The Severed Arm (1973)

A few years in the past, Jeff Ashton (David G. Cannon), Doctor Ray Sanders (John Crawford),  “Mad Man” Herman (Marvin Kaplan) and Ted Rogers (Ray Dannis), among others, were caught in a cave-in. With the prospect of survival seeming zero, they agreed — well, everyone except the victim — to cut off Ted’s arm and eat it.

Now, Jeff has just received an arm in the mail and “Mad Man” is killed on the air during his radio show, his arm amputated by a crazy killer. With the help of Ted’s daughter Teddy (Deborah Walley), they look for Ted, who is missing. But ah — she’s been working with her Uncle Roger (Bob Guthrie) to lure Jeff into a trap where he’ll have to eat his own arm to live!

The lesson of this movie: Never trust the mail when it’s delivered by Angus Scrimm.

Directed by Thomas S. Alderman, who wrote the story with Darrel Presnell (from a story by Marc B. Ray and Larry Alexander and additional dialogue by Kelly Estill), this is a grimy thriller that has cannibalism at its heart.

You can watch this on Tubi or get it from Vinegar Syndrome.

Here’s a drink.

Cave In Cannibal

  • 1 oz. amaretto
  • 1 oz. high proof rum
  • 1 oz. peach schnapps
  • .5 oz. Southern Comfort
  • 2 oz. cranberry juice
  • .5 oz. orange juice
  1. Add amaretto, rum, schnapps and Southern Comfort to a glass filled with ice.
  2. Stir, then add cranberry juice. Stir and add orange juice.

 

Virgin Witch (1971)

Christine and Betty (Ann and Vicki Michelle, who are real-life sisters; Elke Sommer was their au pair as they grew up) are runaways who want to be models. Christine is soon hired by an agent, Sybil Waite (Patricia Haines) but as you can tell, this isn’t a movie about modeling. It’s about the occult and the job in the country Christine gets is all about getting her in the coven of Gerald Amberley (Neil Hallett) and into his bed; both happen and she soon learns that she can control white magic or magick if you wear Stevie Nicks garb. Sybil is down with darker magic and wants to control Betty.

There’s also this guy named Johnny (Keith Buckley) who wants to help Betty escape, but he also wants to deflower her because, you know, guys.

This was filmed at the Admiral’s Walk in Pirbright, the same place where Terror and Satan’s Slave was shot. Director Ray Austin started as a stunt man on movies like North by Northwest and Operation Petticoat; working with Chee Soo on The Avengers, he helped Diana Rigg be the first Western actor to do kung fu. He was married to Yasuko Nagazumi and the stepfather of her daughter Miki Berenyi from the band Lush. He also directed The Return of the Man from U.N.C.L.E. and The Return of the Six Million Dollar Man and the Bionic Woman.

Writer Hazel Adair created the soap opera Crossroads but didn’t make this movie under her own name. Along with wrestling announcer Kent Walton, they created Pyramid Films. She became Klaus Vogel and he was Ralph Solomons; they also made Clinic Exclusive, Can You Keep It Up for a Week?, Keep It Up Downstairs and Game for Vultures.

Ann Michele went on to be in Psychomania, House of Whipcord and Young Lady Chatterley, while her sister Vicki acted in Queen Kong, The Sentinel, the TV show ‘Allo, ‘Allo and The Greek Tycoon. Supposedly, Anthony Quinn “personally asked the producers to reduce the size of Michelle’s part thinking that her good looks and bright costume would detract the audience’s attention from him.” They have both spoken badly of their experiences on this movie, saying that they were hardly paid and pressured into more nude scenes than they had agreed to.

Here’s a drink.

High Priestess

  • 1.5 oz. vanilla vodka
  • 1.5 oz. blue curacao
  • 1.5 oz. grenadine
  • 6 blackberries
  1. Muddle the blackberries in a glass, then add ice.
  2. Mix vodka, curacao and grenadine in and enjoy.

 

Les trottoirs de Bangkok (1984)

The Streets of Bangkok is based on the Boris Karloff film The Mask of Fu Manchu and it finds Jean Rollin not on a beach or a falling to pieces mansion with vampires living inside clocks, but instead a comic book mystery. Don’t worry. He didn’t forget to have naked women in it.

Secret agent Rick (Gérard Landry) is killed looking for a biological weapon. The photos on his camera are of a sex worker named Eva (Yoko) who is now wanted by the spies and the syndicate. The syndicate! What is this, a Doris Wishman movie? Rita (Brigitte Borghese) and her two female hitwomen are everywhere looking for our heroine.

Eva is rescued by Claudine (Françoise Blanchard, The Living Dead Girl), but they’re soon in the clutches of the syndicate and Eva gets chained up and whipped because Eurosleaze. There’s also a lot of scenes of Eva dancing — Yoko only did two other films, both adult movies but at least one was a James Bond parody, James Bande 00Sex 2 (thanks Gentry on Letterboxd) — but she’s good in this and, as you’d expect from a Rollin movie, inordinately attractive.

This has the biggest mud wrestling arena I’ve ever seen, Françoise Blanchard rocking a mullet and an ending that has the good guy prove he’s not so good and Eva shooting him with tears pouring down her face. And people tied to the train tracks and endless massage scenes!

You might be bored by this. As for me, I found the joy that is the weird timing of a Rollin movie, just endlessly hanging out near the infinite void as he makes a Jess Franco movie, pretty much.

La Nuit de la Mort (1980)

I discovered this movie from Unsung Horrors, who said that it was “Somewhere in between Jean Rollin and Ogroff.”

How could I not want to see this?

Martine (Isabelle Goguey) has just left her boyfriend and taken on a live-in job as a nurse and housekeeper for a retirement home. Is it weird that it’s called the Deadlock House? Is it strange that Mademoiselle Hélène (Betty Beckers) keeps playing the same song incessantly on the piano? Why is everyone a vegetarian?

Trapped for her first two months and unable to take any calls, Martine soon learns the routines of the patients. Nicole (Charlotte De Turckheim) is on the same plan, waiting for the time she can see her boyfriend. But before that, they have to take care of the strange people here, including the always knitting, revolution spewing Jules (Michel Debrane), the unparalyzed wheelchair unbound Léon (Jean Ludow), the huggable and always hugging Pascal (Georges Lucas) and so many more, babbling about how life used to be so much better as they live out their dying days. There’s also the custodian, Flavien (Michel Flavius), who occasionally whips the old people when he isn’t bothering the girls.

Why two months? That’s how long the residents make a body last and they’re all hundreds of years old. As a nurse is due to go home, they take her from her bed, slice her throat and start to devour her body. Also: There’s a serial killer on the loose.

As good as this is, the ending is a let-down. The old people get sloppy after so many years of being ideal killers and eaters of people. Why? And just why — spoiler — get rid of Martine at the close like that? I’m all for a downer ending, but this is pointless after we’ve loved her for an entire movie. Otherwise, I really enjoyed it!

You can watch this on YouTube.

Blown Away (1993)

I watched this on basic cable at my parent’s house with my brother once and I was so shocked that the Coreys would be in an erotic thriller. Since then, I have watched so many giallo movies and am even more shocked that two of America’s teen idols — fallen on rough times, mind you — are basically in a movie that seems with a little more sleaze and perhaps a prog rock soundtrack could be giallo.

Made for HBO and eventually released on VHS, this film was directed by Brenton Spencer (who ran camera on First Blood Part II, Friday the 13th Part VII, episodes of SCTV and Blue Monkey) and written by Robert C. Cooper (who produced, wrote and directed many episodes of the Stargate TV universe), Blown Away centers around Megan Bower (Nicole Eggert), whose life is tragedy-ridden. Her mother died in a car accident and she’s nearly killed by a wild horse before being saved by Rich Gardner (Corey Haim). That night, she invites him to her home for a party and into her bed, but as her father Cy (Jean LeClerc) is his boss, he runs as soon as the rich old man gets home.

His girlfriend Darla (Kathleen Robertson) finds out and dumps him, which allows him to date Megan until her father disapproves. Rich goes to his brother Wes (Corey Feldman) for advice, who tells him to win her back. This includes fighting a man who she pays off and starts making out with and getting in another fight at a bar with Darla, all before the next day, when Rich catches Wes in bed with Darla. Meanwhile, Megan asks Rich to kill her father as revenge for killing her mother.

The next day, Darla dies in a horse accident — these horses in this town! — and Cy supposedly beats Megan into oblivion. This causes Rich to go all in on the plan, which is to put a bomb on Cy’s bike. He watches as the old man is blown off his bike and off a cliff, but as he falls, he tells him that he didn’t kill his wife. Rich is now the prime suspect for Detective Anderson (Gary Farmer) and he refuses to rat out his lover. As for Wes, well, he’s angry that his brother killed Cy and not their abusive father.

You know where this is going. Megan and Wes have always been together, but she’s only for herself, so she kills Wes and almost kills Rich before the cops show up and do what cops do and that’s shoot to kill.

This is the movie for girls who grew up on the Coreys and want to see them bone. They rented this in the days before online porn and Netflix and chill, threw on the rental while their boyfriends said it was dumb and then realized that they could get away with seeing Nicole Eggert nude and everyone was as happy as fumbling teenage sex can make you pleased.

It’s like a Lifetime movie except you get to see the bare asses of both Coreys. You may watch this and wonder why guys would kill for Nicole Eggert and as someone who has written many essays and done the homework and cleaned the houses and been there in bad times for women who had no interest in me yet were attractive in my past, I will tell you that none of those girls were Nicole Eggert in a quasi-giallo so yes, I would have blown her dad up real good no questions asked, no quarter given. This is why I was a dopey fat teenage in Western Pennsylvania and not a 1980s star in a Canadian direct to cable erotic thriller.

Also: If you want to see Corey Feldman do his dancing moves and then get shot with squibs going wild, this is the movie for you.

You can watch this on Tubi.

RADIANCE FILMS BLU RAY RELEASE: Slap the Monster on Page One (1972)

So this is kind of cheating, because Sbatti il mostro in prima pagina is more a drama or crime movie than a giallo, but it has enough elements of the form to warrant being included in the company of black gloved killers.

Il Giornale is a newspaper that may remind you of some other media sources in 2021: it has a strictly conservative and fascist audience and seeks to discover the right wing way of looking at every issue, no matter how silly they are, while ignoring the real issues that people are dealing with every single day.

Then a young woman is assaulted and killed, so the bullpen goes all in screaming for the return of the death penalty and actually goes so far as to get involved in the investigation. They believe that an idealistic student protester is behind the sex crime, which their readership is only too happy to get behind.

Gian Maria Volonté plays the editor who gets the fires burning. He always ends up in the more mindful and socially conscious giallo that don’t really fit the standard ideas of what makes one of these films, like Investigation of a Citizen Above SuspicionTodo Modo and, well, this one. Plus Laura Betti (A Bay of BloodHatchet for the Honeymoon) and John Steiner are in this if you’re looking for familiar faces. Plus there’s an Ennio Morricone soundtrack.

Sergio Donati, who wrote the script, was the original director but he and Volonté had artistic differences. He also wrote The Weekend MurdersThe Island of the Fishmen AKA Screamers, the original Man on Fire and Almost Blue. And oh yeah — Raw Deal!

Life imitates art: two years later, a real right-wing newspaper named Il Giornale started up.

The Radiance Films blu ray of Slap the Monster On Page One has a 4K restoration of the film from the original negative by Cineteca di Bologna in collaboration with Surf Film and Kavac Film, under the supervision of director Marco Bellocchio. There are interviews with Bellocchio and Mario Sesti, plus an appreciation by filmmaker Alex Cox, new English subtitles, a reversible sleeve featuring designs based on original posters and a limited edition of 3000 copies that comes with a booklet with writing by Wesley Sharer.

You can order it from MVD.

WELL GO USA BLU RAY RELEASE: Last Stop In Yuma County (2023)

The first movie from director and writer Francis Galluppi who comes right out of the gate with a movie that uses one location — a truck stop where everyone’s waiting for a tanker truck to fill up the gas pumps — and sets the tension on high and just lets everything boil.

The Knife Salesman (Jim Commings) is one of those people that just can’t wait to leave. Charlotte (Jocelin Donahue, The House of the Devil) is the waitress stuck there all day, dropped off by her husband, the sheriff (Michael Abbott Jr.). And then there are the two strangers that blow in full of menace, Travis (Nicholas Logan) and Beau (Richard Brake, the best part of many Rob Zombie movies). They just stole more money than you’d think was possible and are so close, so very close to Mexico.

The radio playing informs everyone that $700,000 was taken from the bank in Buckeye and that listeners should be on the lookout for a green Pinto containing several criminals. This makes Travis and Beau very nervous, as the camera goes to the parking lot, revealing that car as well as the damaged front end the DJ said to take special notice of.

The problem is no one has gas and the refueling truck hasn’t come yet. The pumps are dry. More bad news. The truck has rolled over and isn’t coming today, but no one knows that yet.

So many people come in and out of the diner with various agendas: Deputy Gavin (Connor Paolo). A Native American named Pete (Jon Proudstar). A young couple named Miles (Ryan Masson) and Sybil (Sierra McCormick). Even Barbara Crampton, Alex Essoe and Faizon Love are in this.

It’d be easy to call this a Tarantino-style film. More to the point, it’s a film influenced by the same influences, made by a new filmmaker who is ready to make a statement.

It does — like Tarantino — have a Mexican standoff that — spoiler warning — wipes out most of the cast. The bloodshed isn’t close to being over at that point.

Someone really loved this. Sam Raimi. He approached Galluppi to make one of the new spin-offs. The director told Variety, ““It’s one of the movies that legitimately made me want to make movie. If I’d never seen Evil Dead I don’t think I would have grabbed my friends and went out to the desert and made my first short.”

As for the diner, it’s also been in IdentityPalm Springs, The Forever Purge, and House of 1,000 CorpsesThe Devil’s Rejects and so many more movies were shot there. It’s located at the Four Aces Movie Ranch.

88 FILMS 4K RELEASE: The Project A Collection

88 Films has been releasing some incredible things this year, but The Project A Collection is the best set yet. It features both Jackie Chan films in a 4K UHD presentation with both the Hong Kong and Taiwan versions, as well as English and Cantonese-language options. There are so many extras, including a perfect-bound book, six lobby cards, a double-sided poster, a slipcase with brand-new artwork from Kung Fu Bob and interviews with Jackie Chan, Lee Hoi San, Mars, Yuen Biao, Dick Wei, Michael Chan Wai-Man, Michael Lai and Edward Tang. There’s even more, such as new audio commentaries by Frank Djeng and FJ DeSanto, making-of videos, outtakes, trailers, still galleries, the Japanese ending and more!

You can order this from MVD.

Project A (1983): Project A has a clock tower stunt in it, but Jackie Chan had not seen the films of Buster Keaton and Harold Lloyd when he made this movie, as they were not available on home video. He saw this as the evolution of comedy, action and martial arts that he’d been working on since The Young Master.

This movie and Dragon Lord were the first films since Jackie came back from his initial failed time in America and he had something to prove.

Sergeant Dragon Ma (Chan) is part of the Hong Kong Marine Police, which is battling both pirates and their Hong Kong Police rivals. After one fight too many, the Marine and regular police have to join forces.

Beyond Dragon Ma, Project A also has Sammo Hung as Zhuo “Fei” Yifei and Yuen Baio as Inspector Hong Tin-Tzu. In time, they all join together to face pirate lord Sam Pau (Dick Wei), who is smuggling guns directly from the cops.

Up until Project A came out, Hong Kong movies didn’t have the large sets and attention to period detail that other movies did. It’s also a film that isn’t all fighting, but instead a mix of action and combat.

Project A Part II (1987):Sergeant Dragon Ma (Jackie Chan) is back and has been sent on a new mission, far from the pirates who have pledged to kill him at the end of the first film. He soon learns that his new assignment, Sai Wan Police Station, is full of corrupt police like Superintendent Chun (Lam Wai), all except for one officer. He takes that man, Ho (Kenny Ho) and three of his friends to try to arrest gangster Tiger “Awesome Wolf” Au (Chan Wai-man) and is nearly killed. He’s saved at the last moment by his friends in the Marine Police.

Once he gets through that challenge, Dragon gets set up for a jewel robbery and must work with revolutionaries to clear his name. If that’s not enough, he also has three incredibly attractive women to deal with in Yesan (Maggie Cheung), Miss Pak (Rosamund Kwan) and Carina (Carina Lau), who gets kidnapped by the same criminals who have tried to ruin Dragon Ma’s reputation.

Yuen Biao and Sammo Hung only have cameos in this, allowing Chan to take center stage. Who knew that a martial arts movie could pay tribute to the Marx Brothers and Buster Keaton while changing the way fights would be filmed? Instead of lining the bad guys up one at a time, Chan battles numerous opponents at once.

By the end, even the pirates love Jackie. This movie is worth watching so many times as the sets, costumes and action has to be savored.

2024 Scarecrow Psychotronic Challenge Day 31: The Toxic Avenger (1984)

31. “I’LL BE BACK”: We hope you had a good time with our little Challenge. Conclude your journey by watching one with a catchphrase you find yourself repeating in the real world.

I say some dumb lines from movies all the time, movies that no one remembers, like when I go in a store I say, “I’ll be in and out like a duck mating,” which comes from Remo Williams: The Adventure Begins, a movie that no one cares about but me.

Unlike “I’ll be back” or “I’m getting too old for this shit,” the catchphrase that I always say is from this movie, as Julie tries to get janitor Melvin Ferd Junko III  into the hot tub, she purrs, “It’s time to do it.” Melvin replies, “Do what?” And she stares at him and says, “Do it, Melvin. Do it!” It made me laugh so hard when I was a kid — much like the other line I often say from this, “I’ve never done me no blind bitch before!” — but when do you use these catchphrases in polite conversation?

I love The Toxic Avenger in the same way that I hate Troma, because I championed this film and rented it so many times and told so many people about it and Troma never did anything this good ever again. Not even close. The sequel is fine and yeah, I bought the toys and watched the cartoon, but I’m still angry and let down almost forty years later by how bad everything was after this and what an annoying person that Lloyd Kaufman has become.

Side note: A lot of people call him Uncle Lloyd and I am here to tell you that I hate anyone who gets a fake uncle name because generally they are horrible people. To wit:

Uncle Stan Lee: A man who made his fortune on the backs of hard working men like Steve Ditko and Jack Kirby, who never got royalties or a job for life or got to be in Marvel movies, having to have their families — in Kirby’s case — fight for credit or be like Ditko and just do advertising work and hide in the middle of New York City. Kaufman is a similar loud braggart who had one major success and we’ve had him hanging around like the turd that won’t flush ever since.

Uncle Forry Forest J, Ackerman: I grew up late to the monster kid world, but there are people who worship this man and sorry to tell you, he’s been accused of sexual harassment and outright abuse by so many women that you have to believe it. And even if you don’t, explain An Illustrated History of Heidi Saha, a Warren special that has photos of a prepubescent girl dressed as a jungle girl and Vampirella, as well as the poster Warren sold, that had notorious sexual predator Isaac Asimov say, “An absolute delight! I love her!” This girl does not look like a woman at all. In this book, Forrest said of this at the time 13-year-old girl, “In the so-called real world, among the beasts of science fiction and Comicdom…there now walks a great beauty.  The young Goddess known as Heidi: supple, blonde reed of womanhood, bending in the wind of the sighs of her would-be wooers, her stricken swains.  Heidi the delightful, the full-of-life dweller on the pink cloud of fantasy and wonder.  Heidi — unbelievably refreshing, soft and shy, wildly exciting — Heidi — a poetic blend of fantasy and wondrous reality.”

I refuse to call Jess Franco Uncle Jess, but he never took that name himself as far as I know.

But regardless, people that want to be called Uncle are all creeps. It’s even worse that they preyed on geek culture fans, which all generally people like Melvin in this movie, lost and looking for acceptance. Instead, they get treated as objects.

As for Lloyd Kaufman, he has written in his book Make Your Own Damn Movie! not to audition women alone or else you’ll get accused of sexual harassment, then also talks about making women disrobe during auditions.

Man, did I digress.

Anyways, this movie is great, has ridiculous gore and great dialogue, all while not being all that different from a comic book origin of a man going from geek to superhero. It moves quick, makes you giggle and seems like it’s the first of many big ideas but the well was sadly dry. And yet people are convinced that Troma films are amazing.

This goes for it, like having a dog get shot, a kid getting his head crushed and lines like, “No tickee, no washy,” which seems edgy, but after years of Troma movies aren’t shocking for the sake of shock but instead feel like casual racism. There’s no message behind it all, just more outrage. Which is fine, I guess, but then I read about Troma being iconic.

That said, I will defend Filmirage and much more reprehensible studios. I guess I’m a jerk.

I wish I could be fourteen year old me again, obsessed over this film and showing it to anyone who would watch it. I wish I wasn’t so cynical. But the world will sometimes open your eyes, you know?

Anyway.

Do it. Do it Melvin.

You can watch this on Tubi.

UNSUNG HORRORS HORROR GIVES BACK 2024: The Mummy’s Dungeon (1993)

Each October, the Unsung Horrors podcast does a month of themed movies. This year they will once again be setting up a fundraiser to benefit Best Friends, which is working to save the lives of cats and dogs all across America, giving pets second chances and happy homes.

Today’s theme: Viewers Choice

Has my love for bootleg mummy movies gone too far?

Rameses Karis (Sal Longo) is definitely one of those guys who would be in a camera club in the 1950s, paying gorgeous women to take photos while he’s surrounded by other socially awkward men. Yet it’s 1993, so he is able to invite all manner of models to his house where he takes perverted snaps of them and then uses their bodies and blood to fuel the mummy (Dave Castiglione) that is sleeping the sleep of death in his basement. Or, in his words, “I need virgin’s blood to revive the ancient warriors and put Egypt back on the map.” That’s why he’s paying girls of loose morals to come over and strip down for him and his camera.

There’s no nudity, which makes this feel even pervier — the True Detective magazine effect that I have mentioned before — and it’s the same thing over and over (and over), as the cameraman takes photos, spies on the women undressed, sends in the mummy, they faint and then they kill the woman and drain her blood. Repetition is a major part of comedy but it is even more a major element of a fetish, even one where someone wants to see women faint and get their blood drank by a bandage-wrapped undead Egyptian.

This was released by I.D.S. Productions/WAVE Productions, and yes that last company should let you know that this is totally non-porn porn. I both want to meet and don’t wish to ever know the person who jerks off to this and there’s no way I’m shaking their hand or even fist bumping them to say hello.

The women include Marlene (Michelle Caporaletti, Hung Jury), Marilyn (Cristie Clark, Curse of the Swamp Creature 2), Susan (Terri Lewandowski, Wayne’s mother in Santa Claws) and Dawn (Dawn Lewis).

Rameses made the mistake of killing Kris (Amanda Madison, Red Lips), so her twin sister Jean (also played by Amanda Madison) hunts him down. She’s nearly killed by a mummy before a policewoman (Clancy McCauley, The Kind of Meat That You Can’t Buy at the Store) and Jay (Aven Warren, who did makeup for many movies like this) shoot the shutterbug sadist and pours Egyptian water on the mummy. Roll the rasterized credits.

I’m not going to say that this was good but it’s definitely a movie that I can watch and get a vibe out of. It’s just drone, the same thing over and over, a mummy looking like he got all his makeup at Spencer’s at best and lots of bad photo sessions and alright blood drinking. It’s calming, as I’m anxious now trying to get a job and I’m not telling anyone in my interviews that to find my zen I sit and watch films where dime store wrapped cadavers munch down on vacant eyed women and yes, some dudes jerk off to it, but I use it to get high.

I mean, I want a job.

You can watch this on YouTube.