THE MOVIES OF AL ADAMSON: Blood of Ghastly Horror (1971)

Dr. Howard Vanard (John Carradine) implants a strange electronic machine into the brain of ‘Nam survivor Joe Corey (Roy Morton) who becomes a psychotic killer.

This is the same story that we saw in The Fiend With the Electronic Brain.

Joe Corey steals some diamonds and the jewels are thrown into the back of a pickup truck. They end up in a doll, which is taken by Linda and her daughter Nancy to a cabin. A cop saves them by shooting Joe and the villain falls off a cliff to his demise.

This is the same story that we saw in Psycho-A-Go-Go.

Seven years later, Dr. Vanard’s daughter Susan (Regina Carrol) begins to get psychic prank calls from Elton Corey (Kent Taylor) and his zombie Akro. Elton is the father of Joe and wants revenge on everyone connected with the death of his son. Sgt. Cross (Tommy Kirk) gets his partner’s head in the mail and tracks down the witch doctor mad scientist just in time to watch Akro kill Corey and die himself. Also, for some reason, they age Susan and turn her into a zombie but she gets better.

This is not the same story.

The Man With the Synthetic Brain, however, is pretty much the same story without all the nightclub moments. That was Sam Sherman’s version for TV.

I have a weird way of thinking about movies. If a major studio did this, I would be angry. But when it’s Independent-International, I am so pleased with their ingenuity.

SUPPORTER DAY: Little Mother (1971)

EDITOR’S NOTE: Today’s movie is brought to you by AC Nicholas, who has graciously become a Big B&S’er, a monthly supporter of the site and got to pick an entire week of movies. Would you like to have me write about the movies of your choice? It’s simple!

  1. Go to our Ko-Fi site and donate. There’s no set amount and I won’t tell you what to do. In fact, if you just keep reading for free, we can still be friends.
  2. Join as a monthly member for just $1. That makes you a Little B&S’er.
  3. As a Medium B&S’er at just $3 a month, if you pick a movie or a director, I’ll write about them for you. In fact, I’ll do one for each month you subscribe and even dedicate the post to you.
  4. For $5 a month, you basically get some major power. As a Big B&S’er, I’ll write an entire week on any subject you’d like. How awesome would that be? In fact, I’ll do it for every month you’re a member. Do you think any of your other movie sites will do that for you?

Is Radley Metzger the director you expected to make one of the first movies about the life of Evita Perón?

Yes, seven years before Andrew Lloyd Webber, he made a thinly disguised take on her life. Marina (Christiane Krüger) marries South American dictator Colonel Pinares (Siegfried Rauch) and becomes the Little Mother to a nation.

Also known as Woman of the Year, we move on to find Marina being asked to be put on the ticket as Pinares Vice-President for the next election he plans to prove that his country has open elections. Of course, she can easily sacrifice him to become the leader of the people. Even as she suffers from a fatal illness, she is plotting how to become immortal in the hearts of her followers.

Foreign releases didn’t even hint at the tone of this movie, calling it Blood Queen: The Story of Evita.

This is an attempt for Metzger to work in mainstream film and while not totally successful, there are still some strong images here and the daring chance to work on a film about Peron years before she was known outside of Argentina.

 

MILL CREEK THE SWINGIN’ SEVENTIES: The Young Graduates (1971)

Crown International Forever.

Directed by Robert Anderson* (Cindy and Donna), who wrote this with Terry Anderson and Dave Dixon, this movie starts off with high school senior Mindy Evans (Patricia Wymer, The Babysitter) dumping her boyfriend Bill (Gary Rist, who went on to compose the music for Lifepod) and hooking up with very married photographer and teacher Jack (Steven Stewart). He hasn’t had sex in, well, maybe years and as soon as his wife heads out of town, he gets with the much younger girl and of course, knocks her up. So she does the sensible thing and goes on a road trip with her best friend Sandy (Marly Holiday).

An early movie for Bruno Kirby and Dennis Christopher, this has the Crown house style of being a movie where nothing seems to happen for a long stretch of time. Usually that ennui is punctuated with blasts of violence or nudity, but this is a pretty friendly movie for them.

Instead, it has dune buggies, a drugged out biker gang, a hippie enclave and the requisite teenage trappings of 1971. It also has Terri Johnson, who was pretty busy in the early 70s. She’s a shower girl here, but shows up licking her lips during a Black Mass in Her Odd Tastes, a witch in Blood Sabbath, some adult loops and as an Amazon in Flesh Gordon. There’s also Kathy Hilton (If You Don’t Stop It… You’ll Go Blind!!!Invasion of the Bee GirlsThe Toy Box and also a witch in Blood Sabbath).

I enjoyed this, even when it was just long stretches of motorcycle chases or a gang beating up a hippie kid. It’s the small moments that make me happy and even the slowest and dumbest Crown International movie makes me happier than anything that’s going to be released this year.

*Not the Oscar winner, despite what Wikipedia tells you.

MILL CREEK THE SWINGIN’ SEVENTIES: They Call It Murder (1971)

Based on characters created by Erle Stanley Gardner, this was directed by Walter Grauman and written by Sam Roffe, who created Have Gun, Will Travel. The producers — Paisano Productions — had tried to launch a Doug Selby series for six years, while its series Perry Mason was popular. This is the only effort that came of all that hard work.

In the small town of Madison City, Doug Shelby (Jim Hutton) and Sheriff Brandon (Robert J. Wilke) have recently won the election pledging to keep the filth of neighboring Los Angeles out of their city. There’s also Chief Larkin (Ed Asner), who loves L.A. and a murder. That’s right — a body has been found in the pool at Jane Antrim’s (Jessica Walter) home. She that place with her disabled father-in-law Frank (Leslie Neilsen), a man who was put in a wheelchair by an accident. that also killed Jane’s husband Brian, who was also Frank’s son. For some reason, the insurance won’t pay up. And now that body isn’t drowned but has been shot twice, with two different bullets, in one entrance wound.

This is very Perry Mason, which makes sense, as Erle Stanley Gardner also created that character. Where his TV show was memorable, this movie, unfortunately, isn’t.

Don’t have the box set? You can watch this on YouTube.

MILL CREEK THE SWINGIN’ SEVENTIES: Maybe I’ll Come Home in the Spring (1971)

Denise Miller (Sally Field) has come home after a year of living with hippies. Her younger sister Susie (Lane Bradbury) is about to do the same thing. As for Denise, her boyfriend Flack (David Carradine) is driving across the country to save her from her family. And her parents Ed (Jackie Cooper) and Claire (Eleanor Parker) wonder where they went wrong.

Directed by Joseph Sargent (The Taking of Pelham One Two Three, Jaws: The Revenge) and written by Bruce Feldman, this reunites Field and Parker, as they played sisters in Home for the Holidays. If you think it’s odd that she’s her mother in this, well, Bradbury is her younger sister but is really eight years older than her.

This also has a Linda Ronstadt soundtrack, if that makes you want to watch.

Don’t have the box set? You can watch this on Tubi.

MILL CREEK THE SWINGIN’ SEVENTIES: Firehouse (1971)

Richard Roundtree — a star from Shaft making a TV movie a year later, was that a step back? — is Shelly Forsythe, a black firefighter bringing racial tensions to a firehouse. This is even worse when Spike Ryerson (Vince Edwards), the oldest firefighter, claims that an arsonist has to be black. The men include Val Avery as cook Sonny Caputo, Richard Jaeckel as Hank Myers, Michael Lerner as Ernie Bush and Andrew Duggan as Captain Jim Barr.

This was based on Report From Engine Company 82 by retired FDNYC firefighter Dennis Smith. Another thing you may catch — the firehouse for this movie would one day be the Ghostbusters’ building.

What’s strange is that this became a TV series with Richard Jaeckel the only cast member to appear in both the TV movie and the series. They dropped the black firefighter angle for the show when that’s the main reason we’re watching this.

To save money, most of the firefighting is newsreel footage. That said, the idea that Shelly has to fit in with racist co-workers, have the black community not think he’s an Uncle Tom and still not die in a fire are all great plot elements.

Firehouse was directed by Alex March (Serpico, Shane and Paper Moon — the TV shows) and written by Frank Cucci (The Andros Targets)

You can watch this on Tubi.

MILL CREEK THE SWINGIN’ SEVENTIES: Evel Knievel (1971)

Robert Craig Knievel was the hero of my childhood. After all, who else was brave, insane or dumb enough to attempt more than 75 ramp-to-ramp motorcycle jumps in his life, a life that should have ended way shorter than the 69 hellacious years that he lived on this planet with?

How does one become a daredevil? For Evel — who was given that name by a jail guard — it all started with rodeos, ski jumping and pole vaulting. Upon returning from the army, he started a semi-pro hockey team, the Butte Bombers. In one of their games, where they played against the Czechoslovakian Olympic ice hockey team, Evel was ejected from the game minutes into the third period and left the stadium. When the Czechoslovakian officials went to collect the money for playing, they learned that it had been stolen.

After the birth of his son, Evel started the Sur-Kill Guide Service, which was really just a front for poaching in Yellowstone National Park. He was arrested for this and then hitchhiked with a 54-inch rack of antlers the whole way to Washington to plead his case.

It was around this time that Evel decided to stop committing crimes — don’t worry, he kept up with them — and get into motorcycle riding. A broken collarbone and reading Success Through a Positive Mental Attitude led to Evel working for the Combined Insurance Company of America, a job he held for a few months until they wouldn’t promote him to vice president after a few months. Whew Evel! And then a failed Honda dealership led him to work for Don Pomeroy at his motorcycle shop, where the owner’s son Jim taught him how to do a wheelie.

This led Evel to do his first stunt show that he promoted entirely on his own, even serving as his own MC. He did a few wheelies and then jumped a box filled with rattlesnakes and mountain lions. This is where you either say, “This is stupid” or become fascinated. Me? How awesome is it to have a box filled with dangerous wildlife and decide to jump a motorcycle over it? Yep, this is why I was obsessed with Evel as a child.

This led to an obsession with jumping more things — like cars — and the unfortunate side effect of getting hurt nearly every time. He crashed around twenty times — huge, incredibly violent crashes — and his Guinness Book of World Records entry states he suffered 433 bone fractures by the end of 1975.

In Evel’s 1999 autobiography, he published this photo, which showed his many, many broken bones and injuries. You can learn more at http://www.stevemandich.com/evelincarnate/knievelinjuries.htm

Evel crashed at Caesar’s Palace. He crashed jumping Pepsi trucks. He crashed outside the Cow Palace. And then he started dreaming big — he wanted to jump teh Grand Canyon. Why? Take it from the man himself: “I don’t care if they say, “Look, kid, you’re going to drive that thing off the edge of the Canyon and die,” I’m going to do it. I want to be the first. If they’d let me go to the moon, I’d crawl all the way to Cape Kennedy just to do it. I’d like to go to the moon, but I don’t want to be the second man to go there.”

The government would never allow Evel to do this. It’s even a big part of this movie — just look at the posters. Finally, he’d jump Snake River Canyon, an event whose close circuit telecast bombed, almost bankrupting a young Vince McMahon Jr. before he even bought his father’s WWF. He used the Skycycle and nearly drowned when again he failed to make the jump.

A year later, Evel would crash again jumping thirteen buses in front of Wembley Stadium. After the crash, despite breaking his pelvis, Knievel made it to his feet and talked to the crowd, announcing his retirement: “Ladies and gentlemen of this wonderful country, I’ve got to tell you that you are the last people in the world who will ever see me jump. Because I will never, ever, ever jump again. I’m through.” Frank Gifford begged him to go out on a stretcher, but Evel said “I came in walking, I went out walking!”

Of course, Evel was a carnie and kept on pulling off stunts until 1977, when a Jaws-inspired leap broke both his arms and nearly blinded a cameraman.

The life of Evel is a complicated story to tell. On one hand, he was an entertainer, out there in a jumpsuit covered with stars and a cape. On the other, he was a man who believed in keeping his word and battling the evils of drugs (a Hell’s Angel threw a tire iron on stage during one of his jumps as he had often battled against the group for being drug dealers and he ended up putting three of them in the hospital). And on another hand, he lost his Ideal Toy and Harley Davidson endorsements when he went wild on Shelly Saltsman, a sports promoter, Hollywood producer and author of the book Evel Knievel on Tour, which alleged that Evel used drugs and abused his family. To get back at him, despite having two broken arms, Evel cornered him on the 20th Century Fox backlot and beat him unmerciful with a baseball bat.

When the news of Knievel’s attack came up on the news, Saltman’s elderly mother had a heart attack and died three months later. Evel got a six month work furlough and was ordered to pay $12.75 million in damages, money he never paid. After the stunt icon’s 2007 death, Saltman decided to sue his estate for $100 million US dollars with interest, but he never got a dime before he died in 2019.

As for Evel, even his death was an event. His packed funeral was presided over by Pastor Dr. Robert H. Schuller — who baptized Evel in 2007 at his Crystal Cathedral, which led to an influx of new parishioners — with Matthew McConaughey giving the eulogy. But first — there were fireworks. Before he died, Evel said that he “beat the hell out of death.”

I told you all that to tell you about this movie.

The film begins with Evel — played by George Hamilton — giving a speech directly to us, the viewer: “Ladies and gentlemen, you have no idea how good it makes me feel to be here today. It is truly an honor to risk my life for you. An honor. Before I jump this motorcycle over these 19 cars — and I want you to know there’s not a Volkswagen or a Datsun in the row — before I sail cleanly over that last truck, I want to tell you that last night a kid came up to me and he said, “Mr Knievel, are you crazy? That jump you’re going to make is impossible, but I already have my tickets because I want to see you splatter.” That’s right, that’s what he said. And I told that boy last night that nothing is impossible. Now they told Columbus to sail across the ocean was impossible. They told the settlers to live in a wild land was impossible. They told the Wright Brothers to fly was impossible. And they probably told Neil Armstrong a walk on the moon was impossible. They tell Evel Knievel to jump a motorcycle across the Grand Canyon is impossible, and they say that every day. A Roman General in the time of Caesar had the motto: “If it is possible, it is done. If it is impossible, it will be done.” And that, ladies and gentlemen, is what I live by.”

Then we get a movie version of Evel’s life. It was originally written by Alan Caillou, who played King Sancho in The Sword and the Sorcerer. Hamilton wanted John Milius to rewrite it. Upon reading the original script, he launched it into Hamilton’s pool and beat it with an oar. That meant that he was the new writer.

Milius would go on to say that he preferred the final product to many of the other films shot from his scripts. “They didn’t restrain it or tone it down, they shot the script. The guy is just as obnoxious and full of hot air as he was in the script. Just as full of life and vitality too. He’s Evel Knievel! He wouldn’t take a dime off of anybody.”

Hamilton would later tell Pop Entertainment, when asked about the film, “The thing about it is at that time Evel was not famous. When we made that movie he took a jump over the fountains and splattered. He had not become a Mattel toy at that time. I put a writer on it named John Milius – who [later] wrote Apocalypse Now. He was the best of the writers of that era. I got him to write the script for me. Then Milius made me read the script to Evel. I realized he was kind of a sociopath and was totally messed. Then all of sudden Evel started to adopt lines out of the movie for himself. So his persona in the movie became more of his persona in real life. He would have been every kid’s hero on one hand, but then he went and took that baseball bat and broke that guy’s legs and that finished his career in the toy business. Evel was very, very difficult and he was jealous of anybody that was gonna play him. He wanted to portray himself and he did go and make his own movie later on. He had a great perception of this warrior that he thought he was and that was good. Then he had this other side of himself where he’d turn on you in a minute. Success is something that you have earn. You have to have a humility for it, because it can leave you in a second. It may remember you but it can sure leave you. I think if you don’t get that and you don’t have gratitude for what you are and where you are it doesn’t come back and it goes away forever.”

Evel Knievel ends with our hero successfully making a jump at the Ontario Motor Speedway and driving to a dirt road that leads to the Grand Canyon — which is about 456 miles if you take I-40. Again, he looks right at the camera and says, “Important people in this country, celebrities like myself — Elvis, Frank Sinatra, John Wayne — we have a responsibility. There are millions of people that look at our lives and it gives theirs some meaning. People come out from their jobs, most of which are meaningless to them, and they watch me jump 20 cars, maybe get splattered. It means something to them. They jump right alongside of me — they take the bars in their hands, and for one split second, they’re all daredevils. I am the last gladiator in the new Rome. I go into the arena and I compete against destruction and I win. And next week, I go out there and I do it again. And this time — civilization being what it is and all — we have very little choice about our life. The only thing really left to us is a choice about our death. And mine will be — glorious.”

Sue Lyon, who debuted as Lolita in the film of the same name, plays Evel’s woman. She’d go on to be in all manner of movies that I could go on for hours about like End of the World and Alligator.

George Hamilton seems as far from the real Evel as you can get. But he was a carnie too, as Milius related that Hamilton was “A great con-man, that’s what he really is. He always said, “I’ll be remembered as a third-rate actor when in fact, I’m a first-rate con man.””

Evel made one more movie. You should watch it: Viva Knievel!

Don’t have the box set? You can watch this on Tubi. or download it on the Internet Archive.

MILL CREEK THE SWINGIN’ SEVENTIES: The Deadly Trap (1971)

Directed by René Clément, who wrote this with Daniel Boulanger, Sidney Buchman and Ring Lardner, Jr., The Deadly Trap is based on The Children are Gone by Arthur Cavanaugh.

Jill (Faye Dunaway) and her husband Philipe (Frank Langella) are Americans in Paris. Phillipe may just work in an office now, but he used to be in a spy group that wants one more mission. The lovely couple also is having issues, because Jill is losing her mind and thinks that Phillip is cheating on her. This isn’t helped when their neighbor Cynthia (Barbara Parkins) knows way too much. And oh yeah, she keeps blacking out, which nearly kills the kids in a car accident and then the little fellers suddenly go missing. The cops think the mom did it. Phillipe can’t reveal his past. And Jill keeps going bonkers.

Rex Reed said ”Rene Clement, the French Alfred Hitchcock, has sculptured a masterwork of suspense and human emotions that put sweat on my palms and kept it there.”

What movie did he see?

I kid, I kid. There are some effective moments here, particularly the car crash that sends kids and mother sailing into the street. But you have to wonder about a criminal or spy group that is dumb enough to just leave a gun out around some kids. Surely they know better. No, they don’t.

You can watch this on YouTube.

MILL CREEK THE SWINGIN’ SEVENTIES: Congratulations, It’s a Boy! (1971)

Directed by William A. Graham (Return to the Blue Lagoon, Change of Habit) and written by Stanley Z. Cherry, this movie finds Johnny Gaines (Bill Bixby) learning that he has a son named B.J. (Darrell Larson) whom he’s never known, all while he’s still sleeping with 16-year-olds. Or nearly sleeping with them, as his kid shows up right before his initials happen to his dad.

Johnny is still a boy, protected by his father Al (Jack Albertson) and mother Ethel (Ann Sothern) who are starting to wonder why their son doesn’t want to settle down with Edye (Diane Baker). Can Johnny settle down and become a father to the son he never knew while maybe not being someone who double books dates and tries to get his son drunk to go out with someone as his replacement?

Plus: Tom Bosley as Edye’s dad and Judy Strangis in the cast (she was Dyna Girl!).

Don’t have the box set? You can watch this on Tubi.

Spagvemberfest 2023: Trinity Is Still My Name (1971)

…continuavano a chiamarlo Trinità (They Still Called Him Trinity) is a sequel to, you knew it, They Call Me Trinity and was, for some time, the biggest Italian movie of all time.

It starts by reminding us that Bambino (Bud Spencer) and Trinity (Terence Hill) are as much the same as they are different. Bambino and Trinity both come across the same four men, they both steal their beans and eat them, but they do it in different ways. Bambino with his brawn and Trinity with his brains.

Those same four men follow the two of them back to their family home, where their mother Farrah (Jessica Dublin) robs them at gunpoint. Then, their father (Harry Carey, Jr.) acts as if he’s on his deathbed. He asks the brothers to get along, for once, and help each other be the best outlaws that they can be. The problem is that for as much of a scoundrel as Trinity is, he can’t not be a good person. And that keeps rubbing off on Bambino, even if it makes him angry that he has to go along with his little brother.

For example, they keep finding the same family in a stagecoach and have to help them and give them any money they’ve stolen. Even when challenged to a duel by Wild Card Hendricks (Antonio Monselesan), Trinity just keeps showing him how fast he is without killing him. This is after he’s surprised an entire saloon with his insane card sharp skills, showing off multiple shuffles and cuts of the deck.

An episodic movie to say the very least, this ends with the brothers helping some monks who have been taken over by criminals. My favorite part is in this scene, as Bambino spends an inordinate amount of time confessing his sins as a monk is shocked with every transgression.

Directed by Enzo Barboni, who wrote this with Gene Luotto, this would be the last official sequel until 1995’s Sons of Trinity. There are tons of retitled movies and ones that have Trinity in the name to watch until you get to that or you can watch Spencer and Hill in other films like Who Finds a Friend Finds a TreasureOdds and EvensCrime BustersDouble TroubleMiami Supercopsall the Way BoysTurn the Other CheekI’m for the Hippopotamus and Go for It.

You can watch this on Tubi.