Chattanooga Film Festival: Nahrani (2021)

In Afghanistan, development aid worker Carina Nowak and a squadron of Bundeswehr — German army soldiers — walk into a trap set by the Taliban. Only she and young soldier Luca survive and they both have to fight to reach their own goals.

Nahrani is a short film produced by students of HFF Munich and the final project of director Simon Pfister. It was shot t in Andalusia with a crew of 35 people from Germany and Spain, with six of those days in a set built for the film Exodus and later reused for Game of Thrones.

It looks gorgeous and way better than you’d ever expect a student film to look whole presenting a story of different goals in the face of the chaos of war.

To learn more, visit the official site.

Streets of Rage (1993)

Richard Elfman made Forbidden Zone and Shrunken Heads and…a Mimi Lesseos street fighting movie? OK, sure. Elfman can’t hide when he uses a name like Aristide Sumatra to direct this.

This time, Mimi is Melody Sails, a former Special Forces operative turned hardboiled Los Angeles fact checker who wants to become a full reporter. To impress her editor Harrison (Tony Gibson), she starts working on a story about child prostitution and befriends two kids named Steven (Ita Gold) and Candy (Juli James), who end up staying at her house, all while three men try and woo her and one of them just might be the final boss!

I kind of like that Mimi made her own movies after being a wrestler, kind of becoming the female Ron Marchini. None of her films are good, but they’re all great if that makes sense. They come from a dimension like our own but slightly different enough to feel completely oddball at every turn. They also feel innocent and authentic, even when there’s a shower scene.

There’s also a crime lord named Lunar, which makes me realize that yes, this is a Richard Elfman movie.

You can watch this on Tubi.

Chattanooga Film Festival: The Rotting of Casey Culpepper (2022)

Daniel Slottje directed, wrote and co-stars — as the father — in this film about a young girl (Lilliana Ketchman) battling leukemia and being haunted by a sinister being she calls The Tumor Man (Kelsey Strauch).

You must decide if this monster is real or a metaphor for the pain that Casey, the little girl, is enduring. Slottje — who had a hormone-based disease in his childhood — is now developing the story into a feature film. I can’t wait to see it.

 

Chattanooga Film Festival: Underdogs (2021)

At the California Men’s Colony in Central California, dogs and their inmate handlers — who are preparing them to become fully operational service animals — share a special bond that helps both.

Director and writer Alex Astrella also made Trial By Fire, a documentary about inmate firefighters. As a dog owner, this movie spoke to me and shows how we are saved by animals instead of us saving them.

Chattanooga Film Festival: The Devil Will Run (2021)

A young boy named Shah (Bryce Thompson) is convinced that the Devil lives in a hole in his backyard. I mean, I’ve been there, trust me.

Directed by Noah Glenn, who co-wrote the short with Imakemadbeats, this is a film about the power of a seven-year-old child’s imagination. It’s pretty wonderful and imaginative even with its short runtime.

Chattanooga Film Festival: Darkside (2022)

Directed and written by Spencer Zimmerman, this film is about astronaut Sam Bowman (Blakely David) who accepts an interstellar mission to save the lives of a missing crew on a deep space voyage. After abandoning his life on Earth and his wife Sara (Siobhan Connors), a critical failure leaves him without a crew, without hope and plenty of guilt.

The question is, “Who saves you when you can’t save the people you were supposed to be saving?”

Created as part of the Motion Picture Arts Program at Capilano University, Darkside uses practical effects, physical sets and remote locations to achieve its unique look. Production of the film took over 720 days to complete — 16 shooting days over two years and 9 months of post.

You can learn more at the official site.

 

Chattanooga FIlm Festival: Shapes Variation III (2022)

An excerpt from Dr. Malcom J. Backer’s Hyperexpiology Companion [revision 2b]: “…the destructive system is self-replicating and self-propelling. Functioning like a clock. Systematically. Efficiently. Relentlessly. A mindless machine. It will never be enough. The clockmaker eventually loses control. We are dreaming of a new day when a new day isn’t coming.”

This film by Matt Eslinger is a stop-motion animated film of, well, shapes moving in and out of one another. It’s intriguing, but I have no idea what the story is, if there is one or what I am supposed to get out of this than beauty.

Chattanooga Film Festival: In the Balance (2015)

Austin Quarles and Ryan Gentle are filmmakers out of Chattanooga, TN that “met as random roommates in college and hated each other so much that they decided to open up a film company together. They’ve been arguing about it ever since.”

Their film — co-written with Chris Holmes — In the Balance is about how Dr. Marie Mitchell and his assistant Jonathan Meyers face a moral dilemma after achieving a medical breakthrough. It feels like the start of something bigger and I hope at some point they expand it to become a full feature.

 

Vigilante Diaries (2016)

Director Christopher Sesma has been cranking out direct to streaming action films. Co-writing this film with star Paul Sloan, the twosome got this story started as a web series and got seven episodes onto USA before it got canceled.

The Vigilante has been captured and a black ops team with Wolfman (Quinton “Rampage” Jackson) and Tex-Mex (Chavo Guerrero Jr.) as members has to rescue him. And then there’s a rescue of The Vigilante’s pregnant wife. And Jason Mewes is a filmmaker who got the world interested in The Vigilante. And then Armenian mobsters start shooting up the place. And then there are bombs all over the city. And then there’s the threat of Barrington (Michael Jai White) and Moreau (Michael Madsen). And hey — there’s Danny Trejo tending a bar straight out of Accident Man or Deadpool.

This movie feels like I got dropped into the fifth sequel and have no idea who anyone is but everyone else does. It also feels like a comic book adaptation for a book that has never been published and somehow we’re supposed to know who everyone is.

That said, I want to like this more than I did. I have a soft spot for it. Maybe you will too.

You can watch this on Tubi.