Kate Collins (Susan Strasberg) is afraid to paint over her old canvases. Yet after receiving a batch of bizarre paintings from her friend David (Ben Marley), she decides to whitewash one of the canvases and reuse it. Kate’s decision to whitewash David’s canvas isn’t just an artistic choice; it’s a symbolic erasure of the past. By painting over what already exists, she inadvertently hits the reset button on the linear flow of time.

Shortly after, she experiences a series of bizarre events, including falling down the stairs just as paramedics arrive at her door. She has somehow reversed cause and effect, allowing her to change reality. 

The episode delves into the concept of karma and the unpredictable nature of reality. Kate’s newfound ability comes with unforeseen consequences, as her chaotic lifestyle and whimsical decisions lead to increasingly dangerous situations. Kate tries to use her ability for minor conveniences, but because the “Effect” happens first, she is forced to commit the “Cause” to satisfy the loop. She becomes a slave to her own future. As she loses control of her abilities, the episode builds to a chaotic, explosive climax.

Directed by Mark Jean (who went from TV series directing to Hallmark movies) and written by Michael Kube-McDowell, this has Kate as a hippy who did acid in college, suddenly learning that there does need to be some order to the world, or things just fall to pieces. Yet this is another episode of Tales from the Darkside where things just happen. There’s no moral lesson; no one escapes. It just happens, and people die. We move on. I wonder if that’s what keeps this show from being considered in the upper echelon of TV horror anthologies? 

In The Twilight Zone, a character like Kate would be punished for her hubris. In Tales from the Darkside, she’s just… there.