Look, I know this is directed by the British Terence Young and has a multinational cast, but this movie is so great I’m inclined to overlook such things.

It stars one of the Magnificent Seven, Charles Bronson, and one of the Seven Samurai, Toshiro Mifune. At the time, Bronson was a huge deal everywhere but the U.S. In fact, in Japan, he was known as the face of the Mandom cologne (and still is; I have friends who only know him for that) in commercials directed by Nobuhiko Obayashi, the man who made Hausu.

Link Stuart (Bronson) and Gauche (Alain Delon, can this movie have any more suave dudes in it?) have robbed a train of about $400,000. That should be enough to set them up for life, but then they discover that a Japanese ambassador is on his way to Washington to give the President a gold sword. Gauche kills one of the bodyguards and blows up the train car, injuring Link. He’s left for dead but nursed back to health by the Japanese. The surviving bodyguard, Kuroda Jubei (Mifune), takes a blood oath to get the sword back and kill Gauche. Otherwise, both Japanese will have to commit ritual seppuku and kill themselves for their loss of honor. Link is asked to lead Kuroda to Gauche but keeps trying to lose him.

Gauche has killed all of the men and buried the money. So if he dies, Link won’t learn where his rightful stolen money is. Over time, he comes to respect the honor Kuroda has, a man who feels he is the last of his time, as such things as duty and a moral code are dying. The plan to get the sword and the money isn’t at all honorable. They kidnap Gauche’s lover, Cristina (Ursula Andress), and offer to switch her for what they want. An attack by Commanches delays things, but Cristian soon learns that Gauche isn’t the honorable criminal she thought he was.

By the end, only Gauche, Link, Kuroda and Cristina are left alive. Kuroda realizes that he needs to kill Gauche to get his honor, but Link also needs what is his. That hesitation costs him his life, a fact that places his friend’s need above money, as Link blasts Gauche and promises — and fulfills that promise, even if being caught will see him lynched — to return the sword.

I love this IMDB fact: Mifune entertained the cast and crew throughout the entire production with his refined culinary skills, bringing over a supply of Japanese meats, watercress, seaweed and other ingredients. He would also exchange recipes for French and Italian dishes, including spaghetti.

How amazing is it that this is written by Laird Koenig, the same person who wrote The Little Girl Who Lives Down the Lane?

This movie is pretty much everything I love. The swagger of Bronson, the detached cool of Mifune, the cockiness of Delon and Andress looking incredible even when fighting inside a burning field. Even Cappucine is in it!

The Arrow 4K UHD release of this film has audio commentary by critics C. Courtney Joyner and Henry Parke; A Global Western, a brand new appreciation of the film by scholar Jose Arroyo; The Ghosts of the Samurai, a brand new visual essay by Daisuke Miyao; The Man with the Gold Tooth, a new appreciation of Alain Delon by Mark Gallagher; Pour le Cinéma, an archival behind-the scenes look at the film; Un Journal du Cinéma, an archival television interview with Terence Young and Toshiro Mifune; a trailer; an image gallery; a collectors’ booklet featuring new writing by Paul Talbot and Moya Luckett and a reversible sleeve featuring original and newly commissioned art by Robert Sammelin. You can get the 4K UHD or Blu-Ray from MVD.