At one point in this movie, the female inmates begin to fight and Crazy Daisy (Tiffany Million, once a GLOW girl and later an adult star) says, “I seen this in Chained Heat!”
Yes, you sure did.
While Cirio H. Santiago also made a movie called Caged Fury just six years earlier, this one — directed and written by Bill Milling (who also wrote Silent Madness and Savage Dawn; he also directed adult films under the named Philip Drexler Jr. (A Scent of Heather), G.W. Hunter (Heart Throbs), Craig Ashwood (All American Girls), William J. Haddington Jr. (When A Woman Calls), Chiang (The Vixens of Kung Fu (A Tale of Yin Yang), Jim Hunter (Up Up and Away), Luis F. Antonero (Temptations) and Bill or Dexter Eagle (Virgin Snow).
Wikipedia claims that Fernando Fonseca (The Unholy) and one of my obsessions, Philip Yordan, wrote this, but I see no other evidence anywhere. Fonseca only wrote one other film, South Beach Dreams, and Yordan and Cannon never worked together, which is a fact that still makes me sad.
Kat Collins (Roxanna Michaels) is living out the first stanza of Poison’s “Fallen Angel:”
“She stepped off the bus out into the city streets
Just a small town girl with her whole life
Packed in a suitcase by her feet
But somehow the lights didn’t shine as bright as they did
On her mama’s TV screen
And the work seemed harder
And the days seemed longer
Than she ever thought they’d be”
After kissing her daddy (Michael Parks) goodbye and leaving Utah for Hollywood, she meets Rhonda Wallace (April Dawn Dollarhide) who gets her work with a photographer named Buck (Blake Lewis). After posing, the girls head off for the Sunset Strip and get into it with some bikers, which seeing as how this is a 1990 direct-to-video movie gets rapey and then they get saved by good guy bike enthusiast Victor (Erik Estrada) and American Combat Karate school leader Dirk (Richard Barathy).
Buck then introduces the ladies to a porn director, but that ends up setting them up as prostitutes and sent off to Honeywell Prison, which is where this movie really gets going. You know exactly all of the WIP moments you’re getting and the guards are as bad as you’d think they’d be. They’re led by Spyder (Gregory Scott Cummins, former San Diego Chargers punter) and include Pizzaface (Ron Jeremy), Paul Smith remembering everything he once did years ago in a similar role in Midnight Express and Mindi Miller (Sugar from Penitentiary III) as Warden Sybil Thorn, an S&M catsuit wearing evildoer named for two WIP legends: Sybil Danning from Caged Heat and Dyanne Thorne, who forever will be Ilsa.
So while Roxanne is getting indoctrinated into white slavery, her sister Tracy (Elena Sahagun) figures that the best plan is to do the exact same things her sister did and get put in the same prison. She’s also helped by giallo-level policework from Detective Randall Stoner (James Hong). Of course, Estrada and Barathy have to rescue her, but Estrada catches a bullet, so the white kung fu expert has to fight his way out of this lingerie hell, which magically releases them right in front of Mann’s Chinese Theater.
This movie is also replete with adult stars as prisoners, including Kascha using her more mainstream name Alison LePriol, Janine Lindemulder — who knows a little something about the big house after serving a six-month federal prison sentence for tax evasion — as Lulu (you may recognize her, if you didn’t watch adult movies, as being on the cover of Blink 182’s Enema of the State album cover or for her relationship with Jesse James and Julia Parton (yes, a relative of Dolly and once the publisher of HIgh Society).
As for the bad guys putting this all together, there’s Jack Carter as the big bad Mr. Castaglia, as well as Beano, who you may remember from Deathrow Gameshow, as Tony “Two A Day” Tarentino. This movie feels like it knows way too much about the dark side of Los Angeles, what with Jeremy in the cast and Big G being played by Bill Gazzarri.
The three hundred feet or so on Sunset Boulevard that started at Gazzarri’s and ended at the Rainbow and the Roxy Theatre was where rock and roll lived in the 90s (although the place was hot from the 60s on, with The Doors being a house band and the Miss Gazzarri’s Dancers counting Catherine Bach and Barbi Benton as alumni). When Gazzarri died in 1991 and the club closed down in 1993, it was damaged in an earthquake and went through many name changes before becoming the nightclub 1 Oak. If you want to see the club, I recommend The Decline of Western Civilization Part II: The Metal Years. Nearly every major metal band played Gazzarri’s, including longtime house band Van Halen, Ratt, Cinderella, Quiet Riot, Mötley Crüe, Poison, Guns N’ Roses, Warrant and Faster Pussycat, as well as bands you may not know if you didn’t read Hit Parader and Rip! like Shark Island, Hurricane and, if you saw the aforementioned Decline, Odin.
This movie is pure sleaze. I mean, it’s a women in prison movie. Would you want it any other way? Why are you watching it if you’re just going to judge me? You’ve read this far. You’re complicit.
You can watch this on Tubi.