Mine’s Bigger Than Yours : The 100 Wackiest Action Movies By Christopher Lombardo and Jeff Kirschner

A celebration of the wildest and weirdest that action cinema has to offer, the hosts of the Really Awful Movies podcast take you on a fun-filled pilgrimage through the nuttiest movies in the genre.

There are a hundred movies in this book and I love that the creators didn’t just go for the expected but got some of my favorite action films in here. If you love Cannon or Italian action, you’ll love this.

Here’s a list of what’s in here:

There’s also an introduction by Brian Trenchard-Smith. How can you go wrong? I had a lot of fun with this book and I bet you will too.

You can get this book now from Schiffer Publishing.

The Art of the Classic Western Movie Poster by Ed Hulse

The Art of the Classic Western Movie Poster presents poster art created for several hundred classic Westerns produced from 1903 to 1978. More than 800 images — many reproduced as full page — make this the most comprehensive book of Western movie poster art ever published — or so the press release says.

The book attempts to explain America’s fascination with the Wild West from dime novels and pulp-fiction magazines to radio and finally movies. Each chapter devotes a special feature to a specific Western star, writer, director, stuntman or leading lady. The book also has firsthand interviews conducted from as far back as the mid-1970s.

Obviously, if you read this site, you know how great a book like this will be for your collection or to display. I can’t wait to get it and look through these full page posters.

This hardcover book will be available from Schiffer Publishing in March of next year. You can get more information and preorder here.

These Fists Break Bricks review

“When Five Fingers of Death opened in a Times Square movie theater on March 21, 1973, only a handful of Americans knew the difference between an Iron Fist and an Eagle’s Claw. Within weeks, that had changed forever.”

These Fists Break Bricks is more than just an exploration of how kung fu movies infiltrated America. It breaks down — pardon the pun — how martial arts themselves first came to the U.S. as far back as a man named Professor Yamashita being hired by President Teddy Roosevelt to be the White House’s judo instructor. It takes you from the days when Asians were often portrayed as either fools, sinister villains or just Americans in yellowface. And then explains how martial arts films — often about the slums of China and Hing Kong — found their way to the modern grindhouses in America’s inner cities, reaching not just the expected audience, but finding a home in the hearts of African-Americans and Latino audiences.

From the astoundingly insightful intro by the RZA — who paints a picture of being in the audience of NYC karate grindhouses, saying “Inside that theater, away from the noise, cold, and business of outside, I found myself in an audience of like-minded fans allowing ourselves to be transported from the slums of NYC to the hillsides of China and Japan; from the modern-day cityscape to the feudal towns and temples of the martial world.” — to the hit every corner of the martial arts trend nature of this book — comic books, TV, the VHS boom, martial arts schools, the clones of Bruce Lee and so much more — These Fists Break Bricks is essential whether you’re a student of the Shaolin or have a blindspot for these movies.

New York Times bestselling author, Grady Hendrix is celebrated around these parts for his book Paperbacks from Hell, a history of the horror paperback boom of the Seventies and Eighties and now, with film historian Chris Poggiali (Temple of Schlock), they’ve made a book that effortlessly solves the challenge of explaining not only the how and what of kung fu cinema, but the why.

Beyond the insightful writing, this book is packed with gorgeous poster and ad art that will delight and inspire anyone who loves — or wants to get into — these movies. As for myself, I have an entire new list of films to seek out. And that’s the highest compliment that I can pay to a book about movies.

You can learn more about the book at the official site or order it from Mondo.

Warped & Faded: Weird Wednesday and the Birth of the American Genre Film Archive (2021)

We live in an amazing time to be a fan of psychotronic cinema.

Sure, physical media is fighting a constant battle to remain available, but we also are here for an era when any movie, no matter how difficult to find or how cult, is available nearly with the push of a button. For those of us who grew up in the days of grindhouses, drive-ins, UHF monster hosts, cable and/or video stores, the abiity to suddenly watch any more is both astounding and overwhelming.

Yet it wasn’t always this way.

Author Lars Nilsen, a longtime Alamo Drafthouse film programmer and now at Austin Film Society, and editor Kier-La Janisse, genre scholar, author (House of Psychotic Women), programmer and documentary filmmaker (Woodlands Dark and Days Bewitched: A History of Folk Horror), have worked to create a tome that lays down the Weird Wednesdays of the Alamo Drafthouse, the place where many films were uncovered, rediscovered and celebrated.

Weird Wednesdays began at the first Alamo Draft House in Austin, Texas as a series of free screenings of exploitation and horror movies that had been consigned to the scrap heap. The thanks or the blame goes to Tim League, who suddenly found a series of film prints on his hands that no one wanted. So why not share this treasure and allow others to see it for free?

These films form the main body of the American Genre Film Archive (AGFA), who has preserved, restored and distributed hundreds of films that might otherwise have been lost for all time.

Warped & Faded features contributions from Weird Wednesday Hall-of-Famer Gary Kent and genre champions Tim Lucas, Stephen Thrower, Pete Tombs, Maitland McDonagh, Kat Ellinger, Chris Poggiali, Robin Bougie, Mike Malloy, Bryan Connolly, Heidi Honeycutt, Rodney Perkins, Zack Carlson, Kier-La Janisse and more. They share either the heritage of this series of films or provide details on them. There’s also a Hall of Fame series, which includes Gary Kent writing about Al Adamson, Stephen Thrower on Andy Milligan, Robin Bougie on Arthur Marks, Kier-La Janisse writing about Claudia Jennings, Pete Tombs on Eddie Robero, Lars Nelson on Gary Kent, Bryan Connolloy on George “Buck” Flower, Mike Malloy about Henry Silva, Rodney Perkins on James Fanaka, Stephen Thrower on Jess Franco, Lars Nielsen on Joe Sarno, Tim Lucas on John Carradine, Zack Carlson on John Saxon, Maitland McDonagh on Laura Gemser, Chris Poggiali on Lee Frost and Wes Bishop, Kat Ellinger on Matt Cimber, Tim Lucas writing on Mimsy Farmer, Heidi Honeycutt on Stephanie Rothman and Zack Carlson on Susan Tyrrell and Vic Diaz.

Filled with astounding poster art and bite-sized barker copy for each film, this is a movie that will either remind you why you love these movies or spur you on to discovering some new ones. Either way, it’s a gorgeously designed book — Luke Insect did great design work — and has inspired me to seek out some new films for my own personal film festival.

Even if you just page through this and stare at the posters, you’re more than getting your money’s worth. If you dig in, you’ll find a wealth of information and at least one new movie to seek out.

For a list of the films covered in the book, check out our Letterboxd list.

You can buy Warped & Faded at the MONDO Shop.