In the sequel to 2021’s 2551.01, director Norbert Pfaffenbichler presents a visually unique world. In it, a man in a monkey mask navigates a strobing and flashing landscape of deviancy and pain. He’s pursued by a plague doctor and his army while attempting to rescue an abandoned child. But this is just the surface of a film that truly comes alive when you immerse yourself in its striking visuals, allowing them to sear into your consciousness.

Following the monkey man’s shooting, a masked woman intervenes, leading to a blossoming romance. Yet, beneath this love story, there’s a pervasive sense of ennui and helplessness. The protagonist is always on the brink of his objective but perpetually ensnared by violence and a sexual frenzy that has seized these future inhabitants. All of this unfolds against a backdrop of electronic soundscapes and classical music, adding depth to the film’s exploration of these themes.

This movie warns you from the start: it has disturbing images, sexualized moments and strobing. It’s either going to be totally something. You vibe to or the exact opposite. I get the feeling there’s really nowhere in between.

I watched this film as part of The Bucheon International Fantastic Film Festival (BIFAN). You can learn more at their official site.