Mister Limbo (2021)

A young man (Hugo de Sousa) with a parachute lands in the middle of a desert but he has no memory of how he got there and no idea who he is. He’s lost and finds several other lost people as well, all of whom just wander this wasteland in the hope of finding the truth.

Director and writer Robert G.Putka was inspired to make Mister Limbo after suffering a major mental problem in his life: “Like every great breakthrough, this started with a breakdown. Back in the fall of 2016, my body and mind betrayed me, and I had a longform nervous breakdown. After years of panic attacks and generalized anxiety, it all came to a head as I was about to release my first feature film, MAD. What should have been a moment of vindication, turned into my own personal hell in a hotel room in Las Vegas.

I had the mother of panic attacks. A real nasty one lasting at least 5 hours, after which I finally, thankfully, passed out due to a heavy dosing of Xanax. But during those five hours, I alternated pacing the floor and curling up in the fetal position on the bed. I felt like I was going to die or, at the very least, collapse. This panic attack was different from all the other ones I’d encountered and learned to cope with.

Upon returning to Cleveland a few days later, the realization that I was far from out of the woods became painfully apparent. Five years later, I still haven’t fully healed from that experience. I still deal with physical remnants of that bottoming out, some of which have become chronic. I also still struggle trying to maintain a healthy mind, as anxiety is a daily stumbling block to living a “normal” life, whatever that even is anymore. But with that said, I’m in a good place spiritually and philosophically. I feel this has given me the type of clarity necessary to take my own crises of faith, fear, and regret, and inject these ideas into a story that I hope is both personal and cathartic as it is reflective and universal.

In a lot of ways, I’m the same person I was. In some cases, worse. But in a few ways, I’m better than I ever was. I’m certainly more hopeful, and that counts for a lot. The succinct version: I made this film after having emerged from a tumultuous period in my life. It helped me to better understand the power of forgiveness – both of oneself and others — and how it frees us to move on to better things. Maybe it can do the same for others.”

Soon, the parachute-wearing man known as Mister Limbo meets Craig (Vig Norris), another lost soul trapped in the sandy dunes, but instead of a parachute he has on yellow boots and a comfy bathrobe. There’s also The Drifter (Cameron Dye from Valley Girl), another desert dweller that either has the answers or just more questions for everyone. And oh yeah — a woman offering them drugs and chanting “Everything is everything.”

De Sousa and Norris work really well together and have such a perfect charm together. The film might be   a simple idea — wandering for answers in the desert — but they make the time that you spend with them feel warm and cozy. Who knows where their characters go from here, but if all we have is this desert hangout, then at least we have something special to remember them by.

MIster Limbo is available on digital from Terror Films.

GENREBLAST FILM FESTIVAL: The Brilliant Terror (2021)

The GenreBlast Film Festival is entering its sixth year of genre film goodness. A one-of-a-kind film experience created for both filmmakers and film lovers to celebrate genre filmmaking in an approachable environment, it has been described by Movie Maker Magazine as a “summer camp for filmmakers.”

Over the next few days, I’ll be reviewing several movies from this fest, based in the Alamo Drafthouse Cinema in Winchester, Virginia. This year, there are 14 feature films and 87 short films from all over the world. Weekend passes are only $65 and you can get them right here.

The Brilliant Terror (2021): So many movies are released today — just look at Tubi or this site — because we have the tools to make a film with just our phones and the internet. Paul Hunt and Julie Kauffman have gone deep into the world of low budget modern filmmakers and why they do what they do, centered around Lancaster, PA filmmaker Mike Lombardo shooting the bloody bathroom of The Stall, in The Brilliant Terror.

These digitally made films are the children and grandchildren of the regional horror that we know and love so much, even if they don’t show the culture of where they’re made as often as Romero’s films so rooted in Pittsburgh or Brownrigg in Texas.

The movie also introduces us to Slapface creator Jeremiah Kipp, Gitchy maker Thomas Norman, Caveat creator Julie Ufema, Night of the Loup Garou director Micah Ginn and Movie Monster Insurance filmmaker Paula Helfley as well as giving them the opportunity to speak about why they love movies and what inspired them to make them.

If you’ve seen Justin McConnell’s Clapboard Jungle: Surviving the Independent Film Business, you may have already experienced a similar story. The best part of this movie is that it shows the real world issues driving the filmmakers and what may keep them from achieving their visions. There are also appearances by author Michael Gingold, screenwriter Stephen Romano, movie lover Scott Jeune and scholars Joanne Cantor, Noël Carroll and Cynthia Freelandoll who each explain horror from different angles, from personal experience to academic analysis.

Of everyone in this, I appreciated Heidi Honeycutt the most, as she speaks to the opportunity for these movies to give creators an opportunity to “make our own art, our own alternative messages in film.” Instead of worrying about people sending negative messages and how society views them, the filmmakers here that have a chance of doing exactly that are the ones who push through and concentrate on a true vision. This movie inspired me to track down so many of their films, which makes me consider this movie a success.

You can learn more about The Brilliant Terror at the official website.

GENREBLAST FILM FESTIVAL: Extraneous Matter Complete Edition (2021)

The GenreBlast Film Festival is entering its sixth year of genre film goodness. A one-of-a-kind film experience created for both filmmakers and film lovers to celebrate genre filmmaking in an approachable environment, it has been described by Movie Maker Magazine as a “summer camp for filmmakers.”

Over the next few days, I’ll be reviewing several movies from this fest, based in the Alamo Drafthouse Cinema in Winchester, Virginia. This year, there are 14 feature films and 87 short films from all over the world. Weekend passes are only $65 and you can get them right here.

Extraneous Matter Complete Edition (2021): Directed and written by Ken’ichi Ugana, who also made the incredible short Vierailijat, this film takes an image that we associate with the pornographic — sexualized tentacles — and applies it to how being in some relationships is lonelier than being all by yourself, as well as alienation and fear of the unknown, across several episodes.

A young woman (Kaoru Koide) trapped in a loveless and definitely sexless relationship is attacked by an octopus alien that hides in her closet and while at first this is assault, it soon becomes the only thing she looks forward to. By the end, everyone in her life, including her boyfriend, has partaken in the sexual nirvana that this creature can create.

Another tale is about a man attempting to win back an ex-lover while training a creature with sweets. As the aliens multiply across Earth, humanity battles back in the third story, with soldiers gathering and killing them. One of those men finds an injured octopus creature and tries to protect it. Finally, two strangers meet in a bar after the aliens have been driven out.

Extraneous Matter Complete Edition does the opposite of what so many of the stories of alien sex in Japanese culture usually do: the story goes on past the sex. In fact, the tentacles being inside humans is such a small part of the story. It’s what is truly inside, the hidden reasons why we do what we do, that get explored within this film. Whether you can see that through all the glistening tentacles and strange looking eight-limbed soft-bodied monsters is your call.

GENREBLAST FILM FESTIVAL: Fresh Hell (2021)

The GenreBlast Film Festival is entering its sixth year of genre film goodness. A one-of-a-kind film experience created for both filmmakers and film lovers to celebrate genre filmmaking in an approachable environment, it has been described by Movie Maker Magazine as a “summer camp for filmmakers.”

Over the next few days, I’ll be reviewing several movies from this fest, based in the Alamo Drafthouse Cinema in Winchester, Virginia. This year, there are 14 feature films and 87 short films from all over the world. Weekend passes are only $65 and you can get them right here.

Fresh Hell (2021): Created by a group of Chicago theatre artists locked out of their livelihoods by the pandemic, Fresh Hell was a movie I thought I’d struggle through. No offense to directors Ryan Imhoff (who also wrote the script and plays The Stranger) and Matt Neal, but I’m on Microsoft Teams all day for work and struggle to get through up to ten virtual meetings a day. Could I handle one in my non-work free time?

Grace (Lanise Antoine Shelley), James (Randolph Thompson), Kara (Christine Vrem-Ydstie), Cynthia (Crystal Kim), Brian (Tyler Owen Parsons), Scott (Will Mobley), Todd (Rob Fagin) and Laura (Christina Reis) all gather for a video chat and by the end, The Stranger appears in place of their friend Laura. Their call ends with him knowing too much about them, hints that Laura is dead and the sinister man slicing his own cock off and showing the bloody wound left behind.

This is where the film changed and brought me in. Grace lost her sister in the early days of COVID-19 and while everyone else thinks Laura’s death is some kind of joke, she worries that what they’ve seen may be real. That’s when The Stranger starts coming for everyone else.

Meanwhile, Scott has become an alt-right firebrand, human puppies show up in the background of the others when Grace tries to warn them and then the finale is an on-stage talk show with the surviving characters and The Stranger, which again, is unexpected.

I’m glad I stuck with this movie. I was honestly expecting it to be background noise, but it becomes more deranged, unsettled and surprising as it goes on. And isn’t that what we want from movies these days? Trust me: stick around for that first videochat and then buckle up.

SHUDDER EXCLUSIVE: The Innocents (2021)

At a large Norwegian housing complex, a group of children begins to reveal their dark and mysterious powers when the adults aren’t looking. By the time anyone knows what’s happening, it just may be too late to save anyone.

Ben (Sam Ashraf) is bullied and ignored by his single mother, setting him down the path of being a serial killer as he’s already killing cats (seriously, if you love animals, you may want to avoid this).

Yet when he’s around Ida (Rakel Lenora Flottum), her autistic sister Anna (Alva Brynsmo Ramstad) and their neighbor and vitiligo sufferer Aisha (Mina Yasmin Bremseth Asheim), his already growing superpowers seem to increase. And they find themselves growing in power as well, showing signs of mind control, healing and telekinesis.

Director and writer Eskil Vogt is probably best known in the U.S. for the movie that he wrote, The Worst Person In the World. Here, the insular world of children — which can often be as cruel as it can be innocent — opens itself up to get revenge on the wrongs its been dealt on adults with no true concern for the consequences, at least in Ben’s case.

As a child, I always thought having superpowers would solve the bullying issues that I dealt with every day. Now, after watching the Innocents, I feel pretty happy that I just stayed a normal person.

 

POPCORN FRIGHTS: When the Screaming Starts (2021)

Aidan Mendle (Ed Hartland) wants to be the kind of killing machine that gets his own Netflix doc or podcasts following his horrible crime spree. His girlfriend Julia (Katherine Bennett-Fox) is holding back sex until that happens; she’s also auditioning a family of their own, a cult of like-minded killers.

Nathan Graysmith (Jared Rogers) is looking for a way to get his filmmaking career going. True crime seems like the way to go; he finds Adam and Julia to be willing subjects.

There’s no way this is going to end well.

Adding Weird twins Veronika and Viktoria (Ronja Haugholt and Vår Haugholt), senior citizen Donald (John-Christian Bateman), butcher Jack (Yasen Atour), Masoud (Kavé Niku) who is looking for a yoga support group, rich goth girl Amy (Octavia Gilmore) and social media influencer Imogen (Sui-see Hung), they decide that their first night of mayhem will be a home invasion — the targets have been picked by Amy — with Nathan filming it all.

Director Conor Boru, who wrote this with Ed Hartland, has a cute concept that he’s infused with a great undercurrent of uncertainty; the horror and madness can intrude at any time and those that want to be a killer the most may not be prepared for what happens when someone who is a true murderer rears their head.

I saw When the Screaming Starts at Popcorn Frights. When there’s a way to watch it outside of fests, I will update this post.

TUBI ORIGINAL: Destination Love (2021)

Madison (Anna Hutchinson, Jules from The Cabin In the Woods) finds out that her two work friends are getting married, so she jumps into wedding planner mode, finding a destination spot for cheap at a remote island vineyard in New Zealand. Of course, the reason it’s so inexpensive is that the owner, David Westhaven (Josh McKenzie) was planning it as his own wedding.

Will these two end up together? I mean, how many of these movies have you watched?

Directed by Aidee Walker and written by John Banas, I watched this hung over on a Sunday morning and it had no demands on me. It was a friendly face as I tried to get my brains back in my head and yes, it was predictable, which is more than I can say for taking edibles, then wondering why they aren’t working, then eating more which is definitely the worst thing you can do. I mean, jumping back into a relationship on the rebound is bad, but take my advice. Wait for the high to kick in and if it doesn’t, it just wasn’t the ideal time for it. Love is kind of the same way.

You can watch this on Tubi.

TUBI ORIGINAL: Celebrity Exorcism (2021)

Oh man. Celebrity exorcist Rachel Stavis brings together Jodie Sweetin from Full House, former basketball player Metta Sandiford-Artest (formerly Ron Artest, formerly Metta World Peace) and Moesha star Shar Jackson to investigate the haunted world of Los Angeles.

I’m pretty amazed by how into this Sweetin is. The comedy is Artest being the tallest one and the most frightened by all of the supernatural events the trio finds itself confronting. Of course, nobody has their soul ripped from their body or dies — sorry for the spoiler — but if you’ve watched enough ghost haunter reality TV, you know exactly what you are getting into.

That said, I’m all for Tubi grabbing more celebrities and making them challenge all the powers of Hell.

You can watch this on Tubi.

I Dream of a Psychopomp (2021)

Kerry (Elohim Peña) can’t get over the death of his wife Evelyn (Kulani Kai)– a death he caused in an accident — and funeral home owner Charles (Steven Alonte) struggles to help him. As he goes to bed that evening, he’s visited by the Psychopomp (Alonte), a spiritual guide who hopes that the three stories he has to tell can guide him to peace and Evelyn’s soul to the next world.

“Spellbound High Monster Hop” is about the young love between Caroline and Lonnie and the devil mask-wearing man who come between them; “Answers” is about a psychic (N. Meridian) being called in to catch a serial killer (Peter Konx) and “Until Forever” is the tale of a vampire (Ben Shaul) tired of being alive and a young girl (Jillian Ebling) who has a fatal disease.

I liked the idea that director Danny Villanueva Jr. and writer J. Anthony Ramos have put together a film that uses the anthology format to deal with issues of death and loss. It’s an interesting take.

I Dream of a Psychopomp is available now on the Terror Films Channel and digital platforms. It will be on the KIngs of Horror Channel on August 26 and you can also watch it on Tubi. To learn more, visit the official web site.

The Andy Baker Tape (2021)

In October of 2020, food blogger Jeff Blake and his half-brother Andy went on a food tour that had the potential to change their lives.

They were never seen again.

This movie is the footage of their trip.

Bret Lada, who plays Jeff, directed and co-write the film with Dustin Fontaine, who plays Andy. Fontaine summed the film up in a very funny way: “Created by a displaced screen actor, an out-of-work Blue Man, an Australian-based sound engineer, and a first-time female producer; this film is a testament to creation and keeping the artistic spirit alive while the rest of the world was forced into hibernation. Our story is a joyride of laughs, thrills and suspense.”

Jeff is close to getting his own show on the Food Network. He’s just learned about Andy thanks to an ancestry web site because his recently deceased father never told him. They hit it off — at first — but as the trip goes on, Andy’s mental problems reveal themselves. The only problem? Jeff has sent the tapes to Food Network, who wants a show, but Andy has to be a part of it. And Andy’s just been abandoned at a hotel, so Jeff has to apologize. But then things get, well, out of hand.

This is a really interesting idea and the found footage style of the movie makes sense, as Jeff films every moment of his life.

The Andy Baker Tape premieres on the Terror Films YouTube channel August 5 before a wide digital release on August 12 and the Kings of Horror on August 19. You can also watch it on Tubi.