New York City in 1974 must have felt like the end of the world. Based on the 1972 novel by Brian Garfield, Death Wish was the answer. In fact, in many theaters, the audience stood up and cheered as Paul Kersey got his bloody revenge for the crims visited upon him and his family.
The film we’re about to discuss went through many twists and turns as it made its way to the screen. Originally, it ended with the vigilante hero confronting the thugs who attacked his family and them killing him, police detective Ochoa discovering his weapon and deciding to follow in his footsteps. And get this — the first choice to play the lead was Jack Lemmon, with Henry Fonda as Ochoa and Sidney Lumet directing.
Finally, United Artists picked the gritty action veteran Michael Winner to direct. Several studios rejected the film due to its subject matter and the difficulty of casting the lead. Winner wanted Bronson, who he’d worked with in the past, but the actor’s agent hated the message of the film and Bronson felt that the book was about a weak man, someone he would not be playing on film.
Death Wish turned Bronson, who was 53 at the time of its release, into a major star known worldwide. It’s a movie made exactly for its time. Despite its lurid subject matter and dangerous acceptance of its hero’s actions, it’s still a great exploitation film that actually explores the why behind its hero’s actions instead of just setting him loose upon people.
Paul Kersey (Bronson) starts the movie in Hawaii with his wife Joanna. When they return home to the squalid streets of New York City, it’s only days before three thugs — including Jeff Goldblum! — invade their apartment, raping their daughter Carol and bearing Joanna so badly that she dies. Beyond Goldblum in this early role, keep an eye open for Christopher Guest and Olympia Dukakis as cops, as well as Sonia Manzano (Maria from Sesame Street, who was dating director Winner at the time and suggested that Herbie Hancock do the score) and Lawrence Hilton-Jacobs (Freddie “Boom Boom” Washington from TV’s Welcome Back, Kotter) in supporting roles.
As he recovers from his wife’s death, Paul is mugged. He fights back and chases off his attacker and finds new strength from the battle. An architect by trade, Paul heads to Tucson where he helps Ames Jainchill with his residential development project. After work one night, he goes to a gun club with Ames, where we learn how good of a shot Paul is. Turns out he was a conscientious objector and combat medic who was taught marksmanship by his father, but promised his mother he’d never pick up another gun after his dad was killed in a hunting accident. On the way back home, Paul discovers that Ames has given him a gun as a gift.
Now back home, Paul learns from his son-in-law that his daughter is still catatonic and would be better off in a mental hospital. That night, when walking, Paul is mugged again but he has the gun with him. He fights back and kills the mugger, but even that action causes him to grow physically sick. But soon, he’s prowling the mean streets and looking for a fight.
Before long, NYPD detective Lt. Frank Ochoa (Vincent Gardenia) begins investigating the vigilante killings and quickly narrows down his suspect list to Paul. As the manhunt gets closer and closer, Paul finally is caught after passing out from blood loss after a shootout. Instead of arresting him, the NYPD wants the case quietly solved, so they send him off to Chicago. The minute he arrives, he helps a woman who was almost mugged and stares at the criminals with a smile, his fingers in the shape of a gun.
There’s a story which may be apocryphal, but when Michael Winner told Bronson what this film would be about — a man who goes out and shoots muggers — Bronson replied, “I’d like to do that.” Winner said, “The film?” And Bronson replied, “No. Shoot muggers.”
After viewing the film, author Brian Garfield hated how the film advocated vigilantism, so he wrote a sequel called Death Sentence that was made into a movie in 2007 starring Kevin Bacon. No word on whether or not he hated that movie too, as it only keeps a little of the book.
Compared to the heights of mayhem that this series will descend to, this is a retrained meditation of a man facing an increasingly violent world. Stay tuned. Paul Kersey is just getting started.
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