Salute Your Shorts is the student and Tennessee filmmaker showcase as part of the Chattanooga Film Festival. There are some great films here, so get ready to dig in!

Stephen King’s All That You Love Will Be Carried Away (2023): Based on the Stephen King short story, this is the tale of Alfie Zimmer, (John Ennis) a middle-aged traveling salesman, contemplating suicide in a scummy motel somewhere in the middle of Nebraska. During his lonely trips across America, he has saved graffiti that he has seen in a notebook and now regards them as friends that offer him some distraction as well as something that speaks to him. He then decides to hide the book and if he’s going to kill himself, he leaves it to fate. If the lights of a farmhouse behind the motel appear in the snow before he counts to sixty, he will write a book based on the things he’s seen written on the walls. If not, he will throw away the book and put a bullet in his mouth. Well, in the book, that’s how it ends. This has lights appearing in twenty seconds is the bet and this film gives away what happens next while King doesn’t reveal the fate of Zimmer. Directed and written by Bolen Miller, this film is a fine addition to the many Dollar Baby — King takes only a dollar for student filmmakers to make one of his stories — adaptions of this yarn.

Punch the Boss (2023): Directed by Taryn Grace and written by Matt Webb, this short sets up the eternal conflict in nearly every workplace. If you hate your job, shouldn’t you just go ahead and punch your boss in the face? Pete (Webb), Cory (Cory Davison), Les (Jay Heselschwerdt) and Doug (Chris Maloney) wonder the very same eternal question, especially when they can trace all of their life’s woes to their leader, Johnson. Can all of our problems be solved with violence? And what happens when you finally rise up with fists and you find out that perhaps you’re not quite as tough as you thought you were? There’s some fun camera work here on the way to the boss’s office that is nearly POV and the character work is quite solid for a short of this length.

Solitude (2023): Directed by Trevor Hancock, Solitude is all about a man named Brett who just wants a weekend of absolute, well, solitude. Yet the person next door won’t give him a moment’s peace, constantly pushing him further and further away from the self-care and quiet he so desperately needs. Sometimes, the only way to achieve peace is through an insane act of violence. Maybe that’s me saying that. Perhaps it’s the voices in Brett’s head. You have three minutes in this short to figure out the answer for yourself.

Don’t Look Too Far Ahead (2023): This was an utterly gorgeous short that is so different than usually what plays at fests. It tells the story of Miami native and first-generation Haitian-American college basketball athlete David Jean Baptiste. He talks about how he may not have had the same monetary advantages of his fellow players, but he knew that he had athletic gifts that could not be bought. I really enjoyed that he remember something a teacher once told him, that he was more than just a basketball player. Looking at his life online, you can see that he was on the Dean’s and Honor’s List nearly every year that he attended The University of Chattanooga and won the prestigious Blue Award from the Chancellor’s Office for campus leadership and service. This film sets up his last home game as he reflects on where he has come from and wonders what the future holds as he plays guard for the Rogaska Crystal team in Slovenia. I really liked a lot of the choices that director Nattalyee Randall made with this film and it gave me such a sense of joy and hope.

Greenhouse (2023): As a flower farmer (Morgan Sharpe, one of the film’s writers with Marah Bates, who also dances in this short) begins to grow her first crop, she finds that the critical voice in her head is paralyzing her and nearly costing her ability to enjoy the fruits of her harvest even as they are grown. Directed by Rachel Porter — who is a “fledgling flower gardener by hobby”, this is a meditation on “the daily struggle to persevere amidst self-doubt, learning to face our fears, and choosing to sit with the dark spaces within ourselves.” I really found a lot to consider and think about in this one’s short run time and will use what I have learned as I push to create more and better works. You can learn more at the film’s official site.

After Hours (2023): Directed by James Ross, this short feels like part of a much bigger project or at least I hope that’s the case. As a night shift security guard and custodian work their way through the small hours, something strange is happening. All they have on their side are the surveillance cameras and a walkie-talkie as they come nearly face to face with something unseen, something vicious and something out for their blood. Really enjoyed the sound design and how this was shot. Here’s hoping for more.

Anya (2023): Directed and written by Chris Davies, Anya hints at the potential for so much more. Something horrifying has emerged from the forest sometime in the 70s, definitely on Halloween night and most assuredly with no good will. Tava Hill is Anya, a young woman whose future is tied to this creature. Anya is just a bit under six minutes long and the opening scare record that informs us that Halloween is about death and revenge, well…that sets up something great. Nearly every moment of this is perfectly art directed, scored and lit. I can’t wait to see what Davies is up to next. Why does Anya have a diary? Who was the woman that came from the woods? And how does it all tie together? I need to know more!

Crossing Tides (2023): Directed and written by Gabriel Henk, this short is about how a recently widowed older woman copes with the loss of her husband. I’ve been thinking about this a lot, as my mother went from being in the same house as my dad for 52 years to now being alone with just two cats since his loss. How do adjust to the silence? Time passes and she starts to see her husband more and more as this film moves to its expected conclusion. That said, it’s well made and definitely brought up some thoughts and emotions.

Harmonious (2023): Two friends — played by Lainey Mackinnon and Madison Beehner — have given in to greed and decided to summon a demon (David Sircusa) in the hopes of achieving their desires. But there’s a big difference between the idea of bringing a demonic force to life and what it will demand from you when it becomes a real and actual event. Directed and written by Valery Garcia through the Florida State University College of Motion Picture Arts, this also feels like it could be expanded into a feature.