Back in Drive-In Asylum #8, I wrote about “John Carradine vs. Mil Mascaras” and this movie is the film where it happens.
Carradine had sold everything he owned to start a traveling Shakespeare actor’s company and when it folded, he was penniless, which led to the kind of roles that we love him in. In fact, the actor would get to go wild in these parts unlike any straight films he’d made. He’d make several movies in Mexico such as Diabolical Pact, Enigma de Muerte, Autopsy of a Ghost and La Señora Muerte, but this time, he’s a vampire!
A Transylvania Airlines plane has crashed in Mexico. bringing Aura to the country — all of the male vampires are dead — and into competition for leadership of the vampire women with Dracula’s widow Countess Véria. They’re also biting luchadors and using them as henchmen, which puts Mil on their trail.
Meanwhile, the women have Count Branos (Carradine). Once he was such a powerful vampire that he was the man who taught Dracula. Yet now, after a vampire hunter put a stake through his brain instead of his heart, he’s become a moronic and sad man, crying in a cage and dreaming of the days when he ruled the world of the undead.
Yet its a ruse, as Véria sacrifices her own life to make him powerful again and man, Carradine goes absolutely wild in the role as an unbound master vampire. Sure, it’s all the way at the end of the movie, but man, it’s great.
Also: a car runs Mil off the road and it’s driven by bats. By bats!
Even better, this movie starts off as all Carradine movies should, with him speaking directly to the camera. All movies should start this way.
You can watch this on YouTube.