2024 Scarecrow Psychotronic Challenge Day 28: Timer (2009)

28. COUNTDOWN TO OBLIVION: Watch a race-against-timer. Oh, the tension…

Before WandaVision and Agatha All Along, Jac Schaeffer directed, wrote and produced Timer, a film about a wrist implant that counts down to the day when the wearer will meet their soulmate.

Oona (Emma Caulfield) has a blank Timer, which means that her soulmate is not wearing one. Her stepsister and roommate Steph (Michelle Borth) has been told by hers that she won’t meet the right person for 15 years, so she works at an old folks home by day and a bar at night, actively being rude to everyone she meets so she doesn’t start dating the wrong person. As for their sixteen year old brother Jessie, his works immediately and he’s told that he’s to be with the daughter of their family’s housekeeper.

Oona meets Mikey (John Patrick Amedori), a much younger man who works in a grocery store and plays in a band. She decides to just have fun with him until either or their timers goes live, while Steph meets Dan (Desmond Harrington), whose wife died three years ago. She’s sure he’s perfect for Oona, but she doesn’t know that she’s falling for him herself.

I really liked the romance between Oona and Mikey, even though its somewhat doomed.  Oona and Steph share a birthday and decide to remove their Timers, but Oona’s goes off, telling her that she will find her soulmate tomorrow. It ends up being Dan, which causes the sisters to argue. Oona finds Mikey and tries to tell him that the results don’t matter, but he says that they do. The next day, she sees Dan running on the same track that she does and they promise to see each other.

I really enjoyed this. JoBeth Williams is wonderful as the mother of the women, while the idea that Oona and her mother both are attracted to musicians bonds them. I didn’t, however, like the ending, which seems to subvert everything that the characters have learned throughout the movie. Everyone is so likeable that I was rooting for something different; maybe that’s a mark of how good these characters are written.

You can watch this on Tubi.

2024 Scarecrow Psychotronic Challenge Day 25: G.I. Joe: The Rise of Cobra (2009)

25. ICONOCLADS: Features a character that you have dressed up as for Halloween.

It’s been 15 years and I am still angry about this movie.

Beyond my obsession with film, I am a lifelong G.I. Joe collector. Yes, the first night my later wife stayed at my house, she had to walk through a hallway of HISS tanks and I was unashamed to show her my collection of Cobra troops.

To answer the challenge for this film, yes, I have dressed as Cobra Commander.

There are two worlds of G.I. Joe. There’s the cartoon series, which nearly everyone knows, in which lasers never kill anyone. And then there’s the Marvel comic, written by Larry Hama, in which death is a very real fact that these soldiers face every day. It’s also how my brother learned how to read, as he has dyslexia and my mother would read the comic with him almost every night.

G.I. Joe is more important than just a toy line or a room in my basement where I have an aircraft carrier. It was a big deal to me that my pacifist parents allowed me to have military toys, but once there were ninjas and my mother realized the subversive nature of the file cards and comics that Hama wrote, I went all in on this toyline. It was a way of me meeting people from places I’d never seen and embracing a team that had all races, creeds and genders. Before diversity was a buzzword, G.I. Joe had already done it.

For years, a movie had been discussed. Sure, there’s the animated film in which Cobra Commander becomes a snake — “Once a man!” — but a live action movie. Directed by Stephen Sommers from a screenplay by Stuart Beattie, David Elliot and Paul Lovett, the 2009 movie would explain how Duke (Channing Tatum) became part of the Joe team and how Military Armaments Research Syndicate would give way to Cobra.

Immediately, as a total geek, I didn’t like this. MARS is Destro’s company and in the classic continuity, he sells weapons to both sides. That’s why his family wears the silver masks, as it symbolizes the fact that one of the earliest members of the McCullen family was caught selling weapons to both sides of the Wars of the Three Kingdoms by Cromwell’s men. That’s way cooler than the cartoon, which in the episode “Skeletons in the Closet,” the legend is told that one of Destro’s ancestors was accused of witchcraft and forced to wear a silver mask. Ever since, the family has defiantly worn similar masks.

I was trying to keep an open mind, though.

Duke — Conrad Hauser — and Ripcord (Marlon Wayans) — Wallace Weems — are guarding four nanotech enabled warheads sold by MARS and Destro (Christopher Eccleston) when they’re attacked by Anastascia “The Baroness” DeCobray  (Sienna Miller).

A sidebar: As a yinzer, I am duty ordered to remind you fuck Sienna Miller for saying, “Can you believe this is my life? Will you pity me when you’re back in your funky New York apartment and I’m still in Pittsburgh? I need to get more glamorous films and stop with my indie year,” and calling the Steel City Shitsburgh in a Rolling Stone interview. And now she’s playing the reason why I have always dated women with glasses?

They meet General Clayton “Hawk” Abernathy (Dennis Quaid), Shana “Scarlett” M. O’Hara (Rachel Nichols), Abel “Breaker” Shaz (Saïd Taghmaoui), Snake Eyes (Ray Park) and Hershel “Heavy Duty” Dalton (Adewale Akinnuoye-Agbaje) and go to The Pit, the Joe’s center of operations.

This is all well and good until the movie decides to give the Joes cyborg suits that let them run faster and jump high. It’s like they’re making a movie from a whole different property. And then, despite a Storm Shadow (Lee Byung-hun) and Zartan (Arnold Vosloo) that aren’t all that bad, we learn that Cobra Commander is Rexford G. Lewis, also known as The Doctor, also the Baroness’ brother, also Joseph Gordon-Levitt. Also: Duke and the Baroness almost got married a long time ago when she was just Ana Lewis.

Instead of the comic hood that the creators of this movie found too reminiscent of the Ku Klux Klan, Cobra Commander would have prosthetic makeup under a mask.

I knew all of this going in, but I could not be prepared for what I received.

And look, I know this should be a kid’s movie, but you know how people flip out over religious-themed movies that get it wrong? This is that for me.

At least it wasn’t the early script that had Scarlet married to Action Man and no Cobra. Or the idea that they were based in Brussels and the name meant Global Integrated Joint Operating Entity.

If you think I hated this, the cast disliked it even more. Eccleston stated, “Working on something like G.I. Joe was horrendous. I just wanted to cut my throat every day.” Tatum only made the movie to fulfill a contract. And Miller said, “The whole thing was a bit of a disaster from start to finish.”

When the sequel, G.I. Joe: Retaliation, was released, Duke died in the first few minutes. I saw that in a room full of wild Joe fans and nervous Hasbro execs and man, you’ve never seen a group of people run from an audience instead of doing a Q and A after a movie.

And yes, that is Brendan Fraser as Sgt. Stone, not the G.I. Joe Extreme or Sigma Six character, but a descendant of Rick O’Connell, the hero from The Mummy that was played by Fraser.

This movie reminds me of the pre-MCU comic movies, where executives and filmmakers did whatever they wanted instead of using the source material in the comics. At least Hama got a paycheck as a story consultant.

Both of those movies and the delay to add 3D for the second, led to multiple years of no G.I. Joe product on the shelves. I always said about these movies, “At least I get new toys.” These were so bad that I didn’t get anything new for five years.

At least this wasn’t G.I. Joe Origins: Snake Eyes.

2024 Scarecrow Psychotronic Challenge Day 19: Air Doll (2009)

19. VIDEO STORE DAY: This is the big one. Watch something physically rented or bought from an actual video store. If you live in a place that is unfortunate enough not to have one of these archival treasures then watch a movie with a video store scene in it at least. #vivaphysicalmedia

Based on the manga Kuuki Ningyo by Yoshiie Gōda, Air Doll was directed and written by Hirokazu Kore-eda. It’s about Nozomi (Bae Doona, The Host), a sex doll that comes to life after being the possession of Hideo (Itsuji Itao) who treats her as if she were his wife, coming home each night to cook for her and bathe her before making love to her.

One day, she comes to life, dressing herself in her French maid costume and heading out into the world. She decides to work in a video store, where she falls in love with Junichi (Arata) after he discovers that she has cut herself and is deflating. Once Hideo learns that she has become real, he wants nothing to do with her. He prefers the lifelessness of a doll, as humans annoy him. This crushes her.

She tries to have the same relationship with Junichi, who wants to deflate and inflate her as a way of lovemaking. As he sleeps, she tries to do the same to him, but doesn’t understand that when he’s cut, he bleeds, and that she can’t fix the damage. He dies and she leaves him in the trash before deciding to end her life. As her body lies in the garbage, a young girl leaves a baby doll for her to hold.

There’s a great moment in this where Nozomi meets her creator (Joe Odagiri) who has a room full of his creations that have come back damaged. She asks what happens and he says he keeps them as long as he can before he must throw them away.

Perhaps I am somewhat relating to this film, as Junichi tries to teach her about life by the movies that they watch together at the video store. This film keeps nearly every relationship at a distance, much like the doll that Hideo keeps at home, waiting for him, the only person who listens to him because it responds exactly as he wants. The real world is superficial and remote, unlike the fantasy life we have made of movies.

I watched this movie while considering the fourth of Anton LaVey’s five point program for pentagonal revisionism:

Development and production of artificial human companions
The forbidden industry. An economic “godsend” which will allow everyone “power” over someone else. Polite, sophisticated, technologically feasible slavery. And the most profitable industry since T.V. and the computer.

Doesn’t the internet basically do that for so many now? Fantasies no longer have to remain in one’s head; girlfriend experience and POV videos, combined with real dolls and Fleshlights, allow so many to have the physical side of the relationship that their mental or emotional state can’t handle. The pleasure before the business, if the act of being a human being and going through love and loss can be simply boiled down to business.

I wish this was a tighter movie, but it has moments of sadness that are wonderful. Almost like being with a plastic toy; it gives you the emotions that can’t exist through film, like something its protagonists would watch while waiting on custimers.

You can watch this on Tubi.

ARROW VIDEO UHD AND BLU RAY RELEASE: Friday the 13th (2009)

Marcus Nispel directed the remake of The Texas Chainsaw Massacre in 2003, so why shouldn’t he get a shot at Jason? This film is more than just a remake of the first film. It’s really a bit of the first four all in one, which is an interesting way to start a new version of the series.

We watch Jason (Caleb Guss as a kid, Derek Mears as an adult) as he watches his mother (Nana Visitor, voiced by Kathleen Garrett) get killed by a camp counselor. Thirty years later, he kills every single teen — Wade (Jonathan Sadowski), Richie (Ben Feldman), Amanda (America Olivo, also in the remake of Maniac) and Mike (Nick Mennell, Bob in the Rob Zombie remake of Halloween) — who has comes to Crystal Lake looking for marijuana, except for Whitney (Amanda Righetti), who reminds him of his mother.

Weeks later, some rich kids — Trent (Travis Van Winkle), Jenna (Danielle Panabaker), Chelsea (Willa Ford), Bree (Julianna Guill), Chewie (Aaron Yoo), Nolan (Ryan Hansen) and Lawrence (Arlen Escarpeta) — come to stay at a fancy cabin. They’re all fodder, too. Only Clay (Jared Padalecki), Whitney’s brother, can save her. Finally, Whitney acts like Jason’s mother and stabs him, but he comes back at the end, rising from the lake.

This is a slick, CGI animated take on the Jason mythos. Writers Mark Swift and Damian Shannon also wrote Freddy vs. Jason and they have some decent ideas. No matter what, this had to be a hard movie to make, as there will be people that hate it no matter what. I’m more into the Savini school of gore, so there’s a lot of this that didn’t work for me. It’s not a horrible film by any means. It does look gorgeous, as this had a major horror cinematographer — Daniel Pearl from Texas Chainsaw Massacre — filming the movie. And while it did well at the box office — $92.7 million at the box office on a budget of $19 million — it was the end of the series. There are so many reasons for that, but it’s been too long since there’s a new film.

The package for this Arrow 4K UHD and blu ray is amazing. It has a double-sided foldout poster featuring original and newly commissioned artwork by Gary Pullin, a limited edition Greetings from Crystal Lake postcard, an illustrated collector’s booklet featuring new writing on the film by Matt Konopka and Alexandra West, a reversible sleeve featuring original and newly commissioned artwork by Gary Pullin. On the discs, you’ll discover both the theatrical and killer cuts of the movie with two new commentary tracks for the theatrical cut, one by director Marcus Nispel and another by  writers Mark Swift and Damian Shannon; an interview with cinematographer Daniel Pearl; A Killer New Beginning, an exclusive video essay about why horror fans shouldn’t fear remakes, what 2009’s Friday the 13th remake gets right, and why the film serves as a perfect template for future franchise remakes by film critic Matt Donato; terror trivia; archival features; deleted scenes; the original teaser, trailer and TV commercials; a press kit and an image gallery. The Killer version has audio commentary by film critics Alexandra Heller-Nicholas and Josh Nelson.

You can get this from MVD.

APRIL MOVIE THON 3: 2012 (2009)

April 22: Earth Day Ends Here — Instead of celebrating a holiday created by a murderer, share an end of the world disaster movie with us. But seriously, treat the planet right!

Director and writer Roland Emmerich said, “I always wanted to do a biblical flood movie, but I never felt I had the hook. I first read about the Earth’s crust displacement theory in Graham Hancock’s Fingerprints of the Gods.”

In that book, Hancock states that a civilization near Antarctica left “fingerprints” in Ancient Egypt and other civilizations, such as the Olmec,s Aztecs and Mayans. Hancock believed that in 10,450 BC, a major pole shift took place that brought Antarctica closer to the South Pole, causing global destruction and sinking Atlantis. This is based on the Charles Hapgood’s theory of Earth Crustal Displacement, which has no geological experts supporting it, as the model that they follow is plate tectonics. There’s also a strange — well, isn’t there always — strange racist bent, as there is no way — according to the author — that “jungle-dwelling Indians” could not possibly come up with a sophisticated calendar and it had to be an master white race who taught them.

That same book also inspired Emerich’s 10,000 B.C.

This starts in 2009, as geologist Adrian Helmsley (Chiwetel Ejiofor) and astrophysicist Satnam Tsurutani (Jimi Mistry) determine that a new type of neutrino from a solar flare is heating the Earth’s core. Adrian alerts White House Chief of Staff Carl Anheuser (Oliver Platt) and President Thomas Wilson (Danny Glover), who start a plan to save humanity without warning them and causing a panic.

By the next year, forty-six nations are building nine arks in the highest point of the world, in the Himalayas, to be able to survive a new flood. Any major artifacts are stored in secure locations while the people in the mountains start to work on the arks, like Tenzin (Chin Han), the brother of Buddhist monk Nima (Osric Chau). The money comes from rich people, like Yuri Karpov (Zlatko Burić), a rich Russian who plans on saving his girlfriend Tamara Jikan (Beatrice Rosen) and his twin sons Alec and Oleg (Alexandre Haussmann and Philippe Haussmann).

Former science fiction writer Jackson Curtis (Jon Cusack) works for Yuri as his chauffeur.  The call to board the arks comes in, just as Jackson returns from a vacation with his kids Noah and Lilly (Liam James and Morgan Lily), getting them back to his ex-wife Kate (Amanda Peet) and her new husband, Gordon (Tom McCarthy). Having met conspiracy radio talk show host Charlie Frost (Woody Harrelson) on the vacation — as well as Adrian, who has read his book — Jackson starts to believe that the Earth is doomed, a fact that is told to him by the Russian twins.

Jackson gets to his family with no time to spare as all of California falls to an earthquake as he races to the airport and Gordon gets the plane off the ground as the runway cracks and falls. Trying to get Charlie to find out where the arks are, he decides to stay and watch Yellowstone’s supervolcano, which kills him.

Nearly all of the rest of the world has died other than Carl, Adrian, First Daughter Laura (Thadiwe Newton), the Russians and Jackson and family, who all make it to the Himalayans and only Yuri and his boys have tickets, stranding Tamara, who is taken in by Jackson and family, who meet Nima, and all of their families try to break into one of the arks.

Nearly everyone after everyone died dies — I have a major problem with Tamara dying as she’s treated as an afterthought throughout the whole movie and her sacrifice is treated as nothing, with no one sad — and Jackson and his ex-wife reconcile and Adrian and Laura get together as the arks make it safely away from the flood.

There’s an alternate ending where Adrian’s father Harry (Blu Mankuma) and his jazz singer partner Tony Delgado (George Segal) survive. It’s pretty much a return to 70s disaster movies and I like that.

How it was marketed was controversial. There was a website for the Institute for Human Continuity, along with Jackson’s  book Farewell Atlantis and radio broadcasts from Charlie Frost, as well as his site This Is the End. Visitors could also register to get a ticket on the arks. NASA’s David Morrison was upset by this, as he got a thousand or more letters from worried people thinking the site was real. He said, “I’ve even had cases of teenagers writing to me saying they are contemplating suicide because they don’t want to see the world end. I think when you lie on the internet and scare children to make a buck, that is ethically wrong.”

It also had a new commercial placement that had never been done before. Called a roadblock campaign, it showed the thrilling two-minute escape from the earthquake scene — it’s the best part of the movie — on 450 American commercial television networks, local English-language and Spanish-language stations and 89 cable outlets at some point between 10:50 and 11:00 P.M. 90% of all households watching ad-supported TV — 110 million viewers — saw the commercial.

The whole idea of 2012 being the end of the world is supposed to have come from the Mayan calendar. But nope. They found a series of astronomical alignments that would happen in 2012, which only happened every 640,000 years, as the sun would line up with the center of the Milky Way on the day it would be lowest on the horizon. Versions of this alignment happen every December, to be honest. And while the Mayan Calendar ended in 2012, they didn’t see it as the end of the world.

Emmerich claimed, “I said to myself that I’ll do one more disaster movie, but it has to end all disaster movies. So I packed everything in.” Then he made Independence Day: Resurgence and Moonfall.

VISUAL VENGEANCE ON TUBI: Contagio (2009)

EDITOR’S NOTE: Did you know that Visual Vengeance has a ton of movies on Tubi? It’s true. Check out this Letterboxd list and look for reviews as new movies get added. You can find this movie on Tubi.

Directed and written by Steve Sessions (AberrationsDead Clowns), Contagio starts with Calvin (Luc Bernier) and Iris (Isabelle Stephen) going on a camping weekend vacation and then entering a nightmare, as they soon learn that the area that they’re in has seen people going insane.

Filmed in less than a week during the beginning of March 2009, this is the kind of movie that references The Incubus (the car that Calvin and Iris steal has the same license plate as Cassavettes’ car), The Crazies and Night of the Demon (the sheriff’s name is from that film). I’m kind of surprised by the level of people not liking this movie on IMDB and Letterboxd, because it has some great effects — I mean, a man literally pulls his own head in half and everything inside messily vomits out — and is obviously made with no budget at all. Sure, Calvin and Iris are both morons — I judged him as soon as he wore that driving hat and wondered how he was able to have such an attractive partner — but what horror movie leads are all that smart anyway?

Yes, I also get that the leg wound that Iris gets would leave her unable to walk. Yes, the footage of the helicopters is obviously stock and doesn’t feel like it fits where the movie takes place. Yes, Calvin may be a complete moron until he suddenly is an expert in science and figures out that there’s a cloud that goes into people’s eyes and makes them into infected killers.

That said, I had fun. Sometimes, you can just watch something and shut your brain off, you know?

l gatto dal viso d’uomo (2009)

I’ve read two translations for this movie’s title, The Man In the Cat’s Eye and The Cat with a Man’s Face. Either one is great. It’s a 2009 short that has its bloody heart filled with all that is giallo along with a stated influence from David Lynch’s Lost Highway.

Directed and written by Marc Dray (who is also from France, which so much modern gialli like Blackaria and Knife+Heart have come from), I Gatto dal Viso D’uomo starts with a man named Octavien (Jean-Philippe Lafargue) stopping to pick up a female hitchhiker and from there on, everything is hard to define between what is real and what is inside his mind. There’s also a murderer by the name of Il Gatto (François Remigi) who is on the loose, breaking into the homes of lonely women and killing them.

Of course, you’ll spot how much Argento is all over this movie, as several of the murders take directly from The Bird With the Crystal Plumage and Deep Red. What I liked in this is that the film is more about the mind of the killer and less a police procedural. Also, Dray understands the language and form of the giallo and doesn’t feel like he’s either making a slavish remake of the past or an art project like Amer that goes nowhere.

You can get the soundtrack to this movie by Abberline here. It’s really wonderful.

THE TWILIGHT SAGA 15th Anniversary SteelBook Collection 4K Ultra HD: Twilight: New Moon (2009)

Chris Weitz came on board for this film and he’s had an interesting career. He’s the son of Susan Kohner from Imitation of Life and novelist and clothing designer John Weitz. He and his brother Paul directed American Pie and About a Boy before he had a horrible experience directing The Golden Compass, leaving the film due to the pressure and coming back when Anand Tucker left. New Line was horrible to deal with. He said, “It was a terrible experience because I was able to shoot what I wanted to — and then the cut of the movie was taken away from me and any reference to religion or religious ideas was removed.”

Since directing this movie, he’s written Disney’s live action CinderellaThe Creator and Rogue One: A Star Wars Story.

On Bella Swan’s (Kristen Stewart) eighteenth birthday, she has a dream that she is an old woman and her boyfriend Edward Cullen (Robert Pattinson) is still young. She goes to see his family for her birthday and is nearly killed by his brother Jasper (Jackson Rathbone) when she gets a paper cut. Yes, this happens. This also causes their breakup and the Cullens to leave behind the small town of Forks.

It takes a long time to get over the depression for Bella, but one day, she goes to the movies with her friend Jessica (Anna Kendrick). After some bikers scare everyone, she realizes that she likes the rough stuff and misses Edward. The fact that The Fifty Shades trilogy was developed from a Twilight fan fiction series originally titled Master of the Universe and published by E.L. James episodically on fan websites under the pen name “Snowqueen Icedragon” is not lost on me.

She starts hanging out with Jacob (Taylor Lautner) until he becomes part of the wolf pack and cuts all his hair off. Now he has a tattoo and just spends time following Sam Uley (Chaske Spencer), the Alpha. This may start reminding you of a David DeCoteau movie.

There’s still Victoria (Rachelle Lefevre) and Laurent (Edi Gathegi) looking for revenge and soon, we learn what Sam and Jacob can do as they transform into wolves and destroy Laurent. Victoria barely escapes as Bella is kept safe. That said, Alice (Ashley Greene), the precognitive vampire, sees a vision where Bella jumps off a cliff, so Edward decides to go to Rome and ask to be killed by the Volturi, the council of vampires. Alice finds that Bella is alive and they save Edward just in time, but now the Volturi want to kill Bella for knowing that vampires exist. She offers her life for Edward’s and they agree that maybe she should be a vampire someday. She agrees and asks the Cullens and they like the idea except that Edward says, “Well, we’d have to be married” because he’s not giving up the vampire without a ring. She says that she’ll consider it and whew. New Moon everyone.

At this point in the story, the Cullens are the young X-Men, Jacob and his people are like the stuff you see on hunting shirts at Wal-Mart and the Volturi are the goth kids who make their own clothes and stand in front of Hot Topic and scare the kids who just want to buy a My Chemical Romance Funko Pop. All of these references are dated but this movie was made in 2009, so there you go.

As part of THE TWILIGHT SAGA 15th Anniversary SteelBook® Collection 4K, Twilight: New Moon has extras such as a commentary track from director Chris Weitz and editor Peter Lambert, a part of the six-part making-of doc, extended scenes, cast interviews, a red carpet video and so much more. Get this set exclusively from Best Buy.

THAN-KAIJU-GIVING: Godzilla X the Kaiju Killer (2009)

Directed by Chris Elchesyn, this is the story of the end of Earth, a planet with one human — XY-3 (Richard Jones and Danielle Ryan) — left alive and a planet filled with mutations. After a battle with the alien Mugal (Elchesyn), the cyborg soldier accidentally releases Stalkkus, a kaiju that turns on him. Only Godzilla can stop this monster.

This is a grim and gritty post-apocalyptic take on Godzilla which may not have him be the main character. For the budget, it’s an interesting movie even if the nu metal soundtrack may date it the further we get away from 2009. That’s a minor problem, however. It’s also pretty talky, but when the monsters start fighting, you’ll forget all about that.

Or maybe not, looking at some reviews. Guess some people don’t like Disturbed.

You can watch this on YouTube.

Artwork for this post from Matt Frank.

THAN-KAIJU-GIVING: Raiga: God of the Monsters (2009)

The sequel to Reigo: King of the Sea Monsters, this was also directed and written by Shinpei Hayashiya. ten years later, there was a sequel, God Raiga vs. King Ohga: War of the Monsters.

Global warming has melted the ice caps in the South Pole and disrupted Earth’s ecosystem. This also brings long-sleeping sea creatures back to life, including Raiga, which instantly decides to destroy the city of Asakusa while avoiding destroying any temples. There’s also a father (Yukijiro Hotaru) and his three daughters (Miyu Oriyama, Mao Urata, Manami Enosawa) who use the monster’s attacks to create merchandise and sell it, like something out of Yeti Giant of the 20th Century when father isn’t trying to get a new girlfriend to the anger of his children.

The Defense Force has a new weapon, KAMIKAZE, as well as cluster bombs and stealth fighters. But they can barely stop one monster, much less two. I mean, have you ever seen a kaiju piss all over some rubble to mark its territory? Watch this and you can say that you have.

This feels very close to the original Godzilla but in a way that lovingly echoes that movie. I had a lot of fun with this and found it way better than the first movie.

You can watch this on Tubi or buy it from SRS.