EDITOR’S NOTE: This was originally on the site on May 31, 2022.
The final film between director J. Lee Thompson and Charles Bronson, Kinjitewas the ninth movie they made together and was going to be shot back to back with The Golem, a movie I wish had been made.
When reviewing the movie, the Los Angeles Times said, “If you think you might be offended by it, don’t go. You will be.”
While in Japan, a businessman had watched a woman be assaulted on the subway without complaint. And when he comes to Los Angeles, that moment continues to obsess him to the point that he attempts to recreate it and he learns that American women refuse to suffer in silence. Running from the scene of his attempted crime, he’s mugged and as others in the community learn of the crime and begins attacking men who resemble the businessman.
The woman who was involved is Rita Crowe (Amy Hathaway), the daughter of LAPD vice-squad detective Lt. Crowe (Bronson). And when he learns that the man that tried to hurt his daughter has just lost his own daughter to a child prostitution ring. Now he must get past his hate for the man and prejudice against the Japanese to do his job.
There’s not really a happy ending here — the girl is saved but the experiences she’s endured have ruined her to the point that she overdoses — and Bronson and his partner (Perry Lopez) go against their badges and attempt to murder the gang to stop them from ever doing what they did again.
Beyond the last film they did together, this was Bronson’s last Cannon movie — he would make Death Wish V with Golan — and Thompson’s final movie. It’s a dark movie in two careers where plenty of equally dark corners were explored ending with a man satisfied with finally finishing the job he set out to do.