Issue 33 of THE PHYSICAL MEDIA ADVOCATE has hit the digital stands, so all fans of film, TV, and physical media, GO GO GO and buy your copy today because #HOOPTOBER is upon us!
Currently available at Amazon and later this month at select retailers, the latest issue of your favorite magazine is jam packed like usual with original articles, reviews, interviews, and highlights of the exciting physical media coming out in September.
Thank you to Planet Mondo (@planet.mondo) for another incredible cover along with all our amazing contributors: Rachell Bellwoar (@ziggystarlog), Stan Giesea (@gieseastan), Chris Haskell (@personalhistoryoffilm), Christopher Higgins (@beardedfilmguy), Sam Panico (@sampanico), Jacob Bruhn (@bees_n_brain), Uncle Kadaver (@uncle_kadaver), Jeremy Long (@jeremylong), Joshua Macala, The Vegan Satanist (@thevegansatanist), Matt Long (@whats.theidea), John Vance (of @karma_records_warsaw), and Ryan Verrill (@thediscconnected and @antennareleasing).
Available worldwide: https://l.linklyhq.com/l/1utJN
Within the sacred pages of this magical tome, woven secretly amongst the jots and tittles of scribes both ancient and rarefied, resides the arcane knowledge of the dark alchemy of physical media preservation. In this 33rd installment of The Physical Media Advocate, creative director Stan Giesea takes you on a guided tour through principal photography of acclaimed master of horror Tobe Hooper’s pilot episode of 1990s television series of conspiracy and paranoia Nowhere Man; The Vegan Satanist returns with a heartfelt appreciation of director/producer Roger Corman’s chilling 1964 film adaptation of Edgar Allan Poe’s The Masque of the Red Death; Sam Panico goes for the jugular with his breathless overview of 1985 horror anthology Night Train to Terror; Rachel Bellwoar celebrates the 50th anniversary of director Michael Schultz’s seminal inner city comedy Car Wash; also featuring new contributions from our regular gang of reprobates, including Chris Haskell, Christopher Higgins, Jeremy Long, and more! Read well, but speak not the incantations aloud, lest the esoteric pleasures of physical media be unleashed upon an unsuspecting world and therefore immanentize the eschaton!
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