Allow me to present Canada’s 1982 entry to the strange symphony, Big Meat Eater.
Director Chris Windsor co-wrote, co-edited and co-wrote the soundtrack along with producer Laurence Keane (who would go on to make Samuel Lount with the third member of the writing team, Phil Savath; Savath also wrote Fast Company for David Cronenberg and the Jello Biafra sci-fi’er Terminal City Ricochet) while in film school. It’s the story of Abdullah (played by Clarence “Bull” Miller, who was a Kansas City blues shouter so loud he didn’t need a microphone; racial tensions led him to travel the world and finally settle in Edmonton), a butcher (which has to be a pro wrestling reference) who kills the mayor of town and stashes the body at his new job, working for Bob the Butcher, who lives by the motto “Pleased to meet you, meat to please you.”
That would all be strange enough if there weren’t aliens floating above town, obsessed by the large deposits of Bolonium beneath the butcher shop, reanimating the dead mayor to do their bidding. Meanwhile, everyone sings, dalmatians get turned into spotted beef and mutations abound. Oh yeah, and Bob has invented a new language for the town’s future-forward theme park.
What a magical time 1982 was, when a film like this could come out and find just the right people in the right video store to send the right wavelength to. Sure, we can find things easily now, but we can’t get as invested, right?
There was a sequel planned, Teenage Mounties from Outer Space, that never happened. We’re all the poorer for this.