CHILLER THEATER MONTH: The Brain That Wouldn’t Die (1962)

EDITOR’S NOTE: The Brain That Wouldn’t Die was on Chiller Theater on Saturday, February 5, 1966 at 11:20 p.m., Saturday, June 28, 1969 at 1:00 a.m. and Saturday, February 27, 1971 at 1:00 a.m.

I really dislike anyone who makes fun of this movie. It’s been riffed and goofed on for years, but it’s way better made than it has any right to be and is filled with some big ideas that other movies from its genre and time never would dare to include.

Shot independently around Tarrytown, New York, in 1959 under the working title The Black Door, this film finds Dr. Bill Cortner (Jason Evers) as a surgeon who just won’t accept that death is the end for his patients. And when his fiancee Jan Compton (Virginia Leith) is critically injured in a car accident that he causes, he takes her head and along with his crippled assistant Kurt (Anthony La Penna), he struggles to find her a new body to transplant her still living head on.

While Jan loses her mind due to pain and the sheer oddity of being alive without a body, Dr. Bill hits the go go clubs looking for the perfect body for her. That’s one of the strangest and most delightful moments here, as instead of just any body, Dr. Bill realizes that he needs a body that best answers his sexual needs, which means he cares less about saving Jan than satisfying his repressed desires.

Throughout this story and its slowly going mad rush to tragedy, there’s a past experiment hidden behind the door. It’s played by Eddie Carmel, a 7’3″ circus performer who was known as The Jewish Giant.

This was directed and written by Joseph Green, who owned Joseph Green Pictures. It was such a tiny corporation that it had one employee, Joseph Green, and brought so many wild movies to screens like Jess Franco’s Kiss Me Monster and Two Undercover Angels, Claude Chabrol’s Pleasure Party, Something Creeping in the DarkDeath Knocks Twice and his own film, The Perils of P.K. 

I love the way this movie takes our world and instead creates its own, a place where strippers fight on stage, where camera clubs are a plot point — Sammy Petrillo is one of the dirty men taking pictures! — and old girlfriends can be wooed back just to potentially get to be the body for a new fiancee.

You can watch this on Tubi.

CHILLER THEATER MONTH: Hands of a Stranger (1962)

EDITOR’S NOTE: Hands of a Stranger was on Chiller Theater on Saturday, July 10, 1965 at 1:00 a.m. and Saturday, October 25, 1969 at 1:00 a.m.

Concert musician Vernon Paris’ hard work has finally paid off. He’s become the biggest star there is. That’s when his hands are ruined in an auto accident and Dr. Gil Harding amputates them — with no authority — and replaces them with the hands of a murderer, all in the hopes that Paris can play piano again. Sure, the transplant is a success, but Paris becomes unhinged and increasingly violent toward those he blames for him needing his killer new mitts.

Sure, this is based on the 1920 novel Les Mains d’Orlac by French writer Maurice Renard, but the real draw is the absolutely over the top slasher like violence — well, as good as it gets in 1962 — throughout the film. First, Paris argues with his former girlfriend Eileen, who can’t love him as a normal man and craves the limelight that dating him gave her. Her dress catches on fire as they fight and she burns alive. Later, Skeet, the son of the taxi driver who caused the accident, enrages Victor by being able to play the piano when he cannot. He crushes the child’s hands, then smashes his head open.

Keep your eyes peeled for a very young Sally Kellerman and Irish McCalla, who was TV’s Sheena: Queen of the Jungle. This isn’t a great movie, per se, but it’s over the top and filled with brimming menace. It’s also anything but boring!

CHILLER THEATER MONTH: Burn, Witch, Burn (1962)

EDITOR’S NOTE: Burn, Witch, Burn! was on Chiller Theater on Saturday, November 5, 1966 at 11:20 p.m.; Saturday, June 28, 1969 at 11:30 p.m.; Saturday, October 31, 1970 at 1 a.m.; Saturday, July 17, 1971 at 1:00 a.m. and Saturday, May 13, 1972 at 1.m.

Based upon the 1943 Fritz Leiber novel Conjure Wife, this movie was called Day of the Eagle in the UK before getting a title that sounded more like a horror movie for American audiences. The book had already been adapted once before as Weird Woman in 1944 and then one more time afterward in 1979 as Witches’ Brew.

The American version also has an opening in complete blackness where the voice of Paul Frees reads a spell intended to protect the audience from the evil within the film. Filmgoers also were given a special pack of salt and the words to an ancient incantation. Man, going to the movies used to be awesome. American-International Pictures knew how to sell an occult movie!

Written by a combination of Charles Beaumont (The Masque of the Red Death, several great Twilight Zone episodes), Richard Matheson (I Am LegendDuel) and George Baxt (Shadow of the CatThe City of the Dead), this is the story of Norman Taylor (Peter Wyngarde, Klytus from Flash Gordon), a man who discovers that all of his career success is due to the magic skills of his wife. As soon as he demands that she burns all of her magical ephemera, everything in his life goes wrong

By the end of the movie, his rational view of the world must confront the fact that magic truly exists. It also posits that women are the magic workers of the world and that men just stumble through, a view I can completely agree with.

The Sizzlin’ Something Weird Summer Challenge 2024: The House on Bare Mountain (1962)

BONUS WILDCARD WEEK (September 22 – 28) Go order something from the SWV website and watch it!

You’ve never seen more! Let us prove it to you when the monsters meet the girls! The nudies meet the nasties! No monster ever had it so good! See Frankenstein do the twist with Miss Hollywood! The gayest girlie spree of all time! Everything’s off when the horror boys meet Granny Good’s girls! The biggest bevy of beauties ever laid before your eyes! For adult adults only!

Get ready for 62 minutes of sheer wildness as directed by Lee Frost and Wes Bishop. If you wonder, with scumbags — and I say that term with the utmost of respect, admiration and love — like this were at the wheel, how far away was Harry Novak? Oh, he was there. He was there.

Granny Good’s School for Good Girls is really a front for girls to get naked and make booze for Granny Good, who is played by producer Bob Cresse. She also employs a werewolf named Krakow. Yes. A werewolf. And when the girls throw a party, that’s when Dracula and Frankenstein’s Monster show up.

Ann Perry, who plays Sally in this, was originally going to be a nun before she met her first husband Ron Myers. After starting her career in Cresse’s softcore films, she went fill hardcore and started her own production company, Evolution Enterprises, in the 1970’s, becomingone of the only women to write, direct, and produce her own hardcore movies. She was also the first female president of the Adult Film Association of America (AFAA).

The adult films of 1962 are incredibly odd affairs today, featuring little to no sex and mostly women taking off their clothes and doing things like reading topless. I find them incredibly charming, almost time capsules of a more innocent time, a place where small movies like this could find an audience of raincoaters who found something, anything erotic in what we would now see as just plain silly.

Sadly for Frost and Cresse, the advent of hardcore would put an end to their films. Then again, Frost would go on to produce and direct one of the oddest — and roughest — films of the golden age of adult films, A Climax of Blue Power. He kept on working right up until 1995’s direct to video softcore thriller Private Obsession. I’d also recommend his mondo films Witchcraft ’70 and Mondo Bizarro. Oh yeah! He also directed The Thing With Two Heads and The Black Gestapo. He also made Love Camp Seven, which also features Cresse acting as a commander of a German prison camp. Wow. I know more about Lee Frost than some members of my family.

You can download this on the Internet Archive. Even better, Nicolas Winding Refn’s ByNWR site has a totally cleaned up version straight from the director’s archive. Man, I want to sit down and talk to that dude someday.

The Sizzlin’ Something Weird Summer Challenge 2024: The Brainiac (1962)

69 EsSINtial SWV Titles (September 15 – 21): Klon, who came up with this list, said “This isn’t the 69 BEST SWV movies, it isn’t my 69 FAVORITE SWV movies, my goal was to highlight 69 of the MOST SWV movies.” You can see the whole list here, including some of the ones I’ve already posted.

Known as Brainiac in the U.S., this was directed by Chano Urueta, who helped Blue Demon get on the silver screen and was written by Federico Curiel, who would make The Champions of Justice, several Santo movies and Neutron.

All the way back in 1661, Baron Vitelius was burned at the stake during the Inquisition and claimed that the next time a certain comet passed by the Earth, all of the children of those that did him wrong would pay. I mean, you would think a bunch of religious folks would treat a necromantic sorcerer better, but such is life in ancient Mexico.

Three hundred years later, Baron Vitelius rides back in on that comet and is now able to change at will into a monster able to suck out the brains of his victims via a gigante forked tongue, which is incredibly easy to do thanks to his ability to hypnotize his victims.

How bonkers is this movie? No less than Frank Zappa and Captain Beefheart paid tribute to it in their song “Debra Kadabra,” saying “Turn it to Channel 13 / And make me watch the rubber tongue / When it comes out! From the puffed and flabulent Mexican rubber-goods mask / Next time they show the Binaca / Make me buy The Flosser / Make me grow Brainiac Fingers / But with more hair!”

In America, we’d be satisfied with an evil alien. In Mexico, they added the fact that he was a wizard who brought people back from the dead before he was burned alive and took a ride on a heavenly body for three hundred years. Viva la peliculas de terror!

You can watch this on Tubi.

The Sizzlin’ Something Weird Summer Challenge 2024: The Awful Dr. Orloff (1962)

69 EsSINtial SWV Titles (September 15 – 21): Klon, who came up with this list, said “This isn’t the 69 BEST SWV movies, it isn’t my 69 FAVORITE SWV movies, my goal was to highlight 69 of the MOST SWV movies.” You can see the whole list here, including some of the ones I’ve already posted.

The Awful Dr. Orloff stars Howard Vernon stars as the surgical villain, who with the help of his blind minion Morpho, is out and about and taking the flesh of women to fix the face of his daughter.

Concerned with how the film would be handled by Spanish censors, Franco made a safe version for his home country and another for British and Spanish audiences that had some nudity. And still, Spanish censors were worried that this movie would damage the reputation of their country, so Franco set it in France.

Sure, it’s a riff on Eyes With a Face, but it also is the kind of movie that Franco would return to again and again, even making a sequel two years later, El Secreto del Dr. Orloff and remixes like The Vengeance of Doctor MabuseJack the Ripper and Faceless.

This is where Franco starts and the films that follow would riff on these themes, like a doom band surrounded by smoke playing the same notes over and over but so loud that your head starts to buzz and you keep hearing the same notes and then the riff changes and for Franco, that’s a quick zoom and women just lounging as murders happen all around them and then the riff gets heavier and chugs and moves and you’re in another reality where blind men are ordered by their masters to get alabaster skin for the daughter they love and you can’t wait to buy a shirt before you drive home in the snow.

The Sizzlin’ Something Weird Summer Challenge 2024: Santo vs. the Vampire Women (1962)

69 EsSINtial SWV Titles (September 15 – 21): Klon, who came up with this list, said “This isn’t the 69 BEST SWV movies, it isn’t my 69 FAVORITE SWV movies, my goal was to highlight 69 of the MOST SWV movies.” You can see the whole list here, including some of the ones I’ve already posted.

Known as Samson vs. the Vampire Women in the U.S., this is one of four Santo films that were dubbed into English and released north of the border. Blame K. Gordon Murray, a distributor of Mexican films whose movies mainly played children-friendly weekend matinees or late night TV thanks to American-International TV.

A coven of vampire women awaken in their crypt after two centuries of sleep. Their leader, Queen Zorina, just wants to go back to Hell with her husband Lucifer — man, I love this movie — and to get here there, Tundra makes a vow to take the granddaughter of a woman who escaped her evil grip.

The only person that can save her is Santo, as his grandfather once saved the day all those years before. To get there, he’s going to have to fight a werewolf and then all of the vampire women, who decide they need to see Santo’s face, but the fun comes up and they all explode into flames. The silver masked man jumps in his convertible and drives away, satisfied with killing monsters for today.

You can watch the whole MST3K version on YouTube:

The Sizzlin’ Something Weird Summer Challenge 2024: Eegah (1962)

69 EsSINtial SWV Titles (September 15 – 21): Klon, who came up with this list, said “This isn’t the 69 BEST SWV movies, it isn’t my 69 FAVORITE SWV movies, my goal was to highlight 69 of the MOST SWV movies.” You can see the whole list here, including some of the ones I’ve already posted.

In The Golden Turkey Awards, the Medveds claim that Arch Hall Jr.’s performance as Tommy is “one of the low points in the history of American cinema” and that he has “a face only a mother could love.” He was sixteen when he made this movie, so that feels like a lot of punching down.

Well, maybe they were mad that their dad never put them in a movie.

Well, Arch Hall Sr. thought his son was going to be a star — even if that son said that he couldn’t sing — and made an Elvis movie starring his boy.

Roxy Miller (Marilyn Manning) drives out and accidentally hits Eegah (Richard Kiel) with her car. When she tells her boyfriend Tom Nelson (Arch Hall Jr.) and her father Robert (Arch Hall Sr.), her dad runs out into the desert to try and get a picture. He disappears, she finds him and he’s learned how to speak to the creature and has learned how it has stayed alive all this time. Of course, Eegah wants to marry his daughter, so he says alright, hoping that they can escape.

When they do, Eegah runs after them and dies at a pool party, but not before Ray Dennis Steckler gets thrown into the water. He would go on to make the next Arch Hall Jr. movie, Wild Guitar.

This was shot in the same Bronson Canyon area that Robot Monster was filmed at. In fact, Ro-Man’s base is the same cave that Eegah makes his home.

My favorite thing in this movie was that the sound recorder screwed up his job, so when Robert yells, “Watch out for snakes!” his lips never move.

You can watch this on Tubi.

The Sizzlin’ Something Weird Summer Challenge 2024: Slaughter of the Vampires (1962)

Golden Oldies Week (July 27 – August 3) Something Weird Video have released such a wide range of movies over the last 30 years that trying to categorize them can be tricky. They started out as a gray market mail order distributor (aka a bootlegger) not unlike the Cape Copy Center or Sinister Cinema and eventually moved into the niche se ploit titles that would set them apart. The movies on this list are the kind of cult genre titles that were the bread and butter of many of the bootleg companies of the 90s and most were not exclusive to SWV. If you look in the catalogs or on the website these would be under categories like “Nightmare Theatre’s Late Night Chill-O-Rama Horror Show,” “Jaws of the Jungle,” “Sci-fi Late Night Creature Feature Show,” or “Spies, Thighs & Private Eyes.” Many of these are currently available as downloads from the SWV site (until the end of 2024)!

Roberto Mauri isn’t talked about as often as he should be. There’s his oddball King of Kong Island, his Westerns like He Was Called Holy Ghost and his masterful Madeleine: Anatomy of a NightmareNow, after this, I need to look up more of his movies.

Released in America on TV as Slaughter of the Vampires and then as a double feature with The Blood Beast Terror — renamed as The Vampire Beast Craves Blood — as Curse of the Blood Ghouls, this has the kind of tagline that definitely made me want to watch it: “Satan’s Horror Henchmen enslave beautiful women through weird ways of love transforming them into Blood Ghoul Vampires to satisfy an insatiable LUST.”

This stars Walter Brandi, who was also in The Vampire and the Ballerina and The Playgirls and the Vampire. He plays Wolfgang, who has just become married to Louise (Graziella Granata), and they are unaware that a vampire (Dieter Eppler) has entered the party they’re having. He soon seduces Louise and bites her, which means that Wolfgang must look for a cure, finally meeting Dr. Nietzche (Luigi Batzella).

Where Hammer has rich color, this is shot in black and white, but it’s a whole different type of beautiful filmmaking. The real castle adds quite the scenery and if this movie can’t have crimson blood, it can have bosoms barely held back by their costumes and that is always enough.

You can watch this on Tubi.

The Sizzlin’ Something Weird Summer Challenge 2024: Nature’s Playmates (1962)

Herschell Gordon Lewis week (July 14 – 20) HG seemed to truly love packing theaters. He’s most famous for introducing gore to horror movies, but he’d fill any need that the audience had. He made every genre of exploitation __ – even kids movies! Gore movies would’ve happened eventually, but Herschell seemed to take joy in crafting gross-out shocks for unsuspecting cineasts. INTERESTING FACT! HG Lewis was a huge fan of Kentucky Fried Chicken and had them cater all of his productions. Col. Harland Sanders himself appeared in Lewis’ Blast Off Girls!

Chicago private detective Russell Harper (Scott Osborne) and his assistant Diana (Louise Downe, using the name Vicki Miles; she wrote several of Lewis’ films such as Linda and AbileneJust for the Hell of ItBlood Feast and The Girl The Body and The Pill. She was a student at the University of Miami, where she studied to become a psychiatrist. She dropped out of premed school because she couldn’t handle cutting up things in anatomy class, which is funny, because again, she wrote Blood Feast. She was married to Lewis from 1962 to 1971.) are looking for a missing husband, which leads them — as these things happen and most often happen in the movies of Herschell Gordon Lewis and David F. Friedman — to a Florida nudist camp.

Is there a trampoline? Yes.

Is there a swimming scene? Yes, in a muddy body of water that I wouldn’t swim in wearing a hazmat suit.

Will a woman get naked and then put back on her high heels? Yes. Doesn’t that happen all the time?

Perhaps I have seen too many nudie cuties by this point but they have also become the warmest of blankets at the end of a stressful day.

You can watch this on Cultpix.