This is one assignment that I enjoy and don’t mind re-reviewing, even though we reviewed it before, back on April 19. 2019, as well as including it as part of our “Drive-In Friday: Slobs vs. Snobs Comedy Night” feature.
Because we love Deborah Foreman as much as we love innocuous ’80s comedies. So, for its inclusion on its first Mill Creek set, in this case, their Excellent Eighties set, we’re taking another crack at it. Granted, it’s not all very good, but it’s better than most of the lost ’80s comedies of the Mill Creek sets we’ve unpacked this February.
Not only have we watched My Chauffeur more than once — the same goes for Deborah’s work in Valley Girl, April Fool’s Day and Waxwork. Again, swoon, Deborah Foreman. She recently popped back up in 2020’s Grizzly II: The Revenge. And they should have given her a bigger part — beyond a walk on — in the abysmal 2020 Valley Girl remake — which should not exist. And now that’s she back, Lifetime and The Hallmark Channel needs to put Deborah on the shortlist for their films. I can attest for Sam, as well as myself, that we would watch everyone of them. Yes, even the Hallmark ones. All for the love of Deborah Foreman.
Look, women wearing a man’s suit — going back to Diane Keaton setting the tone in Woody Allen movies — is hot. So our hormones run a wee-bit hot when Deborah Foreman slips into a tux and heels. For she really was the “New Wave Carole Lombard crossed with Shirley MacLaine.” And she never broke through. And instead, we got Jennifer Anniston, who is only Jennifer Anniston by way of her celebrity marriage to Brad. If not for that, Jen would be in Courtney Cox land with the rest of the who-cares Friends cast. At least Deborah Foreman can stand tall on talent alone.
Anyway, Deb is Casey Meadows, who comes to work as a limo driver for Brentwood Limo Services. Brentwood is the “golf course,” if you will — since all ’80s comedies lead back to Caddyshack. Howard “Dr. Johnny Fever” Hesseman runs and E.G Marshall from Creepshow owns Brentwood. And Hesseman’s McBrider hates Casey. The other drivers hate Casey, since, well, driving is a “man’s job.” They even set her up for failure with a troublesome rockstar — and she pulls though and makes the client happy.
Along the way, love blooms between Foreman’s commoner driver and E.G’s son played by Sam “Flash Gordon” Jones — on his way to the late ’80s post-apoc slop that is Driving Force and the early ’90s Basic Instinct wannabe that is Night Rhythms. Penn and Teller show up. Linnea Quigley (still at it in The Good Things Devil’s Do) shows up. Oh, and there’s some shenanigans with an oil shriek that gets Casey fired. And all the loose ends between all of the characters ties up nicely, even though how everyone is “connected” is a wee-bit incestuous. But that was “comedy” in the ’80s.