Terminus, where have you been all my life?

In the year 2037, genetically engineered Mati (Gabriel Damon) has been programmed by an evil doctor (Jürgen Prochnow) to design an AI named Monster, which drives a giant truck in a race for $100 million. Somehow, this brings together its human driver, Gus (Karen Allen) and French Elvis Johnny Hallyday as Stump as they navigate the end of the world.

Directed by Pierre-William Glenn and written by Patrice Duvic, Alain Gillot and Wallace Potts, this is a so out of left field post-apocalyptic cash-in, a film where a truck has a human mouth, where goth kids float in labs, an intro song by  Stan Ridgway from Wall of Voodoo, three parts for Prochnow, Howard Vernon’s voice, a Philip K. Dick license plate, a shout-out to Heavy Metal artist Enki Bilal and despite all the car stunts, it has the core DNA of an art film beating inside what should be a total theft of Australia end of the world cinema.

The MVD releaase of this film has the U.S. and extended French versions of the film, as well as an interview with star Jürgen Prochnow, We All Descend – The Making of Terminus with Vincent Glenn (son of director Pierre-William Glenn), star Julie Glenn (daughter of Pierre-William Glenn) and archival interviews with Pierre-William Glenn, photo gallery, reversible cover artwork, a poster, a trailer and a limited edition slipcover. Get it from MVD.