Chattanooga Film Festival: Break Any Spell (2021)

Break Any Spell impacted me more than nearly any other film I’ve watched at Chattanooga, as it made me think about the deteriorating mental condition of my father and how lost we become thanks to dementia and Alzheimer’s and just plain age.

Directed by Anton Jøsef, who co-wrote the film with Lisi Purr, some will watch this and laugh at the Live Action Role Playing (LARP) that the heroine falls in love with, but it seems like that’s her tether to keep her going in the world, as her mother begins to disappear and become someone else due to early stage Alzheimer’s.

The moment when the magic spell she’s been saving and all the work of her team means nothing in the face of a big man from out of nowhere with a sword? That’s life. That’s exactly how this life feels.

This movie feels like it needs more, that it could be part of a longer tale, but for what it is now, it is supremely powerful.

The Chattanooga Film Fest ends tomorrow at 11:59 PM EDT. To get a Last Gasp Pass for just $32, visit the official site now.

Chattanooga Film Festival: Ursula (2022)

Nearly 2,200 days into a drought, a man and woman meet at a benefit show and go on a date of sorts that starts well and ends up a bloody mess.

Directed, written and starring Hannah Heller, this movie has a wood panel ramshackle aesthetic that serves it well. The meet cute scene in the beginning has so many odd closeups and so much strangeness that I laughed loud and hard, rewound it and ended up laughing even harder the second time.

We better start watching this and learning how we’re all going to date in a few years when it gets dry like the world of Ursula, huh?

The Chattanooga Film Fest ends tomorrow at 11:59 PM EDT. To get a Last Gasp Pass for just $32, visit the official site now.

Chattanooga Film Festival: The Drowned (2022)

Written and directed by Adam Park, The Drowned stars Ellora Torchia as a woman who wakes up on an empty coastline and is followed by a glowing orb as she searches for civilization, people, food or shelter. Everything is deserted and she begins to wonder if she’s truly alone in a world that she does not understand.

This is a gorgeous short that feels like the proof of concept for something bigger. Whatever that is, I want to see it.

The Chattanooga Film Fest ends tomorrow at 11:59 PM EDT. To get a Last Gasp Pass for just $32, visit the official site now.

Chattanooga FIlm Festival: 54 Miles to Home

54 Miles to Home stealth snuck up between genre films and arty shorts to teach me about three black farming families who risked their lives in 1965 when they opened up their land to thousands of voting rights protesters during the Selma to Montgomery March.

Six decades later, the Halls, Steeles and Gardners explain exactly how much their parents and grandparents risked, as well as share stories of the rural and agricultural roots of the civil rights movement.

Protesting has been on everyone’s mind as of late, but these days, the dissent seems online and impersonal. These were people fighting for their ways of life, working as one to overcome.

This was directed by Claire Haughe, who says that she is pursuing “stories that address the intersection of environmental justice, income equality, and community.” Documentaries like this are why I love watching movies, as I learned so much about part of my country’s history that I never knew about. I urge you to do the same.

To support the preservation of these historic homes, visit the Alabama Rivers Alliance.

The Chattanooga Film Fest ends tomorrow at 11:59 PM EDT. To get a Last Gasp Pass for just $32, visit the official site now.

Chattanooga Film Festival: Dirtbag (2022)

Directed and written by Karsten Runquist, this is a movie about how a man found a bag of dirt, became introduced to the world of dirt culture, met more dirt collectors, then nearly killed a young girl when the bag of dirt he’s desperate to give away gives her a peanut allergy. By the end, I worried that he’d developed a new addiction to plants, because my mom and wife have that.

You have to make a pretty great movie to keep my attention if it’s about bags or dirt for eleven minutes. Guess what? This one did exactly that.

Also: do not pick up lone bags of dirt.

The Chattanooga Film Fest ends tomorrow at 11:59 PM EDT. To get a Last Gasp Pass for just $32, visit the official site now.

Chattanooga Film Festival: Wild Card (2022)

Daniel (Billy Flynn) and Toni (Tipper Newton, who directed and wrote this short) have been matched by a video dating service that feels inspired by the Found Footage Festival Videomate videos. The date is awkward, as every time Daniel seems to impress Toni or gain ground, she tears him down, builds him up and then cuts him down all again, sometimes in the same moment.

So how does he make it back to her place? And if he’s the first date from the service she’s been on, why are there so many videotapes everywhere? And who is that threatening her on the answering machine?

Wild Card gets exciting right when it ends, right at the moment that it has been teasing and it demands that you watch more. I loved it and it got me — so please, give us that second date.

The Chattanooga Film Fest ends tomorrow at 11:59 PM EDT. To get a Last Gasp Pass for just $32, visit the official site now.

Chattanooga Film Festival: Am I the Tub (2022)

A young woman tries to grow and use the time of the COVID-19 lockdown to grow and change, yet as she struggles to be productive, time becomes obsessive and she loses touch with reality.

Directed, written and produced by Laura Sheperd and starring Harley Davies, this feels like a time and place that we’ve all been in over the past two and a half years. I actually can’t think of the last time I sat in a bathtub. Maybe that’s a guy thing to just take showers, huh?

The Chattanooga Film Fest ends tomorrow at 11:59 PM EDT. To get a Last Gasp Pass for just $32, visit the official site now.

Chattanooga FiIm Festival: Reklaw (2021)

Fed-up prosecutor Lott (Lance Henriksen!) has given up on the justice system and devoted what’s left of his life to leading a team of criminals who work to pardon other lawbreakers by destroying crime scene evidence. In this twelve-minute short, his team is protecting a murderer named Melissa (Tasha Guevara) from going to jail by cleaning up the scene of the crime, including sawing the victim’s feet off to it him in a special sarcophagus.

The team believes that by allowing people to atone for their crimes in the real world, they will actually become better people than if they had gone to prison. Driven by his faith in the healing power of unconditional forgiveness, Lott and his team of vigilantes intercept 911 calls and fix things before the cops get there.

Working with Bangs (Scott Allen Perry), Wylie (Michael Schnick), Donna (Clara Francesca Pagone) and Missy (director and writer Polaris Banks), they find their mission tested when a killer returns to the scene of this crime, as Melissa as been set up.

At one point Lott tells Melissa, “Punishment without love behind it, you’ll come out worse. Everything you need for rehabilitation is out here.” It’s an intriguing idea and begs for way more than a short. I love the look of all of this, from the strange eye-covered lens the team wears to the shock ending. And I want so much more.

You can learn more about Rekaw at the official website and Facebook and Twitter pages.

The Chattanooga Film Fest ends tomorrow at 11:59 PM EDT. To get a Last Gasp Pass for just $32, visit the official site now.

Blood Claws (2016)

Somehow, within 55 minutes, a zookeeper comes to town to battle an escaped black panther and a band plays in a red-lit club for more than one song. You also don’t see the panther until the very end and yes, it’s stock footage, and yes, you should have expected that.

When you do have the panther in the movie, everything is from his POV, which is an effective way to keep the budget down.

That said, this movie has so much padding I’m shocked that it isn’t going to its first high school dance. There’s a really long sequence of someone drawing by the lake and it has little or nothing to do with the plot. I mean, maybe you’d like a hangout film where everyone just chills, but there’s a panther on the loose.

Dustin Ferguson does know how to make stuff on budget and get content out there though.

You can watch this on Tubi.

Chattanooga Film Festival: Mike Mignola: Drawing Monsters (2022)

Directed by Jim Demonakos (founder of Seattle’s Emerald City Comic Con) and Kevin Konrad Hanna, this engaging documentary is about the world of Mike Mignola and the world he’s created around Hellboy.

Comic book and movie geeks — umm, speaking for myself, that’s the same audience — will enjoy hearing from Doug Jones, Guillermo del Toro, Patton Oswalt, Ron Perlman, Neil Gaiman, Mike Richardson, Art Adams and so many more about how the comic and movies came to life, but the true joy is in discovering how Adams bonded with Mignola and his brothers, how much of Hellboy is Mignola’s father (and himself) and how Steven Universe creator Rebecca Sugar was inspired to make Hellboy so personal.

There are also moments where the creator discusses how many times he felt defeated and how his family and later wife would help him overcome his fears. Even if you know nothing of the comics, the parts of this movie where Perlman breaks down remembering bonding with his father over movies (and getting the same opportunity to make something so personal as Hellboy), the way that Mignola and Del Toro overcame their artistic differences and how Mignola’s daughter ended up writing his favorite story (and how it keeps returning to his work), as well as how Mignola created a shared universe where others could have the same creative freedom that he found will emotionally reach you regardless of your level of comic or genre movie knowledge.

For those of us who know and love characters like Lobster Johnson and Ben Daimio, this is everything.

You can watch the films of the Chattanooga Film Festiva for half price now until Wednesday. Get your badge right here