EDITOR’S NOTE: Over the next several days, I’ll be covering movies either directed by Menahem Golan or produced by Golan and Globus before they bought Cannon.

You know how I always say that these Eurospy movies are like the UN? How about this one, which is an Israeli/German/Italian movie co-directed by Gianfranco Baldanello (Danger!! Death Ray) and one of my favorite insane people, Menahem Golan — the man who would soon enough direct the magnum opus The Apple.

Who would star, some would wonder? Fabio Testi from One Damned Day at Dawn… Django Meets Sartana! and Fulci’s The Four of the Apocalypse and Contraband. Oh yes.

The love interest? Janet Agren from City of the Living Dead! Oh man!

That’s most of the excitement of the film, which promises a Bond-like experience from its poster and description and does not deliver, except for an incredible boat chase in Amsterdam. You can tell Golan was excited about the action scenes and not so much anything else. But hey! The soundtrack by Coriolano Gori (The Legend of Wolf Woman) and Dov Seltzer (Night Terrors) is pretty good. Cannon Bros will also rejoice to see the face of Yehuda Efroni. If you know, as they say, you know.

You can watch this on YouTube.

EDITOR’S NOTE: As the journey through Cannon continues, this week we’re exploring the films of 21st Century Film Corporation, which would be the company that Menahem Golan would take over after Cannon. Formed by Tom Ward and Art Schweitzer in 1971 (or 1976, there are some disputed expert opinions), 21st Century had a great logo and released some wild stuff.

When you see Dick Randall’s name on a movie, you are going to get sleaze.

Directed by Conrad Brueghel, who is really Italian actor Giovanni Brusadori, who wrote the script with Bruno Fontana and George Eastman — speaking of sleazy — this starts with some young tennis players on their way to a meet when they come across four escaped female convicts — Marina (Lilli Carati, L’alcova), Betty (Artemia Terenziani), Diana (Marina Daunia) and Erica (Ada Pometti) — who have already shot their own bus driver, Pierre. As Marco (Francesco Ferracini), the bus driver for the tennis team, lets them on the bus, they soon discover that these are the escaped killers and a terrorist!

One of the girls, Terry (Ines Pellegrini, Giorni damore sul fil de una Lama), knows a place they can hide out, the home of a judge (Filippo De Gara). It’s a gigantic place and soon, the girls are assaulting each of the men — and women — as well as forcing the judge to wet himself. Anna (Zora Kerova, The New York Ripper) seems to be the only tennis player that doesn’t freak out — like Claudine (Dirce Funari) — or join the enemy, as Terry does. Terry even pistol whips her and nearly shoots her, but can’t bring herself to kill someone.

This movie goes through some wild changes, like the judge becoming one of the bad guys as he assaults Monica, the other three girls trying to shoot their way out instead of going to jail, case after case of J&B, tennis girls getting drunk while being abused and facing death by cop outside and no one really getting out of this alive because the cops somehow are even worse than everyone, even the Communist terrorist who finally gets to explain her point of view and mellows out, instead of being the final boss.

This isn’t really a women in prison movie, but a warden does get shot in the head, so it gets the end of the WIP story correct.

The end credits say, “In spite of the evident close correspondence with day reality, the facts, events and characters are completely fictitious. The director thanks co-workers, technicians, crew, actors and all those who cooperated with enthusiasm and dedicated themselves in the best tradition of cooperatives, making the production of this film possible.” That’s because this was based on a true story.

21st Century licensed this to Continental Video, where it lost ten minutes so it could be on a double feature tape with Sweet Sugar.

You can get this from Severin, who promise a “new 4k scan of a dupe negative seized from notorious NYC distributor 21st Century Film Corp.”

EDITOR’S NOTE: As the journey through Cannon continues, this week we’re exploring the films of 21st Century Film Corporation, which would be the company that Menahem Golan would take over after Cannon. Formed by Tom Ward and Art Schweitzer in 1971 (or 1976, there are some disputed expert opinions), 21st Century had a great logo and released some wild stuff.

45 years ago, Greydon Clark decided that he was going to direct and write a movie that would bring together a cast that would make me lose my mind. Well, he did it. Mel Ferrer as the conflicted sheriff. Darby Hinton as race car driver Mark. Mel Ferrer and Ralph Meeker play small town cops. Neville Brand plays a bartender. Stephen McNally is the angry dad whose kid gets killed in a race and uses the cops to crack skills. Stuntwoman Diane Peterson plays Mark’s engine obsessed girlfriend Lynn. And it’s all shot by Dean Cundy, so it looks way better than it should.

Adult Darby Hinton without a mustache is a weird thing. He looks like John Schneider.

The Hi-Riders like to race, they like to drink and they like to smash stuff up. But yeah, when a race between Billy (Brad Reardon) and McNally’s son goes bad, they’re in for trouble. Leader T.J.  (William Beaudine, Jr.) and Mark have to fight their way out, if they can, after the rest of the gang are murdered.

If you’re watching movies just for the cars, Mark has an amazing 1968 Pontiac Firebird, while T.J. has a 1968 Dodge Charger R/T. It also has a twisty ending, which I am all for, as it ends with a crazy stunt after all the double crosses.

Sadly, when you see “Vic Rivers – We Loved Him” in the credits, you should know that Rivers was one of the stuntmen who died doing a stunt in this film.

This was originally released by Dimension Pictures and bought by 21st Century.

You can watch this on YouTube.

EDITOR’S NOTE: As the journey through Cannon continues, this week we’re exploring the films of 21st Century Film Corporation, which would be the company that Menahem Golan would take over after Cannon. Formed by Tom Ward and Art Schweitzer in 1971 (or 1976, there are some disputed expert opinions), 21st Century had a great logo and released some wild stuff.

Originally Jiao Huo and also known as The Deadly Kung Fu Factor, this was made in 1975 but wasn’t released until 1978.

Gangs in Japan and Hong Kong have come together for a $5 million dollar heroin deal. Kung Chun San Lang (Chen Hui Min ) lands in Hong Kong and is almost immediately arrested before jumping onto a motorcycle belonging to Li Hsiang Yun (Susanna Au Yeung). He soon takes her gambling where he’s caught cheating and nearly fights Tu Shao Hsiang (Charles Heung Wah Keung) before realizing that they’re working together for this big drug connection. Fans hoping for these two gangster movie stars to be battling one another will have to be content with this scene, as they join forces after.

The two leads were also pretty much real-life gangsters playing the part for this movie (and many others).

This is a film filled with fights — you can tell from the alternate name — as well as plenty of nudity and sex (mostly from NaNa, who was a new softcore star at the time), car chases and so many nightclub scenes filled with stolen progressive rock songs and a band that starts playing a Mexican song when Kung fights an entire room full of police officers. And wow — that last fight!

Any movie that starts with a criminal using a turnabout to make the cops chasing him dizzy is going to be one that you’re probably going to want to hunt down.

You can get this on blu ray from Dark Force Entertainment.

EDITOR’S NOTE: As the journey through Cannon continues, this week we’re exploring the films of 21st Century Film Corporation, which would be the company that Menahem Golan would take over after Cannon. Formed by Tom Ward and Art Schweitzer in 1971 (or 1976, there are some disputed expert opinions), 21st Century had a great logo and released some wild stuff.

You won’t have to wonder if this was shot in 3D, as nearly everything is like Dr. Tongue thrown kicks and weapons at you.

Lady Nan (Ping Wang) has a sick brother and needs to get him home, so she hires Ting Chung (Jackie Chan), Chang Wu-Yi (James Tien) and Chang (Leung Siu-Lung) to help her get through the Stormy Mountains. Ting is an amazing fighter, Chang can’t hear and Leung Sio-Lung’s character rips off faces. Seems like a good team to get you past the bandits. Oh — they also have twin sisters who are great with swords. Now it’s not just a party, but a party.

Jackie had been making movies with Lo Wei and was frustrated by the fact that none of them were all that good. After this movie, He would get to make Drunken Master and Snake In The Eagle’s Shadow for Seasonal Films. Things got so much better for him after that.

Your ears will be as amazed as your eyes, as this lifts so much of the soundtrack to Star Wars. Yes, I was astounded. You will be as well.

There’s also a bad guy who uses bells as a weapon.

This was released in the U.S. by 21st Century.

You can watch this on Tubi.

EDITOR’S NOTE: As the journey through Cannon continues, this week we’re exploring the films of 21st Century Film Corporation, which would be the company that Menahem Golan would take over after Cannon. Formed by Tom Ward and Art Schweitzer in 1971 (or 1976, there are some disputed expert opinions), 21st Century had a great logo and released some wild stuff.

Hsiang Ying (Chia Ling) has been betrayed by her master, who tells her that he killed her father before tossing her off a cliff and when she survives that and a battle with wolves, he locks her inside a cage. She’s saved by Ku (Chiang-Lung Wen) but it turns out that the real killer is his uncle, a maniac who has two skulls that sit on his shoulders and, when called upon, can fly around and bite people.

Now known as the Heartless Woman, she goes on episodic adventures that have her battling ripoffs of other martial arts movies, such as a one armed boxer (Phillip Ko!) and a monkey king. Like many kung fu films from Taiwan, the budget is low and the imagination is high. I wish it spent all the time with its heroine instead of going into comedy, but I still had a blast watching it. Seriously, the final bad guy may have the most amazing weaponry ever.

Also known as Flying Masters of Kung Fu, this was released by 21st Century.

You can watch this on Tubi. You can also get it on blu ray from Gold Ninja Video.

EDITOR’S NOTE: As the journey through Cannon continues, this week we’re exploring the films of 21st Century Film Corporation, which would be the company that Menahem Golan would take over after Cannon. Formed by Tom Ward and Art Schweitzer in 1971 (or 1976, there are some disputed expert opinions), 21st Century had a great logo and released some wild stuff.

Also known as The Six Thousand Dollar N*****r, this is a regional Miami superhero crime comedy directed by Rene Martinez Jr. (The Guy from Harlem, Road of Death).

Two criminals — Bob (Benny Latimore) and Jim (Lee Cross) — pay Dr. Dippy (Peter Conrad) six grand to create a superhero formula. You may think that such a thing would cost more which is why what the doctor makes kills whoever drinks it in just six days. They pay a homeless man named Steve (“Wildman” Steve Gallon) to take the potion and help them rip off a jewelry store. Well, they trick him into it and then tell him he’s going to die soon unless he finds a cure.

Steve falls for Peggy (Joycelyn Norris) and takes her virginity, which is really an uncomfy scene filled with no consent at all and Steve’s the hero. How strange that Dr. Dippy and his tall lover Monica (Wild Savage) have the better relationship?

Wildman Steve also shows up in  Rudy Ray Moore’s Petey Wheatstraw: The Devil’s Son In Law, which makes sense, as he’s very close to Dolemite here. He also is obsessed with ass washing, which has to be a Redd Foxx reference, as the comedian had an entire album titled You Gotta Wash Your Ass. Much like Foxx, Wildman released party animals, which were stand-up comedy records filled with dirty jokes that were sold under the counter at record stores. He also was a DJ on the radio and did many charitable efforts for Miami’s unhoused population, which won him the Cultural Ambassador’s Award.

Despite the title, this has nothing to do with The Six Million Dollar Man.

You can get the AGFA blu ray of this from Vinegar Syndrome.

EDITOR’S NOTE: As the journey through Cannon continues, this week we’re exploring the films of 21st Century Film Corporation, which would be the company that Menahem Golan would take over after Cannon. Formed by Tom Ward and Art Schweitzer in 1971 (or 1976, there are some disputed expert opinions), 21st Century had a great logo and released some wild stuff.

Based on The Vulture is a Patient Bird by James Hadley Chase, at the time, this was the most expensive movie made in Bollywood. In addition to stars such as Dharmendra, Zeenat Aman and Shammi Kapoor, imported actors like Rex Harrison, John Saxon and Sylvia Miles all get in on the action.

Sir John Locksley (Rex Harrison), the greatest jewel thief in the world, decides his most prized possession, the Shalimar Ruby, should be passed on to a worthy successor. He invites every other master jewel thief in the world to his island estate to participate in a deadly contest.

Yes, this feels like the set-up for a Jess Franco movie. Instead, it’s a Bollywood action film with Countess Rasmussen (Miles), Col. Columbus (Saxon), Dr. Kuhkari (Kapoor), Romeo (OP Ralhan) and Raja Bahadur Singh all fighting to win that prized stone. Well, Singh dies right away, so SS Kumar (Dharmendra) takes his place. I mean, that diamond was worth $135 million in 1978, so you can figure out why everyone is trying to murder each other.

Directed by Krishna Shah, who made his name on Broadway, this had unique cuts for India and the U.S. The American version was released by 21st Century as Raiders of the Sacred Stone and Raiders of the Shalimar. They also re-released another Shad movie, The River Niger. He’d go on to direct, write and produce American Drive-In and Hard Rock Zombies.

The story came from Stanford Sherman, who also wrote Any Which Way You Can, Krull and The Ice Pirates.

EDITOR’S NOTE: As the journey through Cannon continues, this week we’re exploring the films of 21st Century Film Corporation, which would be the company that Menahem Golan would take over after Cannon. Formed by Tom Ward and Art Schweitzer in 1971 (or 1976, there are some disputed expert opinions), 21st Century had a great logo and released some wild stuff.

Jennifer Baylor  (Lisa Pelikan, Ghoulies) takes care of her father Luke (Jeff Corey), a man obsessed with religion and who can’t cook for himself. When she was seven, she accidentally killed a preacher’s son with the snakes that she can mentally control and has refused to be near them ever again, even if her father begs her again and again to help at his pet store.

Somehow, she goes to Green View School. Everyone else is rich and protected by Mrs. Calley (Nina Foch). As for Jennifer, her only friends are lunchlady Martha (Lillian Randolph) and a teacher by the name of Jeff Reed (Burt Convy) who sees just how horrible of a school this is. Jennifer is targeted by the richest of the rich kids, Sandra Tremayne (Amy Johnston). This includes taking her clothes when she’s naked in the shower and being photographed unclothed and the only other girl who stands up for her, Jane (Louise Hoven), being assaulted by Sandra’s man Dayton (Ray Underwood).

The part where Sandra deserves death — well, she did deserve something, but this is as far as it gets, let me tell you — is when she buys Jannifer’s favorite pet store cat, kills it and leaves it in her locker. Then she kidnaps Jennifer and throws her in a car, then leaves her tied up as cars circle her. At that point, every snake in the city comes to Jennifer’s aid, killing everyone left and right in a scene of cathartic snake revenge right out of a Category III movie. At the end, Mrs. Calley is bit by a snake from her desk and Jennifer and Jane laugh.

Director Brice Mask was a Disney background artist and was produced Ruby. He wasn’t tired of ripping off Carrie, so we got Jennifer. This was written by the same writer, Steve Kranz, who was joined in the scripting by Kay Cousins Johnson, who was an actress before starting as a writer.

Originally released in 1978 by American-International Pictures, this kept playing drive-ins — 21st Century had it for a bit — even when it was playing on TV as Jennifer the Snake Goddess.

I love that it was called Horrible Carnage in France.