Back in 1992, the news cycle was dominated by Amy Fisher, a sixteen-year-old girl who had an affair with auto mechanic Joey Buttafuoco, the auto mechanic who had continually fixed her car. As their affair reached its close, she ended up heading to his wife’s house and shot her in the head twice.
Somehow, Mary Jo Buttafuoco survived and Fisher was named as the suspect, serving seven years in prison. In the pre-Twitter era, this was all people talked about in person, in the papers and on the relatively new idea of 24/7 news.
Back then — 28 years ago feels like a lifetime — three TV movies were made telling the story. This is what happened back then — news didn’t burn out in hours and we got to watch made-for-TV versions of stories ripped from the headlines. The three films were Amy Fisher: My Story with Noelle Parker in the lead (NBC, December 28, 1992); Casualties of Love: The “Long Island Lolita” Story had Alyssa Milano as Fisher and Lawrence Tierney as Joey’s father (CBS, January 3, 1993) and The Amy Fisher Story with Drew Barrymore (airing the same night on ABC). Of the three, the Barrymore version was considered the best — all things considered — and earned the highest ratings.
Now, writer and director Dan Kapelovitz (The Three Geniuses: The Re-Death of Psychedelia, the short Amazing Angelyne and the upcoming 48 Hrs. Literally) has taken all three films and remixed them into one overlapping narrative. Much like trying to combine the story of Fisher from The National Enquirer, The Examiner, The New York Post, Inside Edition, Hard Copy and Star Magazine and creating your own version of what really happened inside your head, the Rashomon-esque overlayering of these films.
What is the real story of Amy, Joey and Mary Jo? Is it the one that played out in the media, including brutal back and forth moments on The Howard Stern Show? Was it in the tabloids that I devoured? Or did these movies tell the right story? Is there a right story? Can multiple people play multiple roles in multiple movies and all combine to tell one story that has numerous touchpoints that are told through multiple lenses and points of view?
I don’t have the answers, I just like watching movies.
As someone who has never been a sixteen-year-old girl in love with a Zubaz wearing older man — confession time! — I can’t really understand why Amy did what she did. But I do know that love makes you do things that money, obligation and duty can never match. I’ve also never had a woman eat a pizza in a sexual way while looking at me. And I have no idea if that’s actually possible.
This movie makes me happy for repetitive drug tracks, for protagonists doing blow while cops trail them then a race through a cemetery pausing only to kneel on your mothers grave, for beepers, for fake Long Island accents, for Le Barons, for dudes swept up in killing the wives of boyfriends because they’re also having sex with the girl, for made-up movies that aren’t nearly this convoluted and for the fact that this exists at all, while hair metal ballads blaring while three different Amys shoot three different Mary Jos and three different Joeys have no idea what to do. That doorbell keeps on ringing over and over and over and as all three wives approach all three doors to confront all three mistresses, I find myself asking myself, “What is truth?”
The answer? As Joey tells Amy when she asks what their future is going to be, “It’s whatever you want it to be.”
I got to see this via AGFA and Fantastic Fest, which presented it in a limited edition stream through the Alamo Drafthouse. It was worth every minute. To learn where it may play some day again, you can learn more at the official site or read more about the film at AGFA’s site.