in, Lord walks into a closet and walks out as Rat Pfink as his friend Titus Twimbly (Titus Moede) becomes Boo Boo. They chase The Chain Gang on their Ratcycle as suddenly, this has become a Batman parody. This is followed by a big bad monkey named Kogar (Bob Burns, always the man who has the costume) knocking out our hero and taking Cee Bee, but he’s soon coming back to her rescue.

You may ask, at this point, why is the title so off? The legend: Rat Pfink and Boo Boo was the intended title, but when they made the titles, and became a and Steckler couldn’t afford $50 to fix it. The truth: Steckler said, “The real story is that my little girl, when we were shooting this one fight scene, kept chanting, “Rat pfink a boo boo, rat pfink a boo boo…” And that sounded great! But when I tell people the real story, they don’t wanna hear it, so you better print the legend.”

You have to love a man who crashes a Christmas parade for his rapey crime movie that somehow becomes a superhero movie by the end, complete with songs. Any time you need a song, get Lonnie Lord, because “He always carries his guitar with him in case he is called on to sing!”

The thing is, I can show some strange movies to guests, but how do you even start showing Steckler’s films? There’s so much backstory and I really don’t want folks coming over saying, “This is stupid,” because I’m very defensive of the art. I mean, the fact that this movie even exists makes me hopeful for the human race.

You can watch this on Tubi.

UNSUNG HORRORS HORROR GIVES BACK 2024: Voyage to the End of the Universe (1963)

Each October, the Unsung Horrors podcast does a month of themed movies. This year they will once again be setting up a fundraiser to benefit Best Friends, which is working to save the lives of cats and dogs all across America, giving pets second chances and happy homes.

Today’s theme: Black & White

What were American audiences thinking when they got this Czechoslovakian movie dubbed into English, once Ikarie XB-1 and now Voyage to the End of the Universe?

I hoped they loved it.

2163: The 40-person multinational crew of the starship Ikarie XB-1 has spent 28 months at light speed — 15 years of human time — to get to the Green Planet, a mysterious body that humans may be able to live on. To get there, they have to deal with an ancient ship packed with nukes, a radioactive dark star and the crew slowly falling to pieces. Like Dark Star. Or even 2001.

American-International cut twenty-six minutes of this (including a scene where a UFO carries dead capitalists), changed the White Planet to the Green Planet and gave it the new name. But the worst change is that at the end of the original, the crew sees that the planet is populated. In this one, they land and see stock footage of the Statue of Liberty, giving it a gimmick ending.

Director Jindřich Polák used the same props from this film for his next project, a 1963 TV series entitled Klaun Ferdinand a raketa. His career went between science fiction and children-friendly movies, along with some crime movies. He based this on the Stanisław Lem book The Magellanic Cloud and co-wrote it with Pavel Jurácek.

I really enjoyed this, as it seems to get across what it would be like to be a space traveler. The claustrophobia, the worry, the food not being digestible — it gets all the small parts that others forget about correct.

You can watch this on YouTube.

I HOPE YOU SUFFER OCTOBER FILM CHALLENGE: Amityville Ripper (2023)

EDITOR’S NOTE: The I Hope You Suffer podcast said that “Since everybody is doing these movie challenges now, we made the only one worth doing.” Bring the pain.

Amityville Ripper starts with a news segment of people hating Amityville movies, the original house being burned down, an auction of items that were in the house, multiple UFO abductions, the Spider podcast, a commercial for Alien Mingle and another for Steve Martin’s (not that one) Video Store. At some point, I was wondering if this was using Pond 5 footage like every other Amityville movie and just trying to pad a runtime with all of this footage, but then as the movie went on, surprise, this actually gets why I watch these movies.

Not just because a demon cursed me to watch all of them and would ruin our web traffic if I stopped.

This takes place in 2000 — the Y2K bug is a thing — and Marianne (Kelsey Ann Baker) and her brother — or step-brother — Nichols (Hunter Redfern) wake up to their parents going away on vacation for New Year’s Eve. Marianne — known as M — had something big planned with her best friend Annie (Angel Nichole Bradford). And no, not lesbian stuff, as her brother and his wheelchair bound friend Chapman (Ryan Martel). Instead, she has had the knife of Jack the Ripper sent to her from that auction. And her friend Tony, who is now in Hollywood, said it’s real because “he lived that Ripper lifestyle.”

What is a Ripper lifestyle?

Also, Marianne has dreams of slow jams playing over stock footage of a jet ski, which makes her even more endearing to me and not just because she’s a goth girl with shaved sides of her hair and looks a lot like Rainbow Harvest. She also mentions that she really wanted the clock from the house, but an architect — Jacob Sterling, right? — got it first.

While everyone — including way too nice cheerleader Liz (Anna Clary) — is partying and playing Sugar Ray, Marianne and Annie go up to her room and have a seance with a Ouija board, some tarot cards, Jack the Ripper’s knife and plenty of candles. Also: If M is so goth, why is she wearing an N’Sync shirt when the rest of her room is full of Universal Monsters pillows, a black metal poster and a Killer Klowns poster? At least her closest is all full of black shirts.

Director and writer Bobby Canipe Jr. has obliterated the fourth wall in this movie, as the characters even find the script, not that it keeps all of them alive. Just look at the dialogue:

Annie: Everything that happened in the Amityville house was true. And can you just imagine if this knife of Jack the Ripper’s became imbued with the power of the Amityville house? It’d be like we had some sort of Amityville ripper on our hands.

Marianne: True, but I think that’s kind of the point. I’m pretty sure that the name of this movie is Amityville Ripper.

Then The Ripper (Josh Allman) comes to life, wearing a Dracula costume, and also aliens.

There’s a line that sums up this entire movie, as well as all Amityville sequels.

“Brother, it’s an Amityville sequel. Shit’s different here.”

Not all the humor hits perfectly, but who cares? This is way better than nearly any other Amityville sequel, which isn’t saying much, but it does try. Which is, again, way more than almost every other sequel not made in Canada or by an Italian director.

You can watch this on Tubi.