WEIRD WEDNESDAY: The Case of the Smiling Stiffs (1973)

“The First Sex-Rated Whodunit” combines softcore sexual content — appearing as if it were originally shot hardcore with scenes later edited out — with a murder mystery, and possibly even a vampire element. This film, directed by Sean S. Cunningham and Brud Talbot, is also known as Case of the Full Moon Murders. It features many of the same cast and crew from The Last House on the Left. There’s no Wes Craven or David Hess, and for some reason, the production moved to Miami.

The film raises intriguing questions: Is Emma (played by Sheila Stuart) a voyeur, a vampire, or perhaps both? Why are so many men, whom she engages with intimately, found drained of blood and lifeless, yet smiling? Will the Dragnet-style detectives, led by Joe (portrayed by Fred J. Lincoln), manage to solve the case?

The film was such a success in Australia that discussions about a sequel continued as late as 1977.

WEIRD WEDNESDAY: The Candy Snatchers (1973)

Possibly inspired by the kidnapping of Barbara Jane Mackle, The Candy Snatchers gets its name because Eddy (Vince Martorano), Jessie (Tiffany Bolling) and Alan (Brad Davis) have kidnapped a young girl named Candy (Susan Sennett) from her Catholic school. They keep her buried alive — with a pipe for air — in a field somewhere in California. Only the autistic Sean Newton (Christopher Trueblood) knows that she’s there, but he’s a little kid who can barely communicate, trapped with parents — Dudley (Jerry Butts) and Audrey (Bonnie Boland) — who seemingly hate him.

Candy will inherit $2 million from her late father when she turns 21. But if she dies before that, her stepfather, Avery (Ben Piazza), gets half, and his wife, Katherine (Dolores Dorn), receives the other. So he doesn’t even tell her that Candy is gone.

Even when presented with a severed ear — the criminals go to a morgue and cut one off a dead body — Avery doesn’t care. He’s already sleeping with an employee, Lisa (Phyllis Major), and doesn’t care that Alan seduces his wife. He cares even less when they kill her.

These horrible people are all determined to destroy one another. I won’t ruin the end of this, only to say that you will have to create your own conclusion to the story.

Bolling hated this, saying to TCM Underground, “I was doing cocaine…and I didn’t really know what I was doing, and I was very angry about the way that my career had gone in the industry…the opportunities that I had and had not been given…. The hardest thing for me, as I look back on it, was I had done a television series, The New People, and so I had a lot of young people who really respected me and… revered me as something of a hero, and then I came out with this stupid Candy Snatchers movie… It was a horrendous experience.”

Director Guerdon Trueblood — that’s his son playing Sean — and co-star Vince Martorano had been best friends at George Washington University in Virginia. They made a bet about who would get into filmmaking first. Trueblood became an in-demand writer for TV series and movies of the week. When he got the job of directing this movie, he asked writer Bryan Gindoff to create the character of Eddy specifically for Martorano, who was working as a commercial fisherman at the time.

WEIRD WEDNESDAY: Bummer (1973)

William Allen Castleman directed Johnny Firecloud and The Erotic Adventures of Zorro, as well as composed the music for The Swinging CheerleadersThe Adult Version of Jekyll & Hide, the 1974 The WrestlerThe Big Bird CageTrader HorneeThe Ecstasies of WomenThar She Blows!, Space ThingNude DjangoThe Lustful TurkThe Acid EatersSki on the Wild SideShe Freak, The Defilers, The Devil’s Mistress, Starlet!Trader Hornee, ‘Gator Bait and At the End of the Rainbow. He also produced 7 Into Snowy and Chorus Call, so he was busy.

Written by Alvin L. Fast, who also wrote Moonshine GirlsTomEaten AliveBlack ShampooSatan’s Cheerleaders and Angels’ BrigadeBummer is about a rock band called The Group who are, well, out getting groupies. Their bass player, Butts (Dennis Burkley), goes nutzoid and starts killing people. First, he throws two of the girls in a shower and slaps them while calling them pigs. But you know, he owns the touring van. The limit comes when he kills people, starting with a groupie and the lead singer Duke (Kipp Whitman) before the other band aids get their revenge.

One of those girls is Carol Speed from Abby! Other ladies include Connie Strickland (The Centerfold Girls), who plays Barbara, the girlfriend of drummer Gary (David Buchanan); Dolly, who is Diane Lee Hart from The Pom-Pom Girls and Morely, The Group’s manager, who is Leslie McRay (Cleopatra in Death Race 2000).

Shot by Gary Graver, which makes this way better than it should be. It also has one of the most misogynistic taglines ever: ““You don’t have to rape a groupie… You just have to ask!”

David F. Friedman, the other producer, and Bob Cresse show up as cops at the end. As Herman Traeger, Friedman produced Ilsa and he was behind much of the soft core — and some hardcore — exploitation that made up the best of the form. Cresse wrote and produced most of those and shows up in them, often as a love camp commandant or as Granny Good in House On Bare Mountain. Cresse had a reputation for being tough, often carrying guns and with two bodyguards on his payroll. His career ended when he was walking his dog and saw two men beating a woman on Hollywood Boulevard. He pulled out a gun and ordered the men to stop. One of them said he was a cop and shot Cresse before killing his dog. The hospital stay that followed — he had no health insurance — ruined him.

You can watch this on Tubi.

CBS LATE MOVIE: You’ll Never See Me Again (1973)

EDITOR’S NOTE: You’ll Never See Me Again was on the CBS Late Movie on January 21, 1976, August 22, 1978 and July 4, 1978.

Many films have been made based on the stories of Cornell Woolrich: The Leopard ManThe Mark of the Whistler, Night Has a Thousand Eyes, Phantom LadyRear WindowThe Bride Wore BlackSeven Blood-Stained OrchidsCloak and Dagger and I’m Dangerous Tonight are just a few. This is another, directed by Jeannot Szwarc (The Devil’s DaughterJaws 2BugSomewhere In Time) and written by William Wood (Haunts of the Very Rich) and Gerald Di Pego (Sharky’s Machine).

Ned (David Hartman) and Vickie Bliss (Jess Walton) are newlyweds who get into an argument. He shoves her, she leaves, yelling, “You’ll never see me again.” He expects her back that night. She never comes home.

The next day, he goes to see her parents, Will (Ralph Meeker) and Mary Alden (Jane Wyatt). Strangely, he’s never met them before. Yet they can’t answer any of his questions, whether it’s about where their daughter is or about her childhood. Are they even her folks?

The cops start to get the idea that maybe Ned killed his wife. After all, he’s constantly going into a rage. However, the truth is that he blames himself for Vickie leaving. He’s their top suspect, so he has to escape custody and try to find the truth, kind of like he’s trapped in a giallo. The ending? Amazing.

Hartman would go on to host ABC’s morning news show Good Morning America, so for me, he was the man who told me my news before school. It’s disconcerting to see him screaming at people and getting into fights with the police.

In 1986, Juan Luis Buñuel, Luis’ son, directed a UK TV movie based on the same story.

You can watch this on YouTube.

WEIRD WEDNESDAY: Brother On the Run (1973)

Directed and written by Edward J. Lakso and Herbert L. Strock, Brother On the Run has Billy (Kyle Johnson) and Frank (Gary Rist) on the run — one is black, the other is white — and they hide out after a job gone wrong with Billy’s sister Maud (Gwenn Mitchell), who lives next to Professor Grant (Terry Carter). The title comes from, of course, these brothers on the run despite the teacher trying to help them. He also has sex with two women before he gets to that help.

Lasko wrote The Power WithinBack to the Planet of the ApesMr. Tease and His Playthings and tons of TV, while Strock directed MonstroidThe Crawling HandThe Devil’s MessengerI Was a Teenage FrankensteinHow to Make a MonsterBlood of Dracula and, yes, so much TV.

What they made here is about as good as you’d imagine, as two middle-aged white guys try their hands at blacksploitation.

You can watch this on YouTube.

CBS LATE MOVIE: Arnold (1973)

EDITOR’S NOTE: Arnold was on the CBS Late Movie on November 21, 1986 and March 25 and July 29, 1987.

Lord Arnold Dwellyn (Norman Stuart) has just married Karen (Stella Stevens), which would not be all that strange except that, well, he’s dead. He’s not buried, as per his will, if Karen wants to inherit all that he owns, she must never leave his mansion and leave him in state. That doesn’t mean that she’s taking it easy, as she’s been having an affair with Arnold’s brother Robert (Roddy McDowall). And, um, how did Arnold get married when he had a widow, Lady Jocelyn (Shani Wallis)? I guess it really is until death do you part, right?

There’s money hidden in the walls, though, but whenever anyone gets close to it, Arnold has already planned for it, knowing how each person will react and coming up with a death trap created just for them, like some kind of Dr. Phibes without the years of medical school. Only Arnold’s sister Hester (Elsa Lanchester, once a Bride) seems to benefit from all of this, but her luck can’t last.

Shot at the same time as Terror in the Wax Museum with most of the same cast — Lanchester, Wallis, Steven Marlo, Patric Knowles, Shani Ben Wright and Leslie Thompson — this didn’t hit right with me at first. It felt like a long, black out sketch from Night Gallery. Yet the more I think about it, well, I keep thinking about this movie. I mean, what other film finds roles for Victor Buono, Bernard Fox, Farley Granger and Jamie Farr? How many fog machines did it take to make this? And wow, it was produced by Bing Crosby Productions?

Directed by Georg Fenady, who other than this and the aforementioned Terror in the Wax Museum mainly worked in TV and written by Jameson Brewer (who did write The Incredible Mr. Limpet) and John Fenton Murray (whose credits include Sid and Marty Krofft shows and Partridge Family 2200 AD), this feels like something made in between episodes of other shows. Yet, it has a weird charm that keeps drawing me back to it. Maybe it’s the Shani Walls theme at the end?

CBS LATE MOVIE: The Devil’s Daughter (1973)

EDITOR’S NOTE: The Devil’s Daughter was on the CBS Late Movie on September 9, 1975 and January 3, 1978.

The ABC Movie of the Week for January 9, 1973, The Devil’s Daughter, is very much Rosemary’s Baby, the home edition, and that’s perfectly fine. It captures many of the 1970s occult rules accurately.

It stars Belinda Montgomery (Stone Cold Dead, Silent Madness, Doogie Howser’s mother) as Diane Shaw, a young woman who has just lost her mother, Alice (Diane Ladd). At the funeral, she meets the rich Lilith Malone (Shelley Winters, fulfilling the most essential law of Satanic film, that Old Hollywood wants to eat the young), who was a member of a cult with her mother, one that has been following Diane her entire life, ready for her to marry a demonic prince.

I’ve said it before, and I will say it so many more times, but never come home to settle your parents’ estate after their mysterious death. Bad things always happen. As Diane works to settle down in a new town and work on the estate with Judge Weatherby (Joseph Cotten, yes, more Old Hollywood, a year fresh from Baron Blood). She gets a place to stay with Lilith, who gives her a ring that belonged to her mother. The symbol on this ring is the same one as a painting of Satan above the fireplace in Lilith’s home, as well as her baby book and even her favorite brand of cigarettes. Yes, even in 1973, Satan had a great marketing team. Or perhaps this is all predestined.

Diane even gets to go to elite parties. That’s not a good thing. There, she learns that she’s the Princess of Darkness who will marry the Demon of Endor. Yes, the place where Ewoks come from. You knew they were nefarious. At that party — shot very much like Rosemary’s Baby — you’ll even see Jonathan Frid from Dark Shadows as the butler, Lucille Benson (who ran the Susan B. Anthony Hotel for Women on Bosom Buddies) and Abe Vigoda as Alikhine, probably named for noted chess player Alexander Alekhine, as these devil worshippers have checkmated poor Diane.

Also, Abe Vigoda is the same age as I am now, and he always looked ancient. Now, I feel quite old.

Diane runs and gets a roommate, Spretty(Barbara Sammeth), who is the sacrifice in this, dying at a horse’s hooves! As much as she tries to avoid Lilith, she can’t escape. Not even when she meets a lovely man named Steve Stone (Robert Foxworth), a stunning architect who soon marries her. But if you know your demonic films, you won’t be shocked to learn that he’s the demon that Wicket W. Warrick prays to every night, the Demon of Endor.

Director Jeannot Szwarc made numerous TV movies and episodes of Night Gallery, as well as directing Jaws 2Bug, and Santa Claus: The Movie. I love that this was written by Colin Higgins. Yes, the same man who wrote Harold and Maude would go on to direct 9 to 5 and Foul Play.

Do you think your father is terrible? Diane’s dad is Satan. And her husband? He has blank eyes because he has no soul! The best part is the reveal that Satan, who we have seen in shadow and who has crutches, ends up being Joseph Cotten and he has cloven hooves for feet! I’m not sure if I can love a movie as much as Devil’s Daughter.

CBS LATE MOVIE: Linda (1973)

EDITOR’S NOTE: Linda was on the CBS Late Movie on September 29, 1975, May 24, 1977 and June 12, 1978.

John D. MacDonald had several of his books turned into movies. The Executioners was filmed twice as Cape FearSoft Touch inspired Man-Trap, plus the novels Darker Than Amber, The Girl, the Gold Watch & EverythingCondominium and A Flash of Green were all made into movies. Even this story was turned into two TV movies with the second starring Virginia Madsen as Linda.

Linda Reston (Stella Stevens) has a bad marriage with Paul (Ed Nelson, The Devil’s Partner), who is daydreaming of leaving her when she suddenly shoots their friend Anne Braden (Mary-Robin Redd) and turns the gun on Anne’s husband Jeff (John Saxon!) while at the beach. Paul calls the cops and when they arrive, Jeff is alive and the twosome accuses Paul of killing Anne.

As you can tell right away, Linda and Jeff are working together to get rid of their spouses and make a new life for themselves. Luckily, Marshall Journeyman (John McIntire, who replaced both Ward Bond on Wagon Train and Charles Bickford on The Virginian when both of those actors died), an elder lawyer, takes on his case and starts to investigate Linda and Jeff.

Paul sneaks out of his cell and soon learns that his wife has been conspiring with Jeff, which leads Journeyman to get the cops in on a scam to call her and try and get a confession. She’s too tough but man, Jeff folds right away. She tells him he’s spineless and also informs her now ex-husband that she won’t be in jail long.

Originally broadcast as the ABC Saturday Suspense Movie on November 3, 1973, this was directed by Jack Smight, who made one of my wife’s favorite movies, No Way to Treat a Lady, as well as Airport 1975The Illustrated ManThe Traveling Executioner, Number One with a Bullet and Damnation Alley.

Stella Stevens is quite wonderful in this. She’s so cold and has everything figured out, yet as she laments, she’s never been able to find a man who isn’t spineless. Her husband can’t even bury a dead animal without having a nervous breakdown, and her lover gets her arrested for murder. I’d love a sequel where we learn how she takes over prison.

WEIRD WEDNESDAY: The Black Six (1973)

Matt Cimber has pretty much lived a life—he was married to Jayne Mansfield, he created the Gorgeous Ladies of Wrestling, and he directed movies like ButterflyThe Witch Who Came from the Sea and Hundra, amongst others. In 1973, he convinced six currently playing NFL stars to appear in a black version of the biker film. The results? Amazing.

The Black Six is made up of six All-Pro NFL stars:

  • Gene Washington, San Francisco 49ers (who was also in Cimber’s Lady Cocoa and Airport ’75)
  • Willie Lanier, Kansas City Chiefs (who is in the NFL Hall of Fame and was named to the NFL 75th Anniversary All-Time Team)
  • Carl Eller, Minnesota Vikings (an NFL Hall of Famer who went on to found substance abuse clinics)
  • Mercury Morris, Miami Dolphins (a Pittsburgh native who was drafted to West Texas State, the alma mater of tons of pro wrestlers, including Tully Blanchard, Stan Hansen, Ted DiBiase, Dusty Rhodes and both Funk brothers to name but a few)
  • Lem Barney, Detroit Lions (an NFL Hall of Famer who sang backup on Marvin Gaye’s “What’s Going On” and played himself in Paper Lion)
  • Joe Greene, Pittsburgh Steelers (one of my hometown heroes, Greene is probably one of the greatest — if not the greatest — Steelers ever. He  appeared in a famous Coke commercial, as well as Fighting Back: The Rocky Bleier Story and Smokey and the Bandit II and is also an NFL Hall of Famer)

Washington already had some acting experience, so he stars as Bubba Daniels, a Vietnam War vet who returns home to find that his brother has been killed by a white supremacist biker gang. Their leader, Thor, is played by Ben Davidson, an avid real-life biker who played for the Oakland Raiders. You can also see him in M*A*S*H*Conan the Barbarian and as Porter the Bouncer in Behind the Green Door.

Bubba and his gang — the Black Six — decide to avenge that death, which leads to battles with racist townies, uncaring police and Thor’s gang. The final battle ends with Thor blowing up his own bike to kill them all or so it would seem. According to Mercury M, orris’ book Against the Grain, the players protested that ending — guess they didn’t realize that nearly every biker movie ends with the heroes getting killed — so that’s why the movie ends with the title card that says “Honky, look out…Hassle a brother, and the Black 6 will return!” 

It’s all pretty depressing stuff, to be honest. But you can say that for nearly all biker and blaxploitation cinema. It’s still amazing to be that at one point, the NFL didn’t have the control that it does today and that six of its biggest stars could go off and make a movie together.

You can watch this on Tubi.

Chattanooga Film Festival 2025 Red Eye #4: The Girl Most Likely To…(1973) and Mooch Goes to Hollywood (1971)

The Girl Most Likely To…(1973):  My acting career pretty much begins with an appearance as Sergeant-Major Morris in The Monkey’s Paw and ends with my role as Dr. Green from this story. No, I was not in the movie. I was in a stage play version and the kiss that gave me a fatal heart attack was the first kiss I ever had from a non-family member girl. She said I tasted like a chili dog. A much cuter blonde girl offered to give me lessons after the play (and some mints).

Inspired by The Second Face, this was written by Joan Rivers and Agnes Gallin It was directed by Lee Phillips, who starred in Peyton Place and also made The Stranger Within and The Spell. It was the ABC Movie of the Week, first airing on November 6, 1973.

It’s also Stockard Channing’s first movie and she’s Miriam Knight, an intelligent young lady who is overlooked because of, well, her looks. Her roommate grows jealous when Miriam gets the lead in a stage play, so she sneak attacks her with roses. Miriam’s allergies send her running from the stage and into an accident which changes her looks and life forever.

Once the bandages come off her face, she’s a totally new girl. One who is now willing to do whatever it takes to get revenge — murderous revenge — on everyone who has ever wronged her.

The Girl Most Likely To… has a great cast, such as Ed Asner, Jim Backus, Joe Flynn from McHale’s Navy, Chuck McCann (a voice of a ton of animated characters), comedy magician Carl Ballantine, Fred Grandy from The Love BoatCHiPs star Larry Wilcox, future director Dennis Dugan (who, before directing a LOT of Adam Sandler movies, such as Just Go with It, acted in films, such as 1980’s The Howling) and the man who would be Captain America and Yor Hunter from the Future, Reb Brown.

This is a comedy, but man, it’s a really dark one. How was my school allowed to put this play on?

Mooch Goes to Hollywood (1971): Mooch is a new girl in town, fresh off the bus to Hollywood, wanting to be a star. We’ve seen it all before, but have we seen it with Mooch being played by Higgins the Dog, whose 14 year career in Hollywood had him on Petticoat Junction and playing the original Benji. His daughter Benjean took over the role of Benji and trainer Frank Inn loved this dog so much that he had his ashes buried with him. He also wrote this poem when Higgins died:

My Gift to Jesus
by Frank Inn

I wish someone had given little Jesus
a dog as loyal and loving as mine
to sleep by His manger and gaze in His eyes
and adore Him for being divine.

As our Lord grew to manhood His own faithful dog
would have followed Him all through the day
while He preached to the crowds and made the sick well
and knelt in the garden to pray.

It is sad to remember that Christ went away
to face death alone and apart
with no tender dog following close behind
to comfort His masters heart.

And when Jesus rose on that Easter morn
how happy He would have been
as His dog kissed His hand and barked its delight
for the one who died for all men.

Well the Lord has a dog now, I just sent Him mine…
My old pal so dear to me
And I smile through my tears on this first day alone
knowing they’re in eternity.

A movie narrated by not just Richard Burton but also Zsa Zsa Gabor, this is everything I love about 1970s Hollywood. How else can you explain a movie where a dog meets Vincent Price at the Brown Derby, goes to Dino’s and the Playboy Club with Phyliss Diller, runs into Ricky Ricardo’s Jerry Hausner, James Darren, Jill St. John and Jim Backus and his wife Henny. All narrated, again, by Zsa Zsa, who is basically unintelligble.

Meanwhile, the theme song plaintively warbles about Mooch’s adventures. It sounds like the “went to see the movie, went to see the show” drive-in commerical for the snack bar.

It was directed by Richard Erdman, who was in a ton of movies and also played Leonard on Community. He also directed The Brothers O’Toole, which was the first movie produced by Sunn’s Charles Sellier Jr. Speaking of Backus, he wrote this with Jerry Devine.

Some facts: This was Edward G. Robinson’s final movie. Higgins’ various costumes were provided by Frederick’s of Hollywood. The theme song is sung by Sonny Curtis, who wrote “I Fought the Law” and would follow this by singing the theme to Benji. Man, Sonny Curtis! He was in the Crickets and stayed in the band when Buddy Holly died. He also sang “Love Is All Around,” the theme for The Mary Tyler Moore Show.

This is a movie for kids and yet Mooch becomes a stripper with Zza Zsa saying, “Keep it on. Keep it on!”

Higgins was so well trained that he learned a new trick every week.

NOTE: I said this was Edward G. Robinson’s first movie when it’s really his last. Thanks to Kris Erickson for finding the typo!

You can watch this and many other films at CFF by buying a pass on their website. Over the next few days, I’ll be posting reviews and articles and updating my Letterboxd list of watches.