This is the first appearance in a Russ Meyer movie of Charles Napier. He plays Harry Thompson, a California border sheriff and marijuana smuggler who also somehow — spoiler warning — comes back from the dead to die again in Supervixens.

But as for this movie, it starts with a narration that blames marijuana for so many evils in society. Harry has ignored all that as he Harry works his sheriff job in between illegal activity. He lives at the site of a close silver mine with his English nurse girlfriend Cherry (Linda Ashton). As for Raquel (Larissa Ely), she’s a writer who has an interest in sexually pleasuring men. The two women learn of one another but Harry doesn’t want them to make love for some reason. When we first see Raquel, she’s in bed with Harry’s partner Enrique (Bert Santos). The two men work for Mr. Franklin (Frank Bolger), the town’s main politician, to move drugs. One of their other associates, the Apache (John Milo) is screwing everyone over. Franklin asks for him to be killed, but he gets away and steals Harry’s Jeep.

Now, Enrique knows too much and he must be killed. But the Apache gets to him — and Mr. Franklin — first. Raquel finds his body and is so upset, she must be hospitalized. Good news. Her nurse is Cherry and they finally get together to make love, all while Harry and the Apache do the exact opposite and kill one another.

But ah — it was all a story that Raquel was writing. This strange ending may be because a lot of the film’s footage was accidentally ruined by the color lab. Roger Ebert said, “The result is that audiences don’t even realize anything is missing; a close analysis might reveal some cavernous gaps in the plot, and it is a little hard to figure out exactly how (or if) all the characters know each other, but Meyer’s subjective scenes are so inventive and his editing so confident that he simply sweeps the audience right along with him. Cherry, Harry and Raquel! is possibly the only narrative film ever made without a narrative.” Uschi Digard, the lover of the Apache, was also added Linda Ashton quit and you have to admit that she adds a lot to the film. Meyer claims the other actress quit over her pomeranians ruining the carpets of the motel they were staying in and the owner getting upset.

He also said, “The picture is the most successful film I have on cable television-or hotel-vision-because you never have to come in at the beginning. It doesn’t matter. It could be a loop.”

It also has one of the first instances of mainstream full frontal male nudity, which made it a controversial movie all the way back in 1969.