What does it take to get your film outright banned from Italy?

This is the film that shows you.

This movie was supposed to be released in 1973, but the production company went bankrupt. Then, in 1975, it was banned by the Italian board of film review. Finally, in 1979, director and writer Renato Polselli re-cut and re-dubbed the movie to transform it into an allegory of female oppression and it was approved.

Then he decided to go for it and made an extended version with hardcore inserts that was released in adult movie theaters. That version was seized by the authorities for a few months.

A group of sinners has destroyed Mirielle (Mirella Rossi) and made her hate her body. Now, one by one, a lawyer calls them out and makes them confess their sins. I mean, yes, technically, that’s what they say this movie is about, but somehow it also has the Garden of Eden. Satanic rituals — more than one! — and just about every single form of perversion that has ever been imagined from bestiality with a donkey to nature-based masturbation with a corncob and a tree branch, as well as a candle being used, orgies, toes being inserted, whipping and just about anything else you can pull out of the filthy mind of Renato Polselli, who seems to

Obviously not available in a great quality — I can’t even imagine who would put out this movie — and it concerns the idea that in the Garden of Eden, men and women were equal but after the apple got eaten, well, men had to become masters and women the slaves and no one has been happy about it. Men treat women horribly, mothers in turn treat their sons even worse and sex — which should be a holy act — has turned into perversion.

Cue the Black Mass.

I’m obsessed with Polselli. Was he a learned man who was interested in pushing these ideas? Or was he like Joe D’Amato, someone who used sex to make money? He’s long gone — he died in 2006 — and the only interview with him I could find was on an old forum and posted by Jay Slater. It was written in 1997, nine years before he died, and in it, I learned that Polselli had a degree in philosophy and doesn’t think much of Dario Argento, saying “Argento doesn’t make real giallos. He takes five or six horrific elements and sticks them together with a very thin plot.”

This part of the interview speaks directly to this film:

“The director intended the film to be about obscenity and how it has asserted itself in the world, and through religious circles. He submitted the movie as Quando l’amore e’ oscenita’ (When Love is Obscenity) in 1973, but the Italian censors had finally had enough with the director’s films – the president of film classification remarked: “You have made a film way too tough.”

“Another way of interpreting the film is how it fights against the Italian system, and how obscenity was dealt with throughout history. I was very much against the contemporary ideas of Italian thinking, and how politicians were blinded by the church and its religious thinkers. The censors were shocked by my film, not because of its graphic imagery, but due to its political nature. Because of this, I had to re-edit and re-dub the entire film, and turned it into a feminist picture,” Polselli sighs. Six years later, he re-submitted Oscenita’ as a giallo, another illustration of ultra sexual violence against women. A three-minute presentation trailer can be found circulating between collectors of the genre, and Polselli hopes to release the original cut of Oscenita’ on video and DVD in the near future.”

New Fist of Fury is the first film Lo Wei directed — of many! — that starred Jackie Chan, who used the stage name Sing Lung which he is known in China as. It means “becoming a dragon.”

Chan had previously appeared in the original Fist of Fury as a stuntman. This movie was Lo’s attempt to market Jackie Chan as the new Bruce Lee. Chan became known for it, but didn’t become a true star until he began infusing comedy with his martial arts.

Theatrical 1976 edition: A brother and sister escape from Japanese-occupied Shanghai to Japanese-occupied Taiwan. There, they work with their kung fu teacher grandfather, who is dealing with a Japanese martial arts school that is attempting to dominate all of the other schools, even using murder to get their way. Chan plays a young thief who resists learning kung fu yet finally accepts them and becomes a master who fights the Japanese to support the rights of the Chinese people.

Rerelease 1980 version: Chan plays the same thief, but who is met earlier when he steals a pair of nunchaku from Da Yang Gate, a Japanese martial arts school. They offer him a job in their casino and when he refuses, they attack him. He’s saved by the students of the Jingwu school and is invited to their master Mao Li Uhr’s 80th birthday party. Those same Japanese martial artists attack the party, causing the master to have a heart attack and strengthening the resolve of the Jingwu to reestablish their school. Chan joins them and learns that he must defend the Chinese people.

Produced three years after Bruce Lee’s death — the movie opens with his lover Li-Er mourning the death of his character Chen Zhen — this was Chan’s first big break. Sure, he had played in uncredited roles, done stunts and smaller movies, but at one point he even moved to Australia and was working in construction. Luckily, he returned and worked hard to become the star that he is today.

This movie is fine, however, but it doesn’t establish who Jackie Chan really could be. He wasn’t the next Bruce Lee. He was the first Jackie Chan and would soon have his own copycat clones. After all, he even has a genre named after him, Jackiesploitation.

The Arrow Video blu ray release of New Fist of Fury has a new 2K restoration from the original negatives by Fortune Star for both the 120-minute theatrical cut and the 82-minute 1980 re-release. It also has commentary on the theatrical cut by martial arts cinema experts Frank Djeng and Michael Worth, co-directors of Enter the Clones of Bruce Lee and a commentary on the re-release cut by action cinema expert Brandon Bentley, who also contributed a video essay that compares this film to another sequel that came out at the same time, Fist of Fury Part II. There’s also a trailer gallery, including a Chen Zhen trailer reel of sequels and reboots; an image gallery; a double-sided fold-out poster and reversible sleeve featuring original and newly commissioned artwork by Tony Stella and an illustrated collector’s booklet featuring new writing by Jonathan Clements and an archival retrospective article by Brian Bankston. You can get it from MVD.

Small-time criminal Wah Dee (Andy Lau) is enlisted by his boss Trumpet (Tommy Wong) to be the getaway driver for a heist which, of course, goes completely wrong. Dee takes Jo Jo (Jacklyn Chien-Lien Wu) hostage but the bosses order her to be killed. Instead, they escape together and fall in love while being chased by the cops and the crooks.

Directed by Benny Chan and produced by Johnnie To and Ringo Lam, A Moment of Romance brings Hong Kong alive, both in its abandoned places and its neon-lit night, as two lovers from different worlds realize that perhaps they would be safer by leaving each other yet unable to do so.

This movie was so essential that Andy Lau got the nickname of his character from it, Wah Dee. It also has the kind of ending that you expect from the New Hollywood or the Hong Kong New Wave. It’s romantic at the very same time that it is heartbreaking.

A Moment of Romance II was released in 1993 featuring a new storyline. Benny Chan and Jacklyn Wu returned as director and lead actress respectively with Aaron Kwok as the male star A third and final installment, A Moment of Romance III, was released in 1996 with Johnnie To, producer of the first two films, directing and Lau and Wu being reunited.

Limited edition of 3000 copies, presented in full-height Scanavo packaging with removable OBI strip leaving packaging free of certificates and markings, the Radiance Films blu ray release has a 4K restoration of the film from the original camera negative, as well as an archival audio interview with Benny Chan; In Love and Danger: HK Cinema Through A Moment of Romance, a new visual essay by critic and Asian cinema expert David Desser; commentary by Asian cinema expert Frank Djeng; newly translated English subtitles by Dylan Cheung; a trailer; a reversible sleeve featuring original and newly commissioned artwork by Time Tomorrow and a limited edition booklet featuring new writing on the iconic cast and crew by critic Sean Gilman and a profile of Benny Chan by Tony Williams, co-editor of Hong Kong Neo Noir. You can get it from MVD.

Translating as Hot Delusion or Hot Frenzy, this film was also released as Delirium and has nothing to do with the 1987 giallo Delirium AKA Photos of Gioia. Instead, it stars one-time Mr. Universe and the former husband of Jayne Mansfield Mickey Hargitay as Dr. Herbert Lyutak, a man who is a psychological consultant to the police and the serial killer they’ve been chasing.

Just when he decides to let his wife Marcia (Rita Calderoni, who was in Nude for Satan and The Amazons) in on the secret, someone starts providing him with alibis and covering up for him, which is good, because Herbert can only perform in the bedroom when he’s beating his wife or murdering other women.

I mean, not good. Good for the story.

There’s also a dream sequence where Marcia and the maid engage in a sapphic encounter while Mickey remains in chains, flipping out and chewing chunks out of scenery that may nearly choke the entire cast. It’s awesome.

The American cut adds in a Vietnam subplot, where Herbert is now a PTSD-damaged ‘Nam vet and Calderoni the field nurse who fell in love with him. It also has two more murders, so there’s that.

Director Renato Polselli has the type of scuzzy credits that mark him as a talent to look into further, like The Vampire and the Ballerina, The Reincarnation of Isabel AKA Black Magic Rites (also starring Hargitay and Calderoni), Revelations of a Psychiatrist on the World of Sexual Perversion and Mania.

There’s a great interview with Polselli by Jay Slater in which he speaks about this film:

“Aristide Massaccesi, Italy’s leading hardcore director, copied much of Polselli’s film for his Buio Omega (1979) – well, it has been said that imitation is the sincerest form of flattery.

Knowing that several Asian markets preferred graphic material, Polselli shot two versions of Delirio caldo. The weaker print, destined for America was further heavily cut by 11 minutes of sex and torture. Also, Polselli re-wrote the narrative and ending so that the film was not as complex as his European edit. The uncut version (which can be found on video cassette in France) features a different conclusion, long scenes of narrative and of course, lots of naked female flesh and striking violence. The spicy ladies in this film are ravishing, no wonder the Italian title translates as Hot Delirium! The actresses (Tano Cimarosa, Krista Barrymore and Katia Cardinali) are stripped of their clothing by their murderer, beaten, masturbated, and finally killed. In one sequence, Hargitay beats his wife with an iron bar, bruising her back in the process, before buggering her with the blunt instrument, a spectacle cut from the American and Dutch videos. Perhaps the strongest scene is where a blonde woman is beaten and then drowned in a bath. Yet again, Polselli twists this sequence by making her beating more severe, followed by scenes of her sucking a truncheon and then having her twat spanked! Apart from the visual differences, the full version shows the woman enjoying her sexual frenzy, while in the American print, she is in fear of her life. “Yeah, that particular scene was one of the strongest in Delirio caldo,” Polselli explains. “I made six films with that particular actress who starred in the very heavy sex scenes. She once asked me to direct her in a hardcore film, but I never got round to making it.”

Even after extensive edits and alterations, the American distributors were unhappy with Delirio caldo. “I found out that I could fool them with the sex scenes by using different camera angles or editing different footage into the film. I thought my European cut was perfect for the Americans who bought the rights. However, they thought it was way too strong for their audience. Now, this is a funny story.” Suddenly, Polselli is bright-eyed and bushy-tailed. “I received a phone call from the American buyers who asked me if I could film a Vietnam sequence and edit it into their release. Yeah, like sure! So I bought 16mm war documentary footage and project it onto a wall in my cellar. I then dressed Hargitay as an American soldier and asked him to stand in front of the wall, except this time he was on location in a bogus Vietnam. Afterwards, I spliced in the new war film and the Americans were delighted.” In the uncut version of Delirio caldo, the eagle-eyed may witness a few shots of Italians trying to imitate English policemen. Apparently, Polselli intended to have the film set in England, but the Americans cut out all references to Blighty.”

Vinegar Syndrome has released this on blu ray, saying that Delirium has to be “considered its director’s crowning achievement and a high point of on-screen perversity in the annals of giallo history.” Along wth a commentary track from film historians Eugenio Ercolani and Troy Howarth, there’s an interview with Polselli, a portrait of his life by his daughter Vanessa, the American edit and more. Get it now from Vinegar Syndrome.

The Three Stooges have been had nearly a century of entertaining fans. Now, whether you’re a lifelong Stoogephile or just a casual knucklehead, you are sure to find something to love about this comprehensive tribute to America’s most beloved madcaps: Moe, Larry, Curly, Shemp, Joe and Curly Joe.

There’s over 8 hours of material on this set, including unreleased outtakes, color home movies, rare television appearances and commercials, theatrical trailers, unseen archival interview footage, forgotten audio recordings from live stooge appearances, family photo galleries and so much more.

It all starts with an HD version of the award-winning documentary program Stooges: The Men Behind the Mayhem, introduced by Curly Howard’s grandson Bradley Server. This film will take you through the history of the Stooges, starting with Ted Healy and His Stooges, consisting originally of Ted Healy and Moe Howard. Some time later, they were joined by Moe’s brother, Shemp Howard and then Larry Fine. They made Soup to Nuts before Shemp left, Curly came in and the three went away from Healy.

The biography doesn’t get too deep into Ted Healey’s mysterious death at the hands of future James Bond producer Albert “Cubby” Broccoli, his cousin Pat DiCicco and Wallace Beery at Cafe Trocadero, an incident that was covered up by MGM.

Regardless, it is quite rich in its history of the Three Stooges, their shorts and their career resurgence as Screen Gems sold the shorts to a new audience of kids watching TV.

This set also has two lost films, the movie Surprise, Suprise starring Moe, Larry and Curly and Everybody Likes Music, which starts Shemp.

It’s been decades since the Three Stooges released their last film and yet they remain popular. Their films have never left American television and while they will never be as celebrated as smarter comedy acts, they survived tragedy and changes in number that would have destroyed any other comedy team.

When my parents first married, my mom woke up one night very late and heard a very loud noise downstairs. My father wasn’t in bed. As she got closer to the TV room, she thought he was having some kind of attack. She had never heard him laugh so hard. He was watching a Three Stooges short. I lost my father last year and I always think so fondly of him whenever I watch one of their appearances, as if he were still here with me in some way.

You can get this set from MVD.

The Truth According to Satann (it was originally released as The Truth According to Satan and this is the censored revised title) is about how Roibert (Isarco Ravaioli) believes that his depression is the result of his constantly on-the-make ex-lover Diana (Rita Calderoni). He tries to shoot himself in a game of Russian Roulette and fails. He also lives when he tries to hang himself when she opens the door, then lays all the blame on her for everything.

This being a movie by Renato Polselli, of course Roibert has interrupted Diana in the midst of her romance/BDSM relationship with Yanita (Marie-Paule Bastin). But this is where Roibert turns the tables, as he strips her and just when you think he’s going to kill her, he stabs himself and makes sure to get her prints all over the knife and his blood all over her.

The movie shifts gears when it turns out that next door neighbor Totoletto (Sergio Ammirata) has seen the entire thing and decides to torture Diana with this knowledge, all while he remains obsessed over his diet of eating two eggs every hour on the hour, quacking like a duck and calling her cabbagehead.

Calderoni is a real trooper in this. Beyond the knife play already mentioned, she’s covered in blood and then showered while fully clothed, then has dogs eat raw meat off of her body. She also has numerous near-mental breakdowns while Polselli edits in scenes of warfare and the origins of how Roibert and Diana got together. He even has Totoletto try and turn Yanita from slave to master, but Diana has too strong of a personality for that.

If I tell you it all ends with red skies and dancing hippies, will it make any more sense?

According to a great interview that Jay Slater did with the director, “Because of the word gospel in the title, La verita’ secondo Satana was instantly accused of blasphemy and its distribution was very limited. Once considered a lost title, Polselli’s film was broadcast on the smallest Italian television networks during the early 80s. To bypass censorship and distribution hassles, Polselli shot three different versions and although the movie was released five times during the 70s, the director added new footage to each print, while deleted certain scenes. The hardest print of La Verita’ secondo Satana features a close-up of the female orgasm. To achieve this, Polselli filmed the actress’s face, body and pubic region in extreme detail as the female orgasm is less evident than the male. Polselli is proud to be one of the first hardcore directors to film such a steamy scene.”

Known as Death Vengeance in the UK, this Philadelphia-set crime thriller starts with a news story about the increase in violence since JFK’s assassination in 1963. With the increase in crime, Philadelphia is becoming unsafe. Proud Italian-American John D’Angelo (Tom Skeritt) runs a deli with his wife Lisa (Patti LuPone). One night, they see a pimp named Eldorado (Pete Richardson ) beating one of his girls. She yells at him to stop and he chases their car, ramming it, and causes the death of their unborn child. Not long after, John’s mother Vera (Gina DeAngelis) is attacked and the crooks take her wedding ring.

Enough is enough.

John and his best friend Vince Morelli (Michael Sarrazin) start The People’s Neighborhood Patrol (PNP), with their own uniforms of blue hats and vests that have a PNP logo on them, headquarters to take phone calls and even vehicles. With Vince’s help, the police allow the PNP to patrol the neighborhood. The problem is the PNP does whatever it wants, like going into a nuisance bar and attacking everyone in it.

John does what he wants even as his acts are seen as racial discrimination by a small portion of the African-American community like Ivanhoe Washington (Yaphet Kotto), the leader of a black vigilante group. He actually finds the two men who stole the wedding ring from John’s mother and gives them over to him. John only attacks the black one, which proves the point.

John runs for councilman in the upcoming election but Vince is killed by Eldorado. To get back at him, he organizes a full-scale attack on crime in a local park that even gets the cops involved. Eldorado gets away and John is arrested, but told where his enemy lives. The cops say they are “too busy” and ask him to take care of it; a favor will be asked for later. John has effectively sold out, but it feels good dropping a grenade on the pimp and getting rid of him forever.

John wins the election and celebrates inside his deli. The neighborhood is all cleaned up and kids are playing in the park. Is this a happy ending?

It’s based on Anthony Imperiale, who advocated armed white self-defense. During the 1967 Newark riots, he formed the North Ward First Aid Squad to escort Italian-Americans through racially troubled neighborhoods. When he was accused of being a vigilante, he said, “When the Black Panther comes, the white hunter will be waiting.” He had a long career in politics, then founded a volunteer ambulance company in Newark. He was praised by his former political rivals for his generosity, sense of humor and commitment to equal treatment. Of course, both his kids went to jail for shooting people after arguments, but there you go.

Fighting Back is a weird movie in that it feels like it’s so right wing yet I wonder if all the newsreel footage and in your face moments are supposed to swing you the other direction. Maybe it’s just an exploitation movie.

The Arrow Video blu ray of Fighting Back has a High Definition blu ray presentation, as well as interviews with director Lewis Teague and camera operator Daniele Nannuzzi, a trailer, a TV commercial, an image gallery, a double-sided fold-out poster and reversible sleeve featuring original and newly commissioned artwork by Luke Insect and an illustrated collector’s booklet featuring new writing on the film by critics Rob Skvarla and Walter Chaw, and a career-spanning interview with director Lewis Teague. You can get Fighting Back from MVD.