You have to feel for the deep sea divers in this movie. Sure, they have to deal with their boss, rich businessman George Harrison, but now to get the diamonds out of the wreck of a ship that sank sixty years ago, they have to deal with not only a curse, but the ship’s undead zombie crew who must remain there until the curse is removed or the diamonds are destroyed. This is getting into some Return of the Curse of the Creature’s Ghost-like shenanigans, right?
Somehow, fate has decreed that I watch multiple Alison Hayes films as of late. Between Gunslinger, The Unearthly, The Crawling Hand and this movie, I really have come to enjoy seeing her show up. Marjorie Eaton — who was the physical actress who played Emperor Palpatine in the non-special editions — is also on hand.
The prologue to this movie says, ‘In the darkness of an ancient world — on a shore that time has forgotten – there is a twilight zone between life and death. Here dwell those nameless creatures who are condemned to prowl the land eternally — the Walking Dead.” That’s right, this movie used Twilight Zone two years before Rod Serling and 46 years before the comic book. And wow, zombies sure got different a decade or so later.
The Zombies of Mora Tau is one of four movies on Arrow Video’s new Cold War Creatures: Four Films From Sam Katzman set along with Creature with the Atom Brain, The Werewolf and The Giant Claw. Each film has a 1080p blu ray presentation, along with a fully illustrated 60-page collector’s book featuring extensive new writing by Laura Drazin Boyes, Neil Mitchell, Barry Forshaw, Jon Towlson and Jackson Cooper, as well as 80-page collector’s art book featuring reproduction stills and artwork from each film and new writing by historian and critic Stephen R. Bissette, the former artist of Swamp Thing. Plus, you get two double-sided posters featuring newly commissioned artwork by Matt Griffin and reversible sleeves for each movie with original and newly commissioned artwork for each film by Matt Griffin.
The Zombies of Mora Tau has plenty of extras, including an introduction by Kim Newman, commentary by critic Kat Ellinger, a visual essay exploring the intersection of mythical horror creatures and the rational world of science in the films of Sam Katzman by critic Josh Hurtado, the theatrical trailer and an image gallery.
You can get this set from MVD.
Marjorie Eaton was my great-aunt. She also appeared in Monstrosity and in Mary Poppins, also in the original The King And I.
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