Directed by Richard Michaels (Leona Helmsley: The Queen of Mean) and penned by Leigh Chapman, the former actress turned screenwriter who wrote the Chuck Norris cult hit The Octagon, this film is a strange cocktail of industry cynicism and low-budget grit.

The film stars Adam Roarke as Person and Larry Bishop as Brandy. If those names sound familiar, they should; both were staples of the leather-and-chrome biker circuit (Hells Angels on Wheels, The Savage Seven). Here, they play two stuntmen who have finally had enough of the shallow Tinseltown grind. Trading the movie set for the open road, they decide to pivot into the high-stakes world of international narcotics. Joined by Person’s sister Brigitte, played by the ethereal Alexandra Hay (Skidoo), the trio heads south of the border to move weight across Mexico.

There’s no real story to speak of, but it does feature early roles for Penny Marshall and Rob Reiner as the couple the bikers are buying drugs from. Despite being filmed in 1971, it sat on a shelf for three years. When it finally emerged, it felt less like a hard-hitting crime drama and more like a nihilistic, 84-minute sitcom episode where the punchlines are replaced by dust and desperation.

There isn’t a traditional story to cling to. Instead, the film functions as a vibe-heavy road movie. It’s a hazy journey through the desert that feels exactly like the era it was born in—unfiltered, aimless, and slightly hungover. Whether that’s your jam or a total drag depends entirely on how much you value vibe over plot. As they say, your mileage may vary.