September Drive-In Super Monster-Rama 2025: Eaten Alive (1977)

September Drive-In Super Monster-Rama is back at The Riverside Drive-In Theatre, September 19 and 20, 2025. Two big nights with four feature films each night include:

  • Friday, September 19: Mark of the Devil, The Sentinel, The Devil’s Rain and Devil Times Five
  • September 20: The Omega Man, Invasion of the Body Snatchers, the Grindhouse Releasing 4K restoration drive-in premiere of S.F. Brownrigg’s Scum of the Earth and Eaten Alive

Admission is $15 per person each night (children 12 and under – accompanied by an adult guardian – are admitted free). Overnight camping is available (breakfast included) for an additional $20 a person per night. Advance online tickets (highly recommended) for both movies and camping here: https://www.riversidedrivein.com/shop/

Tobe Hooper followed up The Texas Chainsaw Massacre with another film that explored the horror and depravity prevalent in South Texas.

The Texas Chainsaw Massacre co-writer Kim Henkel was inspired by Joe Ball, the Alligator Man, who owned a live alligator attraction in the 1930s. Despite being suspected of several murders, legend had it that Ball would feed the dead women to his alligators. Ball started as a bootlegger before opening his Sociable Inn in Elmendorf, Texas, which was surrounded by a pond where he’d charge people to watch him feed live cats and dogs to them. After former girlfriends, barmaids and even his wife went missing, two policemen tried to question him. He pulled a gun and shot himself — either in the head or the heart. That said, many believe the stories about Joe Ball to be simply Texas folklore. He did exist, though.

Working under the title Death Trap (the film is also known as Horror Hotel and Starlight Slaughter), the entire film was shot on a soundstage, utilizing the Raleigh Studios pool as a swamp. This enabled Hooper to create what he called a “surrealistic, twilight world.” True to form, issues with the producers took him away from the film before the shooting ended, but he had a decent relationship with the actors. Cinematographer Robert Caramico finished directing the film once Hooper left.

This movie starts grimy and stays that way. Buck (Robert Englund in an early role) demands kinky sex from Clara Wood (Robert Collins, Matilda the Hun from Death Race 2000!), who refuses. This scene contains the line, “I’m Buck and I’m here to fuck,” a line that Quentin Tarantino used in Kill Bill.

No one says no in Miss Hattie’s (Carolyn Jones, who is better known as Morticia Addams!) house of women, so Clara is kicked out. One of the girls takes pity and gives her money to stay at the Starlight Hotel, a rundown motel in the swamp. There, she meets the owner, Judd (Neville Brand, famous for playing Al Capone in The Untouchables TV series and The George Raft Story), who we soon learn is a demented sex maniac. He attacks her, chasing her into the swamp, where a Nile crocodile eats her. Yep — don’t get too attached to anyone here. This is very Psycho territory, where bad people meet even worse ends.

A couple soon arrives-aye (Marilyn Burns, The Texas Chainsaw Massacre) and Roy (William Finley, Winslow Leach from Phantom of the Paradise), along with their daughter Angie (Kyle Richards, Lindsey Wallace from HHalloween) and their dog, Snoopy. Don’t get attached to Snoopy, who isn’t long for this world. As Angie finds a dead monkey and screams, the dog runs into the swamp w, here he is eaten. Roy goes to kill the gator, but is stabbed by Judd’s scythe. Then, the insane motel owner ties Faye to the bed and tries to grab Angie, who hides under the porch of the building.

Harvey Wood (Mel Ferrer, The Visitor, The Antichrist and first husband of Audrey Hepburn) arrives with his daughter, Libb, looking for Clara. Sheriff Martin (Stuart Whitman, Guyana: Crime of the Century, The Monster Club, Ruby) helps them as they search for Harvey’s runaway daughter. Libby goes out with the sheriff while Harvey stays back at the hotel. As he finds Faye tied to the bed, he’s also killed by Judd and his scythe.

The sheriff kicks Buck out of the bar — remember him? — and he goes to the Starlight with his underage girlfriend. While they’re having sex, they hear a scream. Buck discovers Faye, but is pushed into the swamp where he is devoured.

Finally, Libby comes back and saves her sister and Angie. Judd goes insane and chases them into the swamp, where he’s eaten by his own gator. Or crocodile — the movie is never sure.

I’ve always joked that Rob Zombie is continually trying to remake The Texas Chainsaw Massacre 2. After watching this, I get the feeling that this is the movie he wants to make. It’s covered in a layer of filth from beginning to end, with characters coming and going, people getting killed horrifically and style triumphing over coherent plot. Even better, there’s a mix of actors that you instantly recognize playing some significant roles, particularly Neville Brand, whose muttering insanity is total perfection. There’s also an excellent electronic score that really sets the mood — even ending in a crash after the final credits.

True to his promise, Hooper delivers a film that feels like a nightmare throughout. Its dream logic makes for an occasionally funny, often grotesque movie that is never boring.

Here’s the episode of the podcast about this movie.

Here’s a drink!

Starlight Slaughter Swamp Water

2 oz. tequilla
3 oz. Midori
.25 oz. blue curacao
3 oz. sour apple pucker
2 oz. sweet and sour mix
3 oz. lemon-lime soda

Add tequila, Midori, sour apple pucker and sweet and sour mix to a shaker filled with ice. Shake it up, then pour into a glass. Pour in lemon-lime soda and top with the blue curacao.