Slaughter Night is a portmanteau written and directed by Gilberto de Anda. It features three stories that aren’t really connected, but the astounding ending of the last story more than makes up for that. I’d never seen a Mexican Bigfoot before and now that I have, I feel like my life is closer to finally nearing completion. Don’t feel sad. I feel fulfilled.
In the first story, a young actor wants to get ahead and learns that his elder rival uses black magic. So he kills the man and steals his book of spells, which seems like the worst idea ever. Or perhaps that’s the second story, where some punk rockers try to rob a family of vampires.
The last story, well, that’s why you’ll want to watch this. Mexican action movie star Mario Almada — who looks like someone’s dad and not who we in America would think of as someone who should be in those types of films and we really need to get over our prejudices in so many ways, but particularly against elder Mexican actors not being able to patear el culo.
Anyways, Mario plays a hunter who has been after a Yeti for his entire life, before having to join forces with El Squatcho and fight a bunch of thugs who are about to assault Mario’s annoying comedy relief wife. Much like the creature in Night of the Demon, this Bigfoot’s fight style is to knock people’s heads clean off. It’s everything I wanted this movie to be, but it takes a while to get there.