Think Kaley Cuoco’s Penny from CBS-TV’s The Big Bang Theory with common sense and intelligence — and an emotionally secure boyfriend — and you’ve met University of Toronto particle physicist Siobhan (Victoria Kucher). And unlike the constant “I have a girlfriend” bragging and the “Why can’t I have a girlfriend” whining of her BBT insecure counterparts, Siobhan is in a comfortable, mature relationship with her photographer-boyfriend Sean (Steven Yaffee).
Unfortunately, as with her fellow Big Bangers, she’s a bit self-righteous and passive-aggressive (think Howard Wolowitz’s “I’m an astronaut,” bragging at every opportunity, only less nebbish) and comes to realize she’s outgrown Sean and his free-spirited artschool friends. When she’s offered a physics fellowship at Switzerland’s CERN lab in Geneva and Sean has as an opportunity to attend grad school in Paris, Siobhan feels trapped. They break up, sort of; Siobhan goes off with her more-in-common-in-mind, geeky co-work, Alvin; Sean goes off with DeeDee from his circle of friends.
There are lots of analogies about “particles colliding” and “alternate universes” and “realities,” not just in the scientific sense, but in the relationship sense; that we’re all just particles bouncing around in space and time, always questioning our personal identities and how others determine our identity. This is a movie about how one finds their “voice” in life. And this isn’t a sappy Sandra Bullock time travel romp about a magical mailbox, either.
Skills abound in this feature film writing debut from Sean Gerrard, a graduate from York University’s film program (he’s produced five shorts and worked on several Canadian TV series); he writes with a level of intelligence you don’t see in the low-budget indies we normally review at B&S About Movies. If you’re a fan of human interest dramas like NBC’s This Is Us or ABC-TV’s A Million Little Things — only with a very light, sci-fi twist, there’s something here for you to watch.
The most interesting aspect of the film: Unlike most indies, which shoot it fast, cheap and quick in less than a month — or shorter, Gerrard chose to shoot Space & Time over the course of 11 months to show the “real time” progression of the break up and evolvement of Siobhan and Sean’s journey through “space and time.”
Space & Time is currently available on all the usual VOD and PPV platforms.
Note: That is the design of the theatrical one-sheet: we didn’t edit the artwork with the edges cut off.
Disclaimer: This was sent to us by the film’s PR company.