Instead of a luchador, 1967’s Rocambole Las Mujeres Amplas pits the superhero* against a mad scientist who has turned several women ugly and will only make them beautiful again if they do his bidding. I’m not a megalomaniacal mastermind, but that’s a pretty unique plot.
Director Emilio Gómez Muriel made seventy-seven movies, incuding La Ladrona, Blue Demon: Destructor of Spies, the Neutron movies and Sangre en El Ring.
Gilda Mirós, who is one of the women brought into this plot, also went up against El Santo in Santo el Enmascarado de Plata contra Invasión de Los Marcianos and Blue Demon in Blue Demon y Las Invasoras. Regina Torné would get involved in a similar plot, with her beauty destroyed and only an evil scientist played by John Carradine — trust me, if a doctor played by John Carradine offers to help you, you’re in a bad way — in La Señora Muerte, which is awesome.
So why does Rocambole not look anything like he has in any movie ever? I blame Bat-Mania. I mean, just look at the poster for the sequel to this one, Rocambole contra La Secta del Escorpion.
*Rocambole is a French superhero who started as a master thief and then went to the India where he gained mystic powers and a group of adventurers who he leads from the shadows, like, well, The Shadow. According to Cool French Comics, Rocambole bridges the gap between “old-fashioned gothic novel to modern heroic fiction, in the sense that it created and virtually defined all the archetypes of modern super-heroes and super-villains.”