GENREBLAST FILM FESTIVAL: Sins of a Werewolf (2020)

The GenreBlast Film Festival is entering its sixth year of genre film goodness. A one-of-a-kind film experience created for both filmmakers and film lovers to celebrate genre filmmaking in an approachable environment, it has been described by Movie Maker Magazine as a “summer camp for filmmakers.”

Over the next few days, I’ll be reviewing several movies from this fest, based in the Alamo Drafthouse Cinema in Winchester, Virginia. This year, there are 14 feature films and 87 short films from all over the world. Weekend passes are only $65 and you can get them right here.

Sins of a Werewolf (2020): Father Donovan (Paul Kennedy) gets bit by a werewolf and must confront so many things, from the fact that his violence has brought more people back to mass, that he’s bitten a man’s penis off and that the only way to escape this curse is to lose his virginity.

Made in Ireland by director and writer David Prendeville, this also has a great performance by Lalor Roddy, who was Paddy Barrett in Grabbers. In this, he plays the older priest Father Fox, who is more concerned with the fact that Donovan is uncircumcised than him coming home naked and covered in blood.

Despite the short running time and low budget, this movie goes places where other werewolf movies fear to tread. It’s a blast and could easily be a full-length film.

GENREBLAST FILM FESTIVAL: Sucker (2022)

The GenreBlast Film Festival is entering its sixth year of genre film goodness. A one-of-a-kind film experience created for both filmmakers and film lovers to celebrate genre filmmaking in an approachable environment, it has been described by Movie Maker Magazine as a “summer camp for filmmakers.”

Over the next few days, I’ll be reviewing several movies from this fest, based in the Alamo Drafthouse Cinema in Winchester, Virginia. This year, there are 14 feature films and 87 short films from all over the world. Weekend passes are only $65 and you can get them right here.

Sucker (2022): Two sisters — Sam (Sophia Capasso, East Enders) and Caitlin (Annie Knox) — end up battling one another as a leech creature begins to influence and control them both from within. Is it a metaphor for how real world events cast a wedge between families or just an opportunity to have horrifying creatures and no small amount of muck, bile and whatever fluids can be spit and puked up?

I mean, in a perfect world and in a great movie — like this short — it can be both.

Director and writer Alix Austin has done just about every job you can in film — acting, directing, producing, on the crew, second unit, casting, editing, writing and more — and if this film is any indication, we’ll soon be seeing a lot more of her talented work.

GENREBLAST FILM FESTIVAL: GUTS (2021)

The GenreBlast Film Festival is entering its sixth year of genre film goodness. A one-of-a-kind film experience created for both filmmakers and film lovers to celebrate genre filmmaking in an approachable environment, it has been described by Movie Maker Magazine as a “summer camp for filmmakers.”

Over the next few days, I’ll be reviewing several movies from this fest, based in the Alamo Drafthouse Cinema in Winchester, Virginia. This year, there are 14 feature films and 87 short films from all over the world. Weekend passes are only $65 and you can get them right here.

GUTS (2021): Chris McInroy is the director of Bad Guy #2, Death Metal, We Summoned A Demon and the segment “One Time In The Woods” in Scare Package and if you’ve seen that, you have some idea of just how bloody and brilliant this short is going to be.

GUTS is all about Tim, who is in love with a girl in his office, wants a promotion and has to deal with all manner of bullies during his day because, well, his guts are on the outside of his body.

Do not watch if you are grossed out by guts, eating guts, drinking guts, eyeballs ala Fulci, whittling awards killing people, spraying blood, ooze, gristle, gore, more guts and fun. I almost puked at one point and I thought I had a cast iron stomach, so Mr. McInroy, you can consider that a standing ovation.

Hunt this down, find it and fall in love. Or throw up. I mean, either way, you’re living, right?

CANNON MONTH 2: Honky Tonk Freeway (1981)

EDITOR’S NOTE: Honky Tonk Freeway was not produced by Cannon. It was, however, released on video in Germany by Cannon Screen Entertainment.

Honky Tonk Freeway was one of the most expensive box office bombs in history, losing Thorn EMI between $11 million and $22 million dollars. Before this movie, they had purchased the Associated British Picture Corporation and their facilities at Elstree Studios. By 1986, they would sell their film production and distribution side known as Thorn EMI Screen Entertainment, Thorn EMI Video) ABC Cinemas to businessman Alan Bond. Bond, who would sell it to Cannon a week later.

A year after that, Cannon sold most of the film library to Weintraub Entertainment Group and their stake in Thorn EMI video — which is what we know as HBO/Cannon Video — to HBO.

British producer Don Boyd had the idea for this movie and he was going with what he thought the U.S. was like versus what it really was all about. Along with writer Ed Clinton, they traveled America for nine months, then came back and wrote the script. John Schlesinger (Midnight CowboyMarathon Man) was hired as director and there was no limit placed on the budget, which would come back to haunt the production.

The movie takes place in Ticlaw, Florida where mayor and religious leader Kirby T. Calo (William Devane) owns a hotel and tiny wildlife safari park with a star elephant known as Bubbles. The state is building a highway and won’t give the town an off-ramp, so the entire city paints itself pink.

The rest of the movie is a rambling episodic story of the many people coming to town, like Eugene and Osvaldo (George Dzundza and Joe Grifasi); copy machine repairman and aspiring children’s book author Duane Hansen (Beau Bridges); a waitress named Carmen Odessa Shelby (Beverly D’Angelo), who is carrying her deceased mother’s ashes to Florida; Snapper and his messed up family of his wife Ericka and kids Delia and Little Billy (Howard Hesseman, Teri Garr, Jenn Thompson and Peter Billingsley); Sisters Mary Magdalene and Mary Clarise (Deborah Ruse and Geraldine Page); an elderly couple (Hume Cronyn and Jessica Tandy; is this a prequel to Coccoon?); a county singer named T.J. Tupus (Paul Jabara) with a rhino and David Rasche, Daniel Stern, Jeffrey Combs and tons of other character actors all show up too.

Two thousand extras and artists in Mount Dora, Florida were paid around $35 per day to appear in the film, as well as paint their entire town pink. All of the main street businesses were paid $100 a day to allow filming outside their stores. It’s one of those big movies they don’t seem to make anymore outside of CGI superhero stuff.

And then the movie was released, it disappeared.

EMI had sold the ancillary rights to German investors in need of a tax loss to try and make back all the money they lost making it. When the movie’s distributors learned about that, they were no longer financially motivated to distribute it.

So one week and done.

This movie is like Nashville if Robert Altman wasn’t any good. At least it has a waterskiing elephant.

GENREBLAST FILM FESTIVAL: Smile (2021)

The GenreBlast Film Festival is entering its sixth year of genre film goodness. A one-of-a-kind film experience created for both filmmakers and film lovers to celebrate genre filmmaking in an approachable environment, it has been described by Movie Maker Magazine as a “summer camp for filmmakers.”

Over the next few days, I’ll be reviewing several movies from this fest, based in the Alamo Drafthouse Cinema in Winchester, Virginia. This year, there are 14 feature films and 87 short films from all over the world. Weekend passes are only $65 and you can get them right here.

Smile (2021): Six minutes, two characters and incredibly unsettling, Smile is a simple metaphor for depression told in an incredibly stunning way.

Anna (Konstantina Mantelos, who was in one of my favorite recent horror films, Anything for Jackson) is the only human we see in this movie — we hear Ashley Laurence (Kristy from the Hellraiser films) as the voice of her mother — and we’re with her as she struggles to smile and then deals with Moros (Tyler Williams), who in Greek mythology is the living and personification of impending doom and a demon destroys mortals fated to die.

Director and writer Joanna Tsanis has made several shorts, but this is the first of her work that I’ve seen. She also has the benefit of great cinematography by Jason Han and magical special effects makeup by Carlos Henriques.

GENREBLAST FILM FESTIVAL: Pretty Pickle (2022)

The GenreBlast Film Festival is entering its sixth year of genre film goodness. A one-of-a-kind film experience created for both filmmakers and film lovers to celebrate genre filmmaking in an approachable environment, it has been described by Movie Maker Magazine as a “summer camp for filmmakers.”

Over the next few days, I’ll be reviewing several movies from this fest, based in the Alamo Drafthouse Cinema in Winchester, Virginia. This year, there are 14 feature films and 87 short films from all over the world. Weekend passes are only $65 and you can get them right here.

Pretty Pickle (2022): Samuel (Brennan Urbi) is getting closer to his girlfriend Samantha (Whitney Masters). And in between all the great sex — she’s GGG for more than even he may be ready for — he wonders what she’s all about. I mean, we all have our strange little things and part of the new relationship journey is discovering and living with those quirks. So after Samuel hacks her iPhone by getting her Netflix password, he starts looking through her private photos. Mostly, it’s photos of Larry the cat (played by a cat named Captain Pancakes, who has his own IMDB, Facebook and web pages). But then he finds something else.

Director and writer Jim Vendiola has made something strange and wonderful here. This is something I’ve never had happen to me and I thought I had truly seen it all. I guess now I have. Wow — you can still be shocked.

CANNON MONTH 2: What Waits Below (1984)

EDITOR’S NOTE: What Waits Below was obviously not produced by Cannon, but they did release it in Germany as Cannon Screen Entertainment.

Also known as Secrets of the Phantom Caverns, this Sandy Howard-produced movie was made in a former limestone quarry and in natural caves, including Cathedral Caverns in Alabama and Cumberland Caverns and Fall Creek Falls in Tennessee.

According to the August 23, 1983 edition of the Miami Herald, carbon monoxide produced by the generators used to power the lights and filmmaking equipment built up in the Cathedral Caverns location and sent at least 17 people, including director Don Sharp (Psychomania) to the hospital.

Or maybe it was more, as star Lisa Blount (Prince of Darkness) remembered in an interview with Imagi Movies, “All the extras, as the Lemurians, were out in front of me, and I watched all these people just start silently falling over, fainting, as this wave of carbon monoxide came at them. All hell broke loose. We had little golf carts for transportation, and it was an immediate emergency situation of getting out, but these carts didn’t go that fast. We had very sick people, and it was a matter of determining who got in the first car out — youngest ones first. It was just total chaos. There were sixty people who went to the hospital.”

That may have been more exciting than this movie, in which a military communication device used to alert submarines ends up losing its signal in a cave in Central America. The military sends Major Elbert Stevens (Timothy Bottoms) and scientist Leslie Peterson (Blount) to learn what happened. That’s when things go all Shaver mystery and Lemurians — albino cave people show up. But are they heroes or villains? Are we the heroes or villains? And hey — Richard Johnson (Zombi 2) shows up!

Based on a story by Freddie Francis, the script was written by Robert Vincent O’Neil (the same guy who made the Angel movies!) and Christy Marx (the same woman who created JEM and the Holograms!). The tagline for this movie was “Underground, no one can hear you die.” Alien this is not.

This looks like a TV movie in the best of ways and I kind of love it for how completely stupid it is. I mean, the military supercomputer is a Commodore 64 with the logo taped over. If that makes you want to watch this, you are my kind of person.

GENREBLAST FILM FESTIVAL: Blood of the Dinosaurs (2021)

The GenreBlast Film Festival is entering its sixth year of genre film goodness. A one-of-a-kind film experience created for both filmmakers and film lovers to celebrate genre filmmaking in an approachable environment, it has been described by Movie Maker Magazine as a “summer camp for filmmakers.”

Over the next few days, I’ll be reviewing several movies from this fest, based in the Alamo Drafthouse Cinema in Winchester, Virginia. This year, there are 14 feature films and 87 short films from all over the world. Weekend passes are only $65 and you can get them right here.

Blood of the Dinosaurs (2021): Once, we went to a Mystery Spot and after we walked toward the center of the room, it kept pushing us into the walls and I was young and trying to hold my mother’s hand and it made me cry. Then, we all got on a train and it went through a forest and animatronic dinosaurs appeared and the driver told us to reach under our chairs for guns to kill the rampaging lizards and I yelled and ran up and down the length of the train begging for people to stop and that we needed to study the dinosaurs and not kill them. This was not a dream.

Another story. I was obsessed with dinosaurs and planned on studying them, combining my love of stories of dragons like the Lamprey Worm with real zoology, but then nine-year-old me learned that they were all dead and I had to face mortality at a very young age which meant I laid in bed and contemplated eternity all night and screamed and cried so much I puked. This is also a true story.

The Blood of DInosaurs has Uncle Bobbo (Vincent Stalba) and his assistant Purity (Stella Creel) explain how we got the oil in our cars that choke the planet but first, rubber dinosaurs being bombarded by fireworks and if you think the movie gets boring from here, you’re so wrong.

Can The Beverly Hillbillies become ecstatic religion? Should kids have sex education? Would the children like to learn about body horror and giallo? Is there a show within a show within an interview and which reality is real and why are none of them and all of them both the answer? Did a woman just give birth to the Antichrist on a PBS kids show?

This is all a preview of Joe Badon’s full film The Wheel of Heaven and when I read that he was influenced by the Unarius Cult, my brain climbs out of my nose and dances around before I slowly strain to open my mouth and beg for it to come back inside where it’s wet and safe.

Badon co-wrote this film’s score and screenplay with Jason Kruppa and I honestly can’t wait to see what happens next. Also: this was the Christmas episode of Uncle Bobbo so I can only imagine that this was him being toned down.

GENREBLAST FILM FESTIVAL: Tistlebu (2022)

The GenreBlast Film Festival is entering its sixth year of genre film goodness. A one-of-a-kind film experience created for both filmmakers and film lovers to celebrate genre filmmaking in an approachable environment, it has been described by Movie Maker Magazine as a “summer camp for filmmakers.”

Over the next few days, I’ll be reviewing several movies from this fest, based in the Alamo Drafthouse Cinema in Winchester, Virginia. This year, there are 14 feature films and 87 short films from all over the world. Weekend passes are only $65 and you can get them right here.

Tistlebu (2022): Shot at the folk hotel Nordigard Blessom in Vågå, which is near the Jutulporten “The Troll Gate,” Tistlebu is all about a young urban couple who decides that a working vacation at the Tistlebu farm will help them better connect with nature. Well…nature really becomes connected to them.

A dark and moody folk horror film, Tistlebu could easily have been two hours longer and I would have stick with every moment. Director Simon M. Valentine, who also wrote the script with Alexander Delver, has crafted something unreal in all the very best of ways here.

In the folk tale of the Jutulen and Johannes Blessom, Johannes is told not to look back as the gate opens to the world of fantasy.He refuses to listen, turns and his neck is always crooked for the rest of his life. Perhaps the young couple in this, Sanna (Sacha Slengesol Balgobin) and Karl (Sjur Vatne Brean) should have just stayed unawares in the city, far from where the rules of reality no longer apply.

Tistlebu is a gorgeous film with images that will stick with me for some time.

GENREBLAST FILM FESTIVAL: Nasty (2022)

The GenreBlast Film Festival is entering its sixth year of genre film goodness. A one-of-a-kind film experience created for both filmmakers and film lovers to celebrate genre filmmaking in an approachable environment, it has been described by Movie Maker Magazine as a “summer camp for filmmakers.”

Over the next few days, I’ll be reviewing several movies from this fest, based in the Alamo Drafthouse Cinema in Winchester, Virginia. This year, there are 14 feature films and 87 short films from all over the world. Weekend passes are only $65 and you can get them right here.

Nasty (2022): A very simple premise: “The weird girl in class invites the hottest guy in school to her fruity dinner party.”

Paige Dillon’s Nasty, however, looks incredible and if you’re someone who doesn’t like to watch people eat, it’s going to upset you to no end.

There are gross meals, bloody teeth, pears being turned into sacrificial Mr. Potato head-type beings, food going on peoples’ faces, food spit into peoples’ faces and a horrific final repast. Maybe save your meal until way after.

In her director’s statement, Dillon said, “On set, we finished shooting early and laughed all day. Everyone walked away having had one of their best student-set experiences. I am so proud of myself for cultivating an environment that was simultaneously productive and fun; everything I believe filmmaking should be.”

While the end to this feels too fast from the set-up, I definitely think this deserves more time. I’m looking forward to seeing what comes next.