Black Noon (1971)

Bernard L. Kowalski has a decent horror pedigree, directing Night of the Blood BeastAttack of the Giant Leeches, Krakatoa: East of JavaTerror in the Sky and Sssssss. Here, he puts the terror on a slow boil and puts Reverend John Keyes (Roy Thinnes, constantly battling the occult) and his wife Lorna (Lynn Loring, The Horror at 37,000 Feet) against an unseen force bedeviling a small Western town named San Melas. There’s voodoo, devil worship and a mute young girl and a gunslinger possessed by the Left Hand Path. Ray Milland shows up, proving that Old Hollywood is never to be trusted. Plus, there’s Gloria Grahame (Blood and Lace), Henry Silva (Almost HumanMegaforce, the epic Escape from the Bronx), stuntman Stan Barrett, Joshua Bryant (Salem’s Lot), a young Leif Garrett (Thunder Alley) and Jodie Foster’s brother, Buddy. This 1970s made-for-TV horror neglects the Old West, so it is a strange film to start with. Then again, it also plays the Troll 2 trick of a town with a backward name and a connection to witches, but it doesn’t telegraph that. The ending—which moves to 1971—more than makes up for the slow-moving last 68 minutes. I love dreamy TV movies that take forever to get anywhere.