EDITOR’S NOTE: Smokey and the Bandit Part 3 was on the CBS Late Movie on April 29, 1988.
I’m fascinated by the fact that at one point, this movie may have been called Smokey IS the Bandit. Articles at. the time said that the plan was to feature Jackie Gleason as both Smokey and the Bandit with the original version filmed from October 1982 to January 1983. Test audiences reacted poorly, finding Gleason playing both parts confusing, so reshoots were filmed in April 1983, with the Bandit scenes re-shot with Jerry Reed playing the role. That’s one story. Another is that Gleason was only Sheriff Buford T. Justice, but would become the Bandit when he took on the challenge of the Enos brothers. An early trailer for Smokey IS the Bandit had Gleason appear in character as Justice to explaining to audiences that to defeat the Bandit he would become his own worst enemy.
Why no Burt? He and Hal Needham were making Stroker Ace and after two of these movies, he seemingly had no interest.
According to Snopes, the jury is out on this story, but I want to believe. They cite Hick Flicks: The Rise and Fall of Redneck Cinema by Scott von Doviak, which states that no such movie exists or was even planned: “An urban legend persists (propagated by Leonard Maltin, among others) that Smokey and the Bandit 3 was originally filmed as Smokey IS the Bandit, with Gleason playing both title roles. After a disastrous test screening, Jerry Reed took over the role of the Bandit in reshoots, or so the story goes. In reality, it’s hard to believe this idea ever got past the pitch meeting, and not so much as a production still (let alone a full-blown bootleg copy) of the supposed original version of the movie has ever surfaced.”
However, the Ocala Star-Banner did report as the movie was being filmed, “As in the first two films, Texas Sheriff Buford T. Justice, played by Jackie Gleason, is hot on the tail of Bandit. This movie originally was titled Smokey Is the Bandit, with Gleason playing both roles, but that idea was scrapped and Jerry Reed, who played trucker Cletus Snow in the first two films, will play the Bandit and drive the black and gold 1983 Trans Am.” Similar articles appeared in trade papers in 1982.
There is also evidence of the trailer, mentioned above:
And there’s a photo of Gleason as the Bandit.

Finally, my last proof is that in May of 2016, a 114-page script for Smokey Is the Bandit was posted online. Written by Stuart Birnbaum and David Dashey, this was listed as the final draft and very similar to what was shot for the film, with no scenes of Jerry Reed, Gleason showing up as Bandit (who has no dialogue other than his giggle), Dusty Trails being a member of the Enos family and a very similar ending.

The Lost Media Wiki even has an image of a heavy-set stuntman playing Bandit and he looks just like Gleason, not Reynolds.

As for the movie that was really filmed, it was directed by Dick Lowry (Project: ALF, Archie: To Riverdale and Back Again, The Jayne Mansfield Story) and had eleven scripts from writers Stuart Birnbaum (Summer School, The Zoo Gang), David Dashev (The Fish Who Saved Pittsburgh) and Gleason, who had final script approval. He said of the story, “Why do we even need writers?” Keep in mind that Gleason was 67 at this point and had already seen a dead alien thanks to Nixon, if the rumors are to be believed. After all, he had a UFO-shaped house that he called The Mothership.
But I digress.
It all begins with Sheriff Buford T. Justice retiring. The Enos brothers (Paul Williams and Pat McCormick) make a bet with him, just as they did with the Bandit, but he turns them down, looking to relax. Yet even a few hours of retirement is too much for him, so he takes them up on their wager: $250,000 against his badge if he can transport a large statue shark from Miami, Florida to Austin, Texas.
Justice and his son Junior (Mike Henry) avoids all of their traps, so the Enos family hires Cledus Snow (Jerry Reed) to dress as Bandit, drive a similar car (Grandson of Trigger) and steal the shark back. He also picks up a girl named Dusty Trails (Colleen Camp) at a used car lot, just like the first movie, to help him.
The hijinks include a battle with bikers at the Gator Kicks Longneck Saloon, a chase through the Mississippi Fairgrounds, an orgy at the Come On Inn that ends with Buford being pursued by a muscular woman named Tina (Faith Minton) and Buford actually winning the bet. Then, he goes to arrest the Bandit and has his mind destroyed when he realizes it’s Cledus.
Let’s get deep. Buford and the Bandit come to the understanding that their lives have no meaning without one another. A Smokey. is nothing without his Bandit, so to speak. The Bandit — now Reynolds after a short, contracturally obligated cameo — drives off with Tina as Buford leaves his son behind.
To make this even stranger, in 1983, Gleason was also in The Sting II, a movie that didn’t have Robert Redford and Paul Newman. 1983 was the year of this, as Curse of the Pink Panther also came out berefit of Peter Sellers.
A good portion of this film is very Boogeyman II, as it repeats almost everything we’ve loved in the first two movies. This makes us judge everything we see after and what we find is lacking, despite how much we love the characters. Just like the speech at the end, we need Reynolds with Gleason. Otherwise, what’s the point?
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