They will make cemeteries their cathedrals, and the cities will be your tombs. With that line, you know that what you’re about to watch better be the most mind-blowing horror film possible. Good news — Demons is all of that and then some, the kind of movie that has everything that I watch movies for.

I can’t be silent or still while it runs, growing more excited by every moment. It is the perfect synthesis of 1980s gore and heavy metal, presented with no characterization or character growth whatsoever. It’s also the most awesome movie you will ever watch.

This is an all-star film, if you consider Italian ’80s horror creators to be all-stars. Lamberto Bava is directing and doing special effects, Dario Argento producing, a script written by Bava, Argento, Franco Ferrini (Once Upon a Time in America, Phenomena) and Dardano Sacchetti (every single Italian horror film that was ever awesome…a short list includes A Bay of Blood, Shock, The Beyond, 1990: The Bronx Warriors, Blastfighter, Hands of Steel and so many more), and assistant directing and acting from Michele Soavi.

The movie begins on the Berlin subway, where Cheryl is pursued by a silver-masked man (Soavi) who hands her tickets to see a film at the Metropol. She brings along her friend Kathy (Paola Cozzo from A Cat in the Brain and Demonia), and they soon meet two boys, George (Urbano Barberini, Gor, Opera) and Ken.

The masked man has brought all manner of folks to the theater: a blind man and his daughter, as well as some interesting couples, including a boyfriend and girlfriend, an older married couple, and Tony the pimp and his girls, one of whom is Shocking Dark‘s Geretta Geretta. As they wait for the movie to begin, a steel mask in the lobby scratches her.

The movie that unspools — a slasher about teenagers who disturb the final resting place of Nostradamus — also has that very same steel mask. When it touches anyone in the movie, they turn murderous. At the very same time, one of the prostitutes scratches herself in the bathroom, and her face erupts into pus and reveals a demon. From here on out, the movie becomes one long action sequence, as the other prostitute transforms into a demon in front of the entire audience.

Meanwhile, four punks do cocaine in a Coke can and break in, releasing a demon into the city as the rest of the movie audience attempts to escape and are killed one by one. Only George and Cheryl survive, as our hero uses a sword and motorcycle to attack the demons before a helicopter crashes through the roof. But then the masked man attacks them!

I’m not going to ruin the rest of the movie, but it will tell you that even the credits offer no safety in the world of Demons. And oh yeah — Giovanni Frezza (Bob from House by the Cemetery) shows up!

Look for Argento’s daughter, Fiore, as Angela. Ingrid, the usherette, is played by Nicoletta Elmi, who was the baron’s daughter in Andy Warhol’s Frankenstein, as well as appearing in Baron Blood, A Bay of Blood, and Who Saw Her Die?

Demons are ridiculous. Pure goop and gore mixed with power chords, samurai swords, punk rockers and even a Billy Idol song, which had to blow the budget. It also looks gorgeous — filled with practical effects, gorgeous film stock and amazing colors, no doubt the influence of Bava’s father. The scene where the yellow-eyed demons emerge from the blue blackness is everything horror movies should be.

This doesn’t just have my highest recommendation. It earns my scorn if you haven’t seen it yet!

Want to know way too much about this movie and everything connected to it?

Check out this article and the video I created: So what’s up with all the Demons sequels?